Portretul lui Jacob Maris

Cele 100 cele mai faimoase picturi ale lui Jacob Maris, fiecare unică în felul ei

Actualizat Octombrie 2026 · clasat în funcție de scorul nostru de popularitate (căutări, vizite și comenzi pentru fiecare operă) · 202 lucrări ale lui Jacob Maris în catalogul nostru

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View of the Mill and Bridge on the Noordwest Buitensingel in The Hague (1873) este pictura lui Jacob Maris care atrage cele mai multe priviri; originalul aparține National Gallery of Art, Washington. După aceasta, privirea se îndreaptă către The little marquise (1870) și The Fishmonger (1856). Dintre cele 202 opere ale lui Jacob Maris din catalogul nostru, acestea 100 sunt cele mai celebre, fiecare fiind o piesă unică, prezentată împreună cu anul creării, muzeul deținător și motivul pentru care aceasta rămâne memorabilă.

1837 – 1899, Haga Hague school Cele mai multe lucrări: Rijksmuseum

Cele mai importante 10 picturi ale lui Jacob Maris, prin ochii galeriei

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The little marquise (1870) de Jacob Maris

The little marquise

1870 · Oil On Paper · Kunstmuseum Den Haag, Haga

The little marquise emerges from the shadows of history as a quiet genre painting by Jacob Maris. This work captures a fleeting moment of stillness, inviting the viewer into a private, introspective space. The artist, Jacob Maris, brings a sense of lived presence to the figure, grounding the scene in a specific, unhurried atmosphere. Born in The Hague, Netherlands, the painter carries the sensibilities of his Dutch origins into this…

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The Fishmonger (1856) de Jacob Maris

The Fishmonger

1856 · Oil On Canvas · Amsterdam Museum, Amsterdam

The air in the room feels heavy, thick with the scent of salt and the dampness of a morning tide. A single, directional light spills from a background doorway, cutting through the gloom to strike the center of the scene. In this pool of warmth, a man and a woman meet amidst the quiet commerce of a stall. He is the fishmonger, a figure defined by the interplay of light…

Păiți celebrele picturi ale lui Jacob Maris, de la numărul 11 la 100

11Girl with a Peacock Feather, Jacob Maris, c. 1877 (1877) de Jacob MarisGirl with a Peacock Feather, Jacob Maris, c. 18771877 · Rijksmuseum 12Gray day with ships (1877) de Jacob MarisGray day with ships1877 · Rijksmuseum 13De afgesneden molen (1872) de Jacob MarisDe afgesneden molen1872 14Bomschuit on the Beach (1880) de Jacob MarisBomschuit on the Beach1880 · Kunstmuseum Den Haag 15Shell Fishers (1885) de Jacob MarisShell Fishers1885 16Landscape with Windmills (1890) de Jacob MarisLandscape with Windmills1890 17Outside a Café (1868) de Jacob MarisOutside a Café1868 · Scottish National Gallery 18Een molen in de winter (1899) de Jacob MarisEen molen in de winter1899 19Meisje bij een deuropening., Jacob Maris, 1870 - 1899 (1899) de Jacob MarisMeisje bij een deuropening., Jacob Maris, 1870 - 18991899 · Rijksmuseum 20Young Girl (Artist's Daughter) picking Flowers in the Grass (1899) de Jacob MarisYoung Girl (Artist's Daughter) picking Flowers in the Grass1899 · Rijksmuseum 21The Violist (Son of the Painter) (1887) de Jacob MarisThe Violist (Son of the Painter)1887 · Groninger Museum 22The Dry-Nurse (1877) de Jacob MarisThe Dry-Nurse1877 · Museum Boijmans Van Beuningen 23The Butcher (1871) de Jacob MarisThe Butcher1871 · Museum Boijmans Van Beuningen 24Summer (1889) de Jacob MarisSummer1889 · Rijksmuseum 25Canal Side (1878) de Jacob MarisCanal Side1878 · Metropolitan Museum of Art 26De Schreierstoren te Amsterdam (1880) de Jacob MarisDe Schreierstoren te Amsterdam1880 · Rijksmuseum 27"Portret van Willem", vermoedelijk Willem Matthijs Maris Jbzn, zoon van Jacob Maris, Jacob Maris, c. 1876 (1876) de Jacob Maris"Portret van Willem", vermoedelijk Willem Matthijs Maris Jbzn, zoon van Jacob Maris, Jacob Maris, c. 18761876 · Rijksmuseum 28Lady in the Forest (1860) de Jacob MarisLady in the Forest1860 · Museum Gouda 29Small Courtyard, Jacob Maris, 1862 (1862) de Jacob MarisSmall Courtyard, Jacob Maris, 18621862 · Rijksmuseum 30The Prayer (1867) de Jacob MarisThe Prayer1867 · Amsterdam Museum 31Landscape with Rocks, Fontainebleau (1864) de Jacob MarisLandscape with Rocks, Fontainebleau1864 32Lady on a Bench in the Park (1870) de Jacob MarisLady on a Bench in the Park1870 · Museum Gouda 33The Dawn (1865) de Jacob MarisThe Dawn1865 · Museum Gouda 34A boat on a beach (1870) de Jacob MarisA boat on a beach1870 · Museum Boijmans Van Beuningen 35View of a city (1867) de Jacob MarisView of a city1867 · The Mesdag Collection 36Tired Out (Mother Watched), Jacob Maris, 1869 (1869) de Jacob MarisTired Out (Mother Watched), Jacob Maris, 18691869 · Rijksmuseum 37Ferry-boat (1870) de Jacob MarisFerry-boat1870 · Teylers Museum 38A Girl Seated Outside a House (1867) de Jacob MarisA Girl Seated Outside a House1867 39Feeding chicks (1866) de Jacob MarisFeeding chicks1866 · Rijksmuseum 40Girl feeding her Bird in a Cage (1867) de Jacob MarisGirl feeding her Bird in a Cage1867 41Catharina Hendrika Horn (1867) de Jacob MarisCatharina Hendrika Horn1867 · Rijksmuseum 42Ferry (1870) de Jacob MarisFerry1870 · Kunstmuseum Den Haag 43Girl knitting on the balcony, Montmartre (1869) de Jacob MarisGirl knitting on the balcony, Montmartre1869 44Praying Monk (1864) de Jacob MarisPraying Monk1864 · Rijksmuseum 45Moe gewaakt' (1869) de Jacob MarisMoe gewaakt'1869 46Towpath (1875) de Jacob MarisTowpath1875 · Rijksmuseum Twenthe 47City in Landscape with Windmill (1875) de Jacob MarisCity in Landscape with Windmill1875 · Dordrechts Museum 48Return of the Fishing Boat (1875) de Jacob MarisReturn of the Fishing Boat1875 · Amsterdam Museum 49Prins Hendrikkade with the Schreierstoren (1875) de Jacob MarisPrins Hendrikkade with the Schreierstoren1875 · Amsterdam Museum 50View of The Hague (1875) de Jacob MarisView of The Hague1875 · Museum Boijmans Van Beuningen 51The wooden bridge (1877) de Jacob MarisThe wooden bridge1877 · Dordrechts Museum 52The Five Windmills (1878) de Jacob MarisThe Five Windmills1878 · Centraal Museum 53City view (1875) de Jacob MarisCity view1875 · The Mesdag Collection 54View of a Dutch City with the Schreierstoren in Amsterdam (1873) de Jacob MarisView of a Dutch City with the Schreierstoren in Amsterdam1873 55The Truncated Windmill, Jacob Maris, 1872 (1872) de Jacob MarisThe Truncated Windmill, Jacob Maris, 18721872 · Rijksmuseum 56Townscape