Atualizado em Outubro 2026 · classificado pela nossa pontuação de popularidade (pesquisas, visitas e pedidos de cada obra) · 98 obras de Alexander Calder em nosso catálogo
Em resumo
De todas as obras originais deixadas por Alexander Calder, a mais famosa é Untitled, da coleção do Biennale Internazionale dell'Antiquariato di Firenze, em Florença. Logo atrás vêm Mobile (1932) e Romulus and Remus (1928). Nosso catálogo contém 98 obras de Alexander Calder; a galeria preservou as 98 que o mundo mais admira, cada uma exibida com sua data, seu museu e sua história.
This work, titled Untitled, is an original lithograph in colors by the artist Alexander Calder. It emerged from the studio about 1967. The paper holds the ink in a way that captures a specific moment of graphic intent, a quiet intersection of line and pigment.
Alexander Milne Calder's "Romulus and Remus," crafted in 1928, isn’t merely a sculpture; it’s a distilled essence of myth rendered in delicate wire. This piece, a testament to the artist’s pioneering approach to three-dimensional form, transcends its subject matter – the legendary founders of Rome – to become a profound meditation on beginnings, brotherhood, and the very act of creation itself. Calder, deeply influenced by Constructivism and early Modernism, sought…
Alexander Milne Calder's "Red Lily Pads (Nénuphars rouges)" isn’t merely a depiction of a serene pond; it’s an invitation to lose oneself in the delicate balance of form, color, and movement. Created in 1956, this captivating sculpture – captured through a masterful photograph – embodies Calder's signature approach: embracing chance and celebrating the ephemeral beauty of nature within a distinctly modern aesthetic. The piece resides within a contemporary architectural space,…
Alexander Milne Calder's "Black Sun," painted in 1953, isn’t merely a depiction of abstract forms; it’s an invitation to contemplate the interplay between chaos and order, darkness and light. Born in Aberdeen, Scotland, and later establishing himself as a pivotal figure in American sculpture alongside his son Alexander Stirling Calder and grandson Alexander ‘Sandy’ Calder, Milne Calder possessed a singular vision – one that sought to capture dynamic movement and…
In Colored Spots, created in 1970, we encounter a moment of pure rhythmic energy. This gouache work moves away from the heavy permanence of sculpture to explore the lightness of color and shape. The composition is defined by a series of circles, varying in scale, that appear to drift across the surface. There is a specific tension in how these forms are placed; they do not sit static but seem…
Calder's Circus1931 · Whitney Museum of American Art
12
Red Sun1968 · Des Moines Art Center
13
Lobster Trap and Fish Tail1939 · MoMA - Museu de Arte Moderna
14
Violin1960
15
Untitled (400)
16
Untitled (2)
17
Untitled (362)
18
Sculpture in montreal
19
Untitled1937
20
Untitled1948 · The Phillips Collection
21
Three Fingers1944
22
The Antlers1944
23
The Vine1944
24
The Fawn1944
25
The Racket1944
26
The Flower1944
27
Yellow Tights1945
28
Spiral Composition1946
29
Four Fish in Water1947
30
The Acrobats1944
31
"Calder #1" Textile (Model No. 1-145)1949 · Metropolitan Museum of Art
32
Antennae with Red and Blue Dots1953
33
Reef Fringe1953
34
Black Widow1959
35
Chevrons Noir sur Rouge et Jaune1960
36
Saucers1965
37
7 Circles Abstract1966
38
Grid with Symbols1966
39
Like Two Discs Sculpture1962
40
A R
41
Red, Blue and Black Balls on a Yellow Ground1967 · Dallas Museum of Art
42
Untitled1968 · Buffalo AKG Art Museum
43
Across the Orange Moons1967 · Smithsonian American Art Museum
44
Model for Nenuphar1968
45
Nenuphar1968
46
Gwenfritz1968
47
Across the Orange Moons1967
48
Pryamids and Clouds1970
49
Maquette for Flamingo1972
50
Spiral1970
51
The Big Wheel1970
52
Yellow, Red, Blue Flowers1970
53
Tableau Noir1970
54
Pyramids1975
55
Crosshatch
56
Fish at Sunrise1974
57
Red PolygonsThe Phillips Collection
58
Untitled (665)
59
Untitled (226)
60
Untitled (728)
61
Untitled (3)New York Historical Society
62
Untitled (227)
63
Untitled (230)
64
Untitled (391)
65
Untitled (208)
66
Untitled (121)
67
Untitled (778)
68
Untitled (527)
69
Untitled (4)
70
Untitled (890)
71
Untitled (647)
72
Untitled (282)
73
Untitled (318)
74
Flamingo
75
Untitled, (1976)
76
Untitled (5)
77
Hair Comb
78
Untitled (210)
79
Untitled (937)
80
Untitled (571)
81
Winter Landscape
82
Untitled
83
The Boston Society of Architects
84
Red, Yellow, Blue
85
Baluster
86
Pin
87
Boney
88
Four wings, (1972)
89
Necklace
90
Smoke Rings
91
Untitled (6)
92
Bracelet
93
Trois Spirales
94
On Yellow
95
NemoBiennale Internazionale dell'Antiquariato di Firenze
96
Red, Yelloe and Blue GongsCa' Pesaro - International Gallery of Modern Art
97
Tache Bleu
98
Red MobileGalleria Civica di Arte Moderna e Contemporanea Torino
Os quatro temas que mais se repetem nestas obras originais, cada um com o seu melhor exemplo.
