Retrato de Martin Schaffner

As 36 Pinturas Mais Famosas de Martin Schaffner, uma Seleção da Galeria

Atualizado em Novembro 2026 · classificado pela nossa pontuação de popularidade (pesquisas, visitas e pedidos de cada obra) · 36 obras de Martin Schaffner em nosso catálogo

Em resumo

De todas as obras originais deixadas por Martin Schaffner, a mais famosa é Eitel Hans I. Besserer von Schnürpflingen (1529), da coleção do Bavarian State Painting Collections, em Munique. Logo atrás vêm Portrait of a Man with Rosary (1521) e Wolfgang I. Count of Oettingen (1508). Nosso catálogo contém 36 obras de Martin Schaffner; a galeria preservou as 36 que o mundo mais admira, cada uma exibida com sua data, seu museu e sua história.

1478 – 1548, Ulm Mais obras: Bavarian State Painting Collections

As 10 principais pinturas de Martin Schaffner: a escolha da galeria

1
Eitel Hans I. Besserer von Schnürpflingen (1529) de Martin Schaffner

Eitel Hans I. Besserer von Schnürpflingen

1529 · Oil On Panel · Bavarian State Painting Collections, Munique

A man sits in the quiet weight of 1529. He is Eitel Hans I. Besserer von Schnürpflingen, captured in a moment of stillness that feels heavy with the gravity of his station. The light enters from the upper left, a soft, directional glow that carves the contours of a face marked by experience. His gaze is directed toward the right, looking past the viewer into an unseen space. He wears…

2
Portrait of a Man with Rosary (1521) de Martin Schaffner

Portrait of a Man with Rosary

1521 · Oil On Panel · Kunsthistorisches Museum, Viena

The portrait presents a middle-aged man in a three-quarter view, positioned from the waist up against a solid, deep teal-blue background. He wears a red beret and a central red doublet, partially covered by a black cloak lined with fur. His sleeves exhibit a patterned design in shades of grey and white. The man's hands are positioned to hold a red rosary, which hangs against his clothing. Light enters from…

