Retrato de Bernardo Bellotto

As 100 Pinturas Mais Famosas de Bernardo Bellotto, uma Seleção da Galeria

Atualizado em Novembro 2026 · classificado pela nossa pontuação de popularidade (pesquisas, visitas e pedidos de cada obra) · 230 obras de Bernardo Bellotto em nosso catálogo

Em resumo

De todas as obras originais deixadas por Bernardo Bellotto, a mais famosa é As Ruínas da Antiga Igreja de Cruzeiro em Dresden (1765), da coleção do Gemäldegalerie, em Dresden. Logo atrás vêm Dresden, the Frauenkirche and the Rampische Gasse (1749) e The Moat of the Zwinger in Dresden (1749). Nosso catálogo contém 230 obras de Bernardo Bellotto; a galeria preservou as 100 que o mundo mais admira, cada uma exibida com sua data, seu museu e sua história.

1722 – 1780, Veneza Rococo Mais obras: Staatliche Kunstsammlungen Dresden

As 10 principais pinturas de Bernardo Bellotto: a escolha da galeria

1
As Ruínas da Antiga Igreja de Cruzeiro em Dresden (1765) de Bernardo Bellotto

As Ruínas da Antiga Igreja de Cruzeiro em Dresden

1765 · Óleo sobre tela · Gemäldegalerie, Dresden

A Testemunho da Resiliência: Dresden em Ruínas Bernardo Bellotto nos presenteia com uma imagem profundamente tocante e carregada de significado: “As Ruínas da Antiga Igreja de Cruzeiro” em Dresden, datada de 1765. Mais do que um simples registro visual da destruição, esta veduta – termo italiano para paisagem urbana detalhada – é uma meditação poderosa sobre a perda, a recuperação e o espírito indomável da humanidade. A tela se revela…

2
Dresden, the Frauenkirche and the Rampische Gasse (1749) de Bernardo Bellotto

Dresden, the Frauenkirche and the Rampische Gasse

1749 · Oil On Canvas · Gemäldegalerie, Dresden

In the quiet, luminous depths of Bernardo Bellotto’s 1749 masterpiece, Dresden, the Frauenkirche and the Rampische Gasse, we are invited to step through a portal into the eighteenth century. This breathtaking oil on canvas is far more than a mere topographical record; it is a soulful meditation on a city at its zenith. As the eye wanders across the panoramic vista, one is immediately struck by the imposing presence of…

3
The Moat of the Zwinger in Dresden (1749) de Bernardo Bellotto

The Moat of the Zwinger in Dresden

1749 · Oil On Canvas · Gemäldegalerie, Dresden

To look upon The Moat of the Zwinger in Dresden is to witness a moment of profound stillness from 1749. This canvas captures the Zwinger complex not as a mere fortification, but as a serene reflection of royal life during the reign of Augustus III. The water in the moat acts as a liquid mirror, its surface broken only by the gentle movement of small boats and the soft ripples…

4
The Moat of the Zwinger in Dresden (detail) (1749) de Bernardo Bellotto

The Moat of the Zwinger in Dresden (detail)

1749 · Oil On Canvas · Gemäldegalerie, Dresden

In the heart of 18th-century Saxony, amidst the burgeoning prosperity of the Enlightenment, Bernardo Bellotto captured a moment of profound serenity and architectural splendor. His masterpiece, The Moat of the Zwinger in Dresden, is far more than a mere topographical record; it is a luminous window into a vanished world. Painted in 1749, this work invites the viewer to step onto the banks of the Zwinger Palace’s moat, where the…

5
Vienna Panorama da Palais Kaunitz (1759) de Bernardo Bellotto

Vienna Panorama da Palais Kaunitz

1759 · Óleo sobre tela · Szépművészeti Múzeum, Budapeste

Bernardo Bellotto e o Panorama Vienense: Uma Jornada pela Luz e pelo Poder da Arquitetura O panorama vienense pintado por Bernardo Bellotto em 1759 é uma obra monumental que transcende a mera representação visual da cidade austríaca. Mais do que um retrato arquitetônico, é uma celebração da luz, da perspectiva e da capacidade artística de capturar o espírito de um lugar específico – uma habilidade que consagrou Bellotto como um…

