Portretul lui Barend Wijnveld

Cele 56 cele mai faimoase picturi ale lui Barend Wijnveld, fiecare unică în felul ei

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Anno 1648. The Peace of Munster (1850) este pictura lui Barend Wijnveld care atrage cele mai multe priviri; originalul aparține Amsterdam Museum, Amsterdam. După aceasta, privirea se îndreaptă către Anno 1584. The Murder of Willem van Oranje (1850) și Anno 1647. Frederik Hendrik feels his end approaching and takes leave of the Staten (1850). Dintre cele 56 opere ale lui Barend Wijnveld din catalogul nostru, acestea 56 sunt cele mai celebre, fiecare fiind o piesă unică, prezentată împreună cu anul creării, muzeul deținător și motivul pentru care aceasta rămâne memorabilă.

1820 – 1902, Amsterdam Cele mai multe lucrări: Amsterdam Museum

Cele mai importante 10 picturi ale lui Barend Wijnveld, prin ochii galeriei

Păiți celebrele picturi ale lui Barend Wijnveld, de la numărul 11 la 56

11Count Jan II grants the first Privilege to Amsterdam, 1300 (1861) de Barend WijnveldCount Jan II grants the first Privilege to Amsterdam, 13001861 · Amsterdam Museum 12Anno 1576. The Pacification of Ghent (1866) de Barend WijnveldAnno 1576. The Pacification of Ghent1866 · Amsterdam Museum 13Anno 1571. Viglius Resists Alva's Tyranny (1866) de Barend WijnveldAnno 1571. Viglius Resists Alva's Tyranny1866 · Amsterdam Museum 14Anno 1574. Oranje sees how the fleet of d'Avila lets the tide pass (1866) de Barend WijnveldAnno 1574. Oranje sees how the fleet of d'Avila lets the tide pass1866 · Amsterdam Museum 15Anno 1472. Reinoud van Brederode defends his right as a knight of the Golden Fleece (1866) de Barend WijnveldAnno 1472. Reinoud van Brederode defends his right as a knight of the Golden Fleece1866 · Amsterdam Museum 16Anno 1630. Frederik Hendrik visits Count Jan van Nassau in his prison at Wezel (1866) de Barend WijnveldAnno 1630. Frederik Hendrik visits Count Jan van Nassau in his prison at Wezel1866 · Amsterdam Museum 17Anno 1813. Return of the Prince of Orange at Scheveningen (1866) de Barend WijnveldAnno 1813. Return of the Prince of Orange at Scheveningen1866 · Amsterdam Museum 18Anno 1840. The Abdication of Willem I (1866) de Barend WijnveldAnno 1840. The Abdication of Willem I1866 · Amsterdam Museum 19Anno 1787. Burgemeester Dedel is Brought Home in Triumph (1865) de Barend WijnveldAnno 1787. Burgemeester Dedel is Brought Home in Triumph1865 · Amsterdam Museum 20Anno 1619. The Founding of Batavia (1866) de Barend WijnveldAnno 1619. The Founding of Batavia1866 · Amsterdam Museum 21Anno 1672. The People of Dordrecht Cheer Willem III (1866) de Barend WijnveldAnno 1672. The People of Dordrecht Cheer Willem III1866 · Amsterdam Museum 22Anno 1692. Menno van Couhoorn leads Vauban around through the fortifications of Namen (1865) de Barend WijnveldAnno 1692. Menno van Couhoorn leads Vauban around through the fortifications of Namen1865 · Amsterdam Museum 23Anno 1596. The Brave Appearance of Paulus Bax as Commander of Bergen op Zoom (1866) de Barend WijnveldAnno 1596. The Brave Appearance of Paulus Bax as Commander of Bergen op Zoom1866 · Amsterdam Museum 24Anno 1477. Charles the Bold falls at Nancy (1866) de Barend WijnveldAnno 1477. Charles the Bold falls at Nancy1866 · Amsterdam Museum 25Anno 1492. The Cheese and Bread People in Haarlem (1866) de Barend WijnveldAnno 1492. The Cheese and Bread People in Haarlem1866 · Amsterdam Museum 26Arnoud and Adolf van Gelre Plead Their Case Before Charles the Bold (1866) de Barend WijnveldArnoud and Adolf van Gelre Plead Their Case Before Charles the Bold1866 · Amsterdam Museum 27Anno 1468. The Audacity of Charles the Bold in Middelburg (1866) de Barend WijnveldAnno 1468. The Audacity of Charles the Bold in Middelburg1866 · Amsterdam Museum 28Anno 1039. Bernulf is Appointed Bishop of Utrecht (1866) de Barend WijnveldAnno 1039. Bernulf is Appointed Bishop of Utrecht1866 · Amsterdam Museum 29Anno 1395. Willem van Oostervant