Retrato de Xu Beihong

As 39 Pinturas Mais Famosas de Xu Beihong, uma Seleção da Galeria

Atualizado em Novembro 2026 · classificado pela nossa pontuação de popularidade (pesquisas, visitas e pedidos de cada obra) · 39 obras de Xu Beihong em nosso catálogo

Em resumo

De todas as obras originais deixadas por Xu Beihong, a mais famosa é The Foolish Old Man Moves a Mountain (1940), da coleção do CAFA Art Museum, em Pequim. Logo atrás vêm Portrait of Sun Duoci (1936) e Tian Heng e seus Cinco Cento Seguidores (1930). Nosso catálogo contém 39 obras de Xu Beihong; a galeria preservou as 39 que o mundo mais admira, cada uma exibida com sua data, seu museu e sua história.

1895 – 1953, Yixing Contemporary realism Mais obras: CAFA Art Museum

As 10 principais pinturas de Xu Beihong: a escolha da galeria

1
The Foolish Old Man Moves a Mountain (1940) de Xu Beihong

The Foolish Old Man Moves a Mountain

1940 · Oil On Canvas · CAFA Art Museum, Pequim

The Foolish Old Man Moves a Mountain by Xu Beihong is a monumental oil painting created about 1940. The work draws its narrative from a fable found in the Book of Lieh-tzu, a text dating back to the fourth century BC. This story was later retold in the first century BC and gained further prominence when it was championed in 1945. The painting captures a moment of intense physical labor…

2
Portrait of Sun Duoci (1936) de Xu Beihong

Portrait of Sun Duoci

1936 · Oil On Canvas · CAFA Art Museum, Pequim

In the quiet intimacy of a 1936 studio, Xu Beihong captured more than just a likeness; he immortalized a profound connection. The Portrait of Sun Duoci stands as a breathtaking testament to a moment when love and artistic revolution converged. As the viewer encounters this monumental canvas, they are immediately drawn into the serene gaze of Sun Duoci, a woman whose presence radiates a delicate balance of vulnerability and quiet…

3
Tian Heng e seus Cinco Cento Seguidores (1930) de Xu Beihong

Tian Heng e seus Cinco Cento Seguidores

1930 · Óleo sobre tela · CAFA Art Museum, Pequim

Tian Heng e Seus Cinco Centenas Seguidores: Uma Jornada ao Coração da Arte Chinesa Este magnífico óleo sobre tela, criado por Xu Beihong em 1930, é uma obra que transcende o tempo, capturando um episódio crucial da história chinesa e oferecendo uma janela para a visão artística de um dos maiores nomes do século XX. Mais do que apenas uma representação visual, *Tian Heng e Seus Cinco Centenas Seguidores* é…

4
Standing Horse (1947) de Xu Beihong

Standing Horse

1947 · CAFA Art Museum, Pequim

A single horse occupies the center of this ink and wash painting on paper. The animal is depicted standing on all four legs, its head lifted toward the upper edge of the frame. Its mane and tail appear to move in a steady wind, creating a sense of physical motion within a static pose. The horse is rendered in black and white, utilizing varying tones of ink to define its…

5
Sketch of a Man from the Front and the Side (1924) de Xu Beihong

Sketch of a Man from the Front and the Side

1924 · Oil · CAFA Art Museum, Pequim

Xu Beihong’s Sketch of a Man from the Front and the Side, created about 1924, functions as a rigorous study of human anatomy and form. The composition centers on two nude male figures positioned against a dark, atmospheric background. One figure faces the viewer directly in a frontal view, while the second figure is presented in profile, facing right. This dual orientation allows for a comprehensive examination of the physical…

6
HORSE UNDER A WILLOW TREE de Xu Beihong

HORSE UNDER A WILLOW TREE

Ink

HORSE UNDER A WILLOW TREE is a painting by Xu Beihong. The work features a horse positioned beneath a tree, a central motif in the artist's oeuvre. Xu Beihong was born in 1895 in Yixing, People's Republic of China, and continued to influence the direction of Chinese art until his death in 1953.

7
Portrait of Xu (1943) de Xu Beihong

Portrait of Xu

1943 · Oil On Canvas · CAFA Art Museum, Pequim

Xu Beihong's “Portrait of Xu,” painted in 1943, isn’t merely a likeness; it’s a carefully constructed tableau brimming with quiet contemplation and the subtle power of suggestion. This oil painting, rendered on a canvas measuring 62 x 48 cm, offers a glimpse into the mind of a young woman – likely Xu Beihong's wife, Jingwen – captured in a moment of serene introspection. The work immediately draws the eye with…

9
Stroking the Cat (1924) de Xu Beihong

Stroking the Cat

1924 · Oil On Canvas · CAFA Art Museum, Pequim

In this intimate scene, Stroking the Cat brings together the artist Xu Beihong and his partner, Jiang Biwei, within a quiet moment of domestic life. The painting captures the pair alongside their cat, a creature they both hold dear. There is a palpable sense of closeness between the two figures as they interact with the animal, creating a scene of shared affection. The composition focuses on this private connection, pulling…

