Atualizado em Outubro 2026 · classificado pela nossa pontuação de popularidade (pesquisas, visitas e pedidos de cada obra) · 141 obras de Léon Bonnat em nosso catálogo
Em resumo
Jacob Wrestling with the Angel (also known as La Lutte de Jacob) (1876) é a pintura de Léon Bonnat que mais atrai olhares. Depois disso, o olhar recai sobre Portrait of Isaac Dignus Fransen van de Putte (1822-1902). Colonial Minister (1863-66, 1872-74) (1879) e Self-portrait (1918) (1918). Entre as 141 obras de Léon Bonnat em nosso catálogo, estas 100 são as mais famosas, cada uma uma original única apresentada com o seu ano, o seu museu e a razão pela qual perdura.
The work before us is titled Jacob Wrestling with the Angel, though it is frequently referred to by its French name, La Lutte de Jacob. This piece was painted by Léon Joseph Florentin Bonnat in 1876. It is a significant example of the artist's engagement with religious narratives, rendered with a focus on the physical reality of the struggle depicted.
A single light source carves the face of Isaac Dignus Fransen van de Putte from a heavy, ink-black void. He sits with a rigid, vertical posture, his presence defined by the sharp contrast between a pale, starched collar and the deep shadows of his frock coat. The light catches the high ridge of his forehead and the steady gaze of a man accustomed to the gravity of statecraft. There is…
An elderly man sits within a frame of shadow and light. His face, etched with the textures of many years, turns toward the right while his eyes lock onto the viewer. A white beard descends in soft, defined strokes, catching the pale light that enters from the upper left. The background is a quiet expanse of ochre, burnt sienna, and deep umber, pressing close to the subject. He wears a…
A single figure stands in profile, caught in a moment of quiet stillness. The woman is draped in a gown of cool, light blue satin that catches the directional light from the upper left. This luminous fabric flows downward in heavy, sweeping folds, ending in delicate ruffles at the hem. Against the deep, warm umber and sienna tones of the background, the blue of her dress pulls the eye forward.…
The air in the chamber feels heavy, thick with the weight of a crown and the silence of a long-passed era. Standing before us, King Fruela II of Asturias commands the space with a stillness that feels almost monumental. He is draped in a mantle of deep, saturated crimson, a color so intense it seems to pulse against the dark, shadowy void behind him. This red is not merely a…
The room holds its breath as an elderly gentleman sits anchored in his chair. He is John Taylor Johnston, and the weight of his years settles around him in soft, muted tones. Light drifts in from the left, a gentle illumination that carves his features out of the surrounding shadows. It catches the silver of his beard and the subtle folds of his dark suit, lending a tangible volume to…
The Portrait of the count of Montalivet is an oil on canvas work by the French painter Léon Bonnat. It captures the likeness of Camille Bachasson, comte de Montalivet, a man who lived from 1801 to 1880. The painting was executed in 1878.
Léon Bonnat executed this oil on canvas in 1883, capturing the likeness of Levi Parsons Morton. The portrait presents the sitter in a formal, three-quarter length pose, establishing a sense of authority through a structured silhouette and a dark, atmospheric background. The composition focuses entirely on the subject, utilizing a directional light source from the upper left to define the facial features and hands against deep shadows.
The painter Ceferino Araujo Sánchez1864 · Museu do Prado
12
Self-Portrait1896 · National Gallery Prague
13
Self-portrait / Portrait of a young Man1855 · Musée d'Orsay
14
Portrait of Louise Lienhard1850
15
Self-portrait at the age of 171850 · Musée Bonnat-Helleu
16
Portrait of Marie Bonnat, the artist's sister1851 · Musée Bonnat-Helleu
17
Young woman doing charity at the entrance to the chapel of San Sebastián Hospital in Cordoba1863 · Goya Museum
18
Portrait of Jean Léglise, Merchant, Mayor of Saint-Martin-de-Seignanx1868 · Cleveland Museum of Art
19
The victim1870 · Museu Nacional de Belas Artes
20
An Arab Sheik1870 · Walters Art Museum
