Retrato de John Pettie

As 41 Pinturas Mais Famosas de John Pettie, Cada Uma Única

Atualizado em Novembro 2026 · classificado pela nossa pontuação de popularidade (pesquisas, visitas e pedidos de cada obra) · 41 obras de John Pettie em nosso catálogo

Em resumo

William Waddell (1883) é a pintura de John Pettie que mais atrai olhares; a obra original pertence ao Scottish National Gallery, Edimburgo. Depois disso, o olhar recai sobre A Musician's Reverie (1850) e Cromwell's Saints (1862). Entre as 41 obras de John Pettie em nosso catálogo, estas 41 são as mais famosas, cada uma uma original única apresentada com o seu ano, o seu museu e a razão pela qual perdura.

1839 – 1893, Edinburgh Academic realism Mais obras: Galeria Nacional de Retratos de Escócia

As 10 principais pinturas de John Pettie, sob o olhar da galeria

1
William Waddell (1883) de John Pettie

William Waddell

1883 · Oil On Canvas · Scottish National Gallery, Edimburgo

In this intimate oil on canvas, John Pettie turns his attention to William Waddell. Painted in 1883, the work offers a quiet study of the man, capturing a sense of character through a close-up profile. The subject is presented with a thoughtful expression, his gaze suggesting a moment of deep contemplation. It is a portrait that prioritizes the presence of the individual over mere likeness.

8
Who Goes? (1881) de John Pettie

Who Goes?

1881 · Oil · Scottish National Gallery, Edimburgo

In Who Goes? by John Pettie, we find ourselves in a dimly lit interior, drawn into a quiet moment of tension. The composition centers on a solitary man, likely an officer or soldier from the late 17th or early 18th century, seated in profile facing right. He is rendered with a certain stillness, yet the details of his attire suggest a state of readiness. He wears a prominent tricorn hat…

Pinturas famosas de John Pettie, números 11 a 41

Os temas que cativaram o olhar de John Pettie

Os quatro temas que mais se repetem nestas obras originais, cada um com o seu melhor exemplo.

Os museus que guardam os originais de John Pettie

Os 7 museus que detêm a maioria das pinturas desta página.

Museus Cidade Obras de John Pettie Pinturas desta lista
Galeria Nacional de Retratos de Escócia, EdimburgoGaleria Nacional de Retratos de Escócia Edimburgo 6 Sir William Quiller Orchardson, 1832 - 1910. Artist, Sir William Quiller Orchardson, 1832 - 1910. Artist, James Campbell Noble, 1846 - 1913. Artist
Scottish National Gallery, EdimburgoScottish National Gallery Edimburgo 4 William Waddell, Cromwell's Saints, The Gambler's Victim
Fitzwilliam MuseumFitzwilliam Museum 1 Mrs Bossom, the artist's mother
National Portrait Gallery, Washington, D.C.National Portrait Gallery Washington, D.C. 1 Bret Harte
National Portrait Gallery, LondresNational Portrait Gallery Londres 1 Sir (Henry) Rider Haggard
Auckland Art Gallery Toi o Tāmaki, AucklandAuckland Art Gallery Toi o Tāmaki Auckland 1 Study
Royal Collection, LondresRoyal Collection Londres 1 Bonnie Prince Charlie Entering the Ballroom at Holyroodhouse

John Pettie ao longo das décadas: uma obra original única para cada uma

Obras por década

Escolha uma década para ver a obra original que a define.

Pinturas de John Pettie: perguntas para a galeria

Qual é a obra mais famosa de John Pettie?Revelar a resposta

William Waddell (1883), Scottish National Gallery, Edimburgo. A Musician's Reverie (1850) e Cromwell's Saints (1862) vêm a seguir.

Com que idade John Pettie criou William Waddell?Revelar a resposta

44 anos: William Waddell data de 1883, e John Pettie nasceu em 1839.

