Em resumo
Aos olhos da galeria, a pintura mais famosa de Lawrence Weiner é Turf, Stake and String from S.M.S. No. 5 (1968). Slow Corrosion Leading to a Loss of Inherent Diginity of the Object at Hand (1985) e A 36 x 36 removal to the lathing or support wall of plaster or wallboard from a wall (1968) completam o trio que todos reconhecem. Dos 11 trabalhos de Lawrence Weiner em nosso catálogo, a galeria apresenta abaixo as 11 obras mais famosas, cada uma original, com seu ano, seu museu e o que a torna única.
As 10 principais pinturas de Lawrence Weiner na galeria
A 36 x 36 removal to the lathing or support wall of plaster or wallboard from a wall
A Study in Texture: Lawrence Weiner's "Removal" Lawrence Weiner’s 1968 work, “A 36 x 36 removal to the lathing or support wall of plaster or wallboard from a wall,” is far more than its seemingly straightforward title suggests. It represents a pivotal moment in Conceptual Art, moving away from traditional artistic creation and focusing instead on the idea itself. This piece isn't about what *is* present, but rather what has…
Pinturas de Lawrence Weiner, classificadas de 11 a 11
Os museus que guardam os originais de Lawrence Weiner
Os 3 museus que detêm a maioria das pinturas desta página.
| Museus | Cidade | Obras de Lawrence Weiner | Pinturas desta lista |
|---|---|---|---|
| Porto | 1 | The Level of Water | |
| Chicago | 1 | TAKEN FROM HERE TO WHERE IT CAME FROM AND TAKEN TO A PLACE AND USED IN SUCH A MANNER THAT IT CAN ONLY REMAIN AS A REPRESENTATION OF WHAT IT WAS WHERE IT CAME FROM | |
| Barcelona | 1 | Some Objects of Desire |
Lawrence Weiner, uma pintura emblemática por década
Obras por década
Escolha uma década para ver a obra original que a define.
Slow Corrosion Leading to a Loss of Inherent Diginity of the Object at Hand
Pinturas de Lawrence Weiner: a galeria responde
Qual pintura de Lawrence Weiner é a mais famosa de todas?Revelar a resposta
Turf, Stake and String from S.M.S. No. 5 (1968). Slow Corrosion Leading to a Loss of Inherent Diginity of the Object at Hand (1985) e A 36 x 36 removal to the lathing or support wall of plaster or wallboard from a wall (1968) vêm a seguir.
Qual era a idade de Lawrence Weiner ao concluir Turf, Stake and String from S.M.S. No. 5?Revelar a resposta
26 anos: Turf, Stake and String from S.M.S. No. 5 data de 1968, e Lawrence Weiner nasceu em 1942.
Quais são as 10 principais pinturas de Lawrence Weiner?Revelar a resposta
Turf, Stake and String from S.M.S. No. 5, Slow Corrosion Leading to a Loss of Inherent Diginity of the Object at Hand, A 36 x 36 removal to the lathing or support wall of plaster or wallboard from a wall, The Level of Water, With a Relation to the Various Manners of Placement and or Location, TAKEN FROM HERE TO WHERE IT CAME FROM AND TAKEN TO A PLACE AND USED IN SUCH A MANNER THAT IT CAN ONLY REMAIN AS A REPRESENTATION OF WHAT IT WAS WHERE IT CAME FROM, Altered to Suit A Film of Lawrence Weiner, CRUSHED BETWEEN COBBLESTONES, As Time Goes By e Wind and the Willows What's Our Hero To Do. O ranking acima apresenta o ano e o museu de cada uma.
Quantas obras Lawrence Weiner criou?Revelar a resposta
Nosso catálogo contém 11 obras de Lawrence Weiner, datadas de 1968 a 2004.
Onde estão expostos os originais mais famosos de Lawrence Weiner?Revelar a resposta
Principalmente em Fundação de Serralves (Porto), Art Institute of Chicago (Chicago) e Museu d'Art Contemporani de Barcelona (Barcelona). A tabela de museus acima lista todos eles.
Quando é que Lawrence Weiner criou as suas pinturas mais famosas?Revelar a resposta
Em 1970s: 3 das 11 obras nesta página foram feitas então, sendo The Level of Water delas.
Quais são as obras mais famosas de Lawrence Weiner no início e no fim de sua carreira?Revelar a resposta
Nesta página, a mais antiga é Turf, Stake and String from S.M.S. No. 5 (1968) e a mais recente é Some Objects of Desire (2004).
Lawrence Weiner: o artista
The Language of Materiality
Lawrence Weiner was an American conceptual artist born in Manhattan, United States. His practice centered on the use of language as a sculptural medium, often utilizing wall texts and statements to describe sculptural processes and materials. He developed a framework known as the Declaration of Intent, which established that a piece may be constructed, fabricated, or may not need to be built at all, leaving the final condition to the receiver. His work explored the relationship between language, materials, and space, often focusing on the inherent properties of substances like wood, stone, and metal.
Throughout his career, Weiner's work was presented in various formats, including:
Exhibitions and Recognition
Weiner's work has been showcased in numerous international institutions, including the Stedelijk Museum Amsterdam, the Hirshhorn Museum and Sculpture Garden in Washington, D.C., and the Tate Gallery in London. His exhibitions spanned various locations, such as the San Francisco Museum of Modern Art and the Museum Ludwig in Cologne. He participated in several Documenta exhibitions and the Venice Biennale.
His professional recognition included several honors, such as: