Em resumo
De todas as obras originais deixadas por Maria Oakey Dewing, a mais famosa é Irises and Calla Lilies (1890), da coleção do Detroit Institute of Arts, em Detroit. Logo atrás vêm Garden in May (1895) e Iris at Dawn (1899). Nosso catálogo contém 4 obras de Maria Oakey Dewing; a galeria preservou as 4 que o mundo mais admira, cada uma exibida com sua data, seu museu e sua história.
As 10 principais pinturas de Maria Oakey Dewing: a escolha da galeria
Rose Garden
Maria Oakey Dewing painted Rose Garden during one of her last summers in Cornish, New Hampshire, an artists’ colony where she and her family had spent every summer for 15 years. The cropped, close-up study of flowers, color, and texture places the viewer among the leaves, stems, and blossoms of her garden.Trained at Cooper Union School of Design for Women and the National Academy of Design, Dewing had a successful…
Os museus que guardam os originais de Maria Oakey Dewing
Os 4 museus que detêm a maioria das pinturas desta página.
| Museus | Cidade | Obras de Maria Oakey Dewing | Pinturas desta lista |
|---|---|---|---|
| Detroit | 1 | Irises and Calla Lilies | |
| Washington, D.C. | 1 | Garden in May | |
| Hanover | 1 | Iris at Dawn | |
| Bentonville | 1 | Rose Garden |
Maria Oakey Dewing ano a ano: as obras originais que definem cada um
A seleção abrange a trajetória de Maria Oakey Dewing ao longo de 12 anos, de 1890 a 1901, preservando as melhores obras originais de cada ano.
Obras por ano
Escolha um ano para ver as obras originais.
Rose Garden
Maria Oakey Dewing painted Rose Garden during one of her last summers in Cornish, New Hampshire, an artists’ colony where she and her family had spent every summer for 15 years. The cropped, close-up study of flowers, color, and texture places the viewer among the leaves, stems, and blossoms of her garden.Trained at Cooper Union School of Design for Women and the National Academy of Design, Dewing had a successful…
Perguntas de colecionadores sobre as pinturas de Maria Oakey Dewing
Por qual obra Maria Oakey Dewing é mais conhecido(a)?Revelar a resposta
Irises and Calla Lilies (1890), Detroit Institute of Arts, Detroit. Garden in May (1895) e Iris at Dawn (1899) vêm a seguir.
Qual era a idade de Maria Oakey Dewing quando Irises and Calla Lilies foi feita?Revelar a resposta
45 anos: Irises and Calla Lilies data de 1890, e Maria Oakey Dewing nasceu em 1845.
Quantas pinturas Maria Oakey Dewing deixou?Revelar a resposta
Nosso catálogo contém 4 obras de Maria Oakey Dewing, datadas de 1890 a 1901.
Em quais museus estão expostas as obras-primas de Maria Oakey Dewing?Revelar a resposta
Principalmente em Detroit Institute of Arts (Detroit), Smithsonian American Art Museum (Washington, D.C.) e Hood Museum of Art (Hanover). A tabela de museus acima lista todos eles.
Quais são as primeiras e as últimas obras originais famosas de Maria Oakey Dewing?Revelar a resposta
Nesta página, a mais antiga é Irises and Calla Lilies (1890) e a mais recente é Rose Garden (1901).
Maria Oakey Dewing: vida e obra
Maria Richards Oakey Dewing (1845 – 1927): A Florist’s Vision of Impressionism
Maria Richards Oakey Dewing, born October 27, 1845 in New York City, was a prominent American painter celebrated for her exquisite depictions of flowers and her pivotal role in establishing the Art Students League. Her artistic journey began at seventeen when she enrolled at Cooper Union School of Design, immersing herself in studies under luminaries like William Rimmer, Edwin Forbes, Robert Swain Gifford, and George Edmund Butler—artists who championed a bold new approach to artmaking. Helena de Kay, a fellow artist and cherished friend, further nurtured her talent during these formative years. Dewing’s fascination with Japanese aesthetics profoundly impacted her artistic style, particularly evident in her masterful use of color palettes and compositional techniques. Inspired by John La Farge—a celebrated artist whose own explorations into the beauty of nature served as a guiding force—she embarked on a lifelong pursuit of capturing fleeting moments of visual splendor. Her dedication to botanical observation translated seamlessly onto canvas, resulting in paintings that possessed an unparalleled level of detail and sensitivity.- Early Life & Education: Dewing’s upbringing instilled in her a deep appreciation for art and culture. She honed her skills at Cooper Union and the National Academy of Design, absorbing influences from masters like George Inness and Frederic Church—artists who championed realism alongside Impressionistic ideals.
- Marriage & Family: In 1881, Dewing married Thomas Wilmer Dewing, a fellow artist with whom she shared a passion for artistic experimentation. Together they cultivated a vibrant home life in Cornish, New Hampshire, where their garden served as an unending source of inspiration for her paintings.
- The Art Students League & Artistic Innovation: Recognizing the need for a supportive environment for aspiring artists—particularly women—Dewing co-founded the Art Students League of New York in 1875. This institution fostered a spirit of collaboration and encouraged artistic innovation, propelling Dewing’s career forward.
Floral Mastery: Style & Technique
Dewing's distinctive style was characterized by broad brushstrokes and luminous colors—a hallmark of Impressionism. She prioritized capturing the ephemeral qualities of light and atmosphere, striving to convey not just what she saw but also how it felt. Her meticulous attention to detail—particularly in rendering petal textures and floral forms—demonstrated her profound understanding of botany and her unwavering commitment to artistic excellence. Critics lauded her work for its “absolute uniqueness,” recognizing Dewing’s ability to transform ordinary subjects into extraordinary expressions of beauty.- Notable Works: Among her most celebrated paintings are *Garden in May* (1895), *Bed of Poppies* (1903), and *Iris at Dawn* (1909)—each piece showcasing Dewing’s poetic sensibility and masterful command of color.
- Influence & Legacy: Dewing's influence extended beyond her own artistic output, shaping the aesthetic sensibilities of subsequent generations of American painters. Her unwavering belief in Impressionistic ideals helped solidify its position as a dominant movement within the art world.