Retrato de Thomas Barber

As 33 Pinturas Mais Famosas de Thomas Barber, uma Seleção da Galeria

Atualizado em Novembro 2026 · classificado pela nossa pontuação de popularidade (pesquisas, visitas e pedidos de cada obra) · 45 obras de Thomas Barber em nosso catálogo

Em resumo

De todas as obras originais deixadas por Thomas Barber, a mais famosa é Self Portrait (1841), da coleção do Nottingham Castle Museum And Art Gallery, em Nottingham. Logo atrás vêm The Honourable Charles James Fox (1749–1806), MP (after Joshua Reynolds) (1784) e Francis James Curzon Mary Curzon, Later Mrs John Beaumont and Alfred Curzon (1812). Nosso catálogo contém 45 obras de Thomas Barber; a galeria preservou as 33 que o mundo mais admira, cada uma exibida com sua data, seu museu e sua história.

1771 – 1843, Nottingham Neoclassicism Mais obras: Nottingham Castle Museum And Art Gallery

As 10 principais pinturas de Thomas Barber: a escolha da galeria

1
Self Portrait (1841) de Thomas Barber

Self Portrait

1841 · Oil · Nottingham Castle Museum And Art Gallery, Nottingham

In this 1841 work, we encounter the artist himself, captured in a moment of quiet introspection. The portrait presents a man dressed in the formal attire of the nineteenth century, wearing a dark coat, a crisp white collar, and a tie. A mustache defines his features, lending a sense of maturity and gravity to his expression. It is an intimate study of character, rendered with a precision that suggests a…

2
The Honourable Charles James Fox (1749–1806), MP (after Joshua Reynolds) (1784) de Thomas Barber

The Honourable Charles James Fox (1749–1806), MP (after Joshua Reynolds)

1784 · Oil On Canvas · Museu Nacional da Inglaterra, Chesterfield

The subject sits anchored in a sea of dark blues and deep browns. He is a man of middle age, his face etched with the quiet gravity of a life spent in the public eye. Light falls from the upper left, carving the contours of his brow and the sharp lines around his mouth. He holds books against his chest, his hands resting with a heavy, certain stillness. These volumes…

3
Francis James Curzon Mary Curzon, Later Mrs John Beaumont and Alfred Curzon (1812) de Thomas Barber

Francis James Curzon Mary Curzon, Later Mrs John Beaumont and Alfred Curzon

1812 · Oil On Canvas

The oil painting titled Francis James Curzon Mary Curzon, Later Mrs John Beaumont and Alfred Curzon was executed by the artist Thomas Barber the Elder. This work depicts three children: Alfred Curzon, Francis James Curzon, and Mary Curzon. These subjects are the children of the 2nd Baron Scarsdale and Félicité de Wattines, of Flanders. The figures are presented in a three-quarter length portrait format.

4
Lady Caroline Gordon (1785–1866), Lady Chesham (1814) de Thomas Barber

Lady Caroline Gordon (1785–1866), Lady Chesham

1814 · Oil On Canvas · Museu Nacional da Inglaterra, Chesterfield

This oil on canvas portrait, executed in 1814, depicts Lady Caroline Gordon, later known as Lady Chesham. The subject is positioned in a seated posture, facing the viewer with a centered composition that emphasizes the head and upper torso. She is rendered against a dark, indistinct background that provides a high level of contrast to her pale skin and the light-colored fabric of her attire. The lighting is diffused from…