Quais são as dez pinturas mais famosas de John Pettie?Revelar a resposta

William Waddell, A Musician's Reverie, Cromwell's Saints, Sir William Quiller Orchardson, 1832 - 1910. Artist, Mrs Bossom, the artist's mother, The Gambler's Victim, Sir William Quiller Orchardson, 1832 - 1910. Artist, Who Goes?, Scene in The Hal of the Wynd's Smithy (The Fair Maid of Perth) e Silvius and Phoebe. O ranking acima apresenta o ano e o museu de cada uma.

Quantas obras de John Pettie são conhecidas?Revelar a resposta

Nosso catálogo contém 41 obras de John Pettie, datadas de 1850 a 1892.

Onde se pode ver os originais mais famosos de John Pettie?Revelar a resposta

Principalmente em Galeria Nacional de Retratos de Escócia (Edimburgo), Scottish National Gallery (Edimburgo) e Fitzwilliam Museum. A tabela de museus acima lista todos eles.

Em que período John Pettie criou as suas pinturas mais conhecidas?Revelar a resposta

Em 1880s: 12 das 41 obras nesta página foram feitas então, sendo William Waddell delas.

Qual pintura famosa de John Pettie é a mais antiga e qual é a mais recente?Revelar a resposta

Nesta página, a mais antiga é A Musician's Reverie (1850) e a mais recente é William Yuill, Amice (1892).

Quais temas John Pettie preferia?Revelar a resposta

Man (5), Portrait (4) e Dark background (3), entre as 41 obras nesta página.

Com quais materiais John Pettie mais pintou?Revelar a resposta

Oil On Canvas, para 4 das 41 obras nesta página.

A qual movimento pertence a obra de John Pettie?Revelar a resposta

Academic realism, a julgar pelos originais nesta página.

Quais originais de John Pettie posso ver no Galeria Nacional de Retratos de Escócia?Revelar a resposta

Sir William Quiller Orchardson, 1832 - 1910. Artist, Sir William Quiller Orchardson, 1832 - 1910. Artist e James Campbell Noble, 1846 - 1913. Artist: o Galeria Nacional de Retratos de Escócia, Edimburgo detém 6 das obras desta página.

John Pettie: um retrato do artista

The Dawn of a Scottish Master

Born in the historic heart of Edinburgh in 1839, John Pettie emerged as one of the most captivating figures of the Victorian era. His journey toward artistic greatness began not in the grand galleries of Europe, but amidst the quiet, rural landscapes of East Linton. While his father, Alexander, initially harbored reservations about a professional life in the arts, the young Pettie’s talent was undeniable. A pivotal moment arrived with a humble yet profound portrait of a village carrier’s donkey, a work that demonstrated his innate ability to capture the very essence of life and character. This early mastery of observational truth would become the cornerstone of his later, more dramatic achievements.

London Eminence and Artistic Kinship

The formal shaping of Pettie’s genius took place at the prestigious Trustees Academy in Edinburgh under the guidance of Robert Scott Lauder. Here, he absorbed the classical rigor and meticulous attention to detail that would define his legendary technique. In 1862, seeking broader horizons, Pettie moved to London, where he became a central figure within a vibrant community of expatriate Scottish painters. Sharing a studio in Fitzroy Square with contemporaries like William Quiller Orchardson, he fostered an environment of intense creativity and mutual support. His life was deeply intertwined with the musical arts as well; he famously championed the young composer Hamish MacCunn, organizing concerts in his own studio and even welcoming the composer into his family through marriage. This period of academic distinction saw him rise to become a full member of the Royal Academy, cementing his status among the elite of British art.

A Legacy of Narrative and Light

Pettie’s true enduring legacy lies in his ability to transform historical chronicles into living, breathing dramas. Drawing deep inspiration from the sweeping romanticism of Sir Walter Scott’s novels, his canvases breathed life into tales of old, blending the tension of historical conflict with an almost Impressionistic vitality. His technique was a masterful marriage of classical principle and energetic brushwork, utilizing a vibrant color palette to evoke the atmospheric weight of the past. Whether capturing the chaotic intensity of a historical execution or the quiet dignity of a portrait, Pettie’s work remains a captivating window into the nineteenth century. His most celebrated contributions include: