Atualizado em Novembro 2026 · classificado pela nossa pontuação de popularidade (pesquisas, visitas e pedidos de cada obra) · 103 obras de Thomas Sidney Cooper em nosso catálogo
Em resumo
De todas as obras originais deixadas por Thomas Sidney Cooper, a mais famosa é An Evening Drink (1897), da coleção do Bolton Museum And Art Gallery, em Bolton. Logo atrás vêm An Evening Scene (1852) e Fording a brook, suburbs of Canterbury (1834). Nosso catálogo contém 103 obras de Thomas Sidney Cooper; a galeria preservou as 99 que o mundo mais admira, cada uma exibida com sua data, seu museu e sua história.
The quietude of the pastoral world finds a steady presence in An Evening Drink. Painted by Thomas Sidney Cooper, this work captures a fleeting moment of rest within the natural landscape. The scene unfolds with a sense of stillness, as if the day is exhaling its final warmth. It is a piece that invites a slow gaze, drawing the viewer into a tranquil setting where the rhythm of life follows…
The sun hangs low, casting a heavy, amber glow over a quiet corner of the English countryside. Beneath the twisted, skeletal limbs of a gnarled tree, three cattle rest in the tall grass. Their bodies catch the fading light, creating bright, sharp edges against the deepening shadows of the landscape. The air feels thick and warm, saturated with the colors of ochre and sepia. It is a moment of stillness,…
Fording a brook, suburbs of Canterbury is a work by Thomas Sidney Cooper, executed in 1834. This piece reflects the early period of an artist who would eventually become a celebrated figure within the Royal Academy. The painting captures a quiet moment in the landscape, rooted in the specific geography of the artist's origins.
In "The Home Farm" by Thomas Sidney Cooper, a quiet moment in the English countryside unfolds under a soft, diffused light. Created about 1844, the scene brings together a gathering of farm animals seeking shelter beneath a heavy, thatched roof. The air feels still, as if an overcast sky has paused the movement of the day. Sheep cluster in the foreground, their thick, white wool catching the gentle light, while…
In Sheep In The Isle of Skye, Thomas Sidney Cooper directs our attention toward a large group of sheep that occupies the foreground and midground. These animals rest upon a rugged, rocky outcrop, their presence grounding the composition against the wilder elements of the landscape. The perspective is a low-angle view, looking upward toward the cliffside, which emphasizes the scale of the terrain. This viewpoint creates a sense of height,…
In An Evening Repose by Thomas Sidney Cooper, a tranquil pastoral scene unfolds at the quiet hour of dusk. The air feels heavy with the stillness of the fading day as a herd of cattle and sheep graze peacefully across a wide field. These animals move through the grass with a slow, rhythmic grace, their presence grounding the landscape in a moment of profound rest. It is a quintessential depiction…
In the quietude of 1888, Thomas Sidney Cooper captures a moment of rural stillness in his work, Cattle and Sheep in a Landscape. This English landscape painter brings a sense of life to the pastoral scene, focusing his attention on the steady, rhythmic existence of livestock. The animals occupy the heart of the view, existing in a space where the air feels heavy with the scent of damp earth and…
The quietude of the English countryside finds its voice in The Lord Of The Pastures, a work by the artist Thomas Sidney Cooper. Within this scene, the pastoral life of the nineteenth century remains suspended in a moment of stillness. Thomas Sidney Cooper, who lived from 1803 to 1902, brings a specific, grounded presence to the meadow through his depiction of the animals that inhabit it.
