Retrato de Michele Marieschi

As 43 Pinturas Mais Famosas de Michele Marieschi, Cada Uma Única

Atualizado em Novembro 2026 · classificado pela nossa pontuação de popularidade (pesquisas, visitas e pedidos de cada obra) · 46 obras de Michele Marieschi em nosso catálogo

Em resumo

The Grand Canal near the Salute (1733) é a pintura de Michele Marieschi que mais atrai olhares; a obra original pertence ao Museu do Louvre, Paris. Depois disso, o olhar recai sobre Capriccio with Classical Arch and Goats (1741) e The Grand Canal with the Ca' Rezzonico and the Campo San Samuele (1742). Entre as 46 obras de Michele Marieschi em nosso catálogo, estas 43 são as mais famosas, cada uma uma original única apresentada com o seu ano, o seu museu e a razão pela qual perdura.

1710 – 1743, Venice Rococo Mais obras: Museu Nacional de Varsóvia

As 10 principais pinturas de Michele Marieschi, sob o olhar da galeria

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Capriccio with Classical Arch and Goats (1741) de Michele Marieschi

Capriccio with Classical Arch and Goats

1741 · Oil On Canvas · Gallerie dell'Accademia di Venezia, Veneza

The composition centers on the intersection of human architecture and the persistent force of the natural world. Crumbling stone arches and weathered columns, once symbols of structural precision, now lie partially reclaimed by thick foliage and creeping vines. In the foreground, a man, a boy, and a dog move through the ruins, providing a sense of scale against the heavy, decaying masonry. Beyond this immediate scene, a body of water…

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The Grand Canal with the Ca' Rezzonico and the Campo San Samuele (1742) de Michele Marieschi

The Grand Canal with the Ca' Rezzonico and the Campo San Samuele

1742 · Oil On Canvas · Staatliche Museen zu Berlin, Berlim

The oil on canvas titled The Grand Canal with the Ca' Rezzonico and the Campo San Samuele captures a specific slice of Venetian life. Painted by Michele Marieschi, the work dates to about 1742. It presents a wide view of the waterways that define the city, focusing on the intersection of grand architecture and the constant movement of the canals.

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Courtyard with a Staircase (1735) de Michele Marieschi

Courtyard with a Staircase

1735 · Oil On Canvas · Museu Hermitage, São Petersburgo

Courtyard with a Staircase is an oil on canvas work by Michele Marieschi, executed in 1735. The composition functions as an architectural fantasy, presenting a structured arrangement of a staircase within a courtyard setting. This work belongs to the Venetian School, reflecting the topographical and imaginative traditions of 18th-century Italy.

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The Grand Canal in Venice (1700) de Michele Marieschi

The Grand Canal in Venice

1700 · Oil · Museo di Capodimonte, Nápoles

In the heart of the eighteenth century, Venice was not merely a city but a stage, a shimmering spectacle of light and water where every canal served as a corridor for drama and commerce. Michele Marieschi, a master of the veduta, captures this ephemeral magic in his breathtaking work, The Grand Canal in Venice. This painting serves as a portal to a bygone era, inviting the viewer to step onto…

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A Ponte Rialto da Riva del Vin (1740) de Michele Marieschi

A Ponte Rialto da Riva del Vin

1740 · Óleo sobre tela · Museu Hermitage, São Petersburgo

A Magnífica Riva del Vin de Michele Marieschi: Uma Janela para Veneza Rococo Michele Giovanni Marieschi (1710 – 18 janeiro de 1744) permanece como uma figura singular no cenário artístico veneziano durante a Era Rococó, reconhecido principalmente por seus paisagens e cidades-cenário deslumbrantes—vedute—que capturaram o espírito da época com notável vivacidade e inovação. Embora detalhes biograficos permaneçam escassos, Marieschi permanece em legado pela sua capacidade de transformar vistas comuns em…

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The Grand Canal with Santa Maria della Salute (1730) de Michele Marieschi

The Grand Canal with Santa Maria della Salute

1730 · Oil On Canvas · Museu Thyssen-Bornemisza, Madrid

The oil on canvas depicts the Grand Canal in Venice, Italy, as it appeared in 1730. At the terminus of the waterway, the Santa Maria della Salute church occupies the central focus. The structure features a prominent dome and smaller domes situated on either side. The building's architecture is characterized by its position at the end of the canal, which directs the eye toward the church's facade. Numerous gondolas and…

