Atualizado em Novembro 2026 · classificado pela nossa pontuação de popularidade (pesquisas, visitas e pedidos de cada obra) · 65 obras de Sir James Guthrie em nosso catálogo
Em resumo
Aos olhos da galeria, a pintura mais famosa de Sir James Guthrie é To Pastures New (1882). Uma Filha de Pastor (1883) e Revd Dr Andrew Gardiner (died 1892) (1888) completam o trio que todos reconhecem. Dos 65 trabalhos de Sir James Guthrie em nosso catálogo, a galeria apresenta abaixo as 64 obras mais famosas, cada uma original, com seu ano, seu museu e o que a torna única.
The scene unfolds in To Pastures New, an oil on canvas painted by James Guthrie. Completed in 1883, the work captures a quiet moment of movement across the landscape. The artist, who lived from 1859 to 1930, brings a sense of life to this specific rural setting through his careful application of oil pigments.
James Guthrie, um pintor escocês cuja obra permanece relativamente desconhecida pelo público geral, entregou ao mundo uma pintura que transcende o mero retrato visual. Criada em 1883, “Uma Filha de Javabe” é uma tela em óleo sobre tela que hoje encontra seu lugar permanente na National Gallery of Scotland em Edimburgo, Reino Unido. Esta obra não apenas captura um momento específico do cotidiano rural escocês, mas também convida o espectador…
A somber, three-quarter length portrait of an elderly man, rendered with the quiet dignity of the academic tradition. The subject sits turned slightly to his right, his gaze directed toward the viewer's right, emerging from a dark, atmospheric void. Light falls with dramatic intent upon his forehead, weathered skin, and hands, creating a chiaroscuro effect that emphasizes the textures of his white hair and the heavy fabric of his black…
An elderly woman sits in profile, her presence anchored by the weight of an ornate chair. The light enters from the upper left, a soft wash that catches the curve of a cheek and the stillness of hands. She is draped in dark attire, a silhouette of deep blacks and browns that merges with the shadows of the room. The composition is quiet, placing her slightly off-center against a hazy,…
The afternoon air feels heavy and still as a man pauses on the sidewalk, his presence anchored by a sturdy pole. He wears a hat that casts a soft shadow over his features, and a cane rests in his hand, a silent companion to his slow, deliberate pace. At his side, a dog waits with loyal patience, while further off, another canine wanders through the scene. The world around them…
In "A Gallant of the Terror," James Guthrie presents a solitary figure caught in a moment of heavy introspection. This oil on canvas, painted about 1880, focuses on a weary man from the waist up. He sits in a quiet, shadowed space, his presence filling the frame with a sense of profound fatigue. A dark bicorne-style hat rests upon his head, and a blue jacket covers his shoulders, while a…
The portrait titled Sir Henry Campbell-Bannerman, 1836 - 1908. Statesman presents a commanding presence on the canvas. This work, painted about 1908, captures the likeness of the statesman and Prime Minister Sir Henry Campbell-Bannerman. Born in Glasgow, the subject meets the viewer through the steady gaze of a man who has navigated the highest levels of British politics. The painting emerges from the hand of Sir James Guthrie, a significant…
The Artist's Mother (Anne Orr, Mrs John Guthrie, 1817 - 1896) is a portrait by James Guthrie. The subject is Anne Orr, also known as Mrs John Guthrie. She was the mother of the artist. This intimate study was painted about 1893.
In this intimate bust-length portrait, we encounter the artist himself, captured in a moment of profound introspection. The subject is positioned slightly off-center, his gaze directed toward the viewer's left while his eyes remain fixed forward, creating a sense of psychological depth. There is a certain gravity in his expression, a dignity that comes from a life spent observing the nuances of light and human character. He is dressed in…
Rev. Alexander Whyte, 1836 - 1921. Principal of New College, Edinburgh1900 · Galeria Nacional de Retratos de Escócia
12
Christina Wilson, Mrs Thomas Steven, 1827 - 1913.1903 · Scottish National Gallery
13
The Velvet Cloak1907 · Scottish National Gallery
14
Herbert Henry Asquith, 1st Earl of Oxford and Asquith1920 · National Portrait Gallery
15
William Morris Hughes, 1862 - 1952. Prime Minister of Australia. (Study for portrait in Statesman of the Great War)1920 · Galeria Nacional de Retratos de Escócia
16
Sir Alfred Milner, 1st Viscount Milner, 1854 - 1925. Statesman. (Study for portrait in Statesmen of the Great War)1921 · Galeria Nacional de Retratos de Escócia
17
William Ferguson Massey, 1856 - 1925. Prime Minister of New Zealand (Study for portrait in Statesman of the Great War, National Portrait Gallery, London)1921 · Galeria Nacional de Retratos de Escócia
18
David Lloyd George, 1st Earl Lloyd-George of Dwyfor, 1863 - 1945. Statesman1920 · Galeria Nacional de Retratos de Escócia
19
Sir Winston Churchill, 1874 - 1965. Statesman1919 · Galeria Nacional de Retratos de Escócia
20
General Louis Botha, 1863 - 1919. Soldier and statesman. (Study for portrait in Statesmen of the Great War, National Portrait Gallery, London)1918 · Galeria Nacional de Retratos de Escócia
21
Arthur James Balfour, 1st Earl of Balfour, 1848 - 1930. Statesman. (Study for portrait in Statesman of the Great War, National Portrait Gallery, London)1920 · Galeria Nacional de Retratos de Escócia
22
Sri Ganga Singh Bahadur, the Maharaja of Bikaner, 1880 - 1943. Statesman (Study for portrait in Statesman of the Great War, National Portrait Gallery, London)1920 · Galeria Nacional de Retratos de Escócia
23
Edward Grey, 1st Viscount Grey of Fallodon1927 · National Portrait Gallery
24
Some statesmen of the Great War1927 · Galeria Nacional de Retratos de Escócia
25
Edward Patrick Morris, 1st Baron Morris, 1859 - 1935. Prime Minister of Newfoundland. (Study for portrait in Statesmen of the Great War)1924 · Galeria Nacional de Retratos de Escócia
26
Henry Herbert Asquith, 1st Earl of Oxford and Asquith, 1852 - 1928. Statesman1923
27
Andrew Bonar Law, 1858 - 1923. Statesman (study for portrait in Statesmen of World War I, 1914 - 1918, in the National Portrait Gallery, London)1924 · Galeria Nacional de Retratos de Escócia
28
Edward Grey, Viscount Grey of Fallodon, 1862 - 1933. Statesman. (Study for portrait in Statesman of the Great War, National Portrait Gallery, London)1924 · Galeria Nacional de Retratos de Escócia
29
Sir Eric Campbell Geddes, 1875 - 1931. Statesman. (Study for portrait in Statesmen of the Great War)1924 · Galeria Nacional de Retratos de Escócia
30
Sir Joseph Cook, 1860 - 1947. Prime Minister of Australia. (Study for portrait in Statesmen of the Great War)1924 · Galeria Nacional de Retratos de Escócia
31
Sir Robert Laird Borden, 1854 - 1937. Prime Minister of Canada. (Study for portrait in Statesmen of the Great War, National Portrait Gallery, London)1924 · Galeria Nacional de Retratos de Escócia
32
George Nicoll Barnes, 1859 - 1940. Statesman. (Study for portrait in Statesmen of the Great War, National Portrait Gallery, London)1924 · Galeria Nacional de Retratos de Escócia
33
Schoolmates1884 · Museum voor Schone Kunsten
34
The Shepherd Boy1883 · Scottish National Gallery
35
In a Monastery Garden1884 · Scottish National Gallery
36
Paid-Off1881
37
The Cottage on the Hill1881
38
Hard at It1883 · Kelvingrove Art Gallery and Museum
39
The Pedlar1881
40
Field Work in the Lothians1883
41
Gypsy Fires are Burning for Daylight's Past and Gone1881 · The Hunterian Museum and Art Gallery
42
Poppleton, The Artist at Work1882 · The Hunterian Museum and Art Gallery
43
Miss Helen Sowerby1882 · National Gallery of Scotland
44
The Camp in the Woods1880
45
A Funeral Service in the Highlands1881 · Kelvingrove Art Gallery and Museum
46
Street in Oban, Night1890 · Yale Center for British Art
47
The Tennis Racket1890
48
Candlelight1890
49
Maggie Hamilton1892 · Kelvingrove Art Gallery and Museum
50
The Ropewalk1888
51
Tennis1890
52
The Stonebreaker1886
53
Oban1893 · Scottish National Gallery
54
Oban1893 · Scottish National Gallery
55
Errol Guthrie
56
Pastoral1887 · National Gallery of Scotland
57
Pastureland1890 · Kelvingrove Art Gallery and Museum
58
Firelight Reflections1890
59
Old Willie, A Village Worthy1886 · Kelvingrove Art Gallery and Museum
60
In the Orchard1885 · Kelvingrove Art Gallery and Museum
61
Midsummer1890
62
The Morning Walk
63
St. Mary's Isle, Kirkcudbright
64
Statesmen of World War I1930 · National Portrait Gallery
#3 Revd Dr Andrew Gardiner (died 1892)
#4 Mrs Craig Sellar of Ardtornish (1844 - 1929)
#7 Sir Henry Campbell-Bannerman, 1836 - 1908. Statesman
#8 The Artist's Mother (Anne Orr, Mrs John Guthrie, 1817 - 1896)
#9 Sir James Guthrie, 1859 - 1930. Artist and President of the Royal Scottish Academy (Self-portrait)
Os quatro temas que mais se repetem nestas obras originais, cada um com o seu melhor exemplo.
