Atualizado em Outubro 2026 · classificado pela nossa pontuação de popularidade (pesquisas, visitas e pedidos de cada obra) · 69 obras de Carl Rottmann em nosso catálogo
Em resumo
De todas as obras originais deixadas por Carl Rottmann, a mais famosa é Marathon (1848), da coleção do Neue Pinakothek, em Munique. Logo atrás vêm Cefalu (1830) e River Landscape with Castle Ruins (1820). Nosso catálogo contém 69 obras de Carl Rottmann; a galeria preservou as 69 que o mundo mais admira, cada uma exibida com sua data, seu museu e sua história.
To stand before Carl Anton Joseph Rottmann’s Marathon is to be enveloped by the raw, untamed breath of nature itself. This monumental oil on canvas, painted in 1848, transcends mere landscape depiction; it is a profound meditation on power, transition, and the sublime indifference of the natural world. The scene unfolds with an almost overwhelming sense of depth, drawing the viewer's eye across rugged terrain where massive boulders litter the…
Uma Jornada pela Beleza Siciliana: Uma Análise da Pintura “Cefalu” de Carl Anton Joseph Rottmann A pintura "Cefalu" de Carl Anton Joseph Rottmann, uma obra emblemática do Romantismo alemão, transcende a mera representação paisagística para oferecer um profundo diálogo entre natureza e arquitetura – elementos que se encontram em perfeita harmonia na cidade costeira siciliana. Criada em 1830, esta tela de óleo sobre tela captura o espírito da época, caracterizada…
In this 1820s oil work, we find ourselves standing before a scene of profound stillness. The composition draws the eye toward the left, where the weathered stone of castle ruins anchors the foreground. These architectural fragments, once perhaps a seat of power, now sit in quiet repose against the organic curves of the landscape. A winding river flows from the right, its surface catching the soft, diffused light of an…
Uma Vista Deslumbrante do Lago Eibsee – Uma Sinfonia de Luz e Silêncio O Gemälde "Vista do Lago Eibsee" de Carl Anton Joseph Rottmann é uma obra que transcende o mero registro da paisagem alpina, oferecendo um profundo mergulho na estética romântica alemã e nas habilidades técnicas inovadoras do artista. Pintado em 1825, este trabalho permanece como um testemunho da beleza sublime da natureza capturada com maestria pelo olhar de…
Carl Anton Joseph Rottmann’s “The Cemetery at Pronoia near Nauplia” isn't merely a landscape painting; it’s a carefully constructed meditation on mortality, memory, and the weight of history. Completed around 1846-47 as part of a larger series commissioned by King Ludwig I of Bavaria, this evocative work transports us to a windswept hillside overlooking the ancient burial ground at Pronoia, nestled near the historic fortress town of Nauplia in Greece.…
“The Battlefield at Marathon,” painted in 1849 by Carl Anton Joseph Rottmann, stands as a monumental testament to the Romantic movement’s fascination with dramatic landscapes and emotive storytelling. More than just a depiction of an historical event—the decisive Battle of Marathon against invading Persian forces—it embodies a profound meditation on human vulnerability confronted by the overwhelming power of nature.
In the delicate, translucent layers of View of Monte Serone from Civitella, we are invited to step into a world where the earth meets the heavens in a quiet, dramatic dialogue. Created in 1829 by the German Romantic master Carl Anton Joseph Rottmann, this watercolor landscape transcends mere topographical recording to capture the very soul of the rugged terrain. The composition draws the eye along a winding, meandering road that…
Carl Anton Joseph Rottmann’s “Corinth with Akrocorinth” stands as a cornerstone of Bavarian Romanticism, capturing not merely a picturesque landscape but also the profound emotional resonance characteristic of the era. Painted in 1847, this monumental canvas—measuring 162 x 206 cm—represents more than just a visual depiction; it embodies Ludwig I’s fascination with classical grandeur intertwined with untamed natural beauty.