A seleção de Thomas Barber continua, de 11 a 33

11Francis James Curzon (1803–1851) Mary Curzon (1806–1868), Later Mrs John Beaumont and Alfred Curzon (1801–1850) (1812) de Thomas BarberFrancis James Curzon (1803–1851) Mary Curzon (1806–1868), Later Mrs John Beaumont and Alfred Curzon (1801–1850)1812 · National Trust 12Lady Anne Margaret Coke, Viscountess Anson (1815) de Thomas BarberLady Anne Margaret Coke, Viscountess Anson1815 · Shugborough Hall 13The Honourable Anne Margaret Anson, Countess of Rosebery (1815) de Thomas BarberThe Honourable Anne Margaret Anson, Countess of Rosebery1815 · Shugborough Hall 14General Sir George Anson (1769–1849) (1815) de Thomas BarberGeneral Sir George Anson (1769–1849)1815 · National Trust 15General Sir William Anson (1772–1847), 1st Bt (1815) de Thomas BarberGeneral Sir William Anson (1772–1847), 1st Bt1815 · National Trust 16Landscape near Bath (1835) de Thomas BarberLandscape near Bath1835 · National Gallery of Ireland 17Lord Denman (1779–1854) (1833) de Thomas BarberLord Denman (1779–1854)1833 · Nottingham Castle Museum And Art Gallery 18The Trent at Wilford (1840) de Thomas BarberThe Trent at Wilford1840 · Nottingham Castle Museum And Art Gallery 19The Reverend John Thomas Becher (1770–1848) de Thomas BarberThe Reverend John Thomas Becher (1770–1848) 20James Montgomery (1771–1854) de Thomas BarberJames Montgomery (1771–1854) 21Henry Kirke White, Poet de Thomas BarberHenry Kirke White, PoetNottingham Castle Museum And Art Gallery 22The Reverend Lewis Sneyd (c.1788–1858) de Thomas BarberThe Reverend Lewis Sneyd (c.1788–1858)Museu Nacional da Inglaterra 23Charles Compton Cavendish (1793–1863), 1st Lord Chesham de Thomas BarberCharles Compton Cavendish (1793–1863), 1st Lord CheshamMuseu Nacional da Inglaterra 24Cecil Brooke Boothby (1813–1883) de Thomas BarberCecil Brooke Boothby (1813–1883)Museu Nacional da Inglaterra 25Landscape with Cattle de Thomas BarberLandscape with CattleReading Public Museum 26Jonathan Dunn de Thomas BarberJonathan DunnNottingham Castle Museum And Art Gallery 27Joseph Murray (1737–1820) de Thomas BarberJoseph Murray (1737–1820) 28Reverend Richard Smith de Thomas BarberReverend Richard SmithMuseu Nacional da Inglaterra 29Benjamin Mayo (c.1779–1843), the Old General de Thomas BarberBenjamin Mayo (c.1779–1843), the Old General 30Sophia Baillie (1771–1843) de Thomas BarberSophia Baillie (1771–1843) 31David Love (1750–1827), Ballad Writer de Thomas BarberDavid Love (1750–1827), Ballad WriterNottingham Castle Museum And Art Gallery 32View across Nottingham Park with Lenton Priory in the Distance de Thomas BarberView across Nottingham Park with Lenton Priory in the DistanceNottingham Castle Museum And Art Gallery 33Cornelius Smelt (1748–1832), Lieutenant Governor of the Isle of Man (1805–1832) (1826) de Thomas BarberCornelius Smelt (1748–1832), Lieutenant Governor of the Isle of Man (1805–1832)1826 · Manx Museum

Os temas que cativaram o olhar de Thomas Barber

Os quatro temas que mais se repetem nestas obras originais, cada um com o seu melhor exemplo.

Os museus que guardam os originais de Thomas Barber

Os 8 museus que detêm a maioria das pinturas desta página.

Museus Cidade Obras de Thomas Barber Pinturas desta lista
Nottingham Castle Museum And Art Gallery, NottinghamNottingham Castle Museum And Art Gallery Nottingham 7 Self Portrait, Lord Denman (1779–1854), The Trent at Wilford
Museu Nacional da Inglaterra, ChesterfieldMuseu Nacional da Inglaterra Chesterfield 7 The Honourable Charles James Fox (1749–1806), MP (after Joshua Reynolds), Lady Caroline Gordon (1785–1866), Lady Chesham, Lady Harriet Cavendish (1785–1862), Countess Granville
National Trust, DerbyNational Trust Derby 2 Mrs Garnett (1724–1809), in the Marble Hall, Francis James Curzon (1803–1851) Mary Curzon (1806–1868), Later Mrs John Beaumont and Alfred Curzon (1801–1850)
Shugborough Hall, Stoke-on-TrentShugborough Hall Stoke-on-Trent 2 Lady Anne Margaret Coke, Viscountess Anson, The Honourable Anne Margaret Anson, Countess of Rosebery
National Trust, MilfordNational Trust Milford 2 General Sir George Anson (1769–1849), General Sir William Anson (1772–1847), 1st Bt
Sheffield City Art Galleries, SheffieldSheffield City Art Galleries Sheffield 1 James Montgomery
Royal College of Physicians of London, LondresRoyal College of Physicians of London Londres 1 Matthew Baillie
National Gallery of Ireland, DublinNational Gallery of Ireland Dublin 1 Landscape near Bath

Thomas Barber década a década: a obra original que define cada uma

Obras por década

Escolha uma década para ver a obra original que a define.

Perguntas de colecionadores sobre as pinturas de Thomas Barber

Por qual obra Thomas Barber é mais conhecido(a)?Revelar a resposta

Self Portrait (1841), Nottingham Castle Museum And Art Gallery, Nottingham. The Honourable Charles James Fox (1749–1806), MP (after Joshua Reynolds) (1784) e Francis James Curzon Mary Curzon, Later Mrs John Beaumont and Alfred Curzon (1812) vêm a seguir.

Qual era a idade de Thomas Barber quando Self Portrait foi feita?Revelar a resposta

70 anos: Self Portrait data de 1841, e Thomas Barber nasceu em 1771.

Quais são as dez pinturas mais famosas de Thomas Barber?Revelar a resposta

Self Portrait, The Honourable Charles James Fox (1749–1806), MP (after Joshua Reynolds), Francis James Curzon Mary Curzon, Later Mrs John Beaumont and Alfred Curzon, Lady Caroline Gordon (1785–1866), Lady Chesham, James Montgomery, Mrs Garnett, in the Marble Hall, Mrs Garnett (1724–1809), in the Marble Hall, Matthew Baillie, Matthew Baillie (1761–1823) e Lady Harriet Cavendish (1785–1862), Countess Granville. O ranking acima apresenta o ano e o museu de cada uma.

