Atualizado em Novembro 2026 · classificado pela nossa pontuação de popularidade (pesquisas, visitas e pedidos de cada obra) · 90 obras de Mikuláš Galanda em nosso catálogo
Em resumo
Girl's Head (1917) é a pintura de Mikuláš Galanda que mais atrai olhares; a obra original pertence ao Slovak National Gallery, Bratislava. Depois disso, o olhar recai sobre After the Bath (1922) e Lovers (1920). Entre as 90 obras de Mikuláš Galanda em nosso catálogo, estas 62 são as mais famosas, cada uma uma original única apresentada com o seu ano, o seu museu e a razão pela qual perdura.
The artwork titled Girl's Head is a portrait created by the artist Mikuláš Galanda. This specific piece is categorized as a free drawing. It is held within the collection of the Slovenská národná galéria, SNG.
In "After the Bath" by Mikuláš Galanda, a single female figure occupies the center of the frame. She is captured in a moment of repose or grooming, seated or crouching in a quiet, private stillness. The composition emphasizes the verticality of her form, drawing the eye upward through the soft, rounded contours of her body. Anatomical details are simplified, stripped of complexity to focus on the essential weight and volume…
In "Lovers" by Mikuláš Galanda, we encounter a moment of profound stillness. This stylized, expressionist oil painting presents two figures locked in an intimate embrace. The composition is a close-up portrait, drawing our attention specifically to the heads and upper bodies of a man and a woman. There is a weight to their presence, a sense of physical closeness that is tempered by an emotional distance. It is a quiet…
In Over the Cradle, Mikuláš Galanda centers the composition on a seated female figure. Viewed in profile or a three-quarter view, she leans over a cradle or a similar object resting in her lap. The perspective remains shallow, focusing the viewer entirely on the intimate interaction between the subject and the object within an enclosed, private space.
In this 1925 work, we encounter a composition that prioritizes the rhythmic essence of the human figure over the distractions of realistic detail. The piece presents a stylized, modernist vision of a Tahitian scene, centered on a large, close-up profile of a woman's head and shoulders. She gazes toward the viewer with a serene, steady presence. Behind her, the space opens to reveal a smaller, full-length figure of a woman…
The work before us is titled Slovak Mother, a piece created by Mikuláš Galanda about 1925. In this composition, we encounter the hand of an artist who was a primary catalyst for the development of modern art within Slovakia. Galanda was a figure of significant influence, acting as a pioneer and propagator of the nation's modern visual language during a transformative era in Central European history.
In this 1927 work, titled Lovers Harlequin and Columbine, we encounter the distinct visual language of Mikuláš Galanda. The piece reflects a significant moment in the artist's development, created during a period when he was establishing himself as a primary catalyst for the development of modern art within Slovakia. Galanda, who was born in 1895 in Turčianske Teplice, Slovakia, brought a unique perspective to the Central European scene, blending structural…
A serene woman emerges from a soft, textured background, her presence filling the space with a heavy, calm weight. She is captured from the chest up, her features simplified into smooth, rounded shapes that suggest a quiet strength. Her hair, a soft ochre, frames a face of gentle lines, while her garment provides a sudden, deep red pulse against the muted tones of the composition. In her hands, or perhaps…
The scene unfolds within the quiet, heavy atmosphere of In an Inn, a work created by the Slovak painter and illustrator Mikuláš Galanda. Painted in 1927, this oil composition captures a moment of stillness and introspection. The figures within the frame seem caught in a permanent state of contemplation, existing in a space where the light is low and the mood is deeply somber.
In 1933, Mikuláš Galanda produced "Clown," a formal, classical portrait of a young woman. The composition utilizes an oval-shaped bust-length format set within a rectangular frame. Captured from a direct, three-quarter view, the subject possesses fair skin, blue eyes, and dark, intricately styled curly hair that is pulled up with braided elements. A sheer, translucent white veil or scarf is draped over her shoulders, providing a textural contrast to the…
Bandits1932 · Slovak National Gallery
12
Poor Family1930 · Slovak National Gallery
13
Madonna and Child1936 · Central Slovakian Gallery
14
LumberjacksGallery of M. A. Bazovsky
15
Two Women. ConversationGallery of M. A. Bazovsky
16
Mother With a Scarf And the BabyGallery of M. A. Bazovsky
17
Mother Holding BabyGallery of M. A. Bazovsky
18
RoseGallery of M. A. Bazovsky
19