Os 8 museus que detêm a maioria das pinturas desta página.
| Museus | Cidade | Obras de Sir James Guthrie | Pinturas desta lista |
|---|---|---|---|
 Galeria Nacional de Retratos de Escócia |
Edimburgo | 19 | Sir Henry Campbell-Bannerman, 1836 - 1908. Statesman, Sir James Guthrie, 1859 - 1930. Artist and President of the Royal Scottish Academy (Self-portrait), Rev. Alexander Whyte, 1836 - 1921. Principal of New College, Edinburgh |
 Scottish National Gallery |
Edimburgo | 10 | Revd Dr Andrew Gardiner (died 1892), Mrs Craig Sellar of Ardtornish (1844 - 1929), A Gallant of the Terror |
 Kelvingrove Art Gallery and Museum |
Glasgow | 6 | Hard at It, A Funeral Service in the Highlands, Maggie Hamilton |
 National Gallery of Scotland |
Edimburgo | 3 | Uma Filha de Pastor, Miss Helen Sowerby, Pastoral |
 National Portrait Gallery |
Londres | 3 | Herbert Henry Asquith, 1st Earl of Oxford and Asquith, Edward Grey, 1st Viscount Grey of Fallodon, Statesmen of World War I |
 The Hunterian Museum and Art Gallery |
Glasgow | 2 | Gypsy Fires are Burning for Daylight's Past and Gone, Poppleton, The Artist at Work |
 Museum voor Schone Kunsten |
Gante | 1 | Schoolmates |
 Yale Center for British Art |
New Haven | 1 | Street in Oban, Night |
Escolha uma década para ver a obra original que a define.
The scene unfolds in To Pastures New, an oil on canvas painted by James Guthrie. Completed in 1883, the work captures a quiet moment of movement across the landscape. The artist, who lived from 1859 to 1930, brings a sense of life to this specific rural setting through his careful application of oil pigments.
The Artist's Mother (Anne Orr, Mrs John Guthrie, 1817 - 1896) is a portrait by James Guthrie. The subject is Anne Orr, also known as Mrs John Guthrie. She was the mother of the artist. This intimate study was painted about 1893.
The portrait titled Sir Henry Campbell-Bannerman, 1836 - 1908. Statesman presents a commanding presence on the canvas. This work, painted about 1908, captures the likeness of the statesman and Prime Minister Sir Henry Campbell-Bannerman. Born in Glasgow, the subject meets the viewer through the steady gaze of a man who has navigated the highest levels of British politics. The painting emerges from the hand of Sir James Guthrie, a significant…
An elderly woman sits in profile, her presence anchored by the weight of an ornate chair. The light enters from the upper left, a soft wash that catches the curve of a cheek and the stillness of hands. She is draped in dark attire, a silhouette of deep blacks and browns that merges with the shadows of the room. The composition is quiet, placing her slightly off-center against a hazy,…
Statesmen of World War I is an oil on canvas painting by Sir James Guthrie. Completed in 1930, the work arrived at a significant moment in the artist's life. This large-scale composition was commissioned by the South African financier Sir Abraham Bailey. It was intended to commemorate the various politicians and statesmen of Britain and its Dominions who held office during the First World War.
To Pastures New (1882). Uma Filha de Pastor (1883) e Revd Dr Andrew Gardiner (died 1892) (1888) vêm a seguir.
23 anos: To Pastures New data de 1882, e Sir James Guthrie nasceu em 1859.
To Pastures New, Uma Filha de Pastor, Revd Dr Andrew Gardiner (died 1892), Mrs Craig Sellar of Ardtornish (1844 - 1929), Crowland, A Gallant of the Terror, Sir Henry Campbell-Bannerman, 1836 - 1908. Statesman, The Artist's Mother (Anne Orr, Mrs John Guthrie, 1817 - 1896), Sir James Guthrie, 1859 - 1930. Artist and President of the Royal Scottish Academy (Self-portrait) e The Wash. O ranking acima apresenta o ano e o museu de cada uma.
Nosso catálogo contém 65 obras de Sir James Guthrie, datadas de 1880 a 1930.
Principalmente em Galeria Nacional de Retratos de Escócia (Edimburgo), Scottish National Gallery (Edimburgo) e Kelvingrove Art Gallery and Museum (Glasgow). A tabela de museus acima lista todos eles.
Em 1880s: 24 das 64 obras nesta página foram feitas então, sendo To Pastures New delas.
Nesta página, a mais antiga é A Gallant of the Terror (1880) e a mais recente é Statesmen of World War I (1930).
Man (6), Woman (3) e Rural scene (3), entre as 64 obras nesta página.
Oil On Canvas, para 13 das 64 obras nesta página.
Impressionistic landscape, a julgar pelos originais nesta página.
Sir Henry Campbell-Bannerman, 1836 - 1908. Statesman, Sir James Guthrie, 1859 - 1930. Artist and President of the Royal Scottish Academy (Self-portrait) e Rev. Alexander Whyte, 1836 - 1921. Principal of New College, Edinburgh: o Galeria Nacional de Retratos de Escócia, Edimburgo detém 19 das obras desta página.
Nascido em Greenock, Reino Unido, Sir James Guthrie emergiu como uma figura fundamental no cenário artístico do final do século XIX. Embora tenha iniciado sua trajetória rumo a uma carreira jurídica na Universidade de Glasgow, o chamado da tela provou ser irresistível, levando-o a abandonar os estudos de Direito em 1877 para se dedicar à pintura. Diferente de muitos de seus contemporâneos que buscavam o refinamento nos estúdios de Paris, James Guthrie seguiu uma trajetória mais solitária e autodidata. Embora tenha recebido mentoria breve de figuras como James Drummond em Glasgow e John Pettie em Londres, sua identidade artística foi forjada através de um envolvimento profundo e pessoal com o mundo natural e com as obras dos Realistas franceses.
Seu desenvolvimento foi profundamente moldado pela influência de Jules Bastien-Lepage, cujo enfoque do realismo forneceu um modelo para o próprio domínio de James Guthrie sobre a atmosfera e a luz. Essa conexão ajudou-o a tornar-se um membro proeminente dos Glasgow Boys, um grupo conhecido por expandir os limites da pintura tradicional escocesa. Sua obra frequentemente transcendia a mera documentação, buscando, em vez disso, capturar as sensações fugazes de luz e ar através de pinceladas soltas e uma paleta de cores vibrante, porém muitas vezes suave. Seja retratando a dignidade silenciosa da vida rural ou os detalhes íntimos do retrato, James Guthrie possuía uma habilidade rara de traduzir o peso emocional de uma cena para a tela.
A obra de James Guthrie é celebrada por seu poder evocativo, particularmente em sua capacidade de imbuir as paisagens com um sentido de profunda tranquilidade. Em obras como Pastureland, ele demonstra um comando sinfônico sobre a luz e a sombra, criando uma experiência imersiva da campiña escocesa. Sua técnica frequentemente abraçava elementos do Impressionismo, priorizando o estado de espírito e a sensação em detrimento da precisão acadêmica rígida. Isso é evidente em seu uso de texturas — o pelo macio do gado, a grama ondulante de um campo ou a luminosidade nebulosa de um dia de verão — tudo renderizado com uma sensibilidade que dialoga com os ritmos da natureza.
Suas paisagens eram frequentemente inspiradas nas Borders escocesas, especificamente em locais como Cockburnspath, onde viveu durante grande parte de sua vida. Esses cenários serviram de pano de fundo para algumas de suas conquistas mais duradouras, incluindo:
Ao longo de sua carreira, James Guthrie alcançou um reconhecimento institucional significativo, refletindo sua importância para o cenário artístico britânico. Sua ascensão nas fileiras da Royal Scottish Academy viu-o ser eleito associado em 1888 e membro pleno em 1892, sucedendo eventualmente Sir George Reid como Presidente da RSA. Esse prestígio profissional foi acompanhado por honrarias pessoais, incluindo o título de cavaleiro em 1903 por suas imensas contribuições às artes.
Além de suas paisagens e retratos, a importância histórica de James Guthrie é consolidada por sua capacidade de capturar o espírito de uma era. Seus anos finais viram-no ser comissionado para tarefas monumentais, como o retrato de grupo em grande escala Statesmen of World War I, concluído em 1930. Esta obra, que retrata dezessete políticos e estadistas, permanece como um testemunho de sua habilidade em lidar com composições complexas e gravidade histórica. Hoje, James Guthrie é lembrado não apenas como um pintor do Realismo Escocês, mas como um artista que conseguia capturar a própria essência da paz, da luz e da beleza perene do mundo natural.