Quantas pinturas Thomas Barber deixou?Revelar a resposta

Nosso catálogo contém 45 obras de Thomas Barber, datadas de 1784 a 1841.

Em quais museus estão expostas as obras-primas de Thomas Barber?Revelar a resposta

Principalmente em Nottingham Castle Museum And Art Gallery (Nottingham), Museu Nacional da Inglaterra (Chesterfield) e National Trust (Derby). A tabela de museus acima lista todos eles.

Em que anos Thomas Barber pintou as suas obras mais famosas?Revelar a resposta

Em 1810s: 8 das 33 obras nesta página foram feitas então, sendo Francis James Curzon Mary Curzon, Later Mrs John Beaumont and Alfred Curzon delas.

Quais são as primeiras e as últimas obras originais famosas de Thomas Barber?Revelar a resposta

Nesta página, a mais antiga é The Honourable Charles James Fox (1749–1806), MP (after Joshua Reynolds) (1784) e a mais recente é Self Portrait (1841).

Quais temas Thomas Barber escolheu com mais frequência?Revelar a resposta

Portrait (4), Dignified (4) e Formal (4), entre as 33 obras nesta página.

Qual técnica Thomas Barber mais utilizou?Revelar a resposta

Oil On Canvas, para 4 das 33 obras nesta página.

A qual movimento artístico pertence Thomas Barber?Revelar a resposta

Neoclassicism, a julgar pelos originais nesta página.

Quais obras de Thomas Barber estão expostas no Nottingham Castle Museum And Art Gallery?Revelar a resposta

Self Portrait, Lord Denman (1779–1854) e The Trent at Wilford: o Nottingham Castle Museum And Art Gallery, Nottingham detém 7 das obras desta página.

Thomas Barber: vida e obra

The Multifaceted Legacy of Thomas Barber

In the vibrant tapestry of the early nineteenth century, few figures embodied the intersection of military discipline and artistic refinement as uniquely as Thomas Barber. Known to many in his era as Barber Beaumont, this remarkable individual led a life that defied simple categorization. Born on December 21, 1774, in the heart of St Marylebone, London, Barber was far more than a mere painter; he was a British army officer, an author, a philanthropist, and a pioneer of miniature portraiture. His journey from the bustling streets of London to the service of royalty and the establishment of significant social institutions reflects a life driven by an unyielding ambition and a profound dedication to both aesthetic beauty and public service.

The artistic soul of Barber was nurtured through a rigorous classical education, which instilled in him a lifelong reverence for historical narrative and neoclassical ideals. Under the influential tutelage of Henry Kirke White, Barber developed a stylistic language characterized by meticulous detail and a dramatic use of light. This training allowed him to navigate the prestigious circles of the Royal Academy's aesthetic, where he mastered the ability to breathe life into both grand historical scenes and intimate portraits. His work often sought to capture the very essence of his subjects, blending the monumental scale of history painting with the delicate, emotive precision required for miniature portraiture.

Mastery of the Miniature and Royal Patronage

While his ambitions reached toward the epic, it was in the intimate realm of miniature painting that Barber achieved his most enduring acclaim. His ability to render the dignity and grace of the aristocracy within a small, exquisitely crafted frame made him a sought-after portraitist for the British elite. Most notably, his role as the miniature painter to the Duke of Clarence—who would later ascend the throne as King William IV—cemented his status within the highest echelons of society. Through these small-scale masterpieces, Barber did not merely record faces; he captured the social standing, character, and enduring legacy of a generation.

His portfolio serves as a window into the Neoclassical era, showcasing a range of subjects that highlight his technical versatility:

  • Lady Caroline Gordon: An 1814 oil portrait that stands as a testament to his ability to convey elegance and wealth through refined brushwork.
  • Henry Kirke White, Poet: A poignant neoclassical portrait that utilizes subtle expression and masterful oil techniques to evoke a sense of remembrance and intellectual status.
  • The Reverend John Thomas Becher: A later work from 1848 that demonstrates his command over dramatic lighting and meticulous detail, reflecting the dignified style of his mature period.

A Life of Service and Entrepreneurial Spirit

Beyond the studio and the battlefield, Barber’s life was defined by a remarkable entrepreneurial spirit and a commitment to social welfare. His experiences as an officer, which included service in South America, provided him with a worldly perspective that informed his later ventures in London. He was not content to remain solely within the realm of fine arts; he applied the same precision found in his paintings to the world of commerce and philanthropy. His involvement in founding insurance offices and his leadership roles in organizations such as the Royal Victoria Rifle Club and the Provident Institution reveal a man deeply invested in the stability and progress of British society.

Ultimately, the historical significance of Thomas Barber lies in this rare synthesis of talents. He was an artist who understood the weight of history, an officer who understood the necessity of order, and a businessman who understood the value of security. Though his name may sometimes be obscured by the alias Beaumont, his contribution to the visual and social fabric of the nineteenth century remains indelible. Through his canvases, we continue to witness the grace of a bygone era, preserved through the eyes of a man who mastered both the brush and the complexities of life itself.