A seleção de Martin Schaffner continua, de 11 a 36

11First Wettenhausen Altar: Christ before Pilate Reverse: Christ in Limbo (1515) de Martin SchaffnerFirst Wettenhausen Altar: Christ before Pilate Reverse: Christ in Limbo1515 · Bavarian State Painting Collections 12Departure of Christ from Mary (1507) de Martin SchaffnerDeparture of Christ from Mary1507 · Bavarian State Painting Collections 13Saint Anthony, Tempted by the Devil in the Form of a Woman, Salem Altar Panel 4 (1517) de Martin SchaffnerSaint Anthony, Tempted by the Devil in the Form of a Woman, Salem Altar Panel 41517 · Staatliche Kunsthalle Karlsruhe 14The Temptation of St. Anthony by Demons, Salemer Altar Panel 2 (1517) de Martin SchaffnerThe Temptation of St. Anthony by Demons, Salemer Altar Panel 21517 · Staatliche Kunsthalle Karlsruhe 15Saint Anthony, Praying Before the Deceased St. Paul, Salem Altar Panel 1 (1517) de Martin SchaffnerSaint Anthony, Praying Before the Deceased St. Paul, Salem Altar Panel 11517 · Staatliche Kunsthalle Karlsruhe 16Saints Peter and Paul with the Sudarium of Saint Veronica (Vera Icon) (1518) de Martin SchaffnerSaints Peter and Paul with the Sudarium of Saint Veronica (Vera Icon)1518 · Staatliche Kunsthalle Karlsruhe 17Saint Anthony, Tempted by Three Devils in Female Form, Salem Altar Panel 3 (1517) de Martin SchaffnerSaint Anthony, Tempted by Three Devils in Female Form, Salem Altar Panel 31517 · Staatliche Kunsthalle Karlsruhe 18Plague Altarpiece: Angry God the Father and Virgin Mary (1514) de Martin SchaffnerPlague Altarpiece: Angry God the Father and Virgin Mary1514 · Bavarian State Painting Collections 19Plague Altarpiece: Christ with Saints Roch and Sebastian (1514) de Martin SchaffnerPlague Altarpiece: Christ with Saints Roch and Sebastian1514 · Bavarian State Painting Collections 20Wettenhauser High Altar: Presentation in the Temple Reverse: formerly Relief with Adoration of the Shepherds (1523) de Martin SchaffnerWettenhauser High Altar: Presentation in the Temple Reverse: formerly Relief with Adoration of the Shepherds1523 · Bavarian State Painting Collections 21Wettenhauser High Altar: Annunciation to Mary Reverse: Farewell of Christ (left half) (1523) de Martin SchaffnerWettenhauser High Altar: Annunciation to Mary Reverse: Farewell of Christ (left half)1523 · Bavarian State Painting Collections 22Battle of Saint George with the Dragon (1532) de Martin SchaffnerBattle of Saint George with the Dragon1532 · Bavarian State Painting Collections 23Wettenhauser High Altar: Death of Mary Reverse: Farewell of Christ (right half) with Donor Ulrich Hieber (1523) de Martin SchaffnerWettenhauser High Altar: Death of Mary Reverse: Farewell of Christ (right half) with Donor Ulrich Hieber1523 · Bavarian State Painting Collections 24Wettenhauser High Altar: Descent of the Holy Spirit Reverse Side: formerly Relief with Adoration of the Magi (1523) de Martin SchaffnerWettenhauser High Altar: Descent of the Holy Spirit Reverse Side: formerly Relief with Adoration of the Magi1523 · Bavarian State Painting Collections 25male portrait (1524) de Martin Schaffnermale portrait1524 26Painted tabletop for Erasmus Stedelin (detail) (1533) de Martin SchaffnerPainted tabletop for Erasmus Stedelin (detail)1533 · Staatliche Museen 27Painted tabletop for Erasmus Stedelin (detail) (1533) de Martin SchaffnerPainted tabletop for Erasmus Stedelin (detail)1533 · Staatliche Museen 28Anweiler epitaph de Martin SchaffnerAnweiler epitaph 29The Adoration of the Magi de Martin SchaffnerThe Adoration of the MagiBavarian State Painting Collections 30Adoration of the Magi de Martin SchaffnerAdoration of the Magi 31Bildnis des Eitel Besserer Martin Schaffner de Martin SchaffnerBildnis des Eitel Besserer Martin Schaffner 32The Adoration of the Magi. de Martin SchaffnerThe Adoration of the Magi.Museu Nacional de Varsóvia 33Painted tabletop for Erasmus Stedelin, detail woman with musical instruments de Martin SchaffnerPainted tabletop for Erasmus Stedelin, detail woman with musical instruments 34Drachenkampf des Hl. Georg de Martin SchaffnerDrachenkampf des Hl. Georg 35Farewell Christ from his mother de Martin SchaffnerFarewell Christ from his mother 36Painted tabletop for Erasmus Stedelin (1533) de Martin SchaffnerPainted tabletop for Erasmus Stedelin1533 · Staatliche Museen

Os temas que cativaram o olhar de Martin Schaffner

Os quatro temas que mais se repetem nestas obras originais, cada um com o seu melhor exemplo.

Os museus que guardam os originais de Martin Schaffner

Os 5 museus que detêm a maioria das pinturas desta página.

