Retrato de Olof Johan Södermark

As 11 Pinturas Mais Famosas de Olof Johan Södermark, uma Seleção da Galeria

Atualizado em Novembro 2026 · classificado pela nossa pontuação de popularidade (pesquisas, visitas e pedidos de cada obra) · 11 obras de Olof Johan Södermark em nosso catálogo

Em resumo

De todas as obras originais deixadas por Olof Johan Södermark, a mais famosa é Peder Anker (1830), da coleção do Bogstad, em Oslo. Logo atrás vêm The German Artist Franz Riepenhausen (1828) e Presumed Self Portrait (1827). Nosso catálogo contém 11 obras de Olof Johan Södermark; a galeria preservou as 11 que o mundo mais admira, cada uma exibida com sua data, seu museu e sua história.

1790 – 1848, Landskrona Parish Mais obras: Nationalmuseum

As 10 principais pinturas de Olof Johan Södermark: a escolha da galeria

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Portrait of Signora Vincensa de Olof Johan Södermark

Portrait of Signora Vincensa

Oil · Nationalmuseum, Estocolmo

In the mid-1820s, while living in Rome, Olof Johan Södermark turned his attention away from the rigid structures of sculpture toward the intimate realities of daily existence. This oil portrait captures an employee in a Roman café, a woman caught in a moment of quiet, unposed labor. Unlike the idealized portraiture common to the era, this work rejects the polished perfection often demanded by high-society commissions. Instead, it offers a…

A seleção de Olof Johan Södermark continua, de 11 a 11

Os temas que cativaram o olhar de Olof Johan Södermark

Os quatro temas que mais se repetem nestas obras originais, cada um com o seu melhor exemplo.

Os museus que guardam os originais de Olof Johan Södermark

Os 3 museus que detêm a maioria das pinturas desta página.

Museus Cidade Obras de Olof Johan Södermark Pinturas desta lista
Nationalmuseum, EstocolmoNationalmuseum Estocolmo 8 The German Artist Franz Riepenhausen, Presumed Self Portrait, Regina. Roman Girl with Choral Necklace and Earrings
Bogstad, OsloBogstad Oslo 1 Peder Anker
National Portrait Gallery of Sweden, SträngnäsNational Portrait Gallery of Sweden Strängnäs 1 Porträtt av president Jacob August von Hartmansdorff

Olof Johan Södermark década a década: a obra original que define cada uma

Obras por década

Escolha uma década para ver a obra original que a define.

Perguntas de colecionadores sobre as pinturas de Olof Johan Södermark

Por qual obra Olof Johan Södermark é mais conhecido(a)?Revelar a resposta

Peder Anker (1830), Bogstad, Oslo. The German Artist Franz Riepenhausen (1828) e Presumed Self Portrait (1827) vêm a seguir.

Qual era a idade de Olof Johan Södermark quando Peder Anker foi feita?Revelar a resposta

40 anos: Peder Anker data de 1830, e Olof Johan Södermark nasceu em 1790.

Quais são as dez pinturas mais famosas de Olof Johan Södermark?Revelar a resposta

Peder Anker, The German Artist Franz Riepenhausen, Presumed Self Portrait, King Karl XIV Johan, Regina. Roman Girl with Choral Necklace and Earrings, Karolina Bygler. Model to the Sculptor Johan Niclas Byström, Gatumusikanter vid Pantheon, Porträtt av president Jacob August von Hartmansdorff, Grazia, Roman Model e Portrait of Signora Vincensa. O ranking acima apresenta o ano e o museu de cada uma.

Quantas pinturas Olof Johan Södermark deixou?Revelar a resposta

Nosso catálogo contém 11 obras de Olof Johan Södermark, datadas de 1827 a 1845.

Em quais museus estão expostas as obras-primas de Olof Johan Södermark?Revelar a resposta

Principalmente em Nationalmuseum (Estocolmo), Bogstad (Oslo) e National Portrait Gallery of Sweden (Strängnäs). A tabela de museus acima lista todos eles.

Em que anos Olof Johan Södermark pintou as suas obras mais famosas?Revelar a resposta

Em 1830s: 4 das 11 obras nesta página foram feitas então, sendo Peder Anker delas.

Quais são as primeiras e as últimas obras originais famosas de Olof Johan Södermark?Revelar a resposta

Nesta página, a mais antiga é Presumed Self Portrait (1827) e a mais recente é Grazia, Roman Model (1845).

Quais obras de Olof Johan Södermark estão expostas no Nationalmuseum?Revelar a resposta

The German Artist Franz Riepenhausen, Presumed Self Portrait e Regina. Roman Girl with Choral Necklace and Earrings: o Nationalmuseum, Estocolmo detém 8 das obras desta página.

Olof Johan Södermark: vida e obra

The Precision of the Cartographer’s Eye

Olof Johan Södermark was a man whose life was defined by the striking duality of the sword and the brush. Born in Landskrona, Sweden, in 1790, his early years were shaped by the rigorous discipline of military service, a path that began when he entered the fortification corps at the tender age of thirteen. This formative period as a cadet instilled in him a profound respect for accuracy and observation—traits that would later become the hallmark of his artistic style. As he ascended through the ranks to become a lieutenant within the Field Measurement Corps, Södermark dedicated himself to the science of cartography. The meticulous nature of mapping landscapes and recording topographical details provided him with a unique visual vocabulary; the same eye that traced the contours of the Swedish terrain would eventually be used to trace the delicate nuances of the human face.

From the Battlefield to the Roman Studio

The trajectory of Södermark’s life was irrevocably altered by the tremors of the Napoleonic Wars. His service took him to the heart of Europe's most pivotal conflicts, including the intense battles of Grossbeeren and Leipzig in 1813. These experiences of chaos and courage, alongside his time serving as an adjutant to Lieutenant General Sixtance David Sparre, infused his character with a certain Romanticist intensity. However, it was his transition from the battlefield to the artistic studio that would define his historical significance. Seeking to expand his creative horizons, Södermark traveled to Rome, where he immersed himself in the classical traditions of the era. Under the guidance of renowned sculptors such as Johan Niclas Byström and Bengt Erland Fogelberg, he initially sought to master the permanence of stone. Yet, as his travels took him through the cultural epicenters of Paris, Munich, and London, he found that his true passion lay not in the static weight of sculpture, but in the fluid, expressive potential of portrait painting.

A Legacy of Neoclassical Grandeur

As Södermark matured as an artist, his work became a sophisticated bridge between Neoclassical discipline and the burgeoning emotional depth of Romanticism. His ability to marry scientific precision with an evocative sense of character allowed him to ascend to the highest levels of Swedish society. By the early 1830s, he had earned the prestigious opportunity to paint members of the Royal Family, creating portraits that captured both their sovereign authority and their individual humanity. One of his most notable achievements remains his depiction of King Karl XIV Johan, a work that exemplifies his ability to render texture, light, and royal dignity with unparalleled clarity. Though his life was cut short in 1848, Södermark left behind a legacy of profound influence, passing his artistic torch to his son, Per Södermark, and ensuring that the meticulous, soulful vision of the soldier-artist would endure within the annals of Swedish art history.