Self-portraitGallery of M. A. Bazovsky
20
Mother with her Child on the Flower BackgroundGallery of M. A. Bazovsky
21
Portrait of Mária GalandováGallery of M. A. Bazovsky
22
Woman with Jar1926 · Slovak National Gallery
23
Girl1930 · Liptov Gallery of Peter Michal Bohúň
24
Little Boat1932 · Bratislava City Gallery
25
Lovers1930 · Slovak National Gallery
26
Mother with Child1934 · Slovak National Gallery
27
HármanGallery of M. A. Bazovsky
28
HármanGallery of M. A. Bazovsky
29
PensiveGallery of M. A. Bazovsky
30
DrunkardsGallery of M. A. Bazovsky
31
Woman With a PitcherGallery of M. A. Bazovsky
32
CowsGallery of M. A. Bazovsky
33
Clown With a Butterfly (Buffoon)Gallery of M. A. Bazovsky
34
Sitting WomanGallery of M. A. Bazovsky
35
PainterGallery of M. A. Bazovsky
36
LumberjacksGallery of M. A. Bazovsky
37
A SongGallery of M. A. Bazovsky
38
Mother with Her ChildGallery of M. A. Bazovsky
39
BanditsGallery of M. A. Bazovsky
40
Metaphysical Still LifeGallery of M. A. Bazovsky
41
AwakeningGallery of M. A. Bazovsky
42
PainterGallery of M. A. Bazovsky
43
DrunkardsGallery of M. A. Bazovsky
44
Roses in the PitcherGallery of M. A. Bazovsky
45
Girl study
46
Act
47
MagicianNedbalka Gallery
48
Mother with her Child at a Poppy HeadGallery of M. A. Bazovsky
49
In Front of the MirrorGallery of M. A. Bazovsky
50
Mother And the BabyGallery of M. A. Bazovsky
51
Compostitional StudyGallery of M. A. Bazovsky
52
Mendicant SingersGallery of M. A. Bazovsky
53
Carnations in a vaseNedbalka Gallery
54
DrinkerNedbalka Gallery
55
Crying WomanGallery of M. A. Bazovsky
56
PoetGallery of M. A. Bazovsky
57
Mother with childNedbalka Gallery
58
LumberjacksGallery of M. A. Bazovsky
59
Pink Clown. Head of the Little ClownGallery of M. A. Bazovsky
60
PastoraleGallery of M. A. Bazovsky
61
ŽdiarSlovak National Gallery
62
Two Women. GirlfriendsGallery of M. A. Bazovsky
Os quatro temas que mais se repetem nestas obras originais, cada um com o seu melhor exemplo.
Os 8 museus que detêm a maioria das pinturas desta página.
| Museus | Cidade | Obras de Mikuláš Galanda | Pinturas desta lista |
|---|---|---|---|
 Gallery of M. A. Bazovsky |
Trenčín | 37 | Lumberjacks, Two Women. Conversation, Mother With a Scarf And the Baby |
 Slovak National Gallery |
Bratislava | 13 | Girl's Head, Lovers, Tahitian |
 Nedbalka Gallery |
Bratislava | 4 | Magician, Carnations in a vase, Drinker |
 Central Slovakian Gallery |
Banská Bystrica | 2 | Clown, Madonna and Child |
 Oravská galéria v Dolnom Kubíne |
Dolná Kúba | 1 | After the Bath |
 Miloš Alexander Bazovský Gallery |
Trenčín | 1 | Over the Cradle |
 Liptov Gallery of Peter Michal Bohúň |
Liptovský Mikuláš | 1 | Girl |
 Bratislava City Gallery |
Bratislava | 1 | Little Boat |
Escolha uma década para ver a obra original que a define.
The artwork titled Girl's Head is a portrait created by the artist Mikuláš Galanda. This specific piece is categorized as a free drawing. It is held within the collection of the Slovenská národná galéria, SNG.
In "After the Bath" by Mikuláš Galanda, a single female figure occupies the center of the frame. She is captured in a moment of repose or grooming, seated or crouching in a quiet, private stillness. The composition emphasizes the verticality of her form, drawing the eye upward through the soft, rounded contours of her body. Anatomical details are simplified, stripped of complexity to focus on the essential weight and volume…
In 1933, Mikuláš Galanda produced "Clown," a formal, classical portrait of a young woman. The composition utilizes an oval-shaped bust-length format set within a rectangular frame. Captured from a direct, three-quarter view, the subject possesses fair skin, blue eyes, and dark, intricately styled curly hair that is pulled up with braided elements. A sheer, translucent white veil or scarf is draped over her shoulders, providing a textural contrast to the…
Girl's Head (1917), Slovak National Gallery, Bratislava. After the Bath (1922) e Lovers (1920) vêm a seguir.
22 anos: Girl's Head data de 1917, e Mikuláš Galanda nasceu em 1895.
Girl's Head, After the Bath, Lovers, Over the Cradle, Tahitian, Slovak Mother, Lovers Harlequin and Columbine, Woman with Bellflowers, In an Inn e Clown. O ranking acima apresenta o ano e o museu de cada uma.
Nosso catálogo contém 90 obras de Mikuláš Galanda, datadas de 1917 a 1936.
Principalmente em Gallery of M. A. Bazovsky (Trenčín), Slovak National Gallery (Bratislava) e Nedbalka Gallery (Bratislava). A tabela de museus acima lista todos eles.
Em 1920s: 9 das 62 obras nesta página foram feitas então, sendo After the Bath delas.
Nesta página, a mais antiga é Girl's Head (1917) e a mais recente é Madonna and Child (1936).
Woman (9), Landscape (4) e Man (3), entre as 62 obras nesta página.
Oil On Canvas, para 6 das 62 obras nesta página.
Lumberjacks, Two Women. Conversation e Mother With a Scarf And the Baby: o Gallery of M. A. Bazovsky, Trenčín detém 37 das obras desta página.
