Retrato de Mattheus Verheyden

Pinturas de Mattheus Verheyden: As 18 mais famosas, sob o olhar de uma galeria

Atualizado em Novembro 2026 · classificado pela nossa pontuação de popularidade (pesquisas, visitas e pedidos de cada obra) · 18 obras de Mattheus Verheyden em nosso catálogo

Em resumo

Aos olhos da galeria, a pintura mais famosa de Mattheus Verheyden é Portrait of Coenraad van Heemskerck, Count of the Holy Roman Empire, Lord of Achttienhoven and Den Bosch, Mattheus Verheyden, 1750 (1750), cuja obra original está exposta no Rijksmuseum, em Amsterdã. Portrait of Charlotte Beatrix Strick van Linschoten (1755) e Portret van Maria Hartmans de Custere (1755) completam o trio que todos reconhecem. Dos 18 trabalhos de Mattheus Verheyden em nosso catálogo, a galeria apresenta abaixo as 18 obras mais famosas, cada uma original, com seu ano, seu museu e o que a torna única.

1700 – 1777, Breda Baroque Mais obras: Rijksmuseum

As 10 principais pinturas de Mattheus Verheyden na galeria

2
Portrait of Charlotte Beatrix Strick van Linschoten (1755) de Mattheus Verheyden

Portrait of Charlotte Beatrix Strick van Linschoten

1755 · Oil On Canvas · Rijksmuseum, Amsterdã

The Portrait of Charlotte Beatrix Strick van Linschoten is an oil on canvas work by the Dutch artist Mattheus Verheyden. Painted about 1755, the portrait captures a woman of significant social standing. Charlotte van Linschoten was the second wife of Gerard Cornelis van Riebeeck. She is presented to the viewer in full finery, her presence defined by the heavy, structured elegance of her era.

3
Portret van Maria Hartmans de Custere (1755) de Mattheus Verheyden

Portret van Maria Hartmans de Custere

1755 · Oil On Canvas · Rijksmuseum, Amsterdã

A single column of fluted stone rises behind Maria Hartmans de Custere, a rigid verticality that anchors the composition. She stands in three-quarter profile, her silhouette a dark, flowing shape against the architectural stillness. The light enters from the upper left, a directional beam that catches the pale skin of her neck and the crisp, white linen of her collar. This brightness acts as a focal point, a sharp contrast…

4
Charlotte Maria Leidecker (1695-1746). Echtgenote van Joan van Riebeeck, met een kind (1728) de Mattheus Verheyden

Charlotte Maria Leidecker (1695-1746). Echtgenote van Joan van Riebeeck, met een kind

1728 · Oil On Canvas · Rijksmuseum, Amsterdã

The room falls away into a deep, velvet darkness, leaving only the soft glow of light upon two figures. Charlotte Maria Leidecker sits with a quiet dignity, her presence defined by the heavy, lustrous folds of her gown. The fabric catches the light, revealing the sheen of silk or satin, while the shadows settle deeply into the creases of her clothing. Beside her, a child rests, a small presence that…

5
Willem Kettingh (d 1670). Chief Treasurer and Bailiff of the Prince of Orange (1755) de Mattheus Verheyden

Willem Kettingh (d 1670). Chief Treasurer and Bailiff of the Prince of Orange

1755 · Oil On Canvas · Rijksmuseum, Amsterdã

In this formal portrait, the Dutch painter Mattheus Verheyden captures the presence of Willem Kettingh (d 1670). Kettingh, who held the significant positions of Chief Treasurer and Bailiff of the Prince of Orange, meets the viewer's gaze from a position of quiet authority. The work, dated about 1755, presents a man whose life and status are etched into his very posture. He stands with a dignified air, his figure framed…

6
Portrait of Agnes Margaretha Albinus, Wife of Coenraad van Heemskerck (1750) de Mattheus Verheyden

Portrait of Agnes Margaretha Albinus, Wife of Coenraad van Heemskerck

1750 · Oil On Canvas · Rijksmuseum, Amsterdã

In this 1750 portrait, we encounter the Portrait of Agnes Margaretha Albinus, Wife of Coenraad van Heemskerck. The artist, Mattheus Verheyden, captures the subject with a quiet, dignified presence that defines much of his body of work. Verheyden, who was born in Breda, Netherlands, developed a refined skill for documenting the likenesses of the era's social elite. This particular work focuses on Agnes Margaretha Albinus, who lived from 1713 to…

Pinturas de Mattheus Verheyden, classificadas de 11 a 18

Os temas que cativaram o olhar de Mattheus Verheyden

Os quatro temas que mais se repetem nestas obras originais, cada um com o seu melhor exemplo.

Os museus que guardam os originais de Mattheus Verheyden

Os 7 museus que detêm a maioria das pinturas desta página.

