Baroque · 1631
The Annunciation (Matthias Stom, 1631)
Matthias Stom (1600–1650) a realizat The Annunciation. Data sa este din 1631. Face parte din mișcarea Baroque. Este realizată în Oil On Canvas. Este păstrat la Muzeul Kunsthistorisches din Viena în Viena, Austria. Dimensiunile sunt 117 × 171.5 cm.
- 1631
- Oil On Canvas
- 117 × 171.5 cm
- Muzeul Kunsthistorisches din Viena
The Annunciation, pe scurt
- Titlu
- The Annunciation
- Artist
- Matthias Stom (1600–1650)
- Artist născut în
- Amersfoort, Netherlands
- Date
- 1631
- Medium
- Oil On Canvas
- Dimensiuni
- 117 × 171.5 cm
- Unde poate fi vizualizată
- Muzeul Kunsthistorisches din Viena, Viena, Austria
- Mișcare
- Baroque
- Perioadă
- Early Modern
- Subiect
- woman, angel, lily, red cloak, blue drapery, wings
Ce reprezintă The Annunciation?
Identification of The Annunciation by Matthias Stom
The Annunciation is an oil on canvas by Matthias Stom. This work captures a specific biblical scene where the Virgin Mary is visited by an angel. She is often depicted in the act of reading when the divine messenger arrives to deliver the news. The painting measures 117 x 171.5 cm.
The artist, Matthias Stom, was a Dutch painter who spent many years in Italy. This particular piece was created about 1631. It focuses on the intimate, silent moment of revelation between the celestial visitor and the woman. The scale of the canvas allows for a heavy presence of light and shadow within the sacred encounter.
Technical Details and Artistic Influence
The oil on canvas carries the weight of the Baroque and Caravaggesque style. Light acts as a sculptor here, carving form out of a dark, atmospheric void. This technique relies on a sophisticated command of chiaroscuro, where a strong light source from the upper right illuminates the faces and hands of the subjects. Such dramatic contrast defines the religious art of the period, grounding the divine encounter in a tangible, physical reality.
Stom’s hand moves with a quiet precision. Smooth brushwork renders the fine details of the scene, from the delicate texture of the lily held by Gabriel to the heavy, sculptural folds of the drapery. This meticulousness reflects a Northern sensibility applied to the intense, tenebristic traditions of Italy. The artist’s style emerged from a convergence of influences, absorbing the dramatic lighting of the followers of Caravaggio and the heavy, emotive realism found in the works of Jusepe de Ribera and Peter Paul Rubens.
The composition relies on organic, fluid shapes and a shallow perspective. By overlapping the figures, the artist creates an intimate space that pulls the viewer into the immediate tension of the revelation. The interplay of deep blues, vibrant reds, and warm golds against earthy shadows creates a sense of weight and texture. It is a study of light emerging from shadow.
Current Location and Museum Collection
The oil on canvas resides within the Kunsthistorisches Museum in Vienna. It is held as part of the Gemäldegalerie collection. The work carries the accession number 5806. This specific piece is also associated with the Galleria degli Uffizi in Florence.
The painting remains a physical presence in these halls. It rests under the quiet stewardship of these institutions. A shadow of its history connects it to both Vienna and Florence. The light of the gallery finds the surface of the canvas.
În ce muzeu se află The Annunciation?
Muzeul Kunsthistorisches din Viena
Viena, Austria
Istoria Muzeului Kunsthistorisches din Viena Muzeul Kunsthistorisches din Viena, din Austria, s-a născut din dorința de a oferi publicului acces la vastele colecții ale familiei de Habsburg. Înființată în anul 1871 la ordinul împăratului Franz Joseph I, instituția a fost creată pentru a adăposti aceste prețioase colecții de artă imperială. Proiectul a reprezentat o demers de o importanță majoră pentru monarhie, având scopul de a transforma comorile private într-un spațiu dedicat vizionării publice.
Imagini la înaltă rezoluție ale lui The Annunciation
Domeniu public: artistul a decedat în 1650.
Alte dimensiuni, cadrări și citări →Matthias Stom, The Annunciation (1631), Muzeul Kunsthistorisches din Viena. Domeniu public
Întrebări despre The Annunciation, răspunsuri
În ce muzeu se află originalul "The Annunciation"?
Puteți vedea originalul "The Annunciation" la Muzeul Kunsthistorisches din Viena, Viena, Austria.
În ce an a fost creat "The Annunciation" de Matthias Stom?
"The Annunciation" de Matthias Stom a fost creat(ă) în 1631.
Ce tehnică a fost utilizată pentru "The Annunciation" de Matthias Stom?
"The Annunciation" este realizat în Oil On Canvas."
Care sunt dimensiunile originalului "The Annunciation" de Matthias Stom?
Dimensiunile înregistrate pentru "The Annunciation" de Matthias Stom sunt 117.0 x 171.5cm. Reproducerile pot fi comandate în alte dimensiuni, păstrând aceleași proporții.
Ce reprezintă "The Annunciation" de Matthias Stom?
Subiectele din "The Annunciation" sunt woman, angel, lily, red cloak, blue drapery, wings, hands.
"The Annunciation" de Matthias Stom face parte din domeniul public?
În ceea ce privește drepturile de autor, "The Annunciation" este în domeniul public – drepturile de autor au expirat.
Cine a creat "The Annunciation"?
„The Annunciation” este atribuit lui Matthias Stom.
Din ce curent artistic face parte "The Annunciation" de Matthias Stom?
Mișcarea asociată cu "The Annunciation" de Matthias Stom este Baroque. Această clasificare plasează lucrarea printre artiști și opere de artă conexe.
Din ce perioadă a carierei lui Matthias Stom face parte „The Annunciation”?
"The Annunciation" reprezintă perioada Italian Period a lui Matthias Stom.
Despre artistul Matthias Stom
1600–1650, Netherlands
Matthias Stom
Stomer Mathias: A Caravaggist’s Journey Through Italy The name Stomer Mathias, a figure shrouded in the mists of 17th-century art history, represents a fascinating convergence of Dutch artistic training and Italian Caravaggesque influence. Born around 1600, likely in Amersfoort, Netherlands – though definitive proof remains elusive – Mathias’s life was one dedicated to mastering and adapting the dramatic style pioneered by Michelangelo Merisi da Caravaggio. He wasn't a household name during his lifetime, often overshadowed by more prominent contemporaries, yet his output of approximately 200 paintings offers a compelling glimpse into a pivotal period in European art. Early accounts suggest Mathias received his initial artistic education within the Utrecht Mannerist tradition, possibly under the tutelage of Abraham Bloemaert and Joachim Wtewael – artists known for their meticulous detail and refined compositions.
Despre Matthias Stom Lucrări remarcabile ale lui Matthias Stom