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În ochii galeriei, cea mai celebră pictură a lui Frederick Richard Say este General Sir James Macdonell, 1781 - 1857. Soldier (1835), a cărei originală este expusă la Galeria Națională a Scottei, Edinburgh. Sir William Webb Follet (1796–1845), MP for Exeter (1835–1845) (1835) și Wilhelm I, Prince of Prussia, later King of Prussia and German Emperor (1797-1888) (1848) completează trioul pe care orice ochi îl recunoaște. Dintre cele 29 opere ale lui Frederick Richard Say din catalogul nostru, galeria prezintă mai jos cele 29 cele mai faimoase, fiecare fiind originală, cu anul creării, muzeul de păstrare și elementul care o face unică.
General Sir James Macdonell, 1781 - 1857. Soldier is an oil on canvas portrait attributed to Frederick Richard Say. The subject is General Sir James Macdonell, a Scottish officer of the British Army. This work dates to about 1830 – about 1840.
The room feels heavy with the weight of intellect and duty. Seated within the deep embrace of a dark green velvet armchair, Sir William Webb Follet rests in a state of profound contemplation. Light spills from the left, carving the contours of his face and catching the subtle textures of his hair. He holds a collection of papers, their edges crisp against his hands, suggesting a mind constantly engaged with…
A single gaze meets the viewer from the shadows of a heavy, crimson curtain. Wilhelm I, Prince of Prussia, sits in a moment of stillness, his presence defined by the rigid geometry of a military uniform. The dark navy fabric absorbs the light, while the metallic glint of epaulettes catches a sharp, directional glow from the upper left. Every detail of his face is rendered with a quiet, exacting precision,…
In this half-length portrait, we encounter Edward Ward, 3rd Viscount Bangor, captured in a moment of quiet contemplation. The subject is rendered with a striking sense of presence, his form emerging from a dark, indistinct background that focuses all attention on his character. He is dressed in formal attire, the sharp edges of his collar and the heavy folds of his jacket providing a structured contrast to the softer, more…
Frederick Richard Say captured the likeness of Edward Law, 1st Earl of Ellenborough, in this 1845 oil painting. The subject sits with the weight of a British Tory politician. His gaze holds the stillness of a man accustomed to the halls of power. He once held the presidency of the Board of Control on four separate occasions. The brush traces the steady presence of a statesman.
This oil portrait captures Henry Pelham Fiennes Pelham Clinton, 5th Duke of Newcastle under Lyne. Frederick Richard Say rendered the subject's likeness about 1848. The sitter's steady gaze meets the viewer from a position of quiet authority. He is a man of status, framed by the heavy shadows of a formal setting.
The figure emerges from a deep, dark void, anchored by the weight of heavy, textured robes. A single light source carves the contours of a face, catching the bridge of a nose and the steady gaze of a man held in a moment of quiet repose. The fabric of the garment ripples in thick, sculptural folds, suggesting a material of immense weight and luxury. Every line of the drapery leads…
Frances Talbot (1782–1857), Countess of Morley1830 · National Trust
12
Edmund Parker (1810–1864), 2nd Earl of Morley1830 · National Trust
13
Martha Buckworth, Mrs William Lyde Wiggett Chute, with Her Son, Chaloner William Chute (1838–1892)1834 · National Trust
14
William Lyde Wiggett Chute (1800–1879)1843 · National Trust
15
Sir Thomas Digby Aubrey (1782–1856)1848 · County Hall
16
Prince Albert (1819–1861), Consort to Queen Victoria1849 · Fitzwilliam Museum
17
Walter Francis Scott (1806–1884), 5th Duke of Buccleuch and 7th Duke of Queensberry, Lord Privy Seal1850 · Galeria Națională a Scottei
18
Richard Bright1860
19
Thomas Musgrave (1788–1860), Fellow, Senior Bursar, Lord Almoner's Professor of Arabic and Senior Proctor1863
20
Ernest II (1818-93), Duke of Saxe-Coburg-GothaColecția Regală
21
Charles Grey (1764–1845), 2nd Earl Grey
22
William Pitt (1773–1857), 1st Lord Amherst
23
Lady Lucy Graham (1793–1875), Countess of Powis
24
The Little Wanderers
25
Temple Hamilton Chase (b.1819), with His Brother DrummondThe Queen's College
26
Admiral Sir William Hargood (1726–1839)National Maritime Museum
27
Admiral Sir Robert Stopford (1768–1847)National Maritime Museum
28
The Right Honourable Sir Harry Verney of Steeple Claydon (1801–1894), Bt, MP, DL, Captain First Grenadier Guards
29
Edward Stanley, 14th Earl of Derby1844 · National Portrait Gallery
Cele patru teme care revin cel mai des în aceste opere originale, fiecare având cel mai sublim exemplu.