Pinturas famosas de Michele Marieschi, números 11 a 43

11Fantastic Architecture of a Palace Courtyard (1730) de Michele MarieschiFantastic Architecture of a Palace Courtyard1730 · Museu Nacional de Varsóvia 12Riva degli Schiavoni (1730) de Michele MarieschiRiva degli Schiavoni1730 · Museu Nacional de Varsóvia 13Coastal Landscape (1730) de Michele MarieschiCoastal Landscape1730 · Museu Nacional de Varsóvia 14Fantastic Landscape with Ruins (1730) de Michele MarieschiFantastic Landscape with Ruins1730 · Museu Nacional de Varsóvia 15Italian scenery with figures (1727) de Michele MarieschiItalian scenery with figures1727 16View of the Piazzetta dei Leoni (1734) de Michele MarieschiView of the Piazzetta dei Leoni1734 · Bavarian State Painting Collections 17Saint Mark's Church and the Square in Venice (1739) de Michele MarieschiSaint Mark's Church and the Square in Venice1739 18View of the Grand Canal near Cà Pesaro (1734) de Michele MarieschiView of the Grand Canal near Cà Pesaro1734 · Bavarian State Painting Collections 19Landscape Capriccio (1735) de Michele MarieschiLandscape Capriccio1735 · Minneapolis Institute of Art 20The Church of Santa Maria della Salute, Venice (1740) de Michele MarieschiThe Church of Santa Maria della Salute, Venice1740 · Art Institute of Chicago 21Courtyard in a Renaissance House (1742) de Michele MarieschiCourtyard in a Renaissance House1742 · Nationalmuseum 22Stairwell in a Renaissance Palace (1742) de Michele MarieschiStairwell in a Renaissance Palace1742 · Nationalmuseum 23Architectural fantasy featuring a palace courtyard (1738) de Michele MarieschiArchitectural fantasy featuring a palace courtyard1738 · Museu Nacional de Varsóvia 24The Grand Canal with the Fishmarket (detail) (1740) de Michele MarieschiThe Grand Canal with the Fishmarket (detail)1740 25The Grand Canal at San Geremia (1740) de Michele MarieschiThe Grand Canal at San Geremia1740 26The Grand Canal with the Fishmarket (1740) de Michele MarieschiThe Grand Canal with the Fishmarket1740 27View of the Rio di Cannareggio (1740) de Michele MarieschiView of the Rio di Cannareggio1740 28The Grand Canal at San Geremia (detail) (1740) de Michele MarieschiThe Grand Canal at San Geremia (detail)1740 29The Grand Canal with the Palazzo Labia and Entry to the Cannareggio (1742) de Michele MarieschiThe Grand Canal with the Palazzo Labia and Entry to the Cannareggio1742 · Staatliche Museen zu Berlin 30Capriccio with Gothic Building and Obelisk (1741) de Michele MarieschiCapriccio with Gothic Building and Obelisk1741 · Gallerie dell'Accademia di Venezia 31Piazza San Marco, Venice, with Saint Mark's Basilica, the Campanile and the Procuratie Nuove de Michele MarieschiPiazza San Marco, Venice, with Saint Mark's Basilica, the Campanile and the Procuratie NuoveNational Gallery of Ireland 32View of the Dogana and Santa Maria della Salute de Michele MarieschiView of the Dogana and Santa Maria della SaluteMuseum of Fine Arts 33View of Canale Grande in Venice with the Rialto Bridge de Michele MarieschiView of Canale Grande in Venice with the Rialto BridgeStatens Museum For Kunst 34View of Canale Grande in Venice de Michele MarieschiView of Canale Grande in VeniceStatens Museum For Kunst 35interior of a palazzo with scaffolding + figures de Michele Marieschiinterior of a palazzo with scaffolding + figures 36View of a port de Michele MarieschiView of a port 37palace - garden and walking people de Michele Marieschipalace - garden and walking people 38St. Marcus place in Venice de Michele MarieschiSt. Marcus place in Venice 39Landscape with ruins and a bridge de Michele MarieschiLandscape with ruins and a bridgeMuseu Nacional de Varsóvia 40Landscape with ruins de Michele MarieschiLandscape with ruinsMuseu Nacional de Varsóvia 41Architectural fantasy featuring a prison courtyard de Michele MarieschiArchitectural fantasy featuring a prison courtyardMuseu Nacional de Varsóvia 42Imaginative View with Obelisk de Michele MarieschiImaginative View with Obelisk 43View of Campo SS. Giovanni e Paolo, Venice de Michele MarieschiView of Campo SS. Giovanni e Paolo, Venice

