Retrato de James Herring

As 6 Pinturas Mais Famosas de James Herring, uma Seleção da Galeria

Atualizado em Outubro 2026 · classificado pela nossa pontuação de popularidade (pesquisas, visitas e pedidos de cada obra) · 6 obras de James Herring em nosso catálogo

Em resumo

De todas as obras originais deixadas por James Herring, a mais famosa é James Monroe (1834), da coleção do National Portrait Gallery, em Washington, D.C.. Logo atrás vêm Mrs. Henry D. Sneckner (Elizabeth Arcularius, ca. 1775–1841) (1836) e Jacob Jennings Brown (1775-1828) (1835). Nosso catálogo contém 6 obras de James Herring; a galeria preservou as 6 que o mundo mais admira, cada uma exibida com sua data, seu museu e sua história.

1794 – 1867, London Mais obras: New York Historical Society

As 10 principais pinturas de James Herring: a escolha da galeria

Os museus que guardam os originais de James Herring

Os 2 museus que detêm a maioria das pinturas desta página.

Museus Cidade Obras de James Herring Pinturas desta lista
New York Historical Society, Nova YorkNew York Historical Society Nova York 5 Mrs. Henry D. Sneckner (Elizabeth Arcularius, ca. 1775–1841), Jacob Jennings Brown (1775-1828), William Lintz (ca. 1815-1874)
National Portrait Gallery, Washington, D.C.National Portrait Gallery Washington, D.C. 1 James Monroe

James Herring ano a ano: as obras originais que definem cada um

A seleção abrange a trajetória de James Herring ao longo de 12 anos, de 1834 a 1845, preservando as melhores obras originais de cada ano.

Obras por ano

Escolha um ano para ver as obras originais.

Perguntas de colecionadores sobre as pinturas de James Herring

Por qual obra James Herring é mais conhecido(a)?Revelar a resposta

James Monroe (1834), National Portrait Gallery, Washington, D.C.. Mrs. Henry D. Sneckner (Elizabeth Arcularius, ca. 1775–1841) (1836) e Jacob Jennings Brown (1775-1828) (1835) vêm a seguir.

Qual era a idade de James Herring quando James Monroe foi feita?Revelar a resposta

40 anos: James Monroe data de 1834, e James Herring nasceu em 1794.

Quantas pinturas James Herring deixou?Revelar a resposta

Nosso catálogo contém 6 obras de James Herring, datadas de 1834 a 1845.

Em quais museus estão expostas as obras-primas de James Herring?Revelar a resposta

Principalmente em New York Historical Society (Nova York) e National Portrait Gallery (Washington, D.C.). A tabela de museus acima lista todos eles.

Em que anos James Herring pintou as suas obras mais famosas?Revelar a resposta

Em 1845: 2 das 6 obras nesta página foram feitas então, sendo William Lintz (ca. 1815-1874) delas.

Quais são as primeiras e as últimas obras originais famosas de James Herring?Revelar a resposta

Nesta página, a mais antiga é James Monroe (1834) e a mais recente é William Lintz (ca. 1815-1874) (1845).

Quais obras de James Herring estão expostas no New York Historical Society?Revelar a resposta

Mrs. Henry D. Sneckner (Elizabeth Arcularius, ca. 1775–1841), Jacob Jennings Brown (1775-1828) e William Lintz (ca. 1815-1874): o New York Historical Society, Nova York detém 5 das obras desta página.

James Herring: vida e obra

The Life and Legacy of James Herring

Born in London on January 12, 1794, James Herring was an artist whose life journey mirrored the expanding horizons of the nineteenth-century Atlantic world. Though his roots were English, his spirit was profoundly shaped by the American landscape after he emigrated to the United States with his family in 1805. Growing up amidst the bustling energy of New York City and the developing reaches of New Jersey, Herring’s early years were marked by a diverse range of trades. Before finding his true calling at the easel, he navigated the worlds of education as a school teacher and even engaged in the gritty commerce of his father's distillery business in the Bowery. This varied upbringing provided him with a unique, grounded perspective that would later infuse his work with a sense of unpretentious, honest observation.

Herring’s artistic evolution began not with grand canvases, but with the meticulous and delicate task of coloring prints and maps. This early immersion in graphic arts instilled in him a profound respect for line and detail, a skill set that would serve him well as he moved to Philadelphia to continue his work in map coloring. However, the pull of portraiture eventually drew him back to New York, where he settled in Chatham Square. It was here that he truly found his voice, transitioning from the precise world of cartography to the more expressive realm of portrait painting. His ability to capture the essence of a subject—whether through a formal likeness or a more spirited profile—marked him as a significant figure in the burgeoning American art scene of the mid-1800s.

Artistic Style and Contributions

The work of James Herring is often characterized by its charming, almost naive quality, particularly when he turned his attention to animal subjects and landscapes. While he was a master of the formal portrait, there is a palpable warmth in his depictions of working horses, chickens, and pastoral scenes that suggests a deep affection for the everyday rhythms of American life. His technique, while rooted in the precision learned from his early days with prints, allowed for a certain fluidity and emotional resonance. He was not merely a recorder of faces but an illustrator of character, a talent he shared with notable contemporaries like James Barton Longacre when they collaborated on documenting American biography in the National Portrait Gallery.

Beyond his individual canvases, Herring was a vital promoter of the arts during a period when American artistic identity was still being forged. He possessed a visionary drive to elevate the status of local talent, famously persuading the American Academy of Fine Arts to support significant publications. His influence extended through generations, as seen in the career of his son, Frederick William Herring, who studied under his father and continued the family tradition of portraiture. Through his dual roles as a practitioner and an advocate, Herring helped lay the groundwork for a more robust and self-assured American art movement.

Historical Significance

Today, the historical importance of James Herring lies in his role as a bridge between the colonial traditions of Europe and the emerging aesthetic of a young United States. His work serves as a visual archive of nineteenth-century life, capturing both the dignified portraits of notable citizens and the humble beauty of the natural world. The enduring legacy of his art can be seen in the collections of prestigious institutions such as:

  • The Morris Museum of Art
  • The Mattatuck Museum
  • Oolite Arts, 924 & 928 Gallery

As an artist who moved seamlessly between the technical rigors of engraving and the soulful expression of painting, Herring remains a fascinating figure for scholars and lovers of art alike. His life, spanning from the streets of London to the heart of New York, encapsulates the transformative energy of his era, leaving behind a body of work that continues to resonate with its quiet, enduring truth.