21
Begging scene1865 · Musée Bonnat-Helleu
22
Portrait of an unidentified woman1868 · Musée Carnavalet
23
Sketch for the ceiling of the courtroom of the Cour des Assises of the Palais de Justice in Paris: Justice1869 · Petit Palais
24
Sketch for the courtroom of the Cour des Assises of the Palais de Justice in Paris: Justice protecting the weak1866 · Petit Palais
25
An oriental barbershop1872 · Museu Estatal Pushkin de Artes Visuais
26
Adolphe Thiers1876
27
Portrait of Marguerite Franchetti1875 · Musée Bonnat-Helleu
28
Victor Hugo on his deathbed1885 · Musée Victor Hugo
29
Louisa Lee Schuyler1879 · New York Historical Society
30
Precious Moments1880 · Museum of Fine Arts, St. Petersburg, Florida, USA
31
Portrait of George Aloysius Lucas1885 · Walters Art Museum
32
Portrait de Monseigneur Félix-Arsène Billard1883
33
Italian Girl1880 · Munson-Williams-Proctor Arts Institute
34
Don't cry1879 · Musée Des Beaux Arts
35
George Lee Schuyler (1811-1890)1883 · New York Historical Society
36
Portrait of Madame Georges Ehrler1880 · Petit Palais
37
John Taylor Johnston (1820 1893)1880 · Metropolitan Museum of Art
38
Interior of the Sistine Chapel1880
39
Ernest Renan1892
40
Anna L. R. S. Morton1884 · National Portrait Gallery
41
Portrait of Henry Field1896 · Art Institute of Chicago
42
Portrait of Auguste Cain1889 · Petit Palais
43
Portrait of Henri Harpignies1889 · Petit Palais
44
Job1888
45
Portrait of Aimilia Salvagou1894 · National Gallery
46
Henry Lillie Pierce1895 · Museu de Belas Artes de Boston
47
George Martin Lane (1823-1897)1894 · Harvard Art Museums
48
Portrait of Prince Viacheslav Tenishev1896 · Museu Hermitage
49
The broken pitcher (version with ciocie)1900
50
The broken pitcher (barefoot version)1900
51
A little accident1900
52
Portrait de Madame Dubernet by Léon Bonnat1899 · Petit Palais
53
An Egyptian Peasant Woman and Her Child1869 · Metropolitan Museum of Art
54
Portrait of Charles Ephrussi1906
55
Portrait of Georges Cain (1853-1919), painter and literary man1909 · Musée Carnavalet
56
Christ on the CrossPetit Palais
57
Jules Grévy1880
58
Head of a White Horse1850 · Scottish National Gallery
59
Kneeling girl in prayer (study for ^quot;Pilgrims at the Foot of the Statue of Saint Peter in Saint Peter's Church in Rome^quot;)1864
60
An Egyptian Peasant Woman and Her Child1869
61
An Egyptian Peasant Woman and Her Child1870
62
Fountain by the Cathedral of St. Peter in Rome1868 · Museu Hermitage
63
Madame Pasca1874 · Musée d'Orsay
64
Italian Woman with Child1872 · Musée Bonnat-Helleu
65
Léon Gambetta1875 · Musée d'Orsay
66
Mary Sears (later Mrs. Francis Shaw)1878 · Museu de Belas Artes de Boston
67
Henry White1882 · National Gallery of Art
68
Jean Gigoux1880 · Musée Des Beaux
69
In the Mountains1879 · Museu Hermitage
70
Sketch for the Salon des Arts at the Hôtel de Ville in Paris: The glorification of Art1888 · Petit Palais
71
French priest Pierre Bienvenu Noailles1889
72
Joseph Dreyfus1890
73
Idylle1890 · Musée Bonnat-Helleu
74
Pasteur and his granddaughter Camille Vallery-Radot1886 · Musée Pasteur
75
The Hand of Antoine-Louis Barye1897 · Walters Art Museum
76
Eagle and Rabbit1897
77
Portrait du docteur Adrien Doyon
78
Portrait de Joseph Reinach (1856 1921)Musée d'Art Moderne et Contemporain de Strasbourg
79
JULES GREVY, PRESIDENT DE LA REPUBLIQUE (1807 1891)
80
LEON GAMBETTA (1838 1892)
81
ALEXANDRE DUMAS FILS (1824 1895)Musée d'Orsay
82
LOUIS ADOLPHE THIERS, PRESIDENT DE LA REPUBLIQUE (1797 1877)
83
MADAME PASCA
84
ISAAC PEREIRE (1806 1880)
85
Victor Hugo (1802 1885)Musée Victor Hugo
86
Le cardinal Charles Lavigerie, archevêque d'Alger (1825 1892)Musée d'Orsay
87
BERNIER LOUISMusée Condé
88
Autoportrait
89
JOSEPH DREYFUSMusée d'Orsay
90
Portrait de Monsieur CernuschiMusée Cernuschi
91
Maître Edouard Pascal
92
PORTRAIT DE L'ARTISTEMusée d'Orsay
93
LA MARQUISE FEYDEAU DE BROUMusée d'Orsay
94
Portrait de Louis Hector Leroux
95
Portrait de M. Daniel Guestier
96
Portrait du Vicomte Both de Tauzia
97
Madame Maurice Pascal et son chien Tiny
98
PORTRAIT DU GENERAL HENRI D'ORLEANS, DUC D'AUMALE (1880)Musée Condé
99
MADAME BONNAT
100
PORTRAIT DE L'ARTISTE AU CHAPEAUMusée d'Orsay
Os quatro temas que mais se repetem nestas obras originais, cada um com o seu melhor exemplo.