Os temas que cativaram o olhar de Michele Marieschi

Os quatro temas que mais se repetem nestas obras originais, cada um com o seu melhor exemplo.

Os museus que guardam os originais de Michele Marieschi

Os 8 museus que detêm a maioria das pinturas desta página.

Museus Cidade Obras de Michele Marieschi Pinturas desta lista
Museu Nacional de Varsóvia, VarsóviaMuseu Nacional de Varsóvia Varsóvia 10 Ponte di Rialto, Fantastic Architecture of a Prison Courtyard, Fantastic Architecture of a Palace Courtyard
Gallerie dell'Accademia di Venezia, VenezaGallerie dell'Accademia di Venezia Veneza 2 Capriccio with Classical Arch and Goats, Capriccio with Gothic Building and Obelisk
Staatliche Museen zu Berlin, BerlimStaatliche Museen zu Berlin Berlim 2 The Grand Canal with the Ca' Rezzonico and the Campo San Samuele, The Grand Canal with the Palazzo Labia and Entry to the Cannareggio
Museu Hermitage, São PetersburgoMuseu Hermitage São Petersburgo 2 Courtyard with a Staircase, A Ponte Rialto da Riva del Vin
Bavarian State Painting Collections, MuniqueBavarian State Painting Collections Munique 2 View of the Piazzetta dei Leoni, View of the Grand Canal near Cà Pesaro
Nationalmuseum, EstocolmoNationalmuseum Estocolmo 2 Courtyard in a Renaissance House, Stairwell in a Renaissance Palace
Statens Museum For Kunst, CopenhagueStatens Museum For Kunst Copenhague 2 View of Canale Grande in Venice with the Rialto Bridge, View of Canale Grande in Venice
Museu do Louvre, ParisMuseu do Louvre Paris 1 The Grand Canal near the Salute

Michele Marieschi ao longo das décadas: uma obra original única para cada uma

Obras por década

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Pinturas de Michele Marieschi: perguntas para a galeria

Qual é a obra mais famosa de Michele Marieschi?Revelar a resposta

The Grand Canal near the Salute (1733), Museu do Louvre, Paris. Capriccio with Classical Arch and Goats (1741) e The Grand Canal with the Ca' Rezzonico and the Campo San Samuele (1742) vêm a seguir.

Com que idade Michele Marieschi criou The Grand Canal near the Salute?Revelar a resposta

23 anos: The Grand Canal near the Salute data de 1733, e Michele Marieschi nasceu em 1710.

Quais são as dez pinturas mais famosas de Michele Marieschi?Revelar a resposta

The Grand Canal near the Salute, Capriccio with Classical Arch and Goats, The Grand Canal with the Ca' Rezzonico and the Campo San Samuele, Courtyard with a Staircase, The Grand Canal in Venice, A Ponte Rialto da Riva del Vin, The Grand Canal with Santa Maria della Salute, An Architectural Capriccio with Figures beside a River, Ponte di Rialto e Fantastic Architecture of a Prison Courtyard. O ranking acima apresenta o ano e o museu de cada uma.

Quantas obras de Michele Marieschi são conhecidas?Revelar a resposta

Nosso catálogo contém 46 obras de Michele Marieschi, datadas de 1727 a 1742.

Onde se pode ver os originais mais famosos de Michele Marieschi?Revelar a resposta

Principalmente em Museu Nacional de Varsóvia (Varsóvia), Gallerie dell'Accademia di Venezia (Veneza) e Staatliche Museen zu Berlin (Berlim). A tabela de museus acima lista todos eles.

Em que período Michele Marieschi criou as suas pinturas mais conhecidas?Revelar a resposta

Em 1730s: 14 das 43 obras nesta página foram feitas então, sendo The Grand Canal near the Salute delas.

