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As 1 Pinturas Mais Famosas de Marie Wiegmann, Cada Uma Única
Atualizado em Novembro 2026 · classificado pela nossa pontuação de popularidade (pesquisas, visitas e pedidos de cada obra) · 2 obras de Marie Wiegmann em nosso catálogo
Em resumo
Half-length Portrait of a Woman (1857) é a pintura de Marie Wiegmann que mais atrai olhares; a obra original pertence ao Augustiner Museum, Freiburg. Entre as 2 obras de Marie Wiegmann em nosso catálogo, estas 1 são as mais famosas, cada uma uma original única apresentada com o seu ano, o seu museu e a razão pela qual perdura.
1820 – 1893, Srebrna Góra
Mais obras: Augustiner Museum
As 10 principais pinturas de Marie Wiegmann, sob o olhar da galeria
Os museus que guardam os originais de Marie Wiegmann
O museu que detém a maioria das pinturas desta página.
| Museus | Cidade | Obras de Marie Wiegmann | Pinturas desta lista |
|---|---|---|---|
 Augustiner Museum |
Freiburg | 1 | Half-length Portrait of a Woman |
Marie Wiegmann ao longo dos anos: os originais únicos de cada um
Todas as obras originais de Marie Wiegmann datadas aqui pertencem a um único ano, 1857: elas aparecem em ordem de fama.
Obras por ano
Escolha um ano para ver as obras originais.
Pinturas de Marie Wiegmann: perguntas para a galeria
Qual é a obra mais famosa de Marie Wiegmann?Revelar a resposta
Half-length Portrait of a Woman (1857)
Com que idade Marie Wiegmann criou Half-length Portrait of a Woman?Revelar a resposta
37 anos: Half-length Portrait of a Woman data de 1857, e Marie Wiegmann nasceu em 1820.
Quantas obras de Marie Wiegmann são conhecidas?Revelar a resposta
Nosso catálogo contém 2 obras de Marie Wiegmann.
Onde se pode ver os originais mais famosos de Marie Wiegmann?Revelar a resposta
Principalmente em Augustiner Museum (Freiburg). A tabela de museus acima lista todos eles.
Marie Wiegmann: um retrato do artista
A Life in Brushstrokes
Marie Elisabeth Wiegmann began her life in Silberbeg, Silesia. Her hands found their way to the Düsseldorf Academy in 1841, where she sat as a pupil under Hermann Stilke. Later, she studied with Karl Ferdinand Sohn. These years of training shaped how she saw the light on a face or the fold of a garment. She moved through Germany, England, Holland, and Italy, carrying her observations with her.
In 1841, she married Rudolf Wiegmann. They eventually settled in Düsseldorf. Her travels were not merely for leisure; between 1843 and 1845, a study trip to Italy allowed her to look closely at the art of that land. This period of looking deeply influenced the way she approached her subjects.
The Subjects of Her Canvas
Her work often turned toward the human form and the stories told in folklore. For a time, between 1846 and 1850, she focused on paintings rooted in mythical and fairytale tales. She drew from late romantic literary models, creating pieces like those based on Ludwig Uhland’s poem, The Elves. Her illustrations even found a place in the pages of St Nicholas: An Illustrated Magazine For Young Folks in 1883.
Beyond stories, she was a painter of people and quiet moments. Some of her known works include:
- A Venetian Lady
- A Young Girl with Roses
- A French Woman of 1792
- Portrait of Karl Schnasse
Recognition and Legacy
Her career lasted more than fifty years. During this time, she earned a gold medal in Berlin for one of her works. Her portraits were held in places like the National Gallery of Berlin, where pieces such as A Venetian Lady were established in 1876. She left behind a body of work that reflects the traditions of the Düsseldorf School.
She lived until 1893. Her life was marked by the steady application of paint to canvas, moving from the lessons of her teachers to her own established presence in the art circles of Europe.