Museus Cidade Obras de Martin Schaffner Pinturas desta lista
Bavarian State Painting Collections, MuniqueBavarian State Painting Collections Munique 19 Eitel Hans I. Besserer von Schnürpflingen, Wolfgang I. Count of Oettingen, First Wettenhausen Altar: The Last Supper Reverse Side: Carrying of the Cross of Christ
Staatliche Kunsthalle Karlsruhe, KarlsruheStaatliche Kunsthalle Karlsruhe Karlsruhe 5 Saint Anthony, Tempted by the Devil in the Form of a Woman, Salem Altar Panel 4, The Temptation of St. Anthony by Demons, Salemer Altar Panel 2, Saint Anthony, Praying Before the Deceased St. Paul, Salem Altar Panel 1
Staatliche Museen, KasselStaatliche Museen Kassel 3 Painted tabletop for Erasmus Stedelin (detail), Painted tabletop for Erasmus Stedelin (detail), Painted tabletop for Erasmus Stedelin
Kunsthistorisches Museum, VienaKunsthistorisches Museum Viena 1 Portrait of a Man with Rosary
Museu Nacional de Varsóvia, VarsóviaMuseu Nacional de Varsóvia Varsóvia 1 The Adoration of the Magi.

Martin Schaffner década a década: a obra original que define cada uma

Obras por década

Escolha uma década para ver a obra original que a define.

Perguntas de colecionadores sobre as pinturas de Martin Schaffner

Por qual obra Martin Schaffner é mais conhecido(a)?Revelar a resposta

Eitel Hans I. Besserer von Schnürpflingen (1529), Bavarian State Painting Collections, Munique. Portrait of a Man with Rosary (1521) e Wolfgang I. Count of Oettingen (1508) vêm a seguir.

Qual era a idade de Martin Schaffner quando Eitel Hans I. Besserer von Schnürpflingen foi feita?Revelar a resposta

51 anos: Eitel Hans I. Besserer von Schnürpflingen data de 1529, e Martin Schaffner nasceu em 1478.

Quais são as dez pinturas mais famosas de Martin Schaffner?Revelar a resposta

Eitel Hans I. Besserer von Schnürpflingen, Portrait of a Man with Rosary, Wolfgang I. Count of Oettingen, First Wettenhausen Altar: The Last Supper Reverse Side: Carrying of the Cross of Christ, First Wettenhausen Altar: Capture of Christ Reverse: Christ before Pilate, First Wettenhausen Altar: Washing of the Feet of Christ Reverse: not preserved, First Wettenhausen Altar: Departure of Christ Reverse Side: Scourging of Christ, First Wettenhausen Altar: Entry of Christ into Jerusalem Reverse: Crowning with Thorns of Christ, First Wettenhausen Altar: Christ before Caiaphas Reverse: Resurrection of Christ e First Wettenhausen Altar: Denial of Peter and Mockery of Christ Reverse: not preserved. O ranking acima apresenta o ano e o museu de cada uma.

Quantas pinturas Martin Schaffner deixou?Revelar a resposta

Nosso catálogo contém 36 obras de Martin Schaffner, datadas de 1507 a 1533.

Em quais museus estão expostas as obras-primas de Martin Schaffner?Revelar a resposta

Principalmente em Bavarian State Painting Collections (Munique), Staatliche Kunsthalle Karlsruhe (Karlsruhe) e Staatliche Museen (Kassel). A tabela de museus acima lista todos eles.

Em que anos Martin Schaffner pintou as suas obras mais famosas?Revelar a resposta

Em 1510s: 15 das 36 obras nesta página foram feitas então, sendo First Wettenhausen Altar: The Last Supper Reverse Side: Carrying of the Cross of Christ delas.

Quais são as primeiras e as últimas obras originais famosas de Martin Schaffner?Revelar a resposta

Nesta página, a mais antiga é Departure of Christ from Mary (1507) e a mais recente é Painted tabletop for Erasmus Stedelin (detail) (1533).

Quais temas Martin Schaffner escolheu com mais frequência?Revelar a resposta

Man (3), Dark background (2) e Religious (2), entre as 36 obras nesta página.

Qual técnica Martin Schaffner mais utilizou?Revelar a resposta

Oil On Panel, para 3 das 36 obras nesta página.

Quais obras de Martin Schaffner estão expostas no Bavarian State Painting Collections?Revelar a resposta

Eitel Hans I. Besserer von Schnürpflingen, Wolfgang I. Count of Oettingen e First Wettenhausen Altar: The Last Supper Reverse Side: Carrying of the Cross of Christ: o Bavarian State Painting Collections, Munique detém 19 das obras desta página.