6
Grand canal, view from north (1738) de Bernardo Bellotto

Grand canal, view from north

1738 · Oil On Canvas · National Gallery of Victoria, Melbourne

In this work, titled Grand canal, view from north, the artist Bernardo Bellotto captures a specific moment within the Venetian cityscape. Painted about 1738, the scene focuses on the activity along the water, where several boats float upon the river. Some vessels occupy the foreground, while others drift toward the distance, creating a sense of depth across the waterway.

7
The Fortress of Konigstein (1758) de Bernardo Bellotto

The Fortress of Konigstein

1758 · Oil On Canvas · National Gallery of Art, Washington

The painting titled The Fortress of Konigstein was executed by the Italian artist Bernardo Bellotto in 1758. Bellotto was an urban landscape painter and printmaker who specialized in the veduta style. He was the nephew and pupil of Giovanni Antonio Canal. This specific work was part of a series of views commissioned by the Elector of Saxony, Augustus III.

8
Allegory Inclinata Resurgit (1762) de Bernardo Bellotto

Allegory Inclinata Resurgit

1762 · Oil On Canvas · Staatliche Kunstsammlungen Dresden, Dresden

The scene unfolds within the allegorical realm of Allegory Inclinata Resurgit, a painting that captures a moment of profound symbolic weight. Created by the hand of Bernardo Bellotto, this work invites the viewer into a staged, theatrical space where figures and architecture converge. The piece emerges from about 1762, a time when the artist was deeply engaged with the visual language of his era. Every element within the frame works…

10
Venetian Capriccio, View of Santa Maria dei Miracoli (1740) de Bernardo Bellotto

Venetian Capriccio, View of Santa Maria dei Miracoli

1740 · Oil On Canvas · Niedersächsisches Landesmuseum, Hanover

In this work, titled Venetian Capriccio, View of Santa Maria dei Miracoli, the artist Bernardo Bellotto presents a detailed cityscape of Venice. Painted about 1740, the scene focuses on the architecture of the Santa Maria dei Miracoli church. It is a capriccio, a composition that uses a fanciful or imagined arrangement of real-world elements to create a specific atmosphere.