10
Portrait of a Young Woman (1940) de Xu Beihong

Portrait of a Young Woman

1940 · Oil · CAFA Art Museum, Pequim

A young woman sits in a room, her gaze drifting toward a distance we cannot see. She wears a floral shirt, the petals of which rest against her skin like small, silent memories. The light catches the dark weight of her hair, framing a face caught in a moment of deep thought. Behind her, the presence of another person lingers in the shadows, a soft silhouette that adds to the…

A seleção de Xu Beihong continua, de 11 a 39

Pinturas famosas de Xu Beihong, período por período

Os temas que cativaram o olhar de Xu Beihong

Os quatro temas que mais se repetem nestas obras originais, cada um com o seu melhor exemplo.

Os museus que guardam os originais de Xu Beihong

Os 3 museus que detêm a maioria das pinturas desta página.

Museus Cidade Obras de Xu Beihong Pinturas desta lista
CAFA Art Museum, PequimCAFA Art Museum Pequim 24 The Foolish Old Man Moves a Mountain, Portrait of Sun Duoci, Tian Heng e seus Cinco Cento Seguidores
China Modern and Contemporary Art Document Research Center, PequimChina Modern and Contemporary Art Document Research Center Pequim 2 Jiu Fang Gao, Galloping horse
Long Museum West Bund, XangaiLong Museum West Bund Xangai 1 Two Horses

Xu Beihong década a década: a obra original que define cada uma

Obras por década

Escolha uma década para ver a obra original que a define.

Perguntas de colecionadores sobre as pinturas de Xu Beihong

Por qual obra Xu Beihong é mais conhecido(a)?Revelar a resposta

The Foolish Old Man Moves a Mountain (1940), CAFA Art Museum, Pequim. Portrait of Sun Duoci (1936) e Tian Heng e seus Cinco Cento Seguidores (1930) vêm a seguir.

Qual era a idade de Xu Beihong quando The Foolish Old Man Moves a Mountain foi feita?Revelar a resposta

45 anos: The Foolish Old Man Moves a Mountain data de 1940, e Xu Beihong nasceu em 1895.

Quais são as dez pinturas mais famosas de Xu Beihong?Revelar a resposta

The Foolish Old Man Moves a Mountain, Portrait of Sun Duoci, Tian Heng e seus Cinco Cento Seguidores, Standing Horse, Sketch of a Man from the Front and the Side, HORSE UNDER A WILLOW TREE, Portrait of Xu, Mother and Daughter, Stroking the Cat e Portrait of a Young Woman. O ranking acima apresenta o ano e o museu de cada uma.

Quantas pinturas Xu Beihong deixou?Revelar a resposta

Nosso catálogo contém 39 obras de Xu Beihong, datadas de 1924 a 1950.

Em quais museus estão expostas as obras-primas de Xu Beihong?Revelar a resposta

Principalmente em CAFA Art Museum (Pequim), China Modern and Contemporary Art Document Research Center (Pequim) e Long Museum West Bund (Xangai). A tabela de museus acima lista todos eles.

Em que anos Xu Beihong pintou as suas obras mais famosas?Revelar a resposta

Em 1930s: 9 das 39 obras nesta página foram feitas então, sendo Portrait of Sun Duoci delas.

Quais são as primeiras e as últimas obras originais famosas de Xu Beihong?Revelar a resposta

Nesta página, a mais antiga é Sketch of a Man from the Front and the Side (1924) e a mais recente é Cavalry Hero Tai Xide (1950).

Quais temas Xu Beihong escolheu com mais frequência?Revelar a resposta

Landscape (8), Chinese art (8) e Animals (5), entre as 39 obras nesta página.

Qual técnica Xu Beihong mais utilizou?Revelar a resposta

Oil On Canvas, para 9 das 39 obras nesta página.

A qual movimento artístico pertence Xu Beihong?Revelar a resposta

Contemporary realism, a julgar pelos originais nesta página.

Quais obras de Xu Beihong estão expostas no CAFA Art Museum?Revelar a resposta

The Foolish Old Man Moves a Mountain, Portrait of Sun Duoci e Tian Heng e seus Cinco Cento Seguidores: o CAFA Art Museum, Pequim detém 24 das obras desta página.

Xu Beihong: vida e obra

A Pioneer Bridging Worlds: The Life and Art of Xu Beihong

Xu Beihong, born Xu Shoukang in 1895 in the tranquil town of Yixing, Jiangsu province, stands as a monumental figure in 20th-century Chinese art. His life was a compelling narrative of artistic evolution, dedicated to forging a new path for Chinese painting—one that harmoniously blended the rich traditions of his homeland with the innovations of Western art. From humble beginnings steeped in classical learning and traditional brushwork under the tutelage of his father, Xu Dazhang, a struggling artist himself, young Beihong’s early life was marked by both artistic promise and economic hardship. This formative period instilled within him not only technical skill but also a deep appreciation for Chinese culture and a resilient spirit that would define his career. The family's itinerant existence, painting portraits and landscapes to make ends meet, exposed him to the realities of rural China and fueled an early ambition to elevate the status of art and artists. A pivotal moment arrived when he adopted the name “Beihong,” meaning "sad wild goose," a reflection perhaps of his youthful anxieties and aspirations—a poignant symbol of both longing and determination.

