Atualizado em Novembro 2026 · classificado pela nossa pontuação de popularidade (pesquisas, visitas e pedidos de cada obra) · 15 obras de James Peter Quinn em nosso catálogo
Em resumo
De todas as obras originais deixadas por James Peter Quinn, a mais famosa é A Japanese Lady (1914), da coleção do Walker Art Gallery, em Liverpool. Logo atrás vêm Lillias Hamilton (1858–1925), Physician (1924) e LIEUTENANT R.G. COMBE, THE VICTORIA CROSS (1910). Nosso catálogo contém 15 obras de James Peter Quinn; a galeria preservou as 13 que o mundo mais admira, cada uma exibida com sua data, seu museu e sua história.
A Japanese Lady is a portrait executed by James Peter Quinn in 1914. The work focuses on a woman characterized by her dark hair and traditional Asian attire. Quinn, an Australian portraitist born in Melbourne, established a significant presence in the art world through his academic training in Paris and his later service as an official war artist.
The woman stands before us, draped in a heavy red cape that commands the space around her. She holds her hands clasped together, a gesture of quiet composure that suggests a mind accustomed to discipline and steady thought. Her attire, formal and purposeful, hints at a life lived within the rigorous structures of academia or the demanding precision of medicine. There is a stillness in her posture, yet the way…
The canvas holds a man of quiet weight. Lieutenant R.G. Combe sits in a three-quarter profile, his gaze directed toward an unseen point to the left. He wears a military tunic of deep olive green, the fabric rendered with thick, impasto strokes that suggest the heavy texture of wool. Light falls from the upper left, carving the contours of his face and casting soft, directional shadows that define the bridge…
In the portrait LIEUTENANT COLONEL W.A. BISHOP, James Peter Quinn presents a three-quarter length depiction of the military officer. The subject is positioned slightly off-center against a dark, indeterminate background that lacks specific environmental detail. This compositional choice focuses the viewer's attention entirely on the sitter and his attire. The officer is rendered in full military regalia, which includes visible medals, insignia, and a cross-belt. The arrangement of these elements…
The gaze of Major Okill Massey Learmonth meets the viewer through this formal oil portrait by the Australian portrait painter James Peter Quinn. Painted about 1918, the work captures a man defined by his service and the weight of his command. Learmonth holds the rank of acting Major in the 2nd (Eastern Ontario) Battalion of the Canadian Expeditionary Force, a position that carries a heavy sense of duty within the…
In this 1934 portrait, we find ourselves in the presence of William Self Weeks, captured in a moment of quiet, seated contemplation. The subject occupies the center of the frame, his presence established by a dark, formal suit and a waistcoat that suggests a life of significant standing. He sits within a dark wooden chair, his hands resting with a certain weight, one holding a folded piece of paper that…
George Bell (artist and critic) is a portrait by James Peter Quinn, executed about 1939. The sitter is George Bell, an Australian painter and teacher. Quinn, a prominent figure in Australian portraiture, captured the subject during a period of significant activity in the local art scene.
Os quatro temas que mais se repetem nestas obras originais, cada um com o seu melhor exemplo.
Os 5 museus que detêm a maioria das pinturas desta página.
| Museus | Cidade | Obras de James Peter Quinn | Pinturas desta lista |
|---|---|---|---|
 Canadian War Museum |
Ottawa | 3 | LIEUTENANT R.G. COMBE, THE VICTORIA CROSS, LIEUTENANT COLONEL W.A. BISHOP, Major Okill Massey Learmonth |
 Art Gallery of New South Wales |
Sydney | 2 | George Bell (artist and critic), The rendezvous |
 Walker Art Gallery |
Liverpool | 1 | A Japanese Lady |
 Government Art Collection |
Londres | 1 | Arthur, Duke of Connaught and Strathearn (1850–1942) (copy after John Singer Sargent) |
 The National Trust For Scotland |
Forres | 1 | Fish Market at Étaples, France |
Escolha uma década para ver a obra original que a define.
A Japanese Lady is a portrait executed by James Peter Quinn in 1914. The work focuses on a woman characterized by her dark hair and traditional Asian attire. Quinn, an Australian portraitist born in Melbourne, established a significant presence in the art world through his academic training in Paris and his later service as an official war artist.
The woman stands before us, draped in a heavy red cape that commands the space around her. She holds her hands clasped together, a gesture of quiet composure that suggests a mind accustomed to discipline and steady thought. Her attire, formal and purposeful, hints at a life lived within the rigorous structures of academia or the demanding precision of medicine. There is a stillness in her posture, yet the way…
In this 1934 portrait, we find ourselves in the presence of William Self Weeks, captured in a moment of quiet, seated contemplation. The subject occupies the center of the frame, his presence established by a dark, formal suit and a waistcoat that suggests a life of significant standing. He sits within a dark wooden chair, his hands resting with a certain weight, one holding a folded piece of paper that…
A Japanese Lady (1914), Walker Art Gallery, Liverpool. Lillias Hamilton (1858–1925), Physician (1924) e LIEUTENANT R.G. COMBE, THE VICTORIA CROSS (1910) vêm a seguir.
45 anos: A Japanese Lady data de 1914, e James Peter Quinn nasceu em 1869.
A Japanese Lady, Lillias Hamilton (1858–1925), Physician, LIEUTENANT R.G. COMBE, THE VICTORIA CROSS, LIEUTENANT COLONEL W.A. BISHOP, Major Okill Massey Learmonth, William Self Weeks, George Bell (artist and critic), C. J. Bowen Cooke, London and North Western Railway, Dr Robert Aitken (1869–1951) e Arthur (1850–1942), Duke of Connaught, President of the Bible Society (copy of John Singer Sargent). O ranking acima apresenta o ano e o museu de cada uma.
Nosso catálogo contém 15 obras de James Peter Quinn, datadas de 1910 a 1939.
Principalmente em Canadian War Museum (Ottawa), Art Gallery of New South Wales (Sydney) e Walker Art Gallery (Liverpool). A tabela de museus acima lista todos eles.
Em 1930s: 5 das 13 obras nesta página foram feitas então, sendo William Self Weeks delas.
Nesta página, a mais antiga é LIEUTENANT R.G. COMBE, THE VICTORIA CROSS (1910) e a mais recente é George Bell (artist and critic) (1939).
Man (5), Chair (3) e Portrait (3), entre as 13 obras nesta página.
Oil On Canvas, para 4 das 13 obras nesta página.
LIEUTENANT R.G. COMBE, THE VICTORIA CROSS, LIEUTENANT COLONEL W.A. BISHOP e Major Okill Massey Learmonth: o Canadian War Museum, Ottawa detém 3 das obras desta página.
