Retrato de Suze Robertson

As 47 Pinturas Mais Famosas de Suze Robertson, uma Seleção da Galeria

Atualizado em Novembro 2026 · classificado pela nossa pontuação de popularidade (pesquisas, visitas e pedidos de cada obra) · 48 obras de Suze Robertson em nosso catálogo

Em resumo

De todas as obras originais deixadas por Suze Robertson, a mais famosa é Portrait of a young girl ('Greta') (1922), da coleção do Museum Boijmans Van Beuningen, em Roterdã. Logo atrás vêm Self-portrait of Suze Robertson (1855-1922) (1890) e Portrait of a young woman (1898). Nosso catálogo contém 48 obras de Suze Robertson; a galeria preservou as 47 que o mundo mais admira, cada uma exibida com sua data, seu museu e sua história.

1855 – 1922, The Hague Mais obras: Groninger Museum

As 10 principais pinturas de Suze Robertson: a escolha da galeria

1
Portrait of a young girl ('Greta') (1922) de Suze Robertson

Portrait of a young girl ('Greta')

1922 · Oil On Panel · Museum Boijmans Van Beuningen, Roterdã

The gaze of a young girl meets the viewer in Portrait of a young girl ('Greta'), a work painted by Suze Robertson in 1922. This portrait captures a young woman whose presence fills the space with a quiet, heavy intensity. She does not merely sit for a likeness; she exists in a moment of profound internal movement. Her expression remains enigmatic, a puzzle of shifting emotions that refuses to be…

3
Portrait of a young woman (1898) de Suze Robertson

Portrait of a young woman

1898 · Oil On Panel · Rijksmuseum, Amsterdã

This work is the Portrait of a young woman by Suze Robertson. Created about 1898, the painting offers an intimate view of the subject, presented as a bust with the head turned toward the right. It is a quiet, focused study that captures a sense of stillness in the sitter's posture.

4
Old mother (1896) de Suze Robertson

Old mother

1896 · Oil · Groninger Museum, Groningen

A somber, atmospheric oil painting captures an elderly woman in a dimly lit interior. Seated in profile, she turns slightly toward the viewer while her gaze remains cast downward. The composition centers on her quietude, utilizing a palette of deep browns, blacks, ochre, and muted umbers to establish a sense of melancholy. Light enters from an unseen source, perhaps a window, illuminating the texture of her headscarf and the folds…

5
The Wood Breaker (1900) de Suze Robertson

The Wood Breaker

1900 · Oil On Canvas

A solitary figure leans into the heavy labor of the wood breaker. The body is a study in tension, bent against the resistance of the timber. Dark, earthy tones of deep brown and black swallow the shadows, leaving only a sharp, bright patch of white fabric on the shoulder to catch the light. This light falls upon a textured wall, creating a shallow space where the air feels thick with…

6
Lena (1923) de Suze Robertson

Lena

1923 · Oil On Canvas · Dordrechts Museum, Dordrecht

In this 1923 oil painting, we find ourselves in a quiet, heavy moment of introspection. A nude female figure sits upon a rugged, rocky ledge, her body turned away from us in a profile that suggests a deep, internal retreat. She gazes downward toward a dark, still body of water, her posture conveying a sense of vulnerability and quietude. The composition is vertical, drawing the eye from the pale, fleshy…

7
Girl asleep (1889) de Suze Robertson

Girl asleep

1889 · Oil On Canvas · Kunstmuseum Den Haag, Haia

Girl asleep is an oil on canvas painting by Suze Robertson. Created about 1889, this work is classified as genre art. It belongs to the period of Dutch realism, capturing a quiet moment of repose.

A seleção de Suze Robertson continua, de 11 a 47

Os temas que cativaram o olhar de Suze Robertson

Os quatro temas que mais se repetem nestas obras originais, cada um com o seu melhor exemplo.

Os museus que guardam os originais de Suze Robertson

Os 8 museus que detêm a maioria das pinturas desta página.

Museus Cidade Obras de Suze Robertson Pinturas desta lista
Groninger Museum, GroningenGroninger Museum Groningen 6 Old mother, The artist's studio with mantelpiece, Corner of the artist's studio
Museum Boijmans Van Beuningen, RoterdãMuseum Boijmans Van Beuningen Roterdã 3 Portrait of a young girl ('Greta'), Still Life (Plate with Lemons), Still Life with Apples
Kunstmuseum Den Haag, HaiaKunstmuseum Den Haag Haia 2 Self-portrait of Suze Robertson (1855-1922), Girl asleep
Rijksmuseum, AmsterdãRijksmuseum Amsterdã 2 Portrait of a young woman, Boerenvrouw Aardappels Schillend
Dordrechts Museum, DordrechtDordrechts Museum Dordrecht 2 Lena, Portrait of a Peasant Woman
Centraal Museum, UtrechtCentraal Museum Utrecht 2 Plate with Apples and a Bottle, Church in Katwijk
The Mesdag Collection, HaiaThe Mesdag Collection Haia 1 The cart
Rijksmuseum Twenthe, EnschedeRijksmuseum Twenthe Enschede 1 Old woman at a clock

Suze Robertson década a década: a obra original que define cada uma

Obras por década

Escolha uma década para ver a obra original que a define.

Perguntas de colecionadores sobre as pinturas de Suze Robertson

Por qual obra Suze Robertson é mais conhecido(a)?Revelar a resposta

Portrait of a young girl ('Greta') (1922), Museum Boijmans Van Beuningen, Roterdã. Self-portrait of Suze Robertson (1855-1922) (1890) e Portrait of a young woman (1898) vêm a seguir.

