Amendment 8
Amendment 8 is a mixed media work created by the artist Mark Bradford. This piece was produced about 2014. The physical dimensions of the artwork measure 123 x 173 cm.
Em resumo
De todas as obras originais que Mark Bradford deixou, a mais famosa é Amendment 8 (2014). Logo atrás vêm Crack Between the Floorboards (2014) e Untitled 9 (2004). Nosso catálogo contém 9 obras de Mark Bradford; a galeria preservou as 9 que o mundo mais admira, cada uma exibida com sua data, seu museu e sua história.
Amendment 8 is a mixed media work created by the artist Mark Bradford. This piece was produced about 2014. The physical dimensions of the artwork measure 123 x 173 cm.
This work was inspired in part by Gustave Caillebotte’s 1875 painting Les raboteurs de parquet (The Floor Planers), now in the Musée d’Orsay, in which three shirtless laborers are seen from above stripping varnish from a bourgeois apartment’s floorboards. As an early depiction of the urban working class and the eroticized male nude, rendered so the picture plane tilts up toward the viewer, Les raboteurs de parquet shocked the art…
O museu que detém a maioria das pinturas desta página.
| Museus | Cidade | Obras de Mark Bradford | Pinturas desta lista |
|---|---|---|---|
| Chicago | 1 | A Siren Beside a Ship |
A seleção abrange a trajetória de Mark Bradford ao longo de 13 anos, de 2004 a 2016, preservando as melhores obras originais de cada ano.
Escolha um ano para ver as obras originais.
Amendment 8 is a mixed media work created by the artist Mark Bradford. This piece was produced about 2014. The physical dimensions of the artwork measure 123 x 173 cm.
Mais de 2014
Amendment 8 (2014). Crack Between the Floorboards (2014) e Untitled 9 (2004) vêm a seguir.
53 anos: Amendment 8 data de 2014, e Mark Bradford nasceu em 1961.
Nosso catálogo contém 9 obras de Mark Bradford, datadas de 2004 a 2016.
Principalmente em Art Institute of Chicago (Chicago). A tabela de museus acima lista todos eles.
Em 2014: 3 das 9 obras nesta página foram feitas então, sendo Amendment 8 delas.
Nesta página, a mais antiga é Untitled 9 (2004) e a mais recente é Legendary (2016).
Mark Bradford, born in Los Angeles in 1961, isn’t simply an artist; he's a cartographer of the unseen, a chronicler of forgotten spaces and marginalized voices. His work—a mesmerizing blend of collage, painting, and mixed media—doesn’t offer easy answers but instead compels us to confront the complex realities of race, identity, and urban life in America. Bradford’s practice is deeply rooted in his personal history within South Los Angeles, a landscape shaped by economic hardship, social unrest, and a rich cultural heritage that he meticulously excavates through layers of found materials.
Bradford's early years were spent immersed in the vibrant yet challenging environment of his mother’s beauty salon. This formative experience—the constant flow of people, conversations, and discarded remnants – became a foundational element in his artistic process. He initially worked as a hairdresser, honing an acute awareness of texture, layering, and the subtle narratives embedded within everyday objects. This practical understanding of material and its history would later inform his radical approach to image-making. Moving beyond the salon, Bradford’s studies at CalArts provided him with a framework for exploring abstraction while simultaneously grounding his work in the realities of his community.
Bradford's signature style is instantly recognizable: vast, densely layered collages that resemble topographical maps or archaeological digs. He doesn’t begin with a preconceived image; instead, he starts with a collection of found materials—discarded posters, newspaper clippings, fragments of advertising, and even shredded paper – gathered from the streets of Los Angeles and other urban centers. These aren't merely decorative elements; they are imbued with their own histories, carrying echoes of past events, social movements, and economic shifts. Bradford’s process is one of relentless deconstruction and reconstruction, a deliberate act of dismantling and reassembling to create new meanings.
His technique is both meticulous and intuitive. He employs a range of tools—gouges, scrapers, sanding blocks, and even power washers – to manipulate the surfaces of his materials, revealing layers beneath and creating intricate textures. The act of sanding, in particular, is central to Bradford’s practice, transforming the rough edges of discarded objects into smooth, almost ethereal planes. This process mirrors a kind of archaeological excavation, unearthing hidden narratives within the detritus of urban life.
Bradford's work frequently engages with themes of race, identity, and social justice. He’s not interested in offering simplistic representations or celebrating heroic figures; instead, he seeks to expose the complexities and contradictions inherent in American history. His collages often reference events like the Tulsa Race Massacre of 1921, a devastating act of racial violence that remains largely obscured from mainstream narratives. Similarly, his work responds to the legacy of segregation and redlining, highlighting the enduring impact of systemic inequality on marginalized communities.
However, Bradford’s art isn't solely focused on historical trauma. He also explores themes of migration, community, and resilience. His use of maps—both literal and metaphorical—suggests a desire to chart new pathways and create alternative geographies for those who have been displaced or marginalized. The grids that dominate his compositions can be interpreted as both constraints and opportunities, reflecting the complex interplay between individual agency and social structures.
Mark Bradford’s work has garnered widespread critical acclaim and numerous awards, including a MacArthur Fellowship in 2009. His paintings have been exhibited at major museums and galleries around the world, solidifying his position as one of the leading voices in contemporary art. In 2017, he represented the United States at the Venice Biennale, further elevating his international profile.
Bradford’s influence extends beyond the realm of painting. His innovative approach to collage and mixed media has inspired a new generation of artists working across diverse disciplines. His commitment to engaging with social issues through art—to using his work as a platform for dialogue and critical reflection—makes him not only a significant artist but also an important cultural commentator. Bradford’s legacy lies in his ability to transform the discarded into something meaningful, revealing hidden histories and prompting us to reconsider our understanding of the urban landscape and its inhabitants.