In the quietude of a rolling landscape, Sheep in a Pasture brings a moment of rural stillness to life. This oil painting by Thomas Sidney Cooper captures a flock of sheep resting upon a grassy hill, their forms nestled under a dramatic, cloudy sky. The scene unfolds with a sense of peace, as the animals cluster in the foreground and middle ground, leading the eye toward a distant, soft horizon.…
Cattle by a river1835 · Fitzwilliam Museum
12
The Entrance to Carisbrooke Castle1837 · Royal Collection
13
Cattle in a Stream1841 · Birmingham Museum and Art Gallery
14
Cattle reposing (1846)1846 · Fitzwilliam Museum
15
The Victoria Cow1848 · Royal Collection
16
The Halt on the Hills1847 · Sheffield City Art Galleries
17
Goats and Kids in a Shed1846 · Nottingham City Museums And Galleries
18
Mountain Sheep1845
19
Mountain Sheep (also known as Morning Mist Clearing Off)1846 · Nottingham Castle Museum And Art Gallery
20
In the Meadows of Fordwich1840
21
Cattle1850 · Reading Public Museum
22
Landscape with Cows and Sheep1850
23
The Evening Drink in the Canterbury Meadows1851 · Russell
24
In the Whitehall Meadows, Canterbury, Kent1854 · Sheffield City Art Galleries
25
Mountain Sheep1862 · Touchstones Rochdale Arts And Heritage Centre
26
In the Canterbury Meadows1863 · Wolverhampton Art Gallery
27
Heat Showers in August1857 · Manchester Art Gallery
28
Midday Repose1866 · Laing Art Gallery
29
Milking Time in the Meadows1869
30
Morning, Canterbury Meadows, Kent1869 · Sheffield City Art Galleries
31
In the Kentish Meadows1868
32
Five Cows in a Landscape1874 · Kingston Lacy
33
A Group of Cattle1877
34
Landscape with Cattle and Sheep1875 · York Art Gallery
35
Landscape with Cattle and Fowl1874 · Wolverhampton Art Gallery
36
Clearing the Wood for the Iron Way1880
37
Landscape with Cows1881
38
Landscape with cattle1890 · National Library of Wales
39
Fordwich Meadows, Canterbury, Kent1889 · Victoria Art Gallery
40
Study of a Working Horse1900 · Yale Center for British Art
41
Village Landscape (from McGuire Scrapbook)
42
Farm Landscape
43
A Cow and Two Sheep
44
The Rustic Foot Bath
45
A Shepherd With His Flock
46
Milking Time - Study of a Farm-Yard near Canterbury
47
Gathering CloudsAmgueddfa Cymru
48
The Chill of Winter
49
Cattle Resting By A Brook
50
Waiting for the Ferry
51
April Showers
52
Inquiring for the Tilbury Ferry
53
Summer Evening
54
In the Highlands
55
Four Sheep1874 · Wolverhampton Art Gallery
56
Cattle and Sheep at a Watering Place
57
Landscape and Cattle
58
The Lowland Herd
59
Sheep In An Extensive Landscape
60
Sheep In Winter
61
A Cow And Sheep On The Cliffs
62
The Church Meadows
63
Sheep At Pasture
64
Cows In A Meadow 1
65
A Cow With Sheep In A Landscape
66
Leader benjamin williams tintern abbey moonlight on the wye
67
Canterbury Meadows
68
Among the Cumberland Mountains - Mist Clearing Off
69
In The Highlands
70
Cattle resting beside a river
71
Evening In The Meadows
72
Dairy Cows Resting
73
Cattle Wattering
74
Sheep In A Winter Landscape
75
Cattle Watering
76
Rams And A Bull In A Highland Landscape
77
Cattle Sheep and Goats
78
Cattle Resting
79
Cows in a Meadow
80
In The Canterbury Meadows
81
Cattle and Sheep Resting in an Extensive Landscape
82
Landscape with Sheep
83
Highland Cattle by a StreamSunnycroft
84
Landscape with SheepAmgueddfa Cymru
85
A Wooded Ford
86
LandscapeGrundy Art Gallery
87
Cattle and Sheep in a Field
88
Near Canterbury. a Boy on a Donkey driving Cattle along a Road, the Cathedral beyond
89
Sheep in the Highlands
90
A Bull and Cow with Two Sheep and Goat
91
A Farm in Kent
92
Friesian Bull in a LandscapeOwletts
93
Cattle and Sheep Probably in Canterbury Meadows
94
CATTLE GRAZING IN CANTERBURY MEADOWS
95
Sheep In Canterbury Water Meadows
96
Peasants and Sheep
97
Meadows Near Canterbury
98
Landscape with a Flock of Sheep Resting
99
Sheep in a Moorland Landscape
Os quatro temas que mais se repetem nestas obras originais, cada um com o seu melhor exemplo.