Deer Hunt at Hintersee near Berchtesgaden1823 · Lenbachhaus
12
Mountain Landscape with Fleeing Stag1823 · Bavarian State Painting Collections
13
Taormina mit dem Ätna1829 · Bavarian State Painting Collections
14
landscape with horse frightened by lightening1823
15
landscape river-valley in the mountains1823
16
Italian landscape with ruins and travellers1831
17
Sicyon with Parnass1839 · Bavarian State Painting Collections
18
Sicyon with Corinth1838 · Bavarian State Painting Collections
19
Sicyon with Corinth1836 · Bavarian State Painting Collections
20
Corfu1835 · Bavarian State Painting Collections
21
Kopaissee1839 · Bavarian State Painting Collections
22
The Lion Gate of Mykene1839 · Bavarian State Painting Collections
23
Olympia1837
24
Landscape1835
25
Poros1845 · Bavarian State Painting Collections
26
Sparta - Plain1841 · Bavarian State Painting Collections
27
The Hohe Göll with the Hintersee1846 · Bavarian State Painting Collections
28
Delos1840 · Bavarian State Painting Collections
29
Eleusis1843 · Bavarian State Painting Collections
30
The Spring Kallirrhoe near Athens1848 · Bavarian State Painting Collections
31
Tiryns1843 · Bavarian State Painting Collections
32
Salamis1840 · Bavarian State Painting Collections
33
Epidauros1843 · Bavarian State Painting Collections
34
The Hohe Göll with the Hintersee1846 · Bavarian State Painting Collections
35
Marathon (Oil Sketch)1848 · Bavarian State Painting Collections
36
Epidaurus1843 · Bavarian State Painting Collections
37
The High Göll in Alpenglühen1845 · Bavarian State Painting Collections
38
Thebes1842 · Bavarian State Painting Collections
39
Naxos1845 · Bavarian State Painting Collections
40
Sparta with the Taygetos1841 · Bavarian State Painting Collections
41
Athens1844 · Bavarian State Painting Collections
42
Cliff in the Aegean Sea1847 · Bavarian State Painting Collections
43
Pronia1847 · Bavarian State Painting Collections
44
Chalkis1840 · Bavarian State Painting Collections
45
Dachstein Landscape1840 · Bavarian State Painting Collections
46
Aigina with the Temple of Aphaiia1841 · Bavarian State Painting Collections
47
The Island of Delos1847 · Staatliche Kunsthalle Karlsruhe
48
The Kopaisee1847 · Staatliche Kunsthalle Karlsruhe
49
Aulis1847 · Bavarian State Painting Collections
50
Hoher Goll in the Alpine Glow1846 · Germanisches Nationalmuseum
51
The Hofe Göll at sunset1848
52
Epidaurus1849 · Lenbachhaus
53
Delos1849 · Lenbachhaus
54
Nemea1850 · Bavarian State Painting Collections
55
Greek Coast in a Storm1849 · Bavarian State Painting Collections
56
Olympia1839 · Neue Pinakothek
57
Foothill Landscape near MurnauLenbachhaus
58
Foothill Landscape near MurnauLenbachhaus
59
Palermo with Monte PellegrinoBavarian State Painting Collections
60
View of Monte Pellegrino with PalermoBavarian State Painting Collections
61
Evening Landscape with Castle RuinBavarian State Painting Collections
62
Landscape of BavariaMusée des Beaux-Arts de Strasbourg
63
Vorgebirgs - Landschaft
64
Vorgebirgslandschaft
65
Südl. Landschaft
66
Epidaurus
67
Creek landscape
68
landscape bei Brannenburg
69
The Kochel Lake1825 · Bavarian State Painting Collections
Os quatro temas que mais se repetem nestas obras originais, cada um com o seu melhor exemplo.
Os 8 museus que detêm a maioria das pinturas desta página.
| Museu | Cidade | Obras de Carl Rottmann | Pinturas desta lista |
|---|---|---|---|
 Bavarian State Painting Collections |
Munique | 37 | Mountain Landscape with Fleeing Stag, Taormina mit dem Ätna, Sicyon with Parnass |
 Lenbachhaus |
Munique | 6 | River Landscape with Church Ruin, Deer Hunt at Hintersee near Berchtesgaden, Epidaurus |
 Neue Pinakothek |
Munique | 4 | Marathon, Vista do Eibsee, Coríntes e Akroníortes |
 Staatliche Kunsthalle Karlsruhe |
Karlsruhe | 3 | View of Monte Serone from Civitella, The Island of Delos, The Kopaisee |
 Museu Wallraf-Richartz |
Colônia | 1 | Cefalu |
 Metropolitan Museum of Art |
Nova York | 1 | The Cemetery at Pronoia near Nauplia |
 Nationalgalerie |
Berlim | 1 | The Battlefield at Marathon |
 Germanisches Nationalmuseum |
Nuremberg | 1 | Hoher Goll in the Alpine Glow |
Escolha uma década para ver a obra original que a define.