Qual era a idade de Suze Robertson quando Portrait of a young girl ('Greta') foi feita?Revelar a resposta

67 anos: Portrait of a young girl ('Greta') data de 1922, e Suze Robertson nasceu em 1855.

Quais são as dez pinturas mais famosas de Suze Robertson?Revelar a resposta

Portrait of a young girl ('Greta'), Self-portrait of Suze Robertson (1855-1922), Portrait of a young woman, Old mother, The Wood Breaker, Lena, Girl asleep, The cart, Plate with Apples and a Bottle e Still Life (Plate with Lemons). O ranking acima apresenta o ano e o museu de cada uma.

Quantas pinturas Suze Robertson deixou?Revelar a resposta

Nosso catálogo contém 48 obras de Suze Robertson, datadas de 1870 a 1922.

Em quais museus estão expostas as obras-primas de Suze Robertson?Revelar a resposta

Principalmente em Groninger Museum (Groningen), Museum Boijmans Van Beuningen (Roterdã) e Kunstmuseum Den Haag (Haia). A tabela de museus acima lista todos eles.

Em que anos Suze Robertson pintou as suas obras mais famosas?Revelar a resposta

Em 1890s: 8 das 47 obras nesta página foram feitas então, sendo Self-portrait of Suze Robertson (1855-1922) delas.

Quais são as primeiras e as últimas obras originais famosas de Suze Robertson?Revelar a resposta

Nesta página, a mais antiga é Woman in a courtyard (1870) e a mais recente é Portrait of a young girl ('Greta') (1922).

Quais temas Suze Robertson escolheu com mais frequência?Revelar a resposta

Woman (4), Dark tones (4) e Face (3), entre as 47 obras nesta página.

Qual técnica Suze Robertson mais utilizou?Revelar a resposta

Oil On Canvas, para 4 das 47 obras nesta página.

Quais obras de Suze Robertson estão expostas no Groninger Museum?Revelar a resposta

Old mother, The artist's studio with mantelpiece e Corner of the artist's studio: o Groninger Museum, Groningen detém 6 das obras desta página.

Suze Robertson: vida e obra

A Life Woven in Light and Shadow: The World of Suze Robertson

Suze Robertson, born in the bustling port city of The Hague in 1855, emerged as a significant voice within Dutch art during a period of profound social and artistic change. Her life story is one of quiet determination, navigating societal expectations to forge a path as a professional artist at a time when such aspirations were often discouraged for women. Orphaned young, Robertson was raised by her aunt and uncle, who recognized and nurtured the innate artistic talent that blossomed within her. This early support proved crucial, providing the foundation for formal studies beginning in 1874 at the Royal Academy of Art in The Hague, where she quickly distinguished herself, earning a bronze and two silver medals – testaments to her burgeoning skill and dedication. Further honing her craft at the Polytechnical School in Delft, Robertson laid the groundwork for a career that would challenge conventions and offer poignant glimpses into the lives of ordinary people.

Echoes of Van Gogh: Artistic Development and Style

Robertson’s artistic journey wasn't without its practical considerations. Initially supporting herself by teaching drawing to young women in Rotterdam, she continued her own development under the guidance of Petrus van der Velden, refining her technique while simultaneously exploring her unique vision. Her subject matter gravitated towards scenes of everyday life, particularly those depicting the realities of rural existence – farm interiors, laborers at work, and the quiet dignity of agricultural communities. It is within these depictions that a striking resonance with the early works of Vincent van Gogh becomes apparent. Both artists shared an empathy for the working class and a desire to portray their lives with honesty and respect; comparisons to *The Potato Eaters* are frequently drawn, suggesting a mutual admiration or at least a parallel sensibility. Robertson’s style is characterized by a realism tempered by emotional depth, employing evocative brushwork and a keen eye for capturing the nuances of light and shadow. She wasn't merely documenting life; she was interpreting it through a lens of compassion and understanding.

A Progressive Spirit: Controversy, Recognition, and Artistic Circles

Robertson’s commitment to artistic integrity extended beyond her subject matter. While teaching in Rotterdam, she boldly advocated for her students to be allowed to draw from nude models – a remarkably progressive stance that challenged the prevailing norms of the time. This willingness to push boundaries defined not only her pedagogical approach but also her broader outlook on life and art. Her marriage in 1892 to fellow painter Richard Bisschop marked a turning point, opening doors to prominent artistic circles like Pulchri Studio and Arti et Amicitiae. These affiliations provided platforms for exhibition and recognition, culminating in a bronze medal at the prestigious Exposition Universelle in 1900. However, it was a landmark sale in 1907 that truly cemented her reputation: at the opening of a new branch of the Larensche Kunsthandel in Amsterdam, her works fetched an unprecedented 10,000 guilders – a testament to her growing acclaim and the increasing appreciation for her unique artistic vision.

Legacy of the Amsterdamse Joffers

Suze Robertson continued painting with unwavering dedication until her death in The Hague in 1922. Her legacy extends beyond individual canvases; she is remembered as a key member of the *Amsterdamse Joffers* – a collective of female artists who defied societal constraints and made significant contributions to Dutch art during the late 19th and early 20th centuries. These women challenged conventional norms, forging their own paths in a male-dominated world and paving the way for future generations of female artists. Robertson’s realistic depictions of rural life offer invaluable insights into the social conditions and everyday experiences of her time, capturing a fleeting moment in history with sensitivity and skill. Her work continues to resonate today, appreciated not only for its technical mastery but also for its enduring humanism – a testament to an artist who dared to see beauty and dignity in the lives of ordinary people.

Major Works

Robertson’s art remains a powerful reminder of the importance of empathy, observation, and artistic courage.