Em resumo
Portrait of Maria Louise van Hessen Kassel (1750) é a pintura de Matthijs Accama que mais atrai olhares; a obra original pertence ao Fries Museum, Leeuwarden. Depois disso, o olhar recai sobre Portrait of Lady Anschie van Doijs (1760) e Portrait of Jan Zeper (soapboiler) (1759). Entre as 5 obras de Matthijs Accama em nosso catálogo, estas 5 são as mais famosas, cada uma uma original única apresentada com o seu ano, o seu museu e a razão pela qual perdura.
As 10 principais pinturas de Matthijs Accama, sob o olhar da galeria
Os museus que guardam os originais de Matthijs Accama
O museu que detém a maioria das pinturas desta página.
| Museus | Cidade | Obras de Matthijs Accama | Pinturas desta lista |
|---|---|---|---|
| Leeuwarden | 5 | Portrait of Maria Louise van Hessen Kassel, Portrait of Lady Anschie van Doijs, Portrait of Jan Zeper (soapboiler) |
Matthijs Accama ao longo dos anos: os originais únicos de cada um
Os originais datados de Matthijs Accama exibidos aqui abrangem cerca de dez anos, de 1750 a 1760: o olhar percorre-os ano após ano.
Obras por ano
Escolha um ano para ver as obras originais.
Pinturas de Matthijs Accama: perguntas para a galeria
Qual é a obra mais famosa de Matthijs Accama?Revelar a resposta
Portrait of Maria Louise van Hessen Kassel (1750), Fries Museum, Leeuwarden. Portrait of Lady Anschie van Doijs (1760) e Portrait of Jan Zeper (soapboiler) (1759) vêm a seguir.
Com que idade Matthijs Accama criou Portrait of Maria Louise van Hessen Kassel?Revelar a resposta
48 anos: Portrait of Maria Louise van Hessen Kassel data de 1750, e Matthijs Accama nasceu em 1702.
Quantas obras de Matthijs Accama são conhecidas?Revelar a resposta
Nosso catálogo contém 5 obras de Matthijs Accama, datadas de 1750 a 1760.
Onde se pode ver os originais mais famosos de Matthijs Accama?Revelar a resposta
Principalmente em Fries Museum (Leeuwarden). A tabela de museus acima lista todos eles.
Em que período Matthijs Accama criou as suas pinturas mais conhecidas?Revelar a resposta
Em 1759: 2 das 5 obras nesta página foram feitas então, sendo Portrait of Jan Zeper (soapboiler) delas.
Qual pintura famosa de Matthijs Accama é a mais antiga e qual é a mais recente?Revelar a resposta
Nesta página, a mais antiga é Portrait of Maria Louise van Hessen Kassel (1750) e a mais recente é Portrait of Lady Anschie van Doijs (1760).
Quais originais de Matthijs Accama posso ver no Fries Museum?Revelar a resposta
Portrait of Maria Louise van Hessen Kassel, Portrait of Lady Anschie van Doijs e Portrait of Jan Zeper (soapboiler): o Fries Museum, Leeuwarden detém 5 das obras desta página.
Matthijs Accama: um retrato do artista
A Life in Leeuwarden
Matthijs Accama was born in 1702 in Leeuwarden, within the Dutch Republic. He grew up in a household where art was a shared language, being the brother of the painter Bernardus Accama. His early years in Leeuwarden provided the foundation for a life spent observing the world through a painterly lens. He eventually left his home to travel to Italy, a move that would fundamentally shape his understanding of light and form.
During his time in Italy, Accama spent much of his energy studying the works of the ancient masters. He did not merely look at these paintings; he sought to replicate them, using the old techniques to refine his own hand. This period of imitation and study allowed him to develop a talent for capturing the essence of classical subjects. He returned to his roots, eventually passing away in his native town in 1783.
The Nature of His Work
Accama’s brush was often directed toward subjects that required a sense of narrative or moral weight. He focused his efforts on two primary areas of subject matter:
- Historical scenes that sought to recreate the gravity of past events.
- Emblematical subjects designed to convey specific meanings or allegories.
His approach was characterized by a desire to translate the grandeur of the Italian masters into a Dutch context. By copying the works of those who came before him, he learned how to structure complex compositions and manage the subtle shifts in tone that define historical painting.
Historical Presence
While his brother Bernardus achieved a level of recognition for portraiture, Matthijs carved out a niche through his interest in the allegorical and the historical. His work reflects the intellectual interests of the 18th century, where art often functioned as a way to communicate complex ideas through visual symbols. He remained connected to Leeuwarden throughout his life, a constant presence in the artistic landscape of the Dutch Republic until his death.