Os 8 museus que detêm a maioria das pinturas desta página.
| Museu | Cidade | Obras de Léon Bonnat | Pinturas desta lista |
|---|---|---|---|
 Musée d'Orsay |
Paris | 15 | Portrait of a woman, Portrait of the count of Montalivet, Self-portrait / Portrait of a young Man |
 Petit Palais |
Paris | 8 | Sketch for the ceiling of the courtroom of the Cour des Assises of the Palais de Justice in Paris: Justice, Sketch for the courtroom of the Cour des Assises of the Palais de Justice in Paris: Justice protecting the weak, Portrait of Madame Georges Ehrler |
 Musée Bonnat-Helleu |
Bayonne | 7 | Self-portrait at the age of 17, Portrait of Marie Bonnat, the artist's sister, Begging scene |
 Walters Art Museum |
Baltimore | 6 | An Arab Sheik, Portrait of George Aloysius Lucas, The Hand of Antoine-Louis Barye |
 Museu Hermitage |
São Petersburgo | 4 | Portrait of Prince Viacheslav Tenishev, Fountain by the Cathedral of St. Peter in Rome, In the Mountains |
 Museu do Prado |
Madrid | 3 | Self-portrait (1918), Fruela II of Asturias (king of Asturias from 910 to 925), The painter Ceferino Araujo Sánchez |
 Metropolitan Museum of Art |
Nova York | 3 | John Taylor Johnston (1820 1893), An Egyptian Peasant Woman and Her Child |
 Musée Condé |
Chantilly | 3 | BERNIER LOUIS, PORTRAIT DU GENERAL HENRI D'ORLEANS, DUC D'AUMALE (1880) |
Escolha uma década para ver a obra original que a define.
The air in the chamber feels heavy, thick with the weight of a crown and the silence of a long-passed era. Standing before us, King Fruela II of Asturias commands the space with a stillness that feels almost monumental. He is draped in a mantle of deep, saturated crimson, a color so intense it seems to pulse against the dark, shadowy void behind him. This red is not merely a…
This oil on canvas portrait, executed in 1864, presents a close-up view of Ceferino Araujo Sánchez. The subject is a man with a dark beard and mustache, positioned centrally within the frame. His gaze is directed slightly downward, creating a sense of quiet introspection. The lighting is directional, originating from the upper left, which casts the right side of his face and the background into deep shadow. This technique produces…
The work before us is titled Jacob Wrestling with the Angel, though it is frequently referred to by its French name, La Lutte de Jacob. This piece was painted by Léon Joseph Florentin Bonnat in 1876. It is a significant example of the artist's engagement with religious narratives, rendered with a focus on the physical reality of the struggle depicted.
A single figure stands in profile, caught in a moment of quiet stillness. The woman is draped in a gown of cool, light blue satin that catches the directional light from the upper left. This luminous fabric flows downward in heavy, sweeping folds, ending in delicate ruffles at the hem. Against the deep, warm umber and sienna tones of the background, the blue of her dress pulls the eye forward.…
This oil on canvas portrait, executed in 1896, presents a bust-length view of an elderly man positioned slightly off-center. The subject looks directly toward the viewer with a weary and contemplative expression. His face is marked by the textures of age, with light originating from the upper left to cast shadows across the right side of his features, defining the forehead, cheekbone, and skin texture. A stark white beard and…
An elderly man sits within a frame of shadow and light. His face, etched with the textures of many years, turns toward the right while his eyes lock onto the viewer. A white beard descends in soft, defined strokes, catching the pale light that enters from the upper left. The background is a quiet expanse of ochre, burnt sienna, and deep umber, pressing close to the subject. He wears a…
Jacob Wrestling with the Angel (also known as La Lutte de Jacob) (1876). Portrait of Isaac Dignus Fransen van de Putte (1822-1902). Colonial Minister (1863-66, 1872-74) (1879) e Self-portrait (1918) (1918) vêm a seguir.
43 anos: Jacob Wrestling with the Angel (also known as La Lutte de Jacob) data de 1876, e Léon Bonnat nasceu em 1833.
Jacob Wrestling with the Angel (also known as La Lutte de Jacob), Portrait of Isaac Dignus Fransen van de Putte (1822-1902). Colonial Minister (1863-66, 1872-74), Self-portrait (1918), ADAM ET EVE TROUVANT LE CORPS D'ABEL, Portrait of a woman, Fruela II of Asturias (king of Asturias from 910 to 925), John Taylor Johnston (1820–1893), Portrait of the count of Montalivet, Levi Parsons Morton e The Martyrdom of Saint Denis (also known as Martyr de Saint Denis). O ranking acima apresenta o ano e o museu de cada uma.
Nosso catálogo contém 141 obras de Léon Bonnat, datadas de 1850 a 1918.