The European Awakening: Forging a New Artistic Vision

Driven by a thirst for knowledge and a desire to modernize Chinese art, Xu Beihong embarked on a transformative journey to Europe in 1917. Initially studying in Tokyo, he soon secured a coveted scholarship to the prestigious École Nationale Supérieure des Beaux-Arts in Paris. This period proved crucial in shaping his artistic philosophy and technique. Immersed in the heart of European art, he meticulously studied oil painting and drawing, mastering Western principles of perspective, composition, and realism. While embracing these new techniques, Xu Beihong remained critical of certain modernist trends prevalent at the time, favoring instead the classical traditions he encountered. He adopted the French name "Ju Péon" during his stay, a testament to his immersion in European culture—a deliberate choice that signaled his intention to absorb and synthesize Western artistic knowledge while retaining his Chinese identity. He spent years absorbing the techniques of masters like Ingres and Delacroix, studying anatomy with intense dedication, and experimenting with color palettes. However, he never abandoned his fundamental understanding of Chinese brushwork and composition, recognizing their inherent beauty and expressive power. This period laid the foundation for his unique artistic style, characterized by a powerful synthesis of Eastern aesthetics and Western techniques—a delicate balance between tradition and innovation.

Iconic Motifs and Artistic Style: A Synthesis of East and West

Upon returning to China in 1927, Xu Beihong embarked on a prolific career marked by groundbreaking works that captured the spirit of a nation undergoing profound change. He quickly became renowned for his dynamic depictions of horses and birds—motifs that transcended mere representation to become powerful symbols of strength, freedom, and national pride. His horses, in particular, are celebrated for their muscularity, energy, and expressive power, often depicted galloping across vast landscapes with a sense of untamed spirit – a visual embodiment of the Chinese nation’s resilience. Galloping Horse, perhaps his most iconic work, exemplifies this perfectly—a testament to the vitality and determination of the Chinese people. Beyond these signature subjects, Xu Beihong also excelled in portraiture and historical painting, demonstrating his mastery of both oil painting and traditional ink wash techniques. His style was characterized by a unique blend of bold brushstrokes, precise delineation, and a masterful command of light and shadow. He seamlessly integrated Western perspective and composition into the fluidity of Chinese brushwork, creating a visual language that was both innovative and deeply rooted in tradition. Foolish Old Man Who Removed the Mountains, inspired by a traditional Chinese fable, exemplifies his ability to imbue classical themes with modern energy and social commentary—a demonstration of his artistic versatility and intellectual depth.

Legacy and Influence: Shaping Modern Chinese Art Education

Xu Beihong’s impact extended far beyond his own artistic creations; he was also a pioneering art educator who profoundly shaped the development of modern Chinese art education. After returning to China, he held teaching positions at several prestigious universities, including National Central University and Peking University, where he tirelessly advocated for curriculum reform. He championed the incorporation of Western sketching and oil painting techniques into traditional Chinese art programs, believing that this integration was essential for revitalizing Chinese artistic expression—a visionary approach that challenged conventional thinking and paved the way for a new generation of artists. Following the founding of the People's Republic of China in 1949, he became president of the Central Academy of Fine Arts and chairman of the China Artists Association, further solidifying his influence on the nation’s artistic landscape. He trained generations of artists who went on to become leading figures in Chinese art, carrying forward his vision of a modern yet culturally grounded aesthetic—a legacy that continues to inspire artists today. Xu Beihong's emphasis on artistic conception, the importance of life experiences, and the integration of Eastern and Western traditions left an indelible mark on Chinese art history, cementing his place as one of its most influential figures. His work continues to resonate with audiences worldwide, serving as a powerful reminder of the enduring power of art to bridge cultures and transcend boundaries.

Major Achievements

* **Mastery of Diverse Techniques:** Xu Beihong seamlessly blended traditional Chinese ink wash painting with Western oil painting techniques, creating a unique and recognizable style. * **Iconic Horse Paintings:** His depictions of horses—particularly *Galloping Horse*—became symbols of national strength and resilience. * **Pioneering Art Education:** He revolutionized art education in China by advocating for the integration of Western methods alongside traditional Chinese practices. * **Influence on Generations of Artists:** He trained numerous artists who went on to become prominent figures in the Chinese art world. * **Monumental Oil Paintings:** Xu Beihong created several large-scale oil paintings depicting historical and mythological scenes, showcasing his mastery of Western techniques and his ability to convey epic narratives.