Museus Cidade Obras de Mattheus Verheyden Pinturas desta lista
Rijksmuseum, AmsterdãRijksmuseum Amsterdã 8 Portrait of Coenraad van Heemskerck, Count of the Holy Roman Empire, Lord of Achttienhoven and Den Bosch, Mattheus Verheyden, 1750, Portrait of Charlotte Beatrix Strick van Linschoten, Portret van Maria Hartmans de Custere
Huis Zypendaal, ArnhemHuis Zypendaal Arnhem 2 Portrait of Frederik Willem Torck (1691-1761), Portrait of Jacoba Maria van Wassenaer van Duvenvoorde (1709-1771)
Museum Het Valkhof, NijmegenMuseum Het Valkhof Nijmegen 2 Portrait of Anna Martina van Benthem (1700-1793), Portrait of Christoffel van den Bergh (1702-1762)
Dordrechts Museum, DordrechtDordrechts Museum Dordrecht 2 Portrait of Catherina Johanna Braets, née Van den Santheuvel, Portrait of Adriaen Braets van Geervliet (1689-1747)
Museum Rotterdam, RotterdamMuseum Rotterdam Rotterdam 1 Portrait of (possibly) Charlotte Bernaige (1719-1777)
Centraal Museum, UtrechtCentraal Museum Utrecht 1 Portrait of Aletta Lucretia Martens (1715-1782). Wife of Antonie Francois Godin
Museum Martena, WaadhoekeMuseum Martena Waadhoeke 1 Willem Kettingh (d 1670). Chief Treasurer and Bailiff of the Prince of Orange, Mattheus Verheyden, c. 1755

Mattheus Verheyden, uma pintura emblemática por década

Obras por década

Escolha uma década para ver a obra original que a define.

Pinturas de Mattheus Verheyden: a galeria responde

Qual pintura de Mattheus Verheyden é a mais famosa de todas?Revelar a resposta

Portrait of Coenraad van Heemskerck, Count of the Holy Roman Empire, Lord of Achttienhoven and Den Bosch, Mattheus Verheyden, 1750 (1750), Rijksmuseum, Amsterdã. Portrait of Charlotte Beatrix Strick van Linschoten (1755) e Portret van Maria Hartmans de Custere (1755) vêm a seguir.

Qual era a idade de Mattheus Verheyden ao concluir Portrait of Coenraad van Heemskerck, Count of the Holy Roman Empire, Lord of Achttienhoven and Den Bosch, Mattheus Verheyden, 1750?Revelar a resposta

50 anos: Portrait of Coenraad van Heemskerck, Count of the Holy Roman Empire, Lord of Achttienhoven and Den Bosch, Mattheus Verheyden, 1750 data de 1750, e Mattheus Verheyden nasceu em 1700.

Quais são as 10 principais pinturas de Mattheus Verheyden?Revelar a resposta

Portrait of Coenraad van Heemskerck, Count of the Holy Roman Empire, Lord of Achttienhoven and Den Bosch, Mattheus Verheyden, 1750, Portrait of Charlotte Beatrix Strick van Linschoten, Portret van Maria Hartmans de Custere, Charlotte Maria Leidecker (1695-1746). Echtgenote van Joan van Riebeeck, met een kind, Willem Kettingh (d 1670). Chief Treasurer and Bailiff of the Prince of Orange, Portrait of Agnes Margaretha Albinus, Wife of Coenraad van Heemskerck, Portrait of Frederik Willem Torck (1691-1761), Portrait of Jacoba Maria van Wassenaer van Duvenvoorde (1709-1771), Portrait of (possibly) Charlotte Bernaige (1719-1777) e Portrait of Aletta Lucretia Martens (1715-1782). Wife of Antonie Francois Godin. O ranking acima apresenta o ano e o museu de cada uma.

Quantas obras Mattheus Verheyden criou?Revelar a resposta

Nosso catálogo contém 18 obras de Mattheus Verheyden, datadas de 1728 a 1762.

Onde estão expostos os originais mais famosos de Mattheus Verheyden?Revelar a resposta

Principalmente em Rijksmuseum (Amsterdã), Huis Zypendaal (Arnhem) e Museum Het Valkhof (Nijmegen). A tabela de museus acima lista todos eles.

Quando é que Mattheus Verheyden criou as suas pinturas mais famosas?Revelar a resposta

Em 1750s: 10 das 18 obras nesta página foram feitas então, sendo Portrait of Coenraad van Heemskerck, Count of the Holy Roman Empire, Lord of Achttienhoven and Den Bosch, Mattheus Verheyden, 1750 delas.

Quais são as obras mais famosas de Mattheus Verheyden no início e no fim de sua carreira?Revelar a resposta

Nesta página, a mais antiga é Charlotte Maria Leidecker (1695-1746). Echtgenote van Joan van Riebeeck, met een kind (1728) e a mais recente é Portrait of Christoffel van den Bergh (1702-1762) (1762).

Quais temas Mattheus Verheyden mais explorou?Revelar a resposta

Woman (4), Landscape (3) e Lace (2), entre as 18 obras nesta página.

Em qual técnica Mattheus Verheyden mais trabalhou?Revelar a resposta

Oil On Canvas, para 5 das 18 obras nesta página.

Com qual movimento Mattheus Verheyden está associado(a)?Revelar a resposta

Baroque, a julgar pelos originais nesta página.

Quais obras originais de Mattheus Verheyden o Rijksmuseum possui?Revelar a resposta

Portrait of Coenraad van Heemskerck, Count of the Holy Roman Empire, Lord of Achttienhoven and Den Bosch, Mattheus Verheyden, 1750, Portrait of Charlotte Beatrix Strick van Linschoten e Portret van Maria Hartmans de Custere: o Rijksmuseum, Amsterdã detém 8 das obras desta página.

Mattheus Verheyden: o artista

A Life Etched in Likeness: The World of Mattheus Verheyden

Mattheus Verheyden, born in the Dutch city of Breda in 1700, emerged as a significant, though often understated, voice within the tradition of 18th-century portraiture. His life story is one marked by early hardship and nurtured talent, ultimately blossoming into a career dedicated to capturing the essence of his era’s elite. Orphaned at a young age – losing his mother in infancy and his father, also a painter named Franck Pietersz Verheyden, before receiving formal instruction from him – Mattheus' artistic path was initially uncertain. Remarkably, he began painting at the tender age of seventeen, demonstrating an innate aptitude that would soon be recognized and fostered by the civic authorities of Breda. Becoming a ward of the city following his father’s death in 1711, Verheyden was granted the opportunity to study with leading artists of the time, setting the stage for a career defined by refined skill and perceptive observation.

Formative Years and Artistic Influences

Verheyden's artistic education was carefully orchestrated, reflecting a commitment to providing him with a well-rounded foundation in the prevailing styles. His initial training took place under Hendrik Carré II in The Hague, where he honed his compositional abilities and developed an eye for detail. This period was followed by diligent study of the works of Constantijn Netscher, whose refined brushwork and elegant aesthetic left a lasting impression on Verheyden’s own style. He also immersed himself in the paintings of Carel de Moor and Augustinus Terwesten II, absorbing their mastery of classical portraiture techniques. These influences weren't merely imitative; rather, Verheyden synthesized them into a unique artistic voice, blending Baroque sensibilities with an emerging Rococo grace. The impact of these masters is visible in his meticulous attention to texture, the subtle play of light and shadow, and the ability to convey both physical likeness and psychological depth within his portraits.

A Portraitist of Breda and Beyond

By 1722, Verheyden contemplated a journey to England, but paused in Amsterdam to accept portrait commissions – a testament to his growing reputation even at this early stage. He ultimately returned to Breda, fulfilling obligations to the regents who had supported his education and settling his inheritance. However, it was in Breda that he found both artistic fulfillment and personal happiness, falling in love with Margareta Kraeimes and choosing marriage over a transatlantic voyage. This decision cemented his commitment to serving as the primary portraitist for the leading citizens of Breda and, increasingly, The Hague. He meticulously documented his subjects – a practice partially preserved through records compiled by Johan van Gool – painting prominent figures such as François van Aerssen, Lord of Sommelsdijk (1728), Coenraad van Heemskerck, Count of the Holy Roman Empire (1750), and Gerard Cornelis van Riebeeck (1755). These works weren’t simply exercises in representation; they were statements of social standing, carefully constructed images designed to project power, wealth, and refinement.

Style, Legacy, and Historical Context

Verheyden's style is characterized by a refined elegance and an unwavering commitment to realism. He possessed a remarkable ability to capture not only the physical features of his sitters but also their individual personalities and social status. His portraits are often distinguished by rich fabrics, sophisticated poses, and a masterful use of light and shadow to create depth and dimension. While primarily focused on portraiture – reflecting the strong demand for such paintings among the Dutch elite – Verheyden rarely ventured into other genres. He was a member of the Confrerie Pictura until 1762, an organization that fostered artistic collaboration and recognition within The Hague’s vibrant art scene. Though perhaps not as widely celebrated as some of his contemporaries, Mattheus Verheyden played a crucial role in preserving the visual memory of influential figures during a pivotal period in Dutch history. His portraits offer invaluable insights into the social and political landscape of the 18th century, representing a continuation of the esteemed Dutch portrait tradition with skill, artistry, and an enduring sense of grace.