Cele 8 muzee care dețin cele mai multe dintre picturile de pe această pagină.
| Muzee | Oraș | Lucrări lui Frederick Richard Say | Picturi din această listă |
|---|---|---|---|
 Colecția Regală |
Londra | 4 | Wilhelm I, Prince of Prussia, later King of Prussia and German Emperor (1797-1888), Prince Albert, Prince Consort (1819-1861), Ernest, Prince of Leiningen, with Prince Victor of Hohenlohe-Langenburg, Count Gleichen |
 National Portrait Gallery |
Londra | 3 | Edward Law, 1st Earl of Ellenborough, Henry Pelham Fiennes Pelham Clinton, 5th Duke of Newcastle under Lyne, Edward Stanley, 14th Earl of Derby |
 National Trust |
Plymouth | 3 | John Parker II (1772–1840), 1st Earl of Morley, Frances Talbot (1782–1857), Countess of Morley, Edmund Parker (1810–1864), 2nd Earl of Morley |
 Galeria Națională a Scottei |
Edinburgh | 2 | General Sir James Macdonell, 1781 - 1857. Soldier, Walter Francis Scott (1806–1884), 5th Duke of Buccleuch and 7th Duke of Queensberry, Lord Privy Seal |
 National Trust |
Basingstoke | 2 | Martha Buckworth, Mrs William Lyde Wiggett Chute, with Her Son, Chaloner William Chute (1838–1892), William Lyde Wiggett Chute (1800–1879) |
 National Maritime Museum |
Londra | 2 | Admiral Sir William Hargood (1726–1839), Admiral Sir Robert Stopford (1768–1847) |
 Royal Albert Memorial Museum |
Exeter | 1 | Sir William Webb Follet (1796–1845), MP for Exeter (1835–1845) |
 Castle Ward |
1 | Edward Ward (1790–1837), 3rd Viscount Bangor |
Alege o deceniu pentru a descoperi opera originală care îl definește.
General Sir James Macdonell, 1781 - 1857. Soldier is an oil on canvas portrait attributed to Frederick Richard Say. The subject is General Sir James Macdonell, a Scottish officer of the British Army. This work dates to about 1830 – about 1840.
A single gaze meets the viewer from the shadows of a heavy, crimson curtain. Wilhelm I, Prince of Prussia, sits in a moment of stillness, his presence defined by the rigid geometry of a military uniform. The dark navy fabric absorbs the light, while the metallic glint of epaulettes catches a sharp, directional glow from the upper left. Every detail of his face is rendered with a quiet, exacting precision,…
The figure emerges from a deep, dark void, anchored by the weight of heavy, textured robes. A single light source carves the contours of a face, catching the bridge of a nose and the steady gaze of a man held in a moment of quiet repose. The fabric of the garment ripples in thick, sculptural folds, suggesting a material of immense weight and luxury. Every line of the drapery leads…
General Sir James Macdonell, 1781 - 1857. Soldier (1835), Galeria Națională a Scottei, Edinburgh. Urmează Sir William Webb Follet (1796–1845), MP for Exeter (1835–1845) (1835) și Wilhelm I, Prince of Prussia, later King of Prussia and German Emperor (1797-1888) (1848).
31 ani: General Sir James Macdonell, 1781 - 1857. Soldier datează din 1835, iar Frederick Richard Say s-a născut în 1804.
General Sir James Macdonell, 1781 - 1857. Soldier, Sir William Webb Follet (1796–1845), MP for Exeter (1835–1845), Wilhelm I, Prince of Prussia, later King of Prussia and German Emperor (1797-1888), Edward Ward (1790–1837), 3rd Viscount Bangor, Edward Law, 1st Earl of Ellenborough, Henry Pelham Fiennes Pelham Clinton, 5th Duke of Newcastle under Lyne, Albert of Saxe Coburg Gotha (1819–1861), Prince Consort, Prince Albert, Prince Consort (1819-1861), Ernest, Prince of Leiningen, with Prince Victor of Hohenlohe-Langenburg, Count Gleichen și John Parker II (1772–1840), 1st Earl of Morley. Clasamentul de mai sus indică anul și muzeul pentru fiecare piesă.
Catalogul nostru cuprinde 29 lucrări ale lui Frederick Richard Say, datate între 1830 și 1863.
În principal în Colecția Regală (Londra), National Portrait Gallery (Londra) și National Trust (Plymouth). Tabelul cu muzee de mai sus le enumeră pe toate.
În 1840s: 8 dintre cele 29 lucrări de pe această pagină au fost realizate atunci, fiind Wilhelm I, Prince of Prussia, later King of Prussia and German Emperor (1797-1888) dintre acestea.
Pe această pagină, cea mai veche lucrare datează din John Parker II (1772–1840), 1st Earl of Morley (1830), iar cea mai recentă este din Thomas Musgrave (1788–1860), Fellow, Senior Bursar, Lord Almoner's Professor of Arabic and Senior Proctor (1863).
Man (4), Victorian era (4) și 19th century (3), din cele 29 lucrări de pe această pagină.
Oil On Canvas, pentru 6 dintre cele 29 lucrări de pe această pagină.
Wilhelm I, Prince of Prussia, later King of Prussia and German Emperor (1797-1888), Prince Albert, Prince Consort (1819-1861) și Ernest, Prince of Leiningen, with Prince Victor of Hohenlohe-Langenburg, Count Gleichen: Colecția Regală, Londra deține 4 dintre lucrările de pe această pagină.
