Retrato de Leendert Bolle

Pinturas de Leendert Bolle: As 1 mais famosas, sob o olhar de uma galeria

Atualizado em Novembro 2026 · classificado pela nossa pontuação de popularidade (pesquisas, visitas e pedidos de cada obra) · 1 obras de Leendert Bolle em nosso catálogo

Em resumo

Aos olhos da galeria, a pintura mais famosa de Leendert Bolle é Self-Portrait (1920), cuja obra original está exposta no Museum Boijmans Van Beuningen, em Roterdã. Dos 1 trabalhos de Leendert Bolle em nosso catálogo, a galeria apresenta abaixo as 1 obras mais famosas, cada uma original, com seu ano, seu museu e o que a torna única.

1879 – 1942, Rotterdam Mais obras: Museum Boijmans Van Beuningen

As 10 principais pinturas de Leendert Bolle na galeria

Os museus que guardam os originais de Leendert Bolle

O museu que detém a maioria das pinturas desta página.

Museus Cidade Obras de Leendert Bolle Pinturas desta lista
Museum Boijmans Van Beuningen, RoterdãMuseum Boijmans Van Beuningen Roterdã 1 Self-Portrait

Leendert Bolle, as pinturas emblemáticas de cada ano

Cada obra original datada de Leendert Bolle nesta página foi feita em 1920: aqui estão elas, começando pelas mais famosas.

Obras por ano

Escolha um ano para ver as obras originais.

Pinturas de Leendert Bolle: a galeria responde

Qual pintura de Leendert Bolle é a mais famosa de todas?Revelar a resposta

Self-Portrait (1920)

Qual era a idade de Leendert Bolle ao concluir Self-Portrait?Revelar a resposta

41 anos: Self-Portrait data de 1920, e Leendert Bolle nasceu em 1879.

Quantas obras Leendert Bolle criou?Revelar a resposta

Nosso catálogo contém 1 obras de Leendert Bolle.

Onde estão expostos os originais mais famosos de Leendert Bolle?Revelar a resposta

Principalmente em Museum Boijmans Van Beuningen (Roterdã). A tabela de museus acima lista todos eles.

Leendert Bolle: o artista

A Life Shaped by Stone and Clay

Leendert Bolle began his life in Rotterdam, Netherlands, born on 11 April 1879. His early years were rooted in the Academy of Fine Arts in Rotterdam, where he first learned to handle form and material. Seeking a broader perspective, he traveled far from his home, spending time as an apprentice in the United States under Lee Lawrie. These travels took him through the streets of Paris and Firenze, where he once attempted to find his voice as a painter. Eventually, the pull of sculpture brought him back to his native Netherlands.

His work was defined by a quiet, focused intensity. He did not merely follow the traditions of his era; instead, he looked for new ways to manipulate the substances around him. While many of his contemporaries preferred pouring concrete into molds, Bolle experimented with compressing the material directly into them. This method gave his pieces a distinct character. He worked with sandstone, plaster, and even metal to create everything from small medals to large-scale architectural elements.

Traces Left in the City

Much of what remains of Bolle's presence can be found integrated into the very fabric of Rotterdam. His hands shaped the public spaces that people pass every day without a second thought. Some of his most recognizable contributions include:

  • The stylized animal sculptures perched on slender columns at the entrance of Diergaarde Blijdorp.
  • The relief and fencing work for the G.J. de Jongh monument located in the garden of Museum Boijmans van Beuningen.
  • Sandstone keystones for the bridge on Statensingel, including a piece featuring Charlie Chaplin and Henry Ford from 1931.
  • Ornaments designed for the SS Nieuw Amsterdam, which was completed in 1937.

These works show a man deeply connected to his surroundings. He saw the city as a place for art to live, not just to be displayed behind glass. Even his smaller works, such as medallions and sketches, reflect this same dedication to detail and form.

A Legacy of Innovation

Bolle's career reached an international stage when he participated in the sculpture event at the 1928 Summer Olympics in Amsterdam. This moment placed his modern approach within a global context. Though his name may have faded from some public memories over the decades, his technical contributions to the medium of sculpture remain significant. He was a man who found beauty in the compression of concrete and the grain of sandstone.

He passed away in Velp, Netherlands, on 13 December 1942. He left behind a body of work that spans many scales, from tiny self-portraits in oil to monumental architectural sketches. His life was spent refining a language of form that continues to be studied by those interested in the interwar period of Dutch sculpture.