with a Domed Church, Jacob Maris, c. 1872 - c. 1875 (1875) de Jacob MarisTownscape with a Domed Church, Jacob Maris, c. 1872 - c. 18751875 · Rijksmuseum 57Villagers (1872) de Jacob MarisVillagers1872 · Rijksmuseum 58View of the new port at the Zuid Kolk in Delft (1872) de Jacob MarisView of the new port at the Zuid Kolk in Delft1872 59De Buitenkant met de Schreierstoren te Amsterdam (1875) de Jacob MarisDe Buitenkant met de Schreierstoren te Amsterdam1875 60View of the Mill and Bridge at the Noordwest Buitensingel in The Hague (1873) de Jacob MarisView of the Mill and Bridge at the Noordwest Buitensingel in The Hague1873 61De Schreierstoren met de brug over de Gelderse Kade te Amsterdam (1876) de Jacob MarisDe Schreierstoren met de brug over de Gelderse Kade te Amsterdam1876 62De molen en de brug bij de Noord-West-Buitensingel in Den Haag (1877) de Jacob MarisDe molen en de brug bij de Noord-West-Buitensingel in Den Haag1877 63View of Dordrecht (1884) de Jacob MarisView of Dordrecht1884 · Amsterdam Museum 64View of the Lek near Wijk bij Duurstede (1882) de Jacob MarisView of the Lek near Wijk bij Duurstede1882 · Amsterdam Museum 65Vaart bij maanlicht (1882) de Jacob MarisVaart bij maanlicht1882 · Rijksmuseum 66By Evening (1884) de Jacob MarisBy Evening1884 · Rijksmuseum 67River landscape (1884) de Jacob MarisRiver landscape1884 · Rijksmuseum 68Mill (1879) de Jacob MarisMill1879 · The Mesdag Collection 69Schelpenvissen, Jacob Maris, 1885 (1885) de Jacob MarisSchelpenvissen, Jacob Maris, 18851885 · Rijksmuseum 70Bluff-bowed Fishing Boat on the Beach at Scheveningen, Jacob Maris, c. 1885 (1885) de Jacob MarisBluff-bowed Fishing Boat on the Beach at Scheveningen, Jacob Maris, c. 18851885 71Girl at a piano (1879) de Jacob MarisGirl at a piano1879 · Rijksmuseum 72Windmill and Houses beside the Water. Stormy Sky (1880) de Jacob MarisWindmill and Houses beside the Water. Stormy Sky1880 73Three Windmills (1880) de Jacob MarisThree Windmills1880 74View on a city (also known as Gezicht op een stad) (1882) de Jacob MarisView on a city (also known as Gezicht op een stad)1882 75De brug (1879) de Jacob MarisDe brug1879 76Oud buurtje aan het water (1883) de Jacob MarisOud buurtje aan het water1883 · Rijksmuseum 77Dutch Landscape with Shepherdess (1891) de Jacob MarisDutch Landscape with Shepherdess1891 · Colecțiile Statale de Pictură din Bavaria 78Cityscape with a River (1887) de Jacob MarisCityscape with a River1887 · Centraal Museum 79Landscape with windmills (1890) de Jacob MarisLandscape with windmills1890 · Groninger Museum 80Landscape with Canal (1887) de Jacob MarisLandscape with Canal1887 · Walters Art Museum 81Landscape near The Hague (1891) de Jacob MarisLandscape near The Hague1891 · Rijksmuseum 82Havengezicht, Jacob Maris, c. 1890 (1890) de Jacob MarisHavengezicht, Jacob Maris, c. 18901890 83Harbour View (1890) de Jacob MarisHarbour View1890 · Rijksmuseum 84View of a Port (1887) de Jacob MarisView of a Port1887 · Rijksmuseum 85Windmill (1886) de Jacob MarisWindmill1886 · Rijksmuseum 86Meisje aan de piano (1889) de Jacob MarisMeisje aan de piano1889 · Rijksmuseum 87Girl at the Window (1890) de Jacob MarisGirl at the Window1890 88Polder na onweer (1892) de Jacob MarisPolder na onweer1892 · Rijksmuseum 89View of a River near a City (1896) de Jacob MarisView of a River near a City1896 · Dordrechts Museum 90Harbor View (1894) de Jacob MarisHarbor View1894 · Dordrechts Museum 91View of a Town (1893) de Jacob MarisView of a Town1893 · Museum Boijmans Van Beuningen 92Towpath, Jacob Maris, c. 1896 (1896) de Jacob MarisTowpath, Jacob Maris, c. 18961896 · Rijksmuseum 93Jaagpad (1894) de Jacob MarisJaagpad1894 · Rijksmuseum 94Dorpsgezicht bij Schiedam (1894) de Jacob MarisDorpsgezicht bij Schiedam1894 · Dordrechts Museum 95Stadsgezicht (1898) de Jacob MarisStadsgezicht1898 · Rijksmuseum 96Visserspink aan het strand (1899) de Jacob MarisVisserspink aan het strand1899 97Molen bij maanlicht (1899) de Jacob MarisMolen bij maanlicht1899 · Rijksmuseum 98Havengezicht (1899) de Jacob MarisHavengezicht1899 · Rijksmuseum 99Huizen aan de Prins Hendrikkade te Amsterdam op een mistige dag (1899) de Jacob MarisHuizen aan de Prins Hendrikkade te Amsterdam op een mistige dag1899 · Rijksmuseum 100Fishersboat at the Beach of Scheveningen (1899) de Jacob MarisFishersboat at the Beach of Scheveningen1899 · Rijksmuseum

