Retrato de John Neagle

As 32 Pinturas Mais Famosas de John Neagle, uma Seleção da Galeria

Atualizado em Novembro 2026 · classificado pela nossa pontuação de popularidade (pesquisas, visitas e pedidos de cada obra) · 32 obras de John Neagle em nosso catálogo

Em resumo

De todas as obras originais deixadas por John Neagle, a mais famosa é Junius Brutus Booth as Sir Edward Mortimer (1823), da coleção do National Portrait Gallery, em Washington, D.C.. Logo atrás vêm Portrait of a Man (1845) e Portrait of Henry Clay (1842). Nosso catálogo contém 32 obras de John Neagle; a galeria preservou as 32 que o mundo mais admira, cada uma exibida com sua data, seu museu e sua história.

1796 – 1865, Boston Romanticism Mais obras: National Gallery of Art

As 10 principais pinturas de John Neagle: a escolha da galeria

1
Junius Brutus Booth as Sir Edward Mortimer (1823) de John Neagle

Junius Brutus Booth as Sir Edward Mortimer

1823 · Oil On Canvas · National Portrait Gallery, Washington, D.C.

A single, piercing gaze cuts through the gloom. Junius Brutus Booth, caught in the heavy mantle of Sir Edward Mortimer, stares from the canvas with a brow furrowed by internal conflict. The light clings to the stark white of a ruffled collar, a bright island in a sea of deep blues and earthy browns. This is not a quiet moment. It is the tension of a character suspended between thought…

2
Portrait of a Man (1845) de John Neagle

Portrait of a Man

1845 · Oil On Canvas · Brooklyn Museum, Brooklyn

This 1845 oil on canvas presents a three-quarter length portrait of a man, rendered with the disciplined precision of the American academic style. The subject is positioned slightly off-center, his gaze directed toward the viewer's left, projecting a sense of composed dignity. A dramatic chiaroscuro effect defines the composition, where a strong light source illuminates the contours of the face, neck, and hand, leaving the remainder of the figure to…

3
Portrait of Henry Clay (1842) de John Neagle

Portrait of Henry Clay

1842 · Oil On Canvas · National Portrait Gallery, Washington, D.C.

The Portrait of Henry Clay is an oil on canvas painted by John Neagle in 1842. This work captures the likeness of Henry Clay, who lived from 1777 to 1852. The image was commissioned by the National Clay Club of Philadelphia to honor its patron. Neagle, a prominent figure in the American portrait tradition, rendered the subject with a focus on the individual's presence.

4
George Peabody (1822) de John Neagle

George Peabody

1822 · Oil On Canvas · Museu de Belas Artes de Boston, Boston

This portrait of George Peabody, painted by John Neagle, offers a quiet encounter with a man of significant influence. Created in 1822, the work captures Peabody during a formative period of his life. He was a prominent American financier and philanthropist, a man whose legacy would eventually extend far beyond the financial circles of his era. In this depiction, we see the individual behind the substantial charitable contributions that would…

5
Reverend Gregory Townsend Bedell (1830) de John Neagle

Reverend Gregory Townsend Bedell

1830 · Oil On Canvas · Detroit Institute of Arts, Detroit

A single point of white light breaks the darkness of the canvas. It is the crisp, starched edge of a clerical collar, a sharp horizontal line that separates the face from the heavy shadows of the torso. Reverend Gregory Townsend Bedell meets the viewer's gaze with a steady, unblinking directness. His eyes hold the quiet gravity of a man accustomed to the weight of spiritual counsel. The light falls from…

7
William Strickland (1787-1854) (1829) de John Neagle

William Strickland (1787-1854)

1829 · Oil On Canvas · Yale University Art Gallery, New Haven

In this 1829 portrait, we find ourselves in the presence of William Strickland, a man whose very posture suggests the precision of his craft. He is captured in a three-quarter view, seated amidst the tools of his intellect. A drawing board rests before him, and his hands hold the implements of an architect, grounding the subject in his professional identity. The composition is deliberate, using a slightly low-angle perspective to…

