Em resumo
Aos olhos da galeria, a pintura mais famosa de Stefan Buban é Near Spišská Nová Ves (1970), cuja obra original está exposta no Tatra Gallery, em Poprad. Native Zemplín (1981) e Zemplín Fields (1981) completam o trio que todos reconhecem. Dos 10 trabalhos de Stefan Buban em nosso catálogo, a galeria apresenta abaixo as 7 obras mais famosas, cada uma original, com seu ano, seu museu e o que a torna única.
As 10 principais pinturas de Stefan Buban na galeria
Near Spišská Nová Ves
In the evocative landscape of Near Spišská Nová Ves, the viewer is immediately transported to a realm where the rugged majesty of the Slovakian mountains meets a profound sense of tranquility. The painting presents a breathtaking vista of a mountainous expanse, characterized by a striking red hue that bathes the peaks in a warm, ethereal glow. This chromatic choice does more than merely depict terrain; it imbues the entire scene…
Os museus que guardam os originais de Stefan Buban
Os 3 museus que detêm a maioria das pinturas desta página.
| Museus | Cidade | Obras de Stefan Buban | Pinturas desta lista |
|---|---|---|---|
| Košice | 4 | Native Zemplín, Zemplín Fields, Peaceful Landscape | |
| Poprad | 2 | Near Spišská Nová Ves, Near Spišská Nová Ves | |
| Spišská Nová Ves | 1 | Winter in Podlince |
Stefan Buban, as pinturas emblemáticas de cada ano
18 anos da arte de Stefan Buban, de 1970 a 1987: a galeria acompanha o seu percurso ano a ano, através dos seus originais mais famosos.
Obras por ano
Escolha um ano para ver as obras originais.
Pinturas de Stefan Buban: a galeria responde
Qual pintura de Stefan Buban é a mais famosa de todas?Revelar a resposta
Near Spišská Nová Ves (1970), Tatra Gallery, Poprad. Native Zemplín (1981) e Zemplín Fields (1981) vêm a seguir.
Qual era a idade de Stefan Buban ao concluir Near Spišská Nová Ves?Revelar a resposta
38 anos: Near Spišská Nová Ves data de 1970, e Stefan Buban nasceu em 1932.
Quantas obras Stefan Buban criou?Revelar a resposta
Nosso catálogo contém 10 obras de Stefan Buban, datadas de 1970 a 1987.
Onde estão expostos os originais mais famosos de Stefan Buban?Revelar a resposta
Principalmente em Vychodoslovenské Galéria (Košice), Tatra Gallery (Poprad) e Gallery of Spis Artists (Spišská Nová Ves). A tabela de museus acima lista todos eles.
Quando é que Stefan Buban criou as suas pinturas mais famosas?Revelar a resposta
Em 1981: 3 das 7 obras nesta página foram feitas então, sendo Native Zemplín delas.
Quais são as obras mais famosas de Stefan Buban no início e no fim de sua carreira?Revelar a resposta
Nesta página, a mais antiga é Near Spišská Nová Ves (1970) e a mais recente é Let Us Not Allow! (1987).
Quais obras originais de Stefan Buban o Vychodoslovenské Galéria possui?Revelar a resposta
Native Zemplín, Zemplín Fields e Peaceful Landscape: o Vychodoslovenské Galéria, Košice detém 4 das obras desta página.
Stefan Buban: o artista
A Life Shaped by Color and Landscape
Born on July 29, 1932, in Pavlovce nad Uhom, Slovakia, Štefan Bubán spent his life translating the textures of his homeland onto canvas. His early years were rooted in the traditions of the region, leading him to study at the art department of the Higher Pedagogical School in Prešov, which he completed in 1955. He later continued his formal education at the Faculty of Education of Comenius University in Bratislava between 1959 and 1964. This academic foundation provided the technical skill that would support a career spanning decades of experimentation.
His professional path was closely tied to Trebišov, where he worked from 1956. The landscapes of the East Slovak Lowland became a central part of his visual language. In his early works, he focused on figurative compositions that captured the essence of this region through distinct color effects. As time passed, his focus shifted toward the natural world, moving into landscape painting that explored the light and earth of the Slovakian terrain.
Evolution of Style and Technique
The progression of Bubán’s work shows a clear movement from representational forms to more complex, abstract visions. He began with figures and landscapes but eventually embraced a modernist style characterized by geometric-abstract-informal fantasies. This transition saw him moving toward what some describe as transavantgarde, where his paintings became structured through geometric-abstract visions. His technique was not limited to the brush; he worked with oil painting, sculpture, printmaking, woodcuts, and drawings.
His approach to color was deeply personal. In works such as Near Spišská Nová Ves, he used striking red hues to bathe mountain peaks in a warm glow, creating an atmosphere of a permanent sunset. He utilized color for psychological impact rather than mere accuracy. His later compositions often relied on an instinctive creative passion, using color and imaginative arrangements to build space within his paintings.
Recognition and Global Reach
Though deeply connected to Slovakian soil, Bubán’s presence was felt far beyond its borders. He exhibited his work in numerous countries, including Germany, Italy, France, Japan, and Egypt. His art found homes in prestigious venues such as the Salon d'Automne in Paris and the Kunsthalle Bratislava. For a period between 2008 and 2016, his paintings were even displayed at the Permanent Representation of Slovakia to the European Union in Brussels.
Throughout his career, he received several notable honors that reflected his standing in the international art community:
- The Gold Plaque at the VII International Festival of Contemporary Painting in San Remo, Italy, in 1999.
- The European Commission's Prize for Culture at the il Nittis Biennial in Barletta, Italy, in 2003.
- A silver medal from the Salon in Cannes in 2006.
- The Price za celoživotné dielo at Intersalón AJV in České Budějovice in 2008.
His memberships in various societies, such as the Slovak Art Society and the Association of Visual Arts Japan, further solidified his role as a bridge between local tradition and global modernism. He left behind a significant body of work that includes seventy solo exhibitions and nearly three hundred group exhibitions, ensuring his vision of the Slovak landscape remains part of the broader history of 20th-century art.