and the Cut Tablecloth (1866) de Barend WijnveldAnno 1395. Willem van Oostervant and the Cut Tablecloth1866 · Amsterdam Museum 30Anno 1287. A Flood in Friesland (1866) de Barend WijnveldAnno 1287. A Flood in Friesland1866 · Amsterdam Museum 31Anno 1512. Wassenaer is Displayed in an Iron Cage (1866) de Barend WijnveldAnno 1512. Wassenaer is Displayed in an Iron Cage1866 · Amsterdam Museum 32Anno 1417. Willem van Arkel falls in battle (1866) de Barend WijnveldAnno 1417. Willem van Arkel falls in battle1866 · Amsterdam Museum 33Anno 1697. Tsar Peter the Great in Holland (1865) de Barend WijnveldAnno 1697. Tsar Peter the Great in Holland1865 · Amsterdam Museum 34Anno 1049. Count Dirk IV of Holland is killed by an arrow (1866) de Barend WijnveldAnno 1049. Count Dirk IV of Holland is killed by an arrow1866 · Amsterdam Museum 35Anno 1513. The Surprise of Arnhem (1866) de Barend WijnveldAnno 1513. The Surprise of Arnhem1866 · Amsterdam Museum 36Anno 1813. The Upheaval in Amsterdam (1866) de Barend WijnveldAnno 1813. The Upheaval in Amsterdam1866 · Amsterdam Museum 37Anno 1793. Prince Frederik is wounded in the battle at Wervik (1865) de Barend WijnveldAnno 1793. Prince Frederik is wounded in the battle at Wervik1865 · Amsterdam Museum 38Anno 1748. Plundering of the Houses of the Tax Farmers (1866) de Barend WijnveldAnno 1748. Plundering of the Houses of the Tax Farmers1866 · Amsterdam Museum 39Anno 1696. The Aansprekersoproer in Amsterdam (1865) de Barend WijnveldAnno 1696. The Aansprekersoproer in Amsterdam1865 · Amsterdam Museum 40The death of Angelus Merula (1875) de Barend WijnveldThe death of Angelus Merula1875 41Anno 1651. De Grote Vergadering at 's-Gravenhage (1866) de Barend WijnveldAnno 1651. De Grote Vergadering at 's-Gravenhage1866 · Amsterdam Museum 42Anno 1861. Ice Skaters Show King Willem III the Way During the Flood in the Bommelerwaard (1866) de Barend WijnveldAnno 1861. Ice Skaters Show King Willem III the Way During the Flood in the Bommelerwaard1866 · Amsterdam Museum 43Anno 1631. The Victory on the Slaak (1866) de Barend WijnveldAnno 1631. The Victory on the Slaak1866 · Amsterdam Museum 44Anno 1574. The Battle on the Mookerheide (1866) de Barend WijnveldAnno 1574. The Battle on the Mookerheide1866 · Amsterdam Museum 45Anno 1568. The Battle of Heiligerlee (1866) de Barend WijnveldAnno 1568. The Battle of Heiligerlee1866 · Amsterdam Museum 46Anno 1831. The Self-Sacrifice of Van Speyk (1866) de Barend WijnveldAnno 1831. The Self-Sacrifice of Van Speyk1866 · Amsterdam Museum 47Anno 1677. Roemer Vlacq is Blown into the Air in the Bay of Tobago (1866) de Barend WijnveldAnno 1677. Roemer Vlacq is Blown into the Air in the Bay of Tobago1866 · Amsterdam Museum 48Anno 1596. The Overwintering on Nova Zembla (1866) de Barend WijnveldAnno 1596. The Overwintering on Nova Zembla1866 · Amsterdam Museum 49Anno 1632. The Inauguration of the Athenaeum in Amsterdam (1866) de Barend WijnveldAnno 1632. The Inauguration of the Athenaeum in Amsterdam1866 · Amsterdam Museum 50Anno 1645. The Capture of Hulst (1866) de Barend WijnveldAnno 1645. The Capture of Hulst1866 · Amsterdam Museum 51Anno 1821. The Victory at Palembang (1866) de Barend WijnveldAnno 1821. The Victory at Palembang1866 · Amsterdam Museum 52Anno 1795. The Departure of Prince Willem V at Scheveningen (1865) de Barend WijnveldAnno 1795. The Departure of Prince Willem V at Scheveningen1865 · Amsterdam Museum 53Anno 1697. The Peace of Rijswijk (1865) de Barend WijnveldAnno 1697. The Peace of Rijswijk1865 · Amsterdam Museum 54Anno 1747. The Fall of Bergen op Zoom (1865) de Barend WijnveldAnno 1747. The Fall of Bergen op Zoom1865 · Amsterdam Museum 55Anno 1794. The Heir Apparent of Oranje Achieves Victory at Fleurus (1865) de Barend WijnveldAnno 1794. The Heir Apparent of Oranje Achieves Victory at Fleurus1865 · Amsterdam Museum 56Anno 1573. The Battle on the Zuiderzee (1885) de Barend WijnveldAnno 1573. The Battle on the Zuiderzee1885 · Amsterdam Museum