Os 8 museus que detêm a maioria das pinturas desta página.
| Museus | Cidade | Obras de Thomas Sidney Cooper | Pinturas desta lista |
|---|---|---|---|
 Sheffield City Art Galleries |
Sheffield | 3 | The Halt on the Hills, In the Whitehall Meadows, Canterbury, Kent, Morning, Canterbury Meadows, Kent |
 Wolverhampton Art Gallery |
Wolverhampton | 3 | In the Canterbury Meadows, Landscape with Cattle and Fowl, Four Sheep |
 Birmingham Museum and Art Gallery |
Birmingham | 2 | Landscape With Cattle And Sheep, Cattle in a Stream |
 Fitzwilliam Museum |
2 | Cattle by a river, Cattle reposing (1846) | |
 Royal Collection |
Londres | 2 | The Entrance to Carisbrooke Castle, The Victoria Cow |
 Amgueddfa Cymru |
Cardiff | 2 | Gathering Clouds, Landscape with Sheep |
 Bolton Museum And Art Gallery |
Bolton | 1 | An Evening Drink |
 Wallace Collection |
Londres | 1 | An Evening Scene |
Escolha uma década para ver a obra original que a define.
Fording a brook, suburbs of Canterbury is a work by Thomas Sidney Cooper, executed in 1834. This piece reflects the early period of an artist who would eventually become a celebrated figure within the Royal Academy. The painting captures a quiet moment in the landscape, rooted in the specific geography of the artist's origins.
In "The Home Farm" by Thomas Sidney Cooper, a quiet moment in the English countryside unfolds under a soft, diffused light. Created about 1844, the scene brings together a gathering of farm animals seeking shelter beneath a heavy, thatched roof. The air feels still, as if an overcast sky has paused the movement of the day. Sheep cluster in the foreground, their thick, white wool catching the gentle light, while…
The sun hangs low, casting a heavy, amber glow over a quiet corner of the English countryside. Beneath the twisted, skeletal limbs of a gnarled tree, three cattle rest in the tall grass. Their bodies catch the fading light, creating bright, sharp edges against the deepening shadows of the landscape. The air feels thick and warm, saturated with the colors of ochre and sepia. It is a moment of stillness,…
In Sheep In The Isle of Skye, Thomas Sidney Cooper directs our attention toward a large group of sheep that occupies the foreground and midground. These animals rest upon a rugged, rocky outcrop, their presence grounding the composition against the wilder elements of the landscape. The perspective is a low-angle view, looking upward toward the cliffside, which emphasizes the scale of the terrain. This viewpoint creates a sense of height,…
The quietude of the pastoral world finds a steady presence in An Evening Drink. Painted by Thomas Sidney Cooper, this work captures a fleeting moment of rest within the natural landscape. The scene unfolds with a sense of stillness, as if the day is exhaling its final warmth. It is a piece that invites a slow gaze, drawing the viewer into a tranquil setting where the rhythm of life follows…
An Evening Drink (1897), Bolton Museum And Art Gallery, Bolton. An Evening Scene (1852) e Fording a brook, suburbs of Canterbury (1834) vêm a seguir.
94 anos: An Evening Drink data de 1897, e Thomas Sidney Cooper nasceu em 1803.
An Evening Drink, An Evening Scene, Fording a brook, suburbs of Canterbury, The Home Farm, Sheep In The Isle of Skye, An Evening Repose, Cattle and Sheep in a Landscape, The Lord Of The Pastures, Sheep in a Pasture e Landscape With Cattle And Sheep. O ranking acima apresenta o ano e o museu de cada uma.
Nosso catálogo contém 103 obras de Thomas Sidney Cooper, datadas de 1834 a 1900.
Principalmente em Sheffield City Art Galleries (Sheffield), Wolverhampton Art Gallery (Wolverhampton) e Birmingham Museum and Art Gallery (Birmingham). A tabela de museus acima lista todos eles.
Em 1840s: 9 das 99 obras nesta página foram feitas então, sendo The Home Farm delas.
Nesta página, a mais antiga é Fording a brook, suburbs of Canterbury (1834) e a mais recente é Study of a Working Horse (1900).
Animals (22), Landscape (19) e Rural landscape (14), entre as 99 obras nesta página.