In this 1820s oil work, we find ourselves standing before a scene of profound stillness. The composition draws the eye toward the left, where the weathered stone of castle ruins anchors the foreground. These architectural fragments, once perhaps a seat of power, now sit in quiet repose against the organic curves of the landscape. A winding river flows from the right, its surface catching the soft, diffused light of an…
Uma Jornada pela Beleza Siciliana: Uma Análise da Pintura “Cefalu” de Carl Anton Joseph Rottmann A pintura "Cefalu" de Carl Anton Joseph Rottmann, uma obra emblemática do Romantismo alemão, transcende a mera representação paisagística para oferecer um profundo diálogo entre natureza e arquitetura – elementos que se encontram em perfeita harmonia na cidade costeira siciliana. Criada em 1830, esta tela de óleo sobre tela captura o espírito da época, caracterizada…
To stand before Carl Anton Joseph Rottmann’s Marathon is to be enveloped by the raw, untamed breath of nature itself. This monumental oil on canvas, painted in 1848, transcends mere landscape depiction; it is a profound meditation on power, transition, and the sublime indifference of the natural world. The scene unfolds with an almost overwhelming sense of depth, drawing the viewer's eye across rugged terrain where massive boulders litter the…
Marathon (1848), Neue Pinakothek, Munique. Cefalu (1830) e River Landscape with Castle Ruins (1820) vêm a seguir.
51 anos: Marathon data de 1848, e Carl Rottmann nasceu em 1797.
Marathon, Cefalu, River Landscape with Castle Ruins, Vista do Eibsee, The Cemetery at Pronoia near Nauplia, The Battlefield at Marathon, View of Monte Serone from Civitella, Coríntes e Akroníortes, Ruin of a Chapel near a River with Rising Moon e River Landscape with Church Ruin. O ranking acima apresenta o ano e o museu de cada uma.
Nosso catálogo contém 69 obras de Carl Rottmann, datadas de 1820 a 1850.
Principalmente em Bavarian State Painting Collections (Munique), Lenbachhaus (Munique) e Neue Pinakothek (Munique). A tabela de museus acima lista todos eles.
Em 1840s: 34 das 69 obras nesta página foram feitas então, sendo Marathon delas.
Nesta página, a mais antiga é River Landscape with Castle Ruins (1820) e a mais recente é Nemea (1850).
Landscape (5), Stormy sky (2) e Dramatic scene (2), entre as 69 obras nesta página.
Oil On Canvas, para 3 das 69 obras nesta página.
Romanticism, a julgar pelos originais nesta página.
Mountain Landscape with Fleeing Stag, Taormina mit dem Ätna e Sicyon with Parnass: o Bavarian State Painting Collections, Munique detém 37 das obras desta página.
Sim, como uma reprodução: a obra original permanece no seu museu, mas qualquer pintura desta página pode ser pintada à mão para você, feita sob encomenda uma a uma, a partir da própria página da pintura.
Born in the tranquil setting of Handschuhsheim, Germany, in 1797, Carl Anton Joseph Rottmann emerged as a profound voice within the movement of German Romanticism. His life and artistry were deeply intertwined with the shifting landscapes of 19th-century Europe, reflecting a period where the sublime beauty of nature met the burgeoning spirit of national identity. Unlike many of his contemporaries who focused on the intimate or the domestic, Rottmann possessed an expansive vision, seeking to capture the monumental scale of the world through sweeping vistas and mythic atmospheres. His journey was one of constant movement, traveling through the rugged terrains of Greece, Italy, and the Bavarian Alps, each location leaving an indelible mark on his palette and his perception of the divine within the natural world.
The development of Rottmann’s style was a masterful evolution from classical precision to a more emotive, atmospheric approach. Influenced by the grand traditions of landscape painting, he moved beyond mere topographical accuracy to embrace the sublime—that specific Romantic quality of awe and terror inspired by the vastness of nature. His technique involved a sophisticated understanding of light and shadow, using them not just to define form, and shape, but to evoke a sense of historical weight and mythic presence. In his hands, a mountain range was never just stone and ice; it was a silent witness to antiquity, a stage for the legends of old. This ability to infuse physical geography with spiritual and historical narrative became the hallmark of his mature period.
Rottmann’s achievements are most notably seen in his ability to bridge the gap between the tangible world and the realm of imagination. His works often serve as windows into a lost era, where the ruins of ancient civilizations seem to breathe under the soft glow of a Mediterranean sun or the misty shroud of a northern forest. Through his meticulous attention to the interplay of light upon textures—the roughness of weathered stone, the translucency of water, and the softness of clouds—he achieved a level of luminosity that captivated the art world of his time.
The historical significance of his oeuvre lies in its role as a cornerstone of Romantic landscape art. His contributions can be summarized through several key artistic pillars:
Ultimately, the work of Carl Rottmann remains a testament to the power of the gaze to transform the ordinary into the extraordinary. He did not merely paint what he saw; he painted what he felt in the presence of greatness. His legacy continues to resonate with those who find beauty in the monumental and meaning in the silent, enduring features of our earth, ensuring his place as a vital figure in the tapestry of 19th-century European art.