Muzeele care păstrează originalele lui Barend Wijnveld

Muzeul care deține cele mai multe dintre picturile prezentate pe această pagină.

Muzee Oraș Lucrări lui Barend Wijnveld Picturi din această listă
Amsterdam Museum, AmsterdamAmsterdam Museum Amsterdam 55 Anno 1648. The Peace of Munster, Anno 1584. The Murder of Willem van Oranje, Anno 1647. Frederik Hendrik feels his end approaching and takes leave of the Staten

Barend Wijnveld de-a lungul deceniilor: o piesă unică pentru fiecare

Lucrări pe deceniu

Alege o deceniu pentru a descoperi opera originală care îl definește.

Picturile lui Barend Wijnveld: întrebări pentru galerie

Care este cea mai celebră operă a lui Barend Wijnveld?Află răspunsul

Anno 1648. The Peace of Munster (1850), Amsterdam Museum, Amsterdam. Urmează Anno 1584. The Murder of Willem van Oranje (1850) și Anno 1647. Frederik Hendrik feels his end approaching and takes leave of the Staten (1850).

La ce vârstă a creat Barend Wijnveld Anno 1648. The Peace of Munster?Află răspunsul

30 ani: Anno 1648. The Peace of Munster datează din 1850, iar Barend Wijnveld s-a născut în 1820.