Principalmente em Musée d'Orsay (Paris), Petit Palais (Paris) e Musée Bonnat-Helleu (Bayonne). A tabela de museus acima lista todos eles.
Em 1880s: 22 das 100 obras nesta página foram feitas então, sendo Portrait of a woman delas.
Nesta página, a mais antiga é Portrait of Louise Lienhard (1850) e a mais recente é Self-portrait (1918) (1918).
Man (10), Portrait (6) e Dark background (5), entre as 100 obras nesta página.
Oil On Canvas, para 13 das 100 obras nesta página.
Academic realism e Realism, a julgar pelos originais nesta página.
Portrait of a woman, Portrait of the count of Montalivet e Self-portrait / Portrait of a young Man: o Musée d'Orsay, Paris detém 11 das obras desta página.
Sim, como uma reprodução: a obra original permanece no seu museu, mas qualquer pintura desta página pode ser pintada à mão para você, feita sob encomenda uma a uma, a partir da própria página da pintura.
A trajetória de Léon Bonnat começou em Bayonne, França, em 1833, mas foi o movimento de sua família para Madri, em 1846, que alterou permanentemente o curso de sua existência. Na capital espanhola, onde seu pai estabeleceu uma livraria, o jovem Bonnat encontrou o seu destino entre as prateleiras; ao auxiliar no comércio, ele dedicava-se com fervor à cópia de gravuras de grandes mestres, cultivando uma paixão profunda pelo desenho que serviria de alicerce para sua futura carreira. Após uma formação formal sob a tutela de Madrazo em Madri, ele retornou a Paris, pronto para enfrentar os desafios do mundo artístico.
Em Paris, a busca pelo refinamento técnico levou-o aos estudos com os proeminentes pintores de história Paul Delaroche e Léon Cogniet. Embora o caminho não tenha sido imediato, com tentativas frustradas de ingressar na prestigiada École des Beaux-Arts através do Prix de Rome, uma bolsa de estudos de Bayonne permitiu-lhe viver três anos em Roma, entre 1858 e 1860. Essa experiência foi o catalisador que moldou profundamente sua visão artística, período em que estreitou laços com talentos como Edgar Degas, Gustave Moreau e o escultor Henri Chapu. O estilo de Bonnat foi profundamente nutrido pela herança dos mestres espanhóis — especialmente Velázquez e Jusepe de Ribera — além de artistas como Titian e Van Dyck, cujas obras ele estudou meticulosamente nos corredores do Museu do Prado.
Rapidamente, Bonnat consolidou sua reputação como um dos principais retratistas de Paris, atraindo encomendas constantes. Seus retratos são ecos de seus admirados predecessores espanhóis, caracterizando-se por um realismo visceral, uma iluminação dramática e uma profundidade psicológica que capturava a essência de seus modelos. Além do retrato, ele explorou temas religiosos, cenas de gênero com camponeses italianos e, ocasionalmente, o exotismo das cenas orientalistas. A obra de Bonnat destaca-se por um naturalismo austero e uma recusa ao acabamento superficial excessivo, qualidades que o distinguiram de outros artistas, como o crítico Théophile Gautier fez ao contrastá-lo favoravelmente com o estilo mais polido de Bouguereau.
O reconhecimento de seu talento foi vasto e contínuo. Em 1869, recebeu a Medalha de Honra em Paris e, mais tarde, foi nomeado Grande Oficial da Légion d'honneur. Em 1882, assumiu o papel de professor na École des Beaux-Arts, tornando-se mentor de uma geração de artistas brilhantes, incluindo John Singer Sargent, Toulouse-Lautrec e Gustave Caillebotte. Sua ascensão culminou na direção da École em 1905, sucedendo Paul Dubois. Sua filosofia de ensino era pautada pela simplicidade, pelo efeito de conjunto e pelo rigor absoluto do desenho. Entre suas obras mais emblemáticas, destacam-se composições religiosas como Cristo na Cruz, Jó e São Vicente ocupando o lugar de dois escravos da galé.
Léon Bonnat ocupou uma posição singular no panorama artístico de sua época, atuando como uma ponte entre a tradição da pintura acadêmica e a efervescência do movimento impressionista. Embora fosse membro do Instituto e detivesse poder administrativo sobre a Academia e a École des Beaux-Arts, ele demonstrou um espírito independente ao apoiar artistas como Edgar Degas, Auguste Rodin e ao defender as submissões de Gustave Courbet ao Salão. Como um gesto de gratidão às suas raízes, fundou o Musée Bonnat em sua cidade natal, Bayonne, que hoje abriga uma coleção excepcional de desenhos de mestres antigos ao lado de suas próprias criações. Seu legado permanece vivo através de suas telas, de sua influência pedagógica e do museu que preserva a herança artística para as gerações futuras.
