Em resumo
De todas as obras originais deixadas por Jacob Savery, a mais famosa é Landscape with Village: "Autumn" (1600), da coleção do Städel Museum, em Frankfurt. Logo atrás vêm St. Sebastian fair in a Flemish village (1598) e Winter landscape (1600). Nosso catálogo contém 7 obras de Jacob Savery; a galeria preservou as 7 que o mundo mais admira, cada uma exibida com sua data, seu museu e sua história.
As 10 principais pinturas de Jacob Savery: a escolha da galeria
Landscape with Corn Fields, Jacob Savery (II) (attributed to), 1602 - 1630
Landscape with corn fields on the right side of a country road, on the left an inn. Travelling by road and a shepherd with sheep. In the foreground two sitting women who read the hand of two farmers.
Landscape with the story of Jephthah"s daughter, Jacob Savery (I), 1580 - 1589
Landscape with the story of Jefta's daughter. Mountain landscape with a city in a valley. On the left the city gate where Jefta's daughter plays tambourine to greet her father. In the background a vast landscape with a large church and more buildings on the edge of a bay.
Os museus que guardam os originais de Jacob Savery
Os 4 museus que detêm a maioria das pinturas desta página.
| Museus | Cidade | Obras de Jacob Savery | Pinturas desta lista |
|---|---|---|---|
| Amsterdã | 2 | Landscape with Corn Fields, Jacob Savery (II) (attributed to), 1602 - 1630, Landscape with the story of Jephthah"s daughter, Jacob Savery (I), 1580 - 1589 | |
| Frankfurt | 1 | Landscape with Village: "Autumn" | |
| Haia | 1 | St. Sebastian fair in a Flemish village | |
| Estocolmo | 1 | Rural Scene |
Jacob Savery década a década: a obra original que define cada uma
Obras por década
Escolha uma década para ver a obra original que a define.
Landscape with the story of Jephthah"s daughter, Jacob Savery (I), 1580 - 1589
Landscape with the story of Jefta's daughter. Mountain landscape with a city in a valley. On the left the city gate where Jefta's daughter plays tambourine to greet her father. In the background a vast landscape with a large church and more buildings on the edge of a bay.
Perguntas de colecionadores sobre as pinturas de Jacob Savery
Por qual obra Jacob Savery é mais conhecido(a)?Revelar a resposta