8
Pat Lyon at the Forge (1829) de John Neagle

Pat Lyon at the Forge

1829 · Oil On Canvas · Pennsylvania Academy of Fine Arts, Filadélfia

In the dim, heat-heavy air of the workshop, John Neagle captures a moment of intense labor in 1829. This oil on canvas presents a full length portrait of Mr. Patrick Lyon, a man whose life is defined by the rhythmic strike of metal against metal. He stands at his anvil, a Scottish-born American blacksmith, mechanic, and inventor, caught in the midst of his craft. The scene is not one of…

9
Gilbert Stuart (1825) de John Neagle

Gilbert Stuart

1825 · Oil On Canvas · Museu de Belas Artes de Boston, Boston

John Neagle painted this portrait of Gilbert Stuart in 1825. At this time, Neagle was a prominent figure in Philadelphia, where he established a studio that attracted the era's political and intellectual elite. The sitter, Stuart, was a significant figure in early American portraiture, and Neagle’s depiction captures him during the final years of his life.

10
Pat Lyon at the Forge (1826) de John Neagle

Pat Lyon at the Forge

1826 · Oil · Museu de Belas Artes de Boston, Boston

In this work, Pat Lyon at the Forge, the artist John Neagle captures a moment of intense industry. The painting depicts Patrick Lyon, a man who moved from his native Scotland to become a prominent blacksmith, mechanic, and inventor in America. Lyon was a self-made businessman who earned a reputation as a working class hero. The portrait was commissioned by Lyon himself on November 4, 1825, reflecting a desire to…

A seleção de John Neagle continua, de 11 a 32

Os temas que cativaram o olhar de John Neagle

Os quatro temas que mais se repetem nestas obras originais, cada um com o seu melhor exemplo.

Os museus que guardam os originais de John Neagle

Os 8 museus que detêm a maioria das pinturas desta página.

Museus Cidade Obras de John Neagle Pinturas desta lista
National Gallery of Art, WashingtonNational Gallery of Art Washington 8 Portrait of a Lady, Thomas W. Dyott, George Dodd
National Portrait Gallery, Washington, D.C.National Portrait Gallery Washington, D.C. 4 Junius Brutus Booth as Sir Edward Mortimer, Portrait of Henry Clay, Henry Clay
Museu de Belas Artes de Boston, BostonMuseu de Belas Artes de Boston Boston 3 George Peabody, Gilbert Stuart, Pat Lyon at the Forge
Metropolitan Museum of Art, Nova YorkMetropolitan Museum of Art Nova York 3 John Haviland, Reverend Samuel Brown Wiley, John Walsh
Pennsylvania Academy of Fine Arts, FiladélfiaPennsylvania Academy of Fine Arts Filadélfia 2 Pat Lyon at the Forge, Anna Gibbon Johnson
Brooklyn Museum, BrooklynBrooklyn Museum Brooklyn 1 Portrait of a Man
Detroit Institute of Arts, DetroitDetroit Institute of Arts Detroit 1 Reverend Gregory Townsend Bedell
Rhode Island School of Design Museum of Art, ProvidenceRhode Island School of Design Museum of Art Providence 1 Portrait of Gilbert Stuart

John Neagle década a década: a obra original que define cada uma

Obras por década

Escolha uma década para ver a obra original que a define.

Perguntas de colecionadores sobre as pinturas de John Neagle

Por qual obra John Neagle é mais conhecido(a)?Revelar a resposta

Junius Brutus Booth as Sir Edward Mortimer (1823), National Portrait Gallery, Washington, D.C.. Portrait of a Man (1845) e Portrait of Henry Clay (1842) vêm a seguir.

Qual era a idade de John Neagle quando Junius Brutus Booth as Sir Edward Mortimer foi feita?Revelar a resposta

27 anos: Junius Brutus Booth as Sir Edward Mortimer data de 1823, e John Neagle nasceu em 1796.

Quais são as dez pinturas mais famosas de John Neagle?Revelar a resposta

Junius Brutus Booth as Sir Edward Mortimer, Portrait of a Man, Portrait of Henry Clay, George Peabody, Reverend Gregory Townsend Bedell, Portrait of Gilbert Stuart, William Strickland (1787-1854), Pat Lyon at the Forge, Gilbert Stuart e Pat Lyon at the Forge. O ranking acima apresenta o ano e o museu de cada uma.

Quantas pinturas John Neagle deixou?Revelar a resposta

Nosso catálogo contém 32 obras de John Neagle, datadas de 1822 a 1852.