Oil On Canvas, para 7 das 99 obras nesta página.
Romanticism, a julgar pelos originais nesta página.
The Halt on the Hills, In the Whitehall Meadows, Canterbury, Kent e Morning, Canterbury Meadows, Kent: o Sheffield City Art Galleries, Sheffield detém 3 das obras desta página.
No coração da campiña inglesa, onde as colinas ondulantes de Canterbury encontram a luz suave do céu de Kent, o espírito de Thomas Sidney Cooper sobrevive através de suas telas. Conhecido afetuosamente por seus contemporâneos como o "cow cooper", Cooper era muito mais do que um mero pintor de gado; ele era um poeta do pastoral, um homem que possuía a rara habilidade de infundir vida às massas silenciosas e pastando de ovelhas e bovinos. Nascido em 1803, sua jornada não começou nos grandes estúdios de Londres, mas através da observação humilde e disciplinada da natureza. Mesmo como um jovem aprendiz de um pintor de carruagens aos doze anos, seus olhos buscavam constantemente as texturas sutis da terra e o movimento rítmico dos animais, um hábito de esboçar a partir da vida real que acabaria por definir a própria essência de sua identidade profissional.
A trajetória da carreira de Cooper foi marcada por uma profunda transição de artesão local para uma figura celebrada na Royal Academy. Sua mudança para Londres no início dos vinte anos permitiu que ele mergulhasse nas correntes intelectuais e artísticas do British Museum, proporcionando-lhe a profundidade histórica necessária para elevar seu trabalho além do simples realismo. Embora tenha mantido uma conexão profunda com suas raízes em Canterbury — atuando como mestre de desenho e encontrando estabilidade na paisagem local — foi sua capacidade de fundir a realidade rústica da vida rural com uma grandeza romântica e atmosférica que assegurou seu lugar no cânone vitoriano. Sua técnica era caracterizada por uma sobreposição deliberada e magistral de pinceladas, criando uma sensação de profundidade e umidade no ar que fazia suas paisagens parecerem estar respirando.
Um dos capítulos mais fascinantes na carreira de Cooper foi sua duradoura parceria artística com Frederick Richard Lee. Esta colaboração permitiu uma síntese única de estilos que se tornou uma marca registrada da pintura de paisagem do período vitoriano médio. Enquanto Lee focava nas vistas amplas e monumentais e na arquitetura dramática do mundo natural, Cooper fornecia a alma da composição através de sua representação meticulosa dos animais. Essa sinergia é talvez realizada de forma mais brilhante em sua obra-prima compartilhada, “The Defeat of Kellermann’s Cuirassiers”, um trabalho monumental que comemora a Batalha de Waterloo. Nesta peça, a grandeza da paisagem encontra a presença pungente e detalhada dos animais, criando uma narrativa que é ao mesmo tempo épica em escala e íntima em detalhes.
Além das grandes encomendas históricas, a verdadeira paixão de Cooper residia nos momentos tranquilos da existência rural. Suas obras, como “Cattle and Sheep Resting in an Extensive Landscape”, servem como janelas para uma era de desaparecimento do pastoralismo inglês. Através de seus olhos, vemos:
À medida que a era vitoriana progredia, o trabalho de Cooper erguia-se como um testemunho da beleza duradoura da paisagem inglesa em meio às sombras invasoras da Revolução Industrial. Ele capturou uma sensação de paz e permanência que ressoava profundamente com uma sociedade em rápida mudança. Sua produção prolífica e presença constante na Royal Academy lhe renderam aclamação crítica e uma reputação duradoura como um mestre do gênero animalier. Mesmo hoje, suas pinturas são celebradas não apenas por sua precisão técnica, mas por sua capacidade de evocar uma profunda conexão emocional com a terra.
O legado de Thomas Sidney Cooper é de dedicação aos pequenos detalhes, muitas vezes negligenciados, do mundo natural. Ele nos ensinou que há tanta majestade no olhar constante de uma ovelha quanto há na cordilheira mais dramática. Através de suas representações "cow cooper", ele preservou a dignidade da vida rural, garantindo que a beleza tranquila e pastoral da Inglaterra do século XIX permanecesse eternamente vibrante para as gerações vindouras.