Martin Schaffner: vida e obra

Martin Schaffner: A Master of Detail in the Dawn of the Renaissance

Born in Ulm, Germany, around 1478, Martin Schaffner emerged as a significant figure within the burgeoning artistic landscape of the mid-15th century. While details surrounding his early life remain somewhat sparse – he was a man who largely worked behind the scenes, often serving as an assistant to more prominent masters – his output speaks volumes about his skill and dedication. Schaffner’s career unfolded primarily in Ulm, where he established himself as a respected painter and medallist, contributing significantly to the religious art that dominated the era. He wasn't a flamboyant innovator; rather, he was a meticulous craftsman, a master of detail who honed his abilities through diligent apprenticeship and a deep understanding of established artistic conventions.

Schaffner’s early training is believed to have been under Jörg Stocker, a renowned painter in Ulm. This association provided him with a solid foundation in the techniques of oil painting and fresco, crucial skills for creating the intricate scenes that would become his hallmark. However, it was through his work alongside other masters – particularly as an assistant – that he truly developed his distinctive style: one characterized by remarkable precision, vibrant colors, and a profound sense of realism. He wasn’t interested in grand gestures or revolutionary approaches; instead, he focused on faithfully rendering the subjects before him with painstaking accuracy.

Biblical Narratives and Tabletop Masterpieces

Schaffner's artistic output primarily revolved around religious themes, reflecting the prevailing devotional climate of the time. He frequently produced altarpieces – large-scale paintings intended for church interiors – depicting scenes from the Bible. These works are notable for their detailed depictions of figures, architectural settings, and symbolic elements. The “Adoration of the Magi,” a particularly striking example, showcases his mastery of perspective and color theory, creating a richly layered scene brimming with biblical significance. The painting exemplifies Early Netherlandish style, characterized by its meticulous detail and use of symbolism to convey theological messages.

Beyond altarpieces, Schaffner also excelled in producing smaller-scale works, often commissioned for private patrons. These included portraits – typically of wealthy merchants or members of the clergy – and intricately decorated tabletop scenes. The “Painted tabletop for Erasmus Stedelin” is a testament to his skill in creating miniature worlds within panels, depicting biblical narratives and allegorical figures with astonishing detail. These tabletop compositions were not merely decorative; they served as visual sermons, educating viewers on religious teachings through carefully arranged imagery.

Technique and Influences

Schaffner’s technique was rooted in the traditions of Northern European painting, particularly those practiced by artists working in Germany and the Netherlands. He employed oil paints with a remarkable degree of control, layering thin glazes to achieve luminous colors and subtle gradations of tone. His meticulous attention to detail is evident in every brushstroke, from the folds of clothing to the texture of fabrics. While he didn’t radically depart from established conventions, Schaffner demonstrated an exceptional ability to execute these techniques with unparalleled precision.

It's believed that his work was influenced by artists like Stefan Lochner and Hans Memling, both masters of detail and religious illustration. However, Schaffner developed a unique style characterized by a quiet solemnity and a focus on the human figure. He avoided dramatic compositions or overly expressive gestures, instead prioritizing clarity and accuracy in his depictions.

Legacy and Historical Significance

Martin Schaffner’s contribution to 15th-century art is often overshadowed by more flamboyant figures of the era, but his work holds considerable historical significance. He represents a crucial link between the Gothic and Renaissance periods, embodying the meticulous craftsmanship that characterized Northern European painting during this transitional time. His altarpieces and tabletop scenes provide valuable insights into the religious beliefs and artistic practices of the period.

Schaffner’s legacy lies not in groundbreaking innovations but in his unwavering commitment to excellence. He was a master of his craft, a diligent artist who dedicated his life to faithfully rendering the world around him with remarkable skill and precision. His work continues to be studied by art historians today as a testament to the enduring power of detail and the importance of craftsmanship in the creation of great art.