Os 8 museus que detêm a maioria das pinturas desta página.
| Museus | Cidade | Obras de Alexander Calder | Pinturas desta lista |
|---|---|---|---|
 Biennale Internazionale dell'Antiquariato di Firenze |
Florença | 2 | Untitled, Nemo |
 Solomon R. Guggenheim Museum |
Nova York | 2 | Romulus and Remus, Red Lily Pads (Nénuphars rouges) |
 The Phillips Collection |
Washington, D.C. | 2 | Untitled, Red Polygons |
 Tate Britain |
Londres | 1 | Black Sun |
 Whitney Museum of American Art |
Nova Iorque | 1 | Calder's Circus |
 Des Moines Art Center |
Des Moines | 1 | Red Sun |
 MoMA - Museu de Arte Moderna |
Nova York | 1 | Lobster Trap and Fish Tail |
 Metropolitan Museum of Art |
Nova York | 1 | "Calder #1" Textile (Model No. 1-145) |
Escolha uma década para ver a obra original que a define.
Alexander Milne Calder's "Romulus and Remus," crafted in 1928, isn’t merely a sculpture; it’s a distilled essence of myth rendered in delicate wire. This piece, a testament to the artist’s pioneering approach to three-dimensional form, transcends its subject matter – the legendary founders of Rome – to become a profound meditation on beginnings, brotherhood, and the very act of creation itself. Calder, deeply influenced by Constructivism and early Modernism, sought…
Alexander Milne Calder's "Red Lily Pads (Nénuphars rouges)" isn’t merely a depiction of a serene pond; it’s an invitation to lose oneself in the delicate balance of form, color, and movement. Created in 1956, this captivating sculpture – captured through a masterful photograph – embodies Calder's signature approach: embracing chance and celebrating the ephemeral beauty of nature within a distinctly modern aesthetic. The piece resides within a contemporary architectural space,…
In Colored Spots, created in 1970, we encounter a moment of pure rhythmic energy. This gouache work moves away from the heavy permanence of sculpture to explore the lightness of color and shape. The composition is defined by a series of circles, varying in scale, that appear to drift across the surface. There is a specific tension in how these forms are placed; they do not sit static but seem…
Untitled, Biennale Internazionale dell'Antiquariato di Firenze, Florença. Mobile (1932) e Romulus and Remus (1928) vêm a seguir.
Untitled, Mobile, Romulus and Remus, Abstraction, Red Lily Pads (Nénuphars rouges), Orange and Black Composition, Puppet Man, Slanting Red Nose, Black Sun e Colored Spots. O ranking acima apresenta o ano e o museu de cada uma.
Nosso catálogo contém 98 obras de Alexander Calder, datadas de 1928 a 1975.
Principalmente em Biennale Internazionale dell'Antiquariato di Firenze (Florença), Solomon R. Guggenheim Museum (Nova York) e The Phillips Collection (Washington, D.C.). A tabela de museus acima lista todos eles.
Em 1960s: 17 das 98 obras nesta página foram feitas então, sendo Abstraction delas.
Nesta página, a mais antiga é Romulus and Remus (1928) e a mais recente é Pyramids (1975).
Sculpture (6), Geometric (5) e Geometric design (5), entre as 98 obras nesta página.
Acrylic On Canvas, para 4 das 98 obras nesta página.
Abstract expressionism, a julgar pelos originais nesta página.
Untitled e Nemo: o Biennale Internazionale dell'Antiquariato di Firenze, Florença detém 2 das obras desta página.