Subiectele care i-au captivat privirea lui Jacob Maris

Cele patru teme care revin cel mai des în aceste opere originale, fiecare având cel mai sublim exemplu.

Muzeele care păstrează originalele lui Jacob Maris

Cele 8 muzee care dețin cele mai multe dintre picturile de pe această pagină.

Muzee Oraș Lucrări lui Jacob Maris Picturi din această listă
Rijksmuseum, AmsterdamRijksmuseum Amsterdam 44 A Bleaching Field, Jacob Maris, 1870, Girl with a Peacock Feather, Jacob Maris, c. 1877, Gray day with ships
Dordrechts Museum, DordrechtDordrechts Museum Dordrecht 7 Siesta, The Annoying Guest, City in Landscape with Windmill
Amsterdam Museum, AmsterdamAmsterdam Museum Amsterdam 6 The Fishmonger, The Prayer, Return of the Fishing Boat
Museum Boijmans Van Beuningen, RotterdamMuseum Boijmans Van Beuningen Rotterdam 7 The Dry-Nurse, The Butcher, A boat on a beach
The Mesdag Collection, HagaThe Mesdag Collection Haga 5 Servant girl, On the lookout, View of a city
Kunstmuseum Den Haag, HagaKunstmuseum Den Haag Haga 9 The little marquise, Schilder aan het werk, Bomschuit on the Beach
Museum Gouda, GoudaMuseum Gouda Gouda 3 Lady in the Forest, Lady on a Bench in the Park, The Dawn
Groninger Museum, GroningenGroninger Museum Groningen 2 The Violist (Son of the Painter), Landscape with windmills

Jacob Maris de-a lungul deceniilor: o piesă unică pentru fiecare

Lucrări pe deceniu

Alege o deceniu pentru a descoperi opera originală care îl definește.

Picturile lui Jacob Maris: întrebări pentru galerie

Care este cea mai celebră operă a lui Jacob Maris?Află răspunsul

View of the Mill and Bridge on the Noordwest Buitensingel in The Hague (1873), National Gallery of Art, Washington. Urmează The little marquise (1870) și The Fishmonger (1856).

La ce vârstă a creat Jacob Maris View of the Mill and Bridge on the Noordwest Buitensingel in The Hague?Află răspunsul

36 ani: View of the Mill and Bridge on the Noordwest Buitensingel in The Hague datează din 1873, iar Jacob Maris s-a născut în 1837.

Care sunt cele mai celebre zece picturi ale lui Jacob Maris?Află răspunsul

View of the Mill and Bridge on the Noordwest Buitensingel in The Hague, The little marquise, The Fishmonger, Servant girl, Schilder aan het werk, Siesta, A Bleaching Field, Jacob Maris, 1870, The Annoying Guest, Boy and girl drinking in the open air și On the lookout. Clasamentul de mai sus indică anul și muzeul pentru fiecare piesă.

Câte lucrări ale lui Jacob Maris sunt cunoscute?Află răspunsul

Catalogul nostru cuprinde 202 lucrări ale lui Jacob Maris, datate între 1856 și 1899.

Unde pot fi vizualizate originalele celor mai faimoși Jacob Maris?Află răspunsul

În principal în Rijksmuseum (Amsterdam), Dordrechts Museum (Dordrecht) și Amsterdam Museum (Amsterdam). Tabelul cu muzee de mai sus le enumeră pe toate.

În ce perioadă a creat Jacob Maris cele mai cunoscute picturi?Află răspunsul

În 1870s: 38 dintre cele 100 lucrări de pe această pagină au fost realizate atunci, fiind View of the Mill and Bridge on the Noordwest Buitensingel in The Hague dintre acestea.

Care este cea mai veche și care este cea mai recentă pictură a lui Jacob Maris?Află răspunsul

Pe această pagină, cea mai veche lucrare datează din The Fishmonger (1856), iar cea mai recentă este din Een molen in de winter (1899).

Ce teme prefera Jacob Maris?Află răspunsul

Dutch landscape (5), Girls (5) și Landscape (4), din cele 100 lucrări de pe această pagină.

Cu ce materiale a pictat cel mai des Jacob Maris?Află răspunsul

Oil On Canvas, pentru 8 dintre cele 100 lucrări de pe această pagină.

Din ce curent artistic face parte opera lui Jacob Maris?Află răspunsul

Hague school și Impressionism, judecând după originalele de pe această pagină.