Care sunt cele mai celebre zece picturi ale lui Barend Wijnveld?Află răspunsul

Anno 1648. The Peace of Munster, Anno 1584. The Murder of Willem van Oranje, Anno 1647. Frederik Hendrik feels his end approaching and takes leave of the Staten, Anno 1672. The Heroic Defense of Aardenburg, Anno 1648. The first laying of the stone of the Amsterdamse stadhuis, Anno 1465. Duke Arnoud van Gelre is taken prisoner by his son Adolf, Anno 70. Brinio as Leader of the Kaninefaten Raised on the Shield, Anno 70. Claudius Civilis incites the Batavians to revolt, Anno 1830. The Prince of Orange escapes the wrath of the Brussels people și Anno 1018. The Duke of Lotharingen is defeated by Dirk III of Holland near Dordrecht. Clasamentul de mai sus indică anul și muzeul pentru fiecare piesă.

Câte lucrări ale lui Barend Wijnveld sunt cunoscute?Află răspunsul

Catalogul nostru cuprinde 56 lucrări ale lui Barend Wijnveld, datate între 1850 și 1885.

Unde pot fi vizualizate originalele celor mai faimoși Barend Wijnveld?Află răspunsul

În principal în Amsterdam Museum (Amsterdam). Tabelul cu muzee de mai sus le enumeră pe toate.

În ce perioadă a creat Barend Wijnveld cele mai cunoscute picturi?Află răspunsul

În 1860s: 44 dintre cele 56 lucrări de pe această pagină au fost realizate atunci, fiind Count Jan II grants the first Privilege to Amsterdam, 1300 dintre acestea.

Care este cea mai veche și care este cea mai recentă pictură a lui Barend Wijnveld?Află răspunsul

Pe această pagină, cea mai veche lucrare datează din Anno 1648. The Peace of Munster (1850), iar cea mai recentă este din Anno 1573. The Battle on the Zuiderzee (1885).

Ce originale de Barend Wijnveld pot vedea la Amsterdam Museum?Află răspunsul

Anno 1648. The Peace of Munster, Anno 1584. The Murder of Willem van Oranje și Anno 1647. Frederik Hendrik feels his end approaching and takes leave of the Staten: Amsterdam Museum, Amsterdam deține 55 dintre lucrările de pe această pagină.

Barend Wijnveld: un portret al artistului

The Life of a Dutch Painter

Born in the bustling streets of Amsterdam, Barend Wijnveld entered a world where the brush and the palette were the primary tools of a dedicated life. His path was one of steady progression, beginning his active work in the mid-1830s and continuing until his final days. He was a man deeply embedded in the artistic fabric of the Netherlands, finding a home within the prestigious circles of Arti et Amicitiae from 1854. His existence was defined by the quiet discipline of the studio and the lively exchange of ideas among his peers.

His presence in the Dutch art scene was not merely that of a solitary creator, but that of a mentor. He understood that the survival of craft depended on the passing of knowledge from one hand to another. This commitment to the future of art led him to the halls of the Rijksakademie van Beeldende Kunsten, where he held the position of professor starting in 1869. Through his guidance, many pupils learned to see the world through a painter's eyes, ensuring his influence extended far beyond his own canvases.

A Legacy of Instruction and Residence

Wijnveld’s professional life was marked by several significant roles that allowed him to engage with the creative community in diverse ways. His influence was felt in both the formal academy and the more intimate settings of artistic gathering. His career was characterized by these specific engagements:

  • Professor at the Rijksakademie van Beeldende Kunsten
  • Member of the society Arti et Amicitiae
  • Artist-in-residence at Natura Artis Magistra

His work often turned its gaze toward the past, capturing moments of historical weight. One such effort involved depicting the people of Dordrecht as they celebrated William III in 1672. He sought to translate the collective energy of a nation into a visual form, documenting the spirit of a specific era through his brushwork. Whether painting historical scenes or participating in the academic life of his country, he remained a constant figure in the Dutch landscape.

The Final Years in Haarlem

As the decades passed, Wijnveld’s connection to the art world only deepened. He moved through the various stages of a long and productive career, maintaining his practice from 1835 until his death in 1902. His final years were spent in Haarlem, far from the birthplace of his youth but still within the heart of the culture he helped shape. He left behind a lineage of students and a body of work that remains a part of the historical record of the Netherlands.