Qual pintura famosa de Michele Marieschi é a mais antiga e qual é a mais recente?Revelar a resposta

Nesta página, a mais antiga é Italian scenery with figures (1727) e a mais recente é The Grand Canal with the Ca' Rezzonico and the Campo San Samuele (1742).

Quais temas Michele Marieschi preferia?Revelar a resposta

Boats (4), Architecture (4) e Canal (3), entre as 43 obras nesta página.

Com quais materiais Michele Marieschi mais pintou?Revelar a resposta

Oil On Canvas, para 5 das 43 obras nesta página.

A qual movimento pertence a obra de Michele Marieschi?Revelar a resposta

Rococo, a julgar pelos originais nesta página.

Quais originais de Michele Marieschi posso ver no Museu Nacional de Varsóvia?Revelar a resposta

Ponte di Rialto, Fantastic Architecture of a Prison Courtyard e Fantastic Architecture of a Palace Courtyard: o Museu Nacional de Varsóvia, Varsóvia detém 10 das obras desta página.

Michele Marieschi: um retrato do artista

The Venetian Visionary: The Life and Legacy of Michele Marieschi

In the golden age of the Venetian Rococo, few artists captured the ephemeral magic of the Serenissima with as much vitality as Michele Giovanni Marieschi. Born in Venice in 1710, Marieschi emerged from a lineage of craftsmanship, being the son of a woodcarver—a background that likely instilled in him a profound respect for structure, texture, and the physical essence of the objects he depicted. While his life was relatively brief, spanning only until his death in early 1744, his impact on the veduta tradition remains indelible. He did not merely document the architecture of Venice; he breathed life into its stone and water, transforming static cityscapes into breathing, luminous narratives of light and movement.

The development of Marieschi’s unique style was deeply rooted in the artistic currents flowing through 18th-century Italy. Scholars often point to the influence of masters such as Gaspare Diziani and the legendary Canaletto, whose works provided a blueprint for capturing the grandeur of urban environments. However, where Canaletto sought a certain topographical precision and a more restrained, classical clarity, Marieschi found his voice in a bolder, more emotive approach. He embraced a palette that pulsed with color and a brushwork that felt spontaneous and energetic. This stylistic distinction allowed him to move beyond mere architectural recording, infusing his landscapes with a sense of theatricality and atmosphere that suggested the very pulse of Venetian life.

Mastery of Light and the Veduta Tradition

Marieschi’s contribution to the veduta—the genre of highly detailed, large-scale topographical paintings—is characterized by an extraordinary command of perspective and light. His works often feature iconic landmarks such as the Grand Canal, the Salute, and various majestic palaces, yet they are far from being mere postcards of the era. Instead, he utilized a technique that blended meticulous detail with imaginative embellishment, creating scenes that felt both real and dreamlike. Through his eyes, the water of the canals becomes a mirror for the shifting sky, and the shadows cast by ancient churches become vessels for mystery and depth.

His technical prowess is perhaps most evident in his ability to manipulate light to evoke specific moods:

  • Atmospheric Perspective: The use of soft, hazy tones to create a sense of immense distance and scale within his cityscapes.
  • Dynamic Brushwork: A lively application of paint that captures the shimmering reflections on the Venetian lagoons.
  • Architectural Grandeur: A profound understanding of structural geometry, allowing him to render complex facades with both accuracy and elegance.

Historical Significance and Artistic Resonance

The historical significance of Michele Marieschi lies in his ability to bridge the gap between the rigid documentation of the early 18th century and the more expressive, emotive landscapes that would follow. He was a pivotal figure in transitioning the Venetian view from a purely observational medium into an art form capable of conveying profound emotional resonance. His work serves as a vital window into a vanished world, preserving the splendor of Venice before the seismic shifts of the late 18th century altered its social and political landscape forever.

Today, Marieschi’s canvases continue to captivate collectors and historians alike. Whether it is the breathtaking view of the Grand Canal near the Salute or his more intimate architectural studies, his paintings remain masterclasses in the Rococo spirit. He remains a celebrated figure for those seeking to experience the vibrant energy, the luminous light, and the enduring elegance of a Venice that continues to haunt the collective imagination of the art world.