Ce originale de Jacob Maris pot vedea la Rijksmuseum?Află răspunsul

A Bleaching Field, Jacob Maris, 1870, Girl with a Peacock Feather, Jacob Maris, c. 1877 și Gray day with ships: Rijksmuseum, Amsterdam deține 35 dintre lucrările de pe această pagină.

Jacob Maris: un portret al artistului

Early Life and Training

Jacob Henricus Maris was born August 25, 1837, in The Hague, Netherlands—the son of an etcher and lithographer. This familial connection to the printing arts would undoubtedly have instilled a certain appreciation for visual representation from a young age. He began his artistic journey with lessons from J.A.B. Stroebel (1849-1852), laying the foundation for his future career, honing skills that would prove invaluable in mastering the complexities of landscape painting. He formally studied at the Hague Academy of Art from 1850 to 1853, immersing himself in artistic theory and practice alongside fellow aspiring artists. This formative period cultivated a nascent artistic style—one characterized by careful observation and an emerging sensitivity to tonal nuances—that would become a hallmark of his oeuvre. A pivotal moment arrived when an astute art dealer recognized Maris’s talent and skillfully arranged for him to work in the studio of Hubertus van Hove, a figure who profoundly influenced Maris's early artistic development. Van Hove’s guidance instilled in Maris a deep understanding of compositional principles and a commitment to capturing the grandeur of nature with unwavering precision. His brother, Matthijs Maris, receiving a royal subsidy led to them working together—a collaborative partnership that fostered an environment ripe for experimentation and mutual inspiration. This dynamic duo would become synonymous with the Hague School’s artistic vision.

Artistic Career and Style

Maris's career unfolded against the backdrop of burgeoning commercial success; sales to discerning collectors in the United States and Scotland demonstrated his growing reputation within the art world, signaling a rising tide of appreciation for his distinctive aesthetic. Recognizing the importance of broadening horizons, Maris embarked on extensive travels through Germany, Switzerland, and France (1861), exposing him to diverse artistic styles—particularly those championed by the Barbizon school—which undeniably enriched his stylistic repertoire. He became renowned for painting landscapes featuring rivers, mills, towpaths, and beach scenes with fishing boats, establishing a signature subject matter that would define his artistic identity. Maris’s technique was marked by broad and larger brushstrokes crafted to generate texture and movement within his canvases—a deliberate choice designed to convey the dynamism of the natural world. Subdued colors contributed to the atmospheric quality of his landscapes, creating an immersive experience for the viewer. Crucially, Maris placed paramount importance on depicting clouds and their effects on the surrounding environment—a stylistic element that became a defining feature of his work. He applied paint thickly, building it up meticulously and adjusting colors with painstaking care to achieve harmonious compositions—a testament to his unwavering dedication to artistic excellence. Comparisons have been drawn between Maris’s work and that of earlier Dutch masters like Jan van Goyen, Jacob van Ruisdael, and Johannes Vermeer—underscoring Maris's connection to the rich tradition of Dutch landscape painting and acknowledging his position as a successor to artistic giants.

Major Works and Recognition

Maris achieved considerable acclaim for a series of portraits of the Royal House of Orange undertaken in collaboration with Matthijs Maris—a project that showcased their combined artistic prowess alongside their familial bond. “Schip on the Scheveningen Beach” exemplifies Maris’s ability to capture coastal scenes with remarkable atmospheric depth and detail, transporting viewers to the shores of Holland. He became a member of Pulchri Studio in 1871, signifying his acceptance within the established artistic community—a recognition of his talent and dedication that cemented his place as a leader of the Hague School. From 1885 onwards, Maris experienced widespread recognition in the Netherlands, solidifying his position as a pivotal figure in Dutch art history. His works can be found in prominent collections such as the Rijksmuseum—a lasting testament to their enduring artistic merit and historical significance—guaranteeing that Maris’s vision would continue to inspire generations of artists to come.

Historical Significance and Legacy

Maris's contribution to the Hague School is undeniable; he helped define its aesthetic characterized by realistic depictions of Dutch landscapes and an unwavering focus on atmospheric effects—a stylistic approach that resonated deeply with contemporaries and continues to captivate audiences today. His influence extended far beyond his lifetime, inspiring subsequent generations of artists with his distinctive style and meticulous technique—a legacy secured through the enduring beauty and profound observation inherent in his paintings. Maris’s legacy lies in his ability to encapsulate the essence of the Dutch countryside—transforming mere observation into a powerful artistic statement that transcends time.