The mocking of Christ
The light fades into the dark.
Pe scurt
The mocking of Christ (1699) este pictura lui Anthoni Schoonjans care atrage cele mai multe priviri; originalul aparține Muzeul Kunsthistorisches din Viena, Viena. După aceasta, privirea se îndreaptă către The Apple of Eris (1690) și Portrait of an unknown lady (1690). Dintre cele 15 opere ale lui Anthoni Schoonjans din catalogul nostru, acestea 15 sunt cele mai celebre, fiecare fiind o piesă unică, prezentată împreună cu anul creării, muzeul deținător și motivul pentru care aceasta rămâne memorabilă.
Cele 3 muzee care dețin cele mai multe dintre picturile de pe această pagină.
| Muzee | Oraș | Lucrări lui Anthoni Schoonjans | Picturi din această listă |
|---|---|---|---|
| Munchen | 11 | The Apple of Eris, Portrait of an unknown lady, Jacob blames Laban of his deception with Lea (Genesis 29:25-27) | |
| Viena | 2 | The mocking of Christ, Vestal virgins | |
| Berlin | 1 | Portrait of crown prince Frederick William as David with a sling |
Alege o deceniu pentru a descoperi opera originală care îl definește.
The light fades into the dark.
The mocking of Christ (1699), Muzeul Kunsthistorisches din Viena, Viena. Urmează The Apple of Eris (1690) și Portrait of an unknown lady (1690).
44 ani: The mocking of Christ datează din 1699, iar Anthoni Schoonjans s-a născut în 1655.
The mocking of Christ, The Apple of Eris, Portrait of an unknown lady, Jacob blames Laban of his deception with Lea (Genesis 29:25-27), Girl with a bird, Self-portrait of Anthon Schoonjans (1655-1726), Narcissus admires his reflection in the water, Joseph and Potiphar's Wife, allegory on the dew și Elector Johann Wilhelm on Horseback. Clasamentul de mai sus indică anul și muzeul pentru fiecare piesă.
Catalogul nostru cuprinde 15 lucrări ale lui Anthoni Schoonjans, datate între 1690 și 1716.
În principal în Colecțiile Statale de Pictură din Bavaria (Munchen), Muzeul Kunsthistorisches din Viena (Viena) și Palatul Charlottenburg (Berlin). Tabelul cu muzee de mai sus le enumeră pe toate.
În 1690s: 10 dintre cele 15 lucrări de pe această pagină au fost realizate atunci, fiind The mocking of Christ dintre acestea.
Pe această pagină, cea mai veche lucrare datează din The Apple of Eris (1690), iar cea mai recentă este din Saint Elizabeth of Hungary Distributing Alms to the Poor (1716).
Oil, pentru 2 dintre cele 15 lucrări de pe această pagină.
The Apple of Eris, Portrait of an unknown lady și Jacob blames Laban of his deception with Lea (Genesis 29:25-27): Colecțiile Statale de Pictură din Bavaria, Munchen deține 11 dintre lucrările de pe această pagină.
Anthoni Schoonjans, also known by the nickname Parrhasius, was a Flemish painter born in Ninove. After receiving his training in Antwerp under Erasmus Quellinus II and Jan-Erasmus Quellinus, his career took him across much of Europe. His journey included stays in France, specifically Reims and Paris, and a significant period in Rome, where he resided with the flower painter Carel de Vogelaer. During his time in Rome, he joined the Bentvueghels, a society for Flemish and Dutch artists.
His international presence saw him serve as a court painter in several locations, including Copenhagen, Berlin, and Düsseldorf. In Vienna, he became a court painter to Emperor Leopold I and married the opera singer Maria Regina Schweizer. His travels also led him to Frankfurt am Main, Kassel, Hamburg, The Hague, Amsterdam, and England, where he painted the stairwell in Montagu House. He eventually returned to Vienna, spending his final years in Perchtoldsdorf before passing away in 1726.
The works of Anthoni Schoonjans encompassed a variety of genres, including:
His religious commissions included an altarpiece of the Martyrdom of St. Sebastian for St. Roch's Church and a Visitation of Mary for St. Stephen's Cathedral in Vienna. In Denmark, he was invited by the court to paint portraits of the royal family. While in Berlin, he was commissioned by Queen Sophie Charlotte to paint the ceiling, rooms, and galleries of Charlottenburg Palace. His portraiture also extended to figures such as the composer Giovanni Bononcini and Attilio Ariosti. In Düsseldorf, he painted the portrait of the Elector Johann Wilhelm and his wife.