Em quais museus estão expostas as obras-primas de John Neagle?Revelar a resposta

Principalmente em National Gallery of Art (Washington), National Portrait Gallery (Washington, D.C.) e Museu de Belas Artes de Boston (Boston). A tabela de museus acima lista todos eles.

Em que anos John Neagle pintou as suas obras mais famosas?Revelar a resposta

Em 1820s: 12 das 32 obras nesta página foram feitas então, sendo Junius Brutus Booth as Sir Edward Mortimer delas.

Quais são as primeiras e as últimas obras originais famosas de John Neagle?Revelar a resposta

Nesta página, a mais antiga é George Peabody (1822) e a mais recente é George Dodd (1852).

Quais temas John Neagle escolheu com mais frequência?Revelar a resposta

Man (19), Dark background (10) e Portrait (8), entre as 32 obras nesta página.

Qual técnica John Neagle mais utilizou?Revelar a resposta

Oil On Canvas, para 20 das 32 obras nesta página.

A qual movimento artístico pertence John Neagle?Revelar a resposta

Romanticism, a julgar pelos originais nesta página.

Quais obras de John Neagle estão expostas no National Gallery of Art?Revelar a resposta

Portrait of a Lady, Thomas W. Dyott e George Dodd: o National Gallery of Art, Washington detém 8 das obras desta página.

John Neagle: vida e obra

A Master of American Character

In the vibrant landscape of nineteenth-century American art, few names resonated with as much fashionable prestige as John Neagle. A painter whose brush captured the very essence of a developing nation, Neagle emerged as a prominent figure in Philadelphia, a city that served as the beating heart of his creative life. His journey began in Boston, but it was through an early apprenticeship to Thomas Wilson—a skilled painter of signs and coaches—that his path toward fine art was paved. This formative period, though rooted in the practical craft of decorative painting, provided him with the technical foundation that would later allow him to master the complexities of light and human expression.

Neagle’s artistic evolution was deeply shaped by the masters who crossed his path. Through Wilson, he was introduced to Bass Otis and the celebrated Thomas Sully, the latter becoming a pivotal influence and even a future relative by marriage. Under their guidance, Neagle moved beyond the utilitarian world of coach painting to embrace the sophisticated realm of portraiture. His style, characterized by an incisive attention to psychology and a dazzling brushwork reminiscent of van Dyck and Sir Thomas Lawrence, allowed him to breathe life into his subjects, transforming mere likenesses into profound studies of character.

The Spirit of the Portrait

While Neagle’s career took him on brief sojourns to Lexington, Kentucky, and New Orleans, Louisiana, it was in Philadelphia where he truly established his dominion. By 1818, he had committed himself exclusively to the art of the portrait, setting up a studio that would attract the most notable figures of the era. His work was not merely about capturing a face; it was about documenting the soul of American society. His sitters ranged from the political elite and merchants to intellectuals and professionals, all rendered with a realism that balanced elegance with an unmistakable truth.

Among his most enduring contributions to the American canon is the strikingly unconventional Pat Lyon at the Forge. In this work, Neagle departed from the traditional, polished manner of portraiture to present a heroic, almost brutal depiction of a blacksmith. This masterpiece, which reached a wide audience through engraving, showcased his ability to blend the grand style with a raw, narrative power. His repertoire also included monumental works such as the Portrait of Henry Clay and portraits of figures like James Fenimore Cooper and the Marquis de Lafayette, cementing his status as a chronicler of American greatness.

Legacy and Artistic Contribution

Beyond the canvas, Neagle was a pillar of the artistic community. His commitment to the advancement of art in America was evidenced by his service as a Director of the Pennsylvania Academy of the Fine Arts and his role as a founder and president of the Artist's Fund Society of Philadelphia. These leadership roles reflected a man deeply invested in the institutional growth of his craft.

The significance of John Neagle lies in his ability to marry the grace of Romanticism with a rigorous, observant realism. His portraits remain vital windows into the nineteenth century, offering more than just historical documentation; they offer an emotional connection to the people who shaped the American identity. Through his masterful use of light and his profound understanding of human psychology, Neagle ensured that the faces of his era would endure long after the era itself had passed.