A seleção de Bernardo Bellotto continua, de 11 a 100

11Pirna Seen from the Right Bank of the Elbe (1750) de Bernardo BellottoPirna Seen from the Right Bank of the Elbe1750 12A Capriccio River Landscape with a Church to the Left (1765) de Bernardo BellottoA Capriccio River Landscape with a Church to the Left1765 13Allegory Ex Arduis Immortalitas (1762) de Bernardo BellottoAllegory Ex Arduis Immortalitas1762 · Staatliche Kunstsammlungen Dresden 14Fantastic architecture with portrait of Franciszek Salezy Potocki and his son Stanisław Szczęsny (1763) de Bernardo BellottoFantastic architecture with portrait of Franciszek Salezy Potocki and his son Stanisław Szczęsny1763 · El Paso Museum of Art 15The Fortress of Königstein: Courtyard with the Magdalenenburg (1758) de Bernardo BellottoThe Fortress of Königstein: Courtyard with the Magdalenenburg1758 · National Gallery of Art 16The Fortress of Königstein (1756) de Bernardo BellottoThe Fortress of Königstein1756 17The Election of the King Stanislaus Augustus (1764) de Bernardo BellottoThe Election of the King Stanislaus Augustus1764 18View of Wilanów meadows (1775) de Bernardo BellottoView of Wilanów meadows1775 · Castelo Real de Varsóvia 19Groom leading a horse (1773) de Bernardo BellottoGroom leading a horse1773 · Museu Nacional de Varsóvia 20The Elbe between Pirna and Pillnitz (1766) de Bernardo BellottoThe Elbe between Pirna and Pillnitz1766 · Staatliche Kunstsammlungen Dresden 21Dresden, the Ruins of the Pirnaische Vorstadt (1766) de Bernardo BellottoDresden, the Ruins of the Pirnaische Vorstadt1766 22View of Ujazdów from the Royal Baths (1776) de Bernardo BellottoView of Ujazdów from the Royal Baths1776 · Museu Nacional de Varsóvia 23Stable boy leading a horse (1773) de Bernardo BellottoStable boy leading a horse1773 · Museu Nacional de Varsóvia 24Rio dei Mendicanti with the Scuola di San Marco (detail) (1738) de Bernardo BellottoRio dei Mendicanti with the Scuola di San Marco (detail)1738 · Gallerie dell'Accademia di Venezia 25The Imperial Palace Schönbrunn, Garden Side (1758) de Bernardo BellottoThe Imperial Palace Schönbrunn, Garden Side1758 · Kunsthistorisches Museum 26View of Pirna from the Sonnenstein Castle (1750) de Bernardo BellottoView of Pirna from the Sonnenstein Castle1750 · Museu Hermitage 27View of Pirna from the Right Bank of the Elba above the Town (1753) de Bernardo BellottoView of Pirna from the Right Bank of the Elba above the Town1753 · Museu Hermitage 28The Kreuzkirche in Dresden (1747) de Bernardo BellottoThe Kreuzkirche in Dresden1747 · Gemäldegalerie 29Stairs Leading to the Colonnade of a Palace (1762) de Bernardo BellottoStairs Leading to the Colonnade of a Palace1762 · Staatliche Kunstsammlungen Dresden 30Lagoon landscape (1741) de Bernardo BellottoLagoon landscape1741 31Venice (Marriage of the Doge with the Sea) (1727) de Bernardo BellottoVenice (Marriage of the Doge with the Sea)1727 32The Grand Canal from the Campo San Vio, Venice (1727) de Bernardo BellottoThe Grand Canal from the Campo San Vio, Venice1727 · Scottish National Gallery 33The Pantheon (1742) de Bernardo BellottoThe Pantheon1742 · Instituto de Arte de Dayton 34View of the Tiber in Rome with the Castel Sant'Angelo (1743) de Bernardo BellottoView of the Tiber in Rome with the Castel Sant'Angelo1743 · Detroit Institute of Arts 35Piazza San Marco, Venice (1740) de Bernardo BellottoPiazza San Marco, Venice1740 · Cleveland Museum of Art 36The Piazzetta, Venice (1743) de Bernardo BellottoThe Piazzetta, Venice1743 · Galeria Nacional do Canadá 37Piazza del Campidoglio with Santa Maria d'Aracoeli, Rome (1742) de Bernardo BellottoPiazza del Campidoglio with Santa Maria d'Aracoeli, Rome1742 · Petworth House 38A View at the Entrance of the Grand Canal, Venice (1741) de Bernardo BellottoA View at the Entrance of the Grand Canal, Venice1741 · Fitzwilliam Museum 39The Piazza San Martino, Lucca (1742) de Bernardo BellottoThe Piazza San Martino, Lucca1742 · York Art Gallery 40Painting of the Church of Santa Maria Formosa, Venice (1742) de Bernardo BellottoPainting of the Church of Santa Maria Formosa, Venice1742 41The Campo di SS. Giovanni e Paolo, Venice (1743) de Bernardo BellottoThe Campo di SS. Giovanni e Paolo, Venice1743 · National Gallery of Art 42View of Via di Ripetta in Rome (1742) de Bernardo BellottoView of Via di Ripetta in Rome1742 · Museum Kunstpalast 43View of the Grand Canal: Santa Maria della Salute and the Dogana from Campo Santa Maria Zobenigo (1743) de Bernardo BellottoView of the Grand Canal: Santa Maria della Salute and the Dogana from Campo Santa Maria Zobenigo1743 · J. Paul Getty Museum 44View of Grand Canal with the Palazzi Foscari and Moro Lin (1734) de Bernardo BellottoView of Grand Canal with the Palazzi Foscari and Moro Lin1734 · Nationalmuseum 45The harbor basin of San Marco on Ascension Day, Venice (1739) de Bernardo BellottoThe harbor basin of San Marco on Ascension Day, Venice1739 46Colosseum and Arch of Constantine (Rome) (1742) de Bernardo BellottoColosseum and Arch of Constantine (Rome)1742 47The Arch of Constantine (1742) de Bernardo BellottoThe Arch of Constantine1742 · Royal Collection 48Signoria Square in Florence (1741) de Bernardo BellottoSignoria Square in Florence1741 49View of the Grand Canal at San Stae (1738) de Bernardo BellottoView of the Grand Canal at San Stae1738 50Arno in Florence (1742) de Bernardo BellottoArno in Florence1742 51Capriccio Padovano (1740) de Bernardo BellottoCapriccio Padovano1740 · Museu Thyssen-Bornemisza 52Pirna with the Dohna Gate (1754) de Bernardo BellottoPirna with the Dohna Gate1754 · Staatliche Kunstsammlungen Dresden 53The Arno in Florence with the Ponte Vecchio (1745) de Bernardo BellottoThe Arno in Florence with the Ponte Vecchio1745 · Fitzwilliam Museum 54The Arno in Florence with the Ponte Alla Carraia (1745) de Bernardo BellottoThe Arno in Florence with the Ponte Alla Carraia1745 · Fitzwilliam Museum 55Capriccio with the Dolo lock (1748) de Bernardo BellottoCapriccio with the Dolo lock1748 · Staatliche Kunstsammlungen Dresden 56The Lock at Dolo (1745) de Bernardo BellottoThe Lock at Dolo1745 · Yale University Art Gallery 57The Grand Canal: Santa Lucia and the Church of the Scalzi, Venice (1750) de Bernardo BellottoThe Grand Canal: Santa Lucia and the Church of the Scalzi, Venice1750 · Scottish National Gallery 58View of Pirna from the West, from the Corner of Wide Street (1755) de Bernardo BellottoView of Pirna from the West, from the Corner of Wide Street1755 · Museu Hermitage 59View of Pirna, from Sonnestein Castle (1753) de Bernardo BellottoView of Pirna, from Sonnestein Castle1753 · Museu Estatal Pushkin de Artes Visuais 60View of Verona with the Castelvecchio and Ponte Scaligero (1745) de Bernardo BellottoView of Verona with the Castelvecchio and Ponte Scaligero1745 · Philadelphia Museum of Art 61Dresden from the Right Bank of the Elbe, below the Augustus Bridge (1750) de Bernardo BellottoDresden from the Right Bank of the Elbe, below the Augustus Bridge1750 · National Gallery of Ireland 62Dresden from the Right Bank of the Elbe above the Augustus Bridge (1750) de Bernardo BellottoDresden from the Right Bank of the Elbe above the Augustus Bridge1750 · National Gallery of Ireland 63The Doge's Palace in Venice from the Sea (1750) de Bernardo BellottoThe Doge's Palace in Venice from the Sea1750 · Musée municipal de Bourg-en-Bresse 64View of Pirna from the Right Bank of the Elba (1753) de Bernardo BellottoView of Pirna from the Right Bank of the Elba1753 · Museu Hermitage 65The Moat of Zwinger in Dresden (1750) de Bernardo BellottoThe Moat of Zwinger in Dresden1750 · Museu Hermitage 66Old Fortifications of Dresden (1749) de Bernardo BellottoOld Fortifications of Dresden1749 · Museu Hermitage 67Market-Place of the Neustadt in Dresden (1751) de Bernardo BellottoMarket-Place of the Neustadt in Dresden1751 · Museu Hermitage 68View of Pirna, from Sonnenstein Castle (1755) de Bernardo BellottoView of Pirna, from Sonnenstein Castle1755 · Staatliche Kunstsammlungen Dresden 69Pirna from Kopitz (1753) de Bernardo BellottoPirna from Kopitz1753 · Staatliche Kunstsammlungen Dresden 70The Zwinger in Dresden (1751) de Bernardo BellottoThe Zwinger in Dresden1751 · Staatliche Kunstsammlungen Dresden 71The Old Ponte delle Navi in Verona (1746) de Bernardo BellottoThe Old Ponte delle Navi in Verona1746 · Staatliche Kunstsammlungen Dresden 72The Old Market in Dresden from Schlossgasse (1750) de Bernardo BellottoThe Old Market in Dresden from Schlossgasse1750 · Staatliche Kunstsammlungen Dresden 73The Old Fortifications in Dresden (1750) de Bernardo BellottoThe Old Fortifications in Dresden1750 · Staatliche Kunstsammlungen Dresden 74Pirna from Posta (1753) de Bernardo BellottoPirna from Posta1753 · Staatliche Kunstsammlungen Dresden 75Dresden from the left Bank of the Elbe above the Bridgehead of the Old Town (1748) de Bernardo BellottoDresden from the left Bank of the Elbe above the Bridgehead of the Old Town1748 · Staatliche Kunstsammlungen Dresden 76View from the Bridge of Dresden on the Elbe (1749) de Bernardo BellottoView from the Bridge of Dresden on the Elbe1749 · Fine Arts Museums of San Francisco 77Abbruch der Kreuzkirche, Dresden (1746) de Bernardo BellottoAbbruch der Kreuzkirche, Dresden1746 78Piazza S. Marco, Venice (1746) de Bernardo BellottoPiazza S. Marco, Venice1746 79The Old Market Square in Dresden (1750) de Bernardo BellottoThe Old Market Square in Dresden1750 · Staatliche Kunstsammlungen Dresden 80The New Market Square in Dresden (1750) de Bernardo BellottoThe New Market Square in Dresden1750 81Verona Veduta (1746) de Bernardo BellottoVerona Veduta1746 · Powys Castle Museum 82View of Turin near the Royal Palace (1745) de Bernardo BellottoView of Turin near the Royal Palace1745 · Galleria Sabauda 83New Market Square in Dresden (1750) de Bernardo BellottoNew Market Square in Dresden1750 · Gemäldegalerie 84Dresden from the Left Bank of the Elbe, below the Fortifications (1748) de Bernardo BellottoDresden from the Left Bank of the Elbe, below the Fortifications1748 · Gemäldegalerie 85Pirna Seen from the Harbour Town (1753) de Bernardo BellottoPirna Seen from the Harbour Town1753 · Gemäldegalerie 86View of an Old Bridge Over the River Po, Turin (1745) de Bernardo BellottoView of an Old Bridge Over the River Po, Turin1745 · Galleria Sabauda 87The Neuer Marktplatz in Dresden (1747) de Bernardo BellottoThe Neuer Marktplatz in Dresden1747 · Museu Hermitage 88Venice (Rio di S. Fosca and S. Maria dei Servil) (1758) de Bernardo BellottoVenice (Rio di S. Fosca and S. Maria dei Servil)1758 89View of München (1758) de Bernardo BellottoView of München1758 90Venice: Riva degli Schiavoni towards the East (1760) de Bernardo BellottoVenice: Riva degli Schiavoni towards the East1760 · John and Mable Ringling Museum of Art 91Venice: Piazza San Marco, Seen from the Campo San Basso (1760) de Bernardo BellottoVenice: Piazza San Marco, Seen from the Campo San Basso1760 · John and Mable Ringling Museum of Art 92Saint Mark's Square, Venice (1756) de Bernardo BellottoSaint Mark's Square, Venice1756 · National Gallery of Ireland 93Campo San Stin, Venice (1760) de Bernardo BellottoCampo San Stin, Venice1760 94Old town of Dresden (1765) de Bernardo BellottoOld town of Dresden1765 · Staatliche Kunsthalle Karlsruhe 95Pirna seen from the right bank of the Elbe (1756) de Bernardo BellottoPirna seen from the right bank of the Elbe1756 · San Diego Museum of Art 96Architectural Capriccio (1765) de Bernardo BellottoArchitectural Capriccio1765 · San Diego Museum of Art 97Nymphenburg Castle (1761) de Bernardo BellottoNymphenburg Castle1761 98Architectural Caprice with a Palace (1765) de Bernardo BellottoArchitectural Caprice with a Palace1765 · Museu de Belas Artes de Bilbao 99Venice: Canale Grande (1758) de Bernardo BellottoVenice: Canale Grande1758 100View of Vienna with St. Charles's Church (1758) de Bernardo BellottoView of Vienna with St. Charles's Church1758 · Museum Kunstpalast

Pinturas famosas de Bernardo Bellotto, período por período

Os temas que cativaram o olhar de Bernardo Bellotto

Os quatro temas que mais se repetem nestas obras originais, cada um com o seu melhor exemplo.

Os museus que guardam os originais de Bernardo Bellotto

Os 8 museus que detêm a maioria das pinturas desta página.

Museus Cidade Obras de Bernardo Bellotto Pinturas desta lista
Staatliche Kunstsammlungen Dresden, DresdenStaatliche Kunstsammlungen Dresden Dresden 19 Allegory Inclinata Resurgit, Allegory Ex Arduis Immortalitas, The Elbe between Pirna and Pillnitz
Gemäldegalerie, DresdenGemäldegalerie Dresden 12 As Ruínas da Antiga Igreja de Cruzeiro em Dresden, Dresden, the Frauenkirche and the Rampische Gasse, The Moat of the Zwinger in Dresden
Museu Hermitage, São PetersburgoMuseu Hermitage São Petersburgo 11 View of Pirna from the Sonnenstein Castle, View of Pirna from the Right Bank of the Elba above the Town, View of Pirna from the West, from the Corner of Wide Street
Museu Nacional de Varsóvia, VarsóviaMuseu Nacional de Varsóvia Varsóvia 8 Groom leading a horse, View of Ujazdów from the Royal Baths, Stable boy leading a horse
National Gallery of Art, WashingtonNational Gallery of Art Washington 5 The Fortress of Konigstein, The Fortress of Königstein: Courtyard with the Magdalenenburg, The Campo di SS. Giovanni e Paolo, Venice
Fitzwilliam MuseumFitzwilliam Museum 3 A View at the Entrance of the Grand Canal, Venice, The Arno in Florence with the Ponte Vecchio, The Arno in Florence with the Ponte Alla Carraia
National Gallery of Ireland, DublinNational Gallery of Ireland Dublin 3 Dresden from the Right Bank of the Elbe, below the Augustus Bridge, Dresden from the Right Bank of the Elbe above the Augustus Bridge, Saint Mark's Square, Venice
Museum Kunstpalast, DüsseldorfMuseum Kunstpalast Düsseldorf 3 View of Via di Ripetta in Rome, View of Vienna with St. Charles's Church

Bernardo Bellotto década a década: a obra original que define cada uma

Obras por década

Escolha uma década para ver a obra original que a define.

Perguntas de colecionadores sobre as pinturas de Bernardo Bellotto

Por qual obra Bernardo Bellotto é mais conhecido(a)?Revelar a resposta

As Ruínas da Antiga Igreja de Cruzeiro em Dresden (1765), Gemäldegalerie, Dresden. Dresden, the Frauenkirche and the Rampische Gasse (1749) e The Moat of the Zwinger in Dresden (1749) vêm a seguir.

Qual era a idade de Bernardo Bellotto quando As Ruínas da Antiga Igreja de Cruzeiro em Dresden foi feita?Revelar a resposta

43 anos: As Ruínas da Antiga Igreja de Cruzeiro em Dresden data de 1765, e Bernardo Bellotto nasceu em 1722.

Quais são as dez pinturas mais famosas de Bernardo Bellotto?Revelar a resposta

As Ruínas da Antiga Igreja de Cruzeiro em Dresden, Dresden, the Frauenkirche and the Rampische Gasse, The Moat of the Zwinger in Dresden, The Moat of the Zwinger in Dresden (detail), Vienna Panorama da Palais Kaunitz, Grand canal, view from north, The Fortress of Konigstein, Allegory Inclinata Resurgit, The Arsenal, Venice e Venetian Capriccio, View of Santa Maria dei Miracoli. O ranking acima apresenta o ano e o museu de cada uma.

Quantas pinturas Bernardo Bellotto deixou?Revelar a resposta

Nosso catálogo contém 230 obras de Bernardo Bellotto, datadas de 1734 a 1776.

Em quais museus estão expostas as obras-primas de Bernardo Bellotto?Revelar a resposta

Principalmente em Staatliche Kunstsammlungen Dresden (Dresden), Gemäldegalerie (Dresden) e Museu Hermitage (São Petersburgo). A tabela de museus acima lista todos eles.

Em que anos Bernardo Bellotto pintou as suas obras mais famosas?Revelar a resposta

Em 1740s: 39 das 100 obras nesta página foram feitas então, sendo Dresden, the Frauenkirche and the Rampische Gasse delas.

Quais são as primeiras e as últimas obras originais famosas de Bernardo Bellotto?Revelar a resposta

Nesta página, a mais antiga é View of Grand Canal with the Palazzi Foscari and Moro Lin (1734) e a mais recente é View of Ujazdów from the Royal Baths (1776).

Quais temas Bernardo Bellotto escolheu com mais frequência?Revelar a resposta

Sky (15), Architecture (13) e People (10), entre as 100 obras nesta página.

Qual técnica Bernardo Bellotto mais utilizou?Revelar a resposta

Oil On Canvas, para 23 das 100 obras nesta página.

A qual movimento artístico pertence Bernardo Bellotto?Revelar a resposta

Rococo, a julgar pelos originais nesta página.

Quais obras de Bernardo Bellotto estão expostas no Staatliche Kunstsammlungen Dresden?Revelar a resposta

Allegory Inclinata Resurgit, Allegory Ex Arduis Immortalitas e The Elbe between Pirna and Pillnitz: o Staatliche Kunstsammlungen Dresden, Dresden detém 15 das obras desta página.

Bernardo Bellotto: vida e obra

vida inicial e formação

Bernardo Bellotto, um renomado pintor italiano, nasceu em Veneza por volta de 1721/2 ou em 30 de janeiro de 1721. Ele foi sobrinho e pupilo do famoso Giovanni Antonio Canaletto, uma figura proeminente na escola veneziana de pintura.

estilo artístico e carreira

O estilo artístico de Bellotto era caracterizado por sua elaborada representação de vistas arquitetônicas e naturais, bem como pela qualidade única da iluminação de cada local. Ele era conhecido por sua habilidade excepcional em capturar a essência das paisagens urbanas, o que lhe rendeu convites para trabalhar para vários monarcas europeus.
  • Ele viajou para Roma (1742), Norte da Itália (1744-1745) e, mais tarde, mudou-se para Dresden (1747-1758) a pedido do rei Augusto III da Polônia.
  • Seus trabalhos em Dresden preservaram a beleza pré-guerra da cidade, agora destruída.
  • Recebeu um convite da imperatriz Maria Teresa para trabalhar em Viena (1758), onde pintou os monumentos da cidade.

obras notáveis e legado

Alguns dos trabalhos mais notáveis de Bellotto incluem: Seu legado se estende além da sua arte, pois suas pinturas servem hoje como referência para a reconstrução de cidades após a destruição.

museus e coleções

As obras de Bellotto podem ser encontradas em vários museus, incluindo a Pinacoteca di Vicenza na Itália. Para explorar mais de sua arte, visite [https://OriginalUniqueArt.com/@/bernardo bellotto](https://OriginalUniqueArt.com/@/bernardo bellotto) e descubra o mundo da arte.

referências

* /pt/art/show/art-d3baj3-pt/ * [https://www.wikiart.org/en/bernardo-bellotto/](https://www.wikiart.org/en/bernardo-bellotto/) * [https://fr.wikipedia.org/wiki/bernardo_bellotto](https://fr.wikipedia.org/wiki/bernardo_bellotto)