1
As 1 Pinturas Mais Famosas de Theodor van Pee, Cada Uma Única
Atualizado em Novembro 2026 · classificado pela nossa pontuação de popularidade (pesquisas, visitas e pedidos de cada obra) · 1 obras de Theodor van Pee em nosso catálogo
Em resumo
A painter and his muse in a workshop (1719) é a pintura de Theodor van Pee que mais atrai olhares; a obra original pertence ao Staatliche Kunsthalle Karlsruhe, Karlsruhe. Entre as 1 obras de Theodor van Pee em nosso catálogo, estas 1 são as mais famosas, cada uma uma original única apresentada com o seu ano, o seu museu e a razão pela qual perdura.
1668 – 1746, Amsterdam
Mais obras: Staatliche Kunsthalle Karlsruhe
As 10 principais pinturas de Theodor van Pee, sob o olhar da galeria
Os museus que guardam os originais de Theodor van Pee
O museu que detém a maioria das pinturas desta página.
| Museus | Cidade | Obras de Theodor van Pee | Pinturas desta lista |
|---|---|---|---|
 Staatliche Kunsthalle Karlsruhe |
Karlsruhe | 1 | A painter and his muse in a workshop |
Theodor van Pee ao longo dos anos: os originais únicos de cada um
Todas as obras originais de Theodor van Pee datadas aqui pertencem a um único ano, 1719: elas aparecem em ordem de fama.
Obras por ano
Escolha um ano para ver as obras originais.
Pinturas de Theodor van Pee: perguntas para a galeria
Qual é a obra mais famosa de Theodor van Pee?Revelar a resposta
A painter and his muse in a workshop (1719)
Com que idade Theodor van Pee criou A painter and his muse in a workshop?Revelar a resposta
51 anos: A painter and his muse in a workshop data de 1719, e Theodor van Pee nasceu em 1668.
Quantas obras de Theodor van Pee são conhecidas?Revelar a resposta
Nosso catálogo contém 1 obras de Theodor van Pee.
Onde se pode ver os originais mais famosos de Theodor van Pee?Revelar a resposta
Principalmente em Staatliche Kunsthalle Karlsruhe (Karlsruhe). A tabela de museus acima lista todos eles.
Theodor van Pee: um retrato do artista
The Life and Career of Theodor van Pee
Born in Amsterdam, Theodor van Pee was the son of the painter Jan van Pee and Hendrika. Although he initially trained as an apprentice to a jeweller to join the Goldsmiths' Guild, he eventually sought his father's permission to train as a painter. He is believed to have been a pupil of his father, though his maternal grandfather, Mathijs Hendriks Krayvelt, was also a painter who likely contributed to his training. Theodor traveled to Rome to study the works of artists such as Raphael, Giulio Romano, and Correggio, yet he remained a Lutheran throughout his life.
His early career saw success with various commissions, including studies of Northern Italian gypsies and portraits of the Masters of the Amsterdam Tailors’ Guild. As the economic recession in the Netherlands followed the Peace of Ryswick, he diversified his business by selling painted garden furniture, statuary, and carved timber. He also became a dealer in Italian paintings, and in 1715, he took his collection to London to find buyers among English noblemen and merchants.
Later Years and Legacy
While in London, Theodor was commissioned by Sir Matthew Decker to paint a ceiling-piece of life-size figures. Despite facing financial challenges following the collapse of the South Sea Company stock, he continued his business of selling ornamental objects. After seven years in London, he returned to the Netherlands, where he was a member of the Utrecht Guild of Saint Luke in 1737. His artistic skill was recognized through commissions such as the portrait of Jean-Baptiste de Boyer, Marquis d'Argens, and the Abbé Prévost.
Theodor van Pee died in The Hague. His estate, which included twenty-four paintings by him and two by his father, was sold at auction in 1747. His daughter, Henrietta, studied painting under him and married one of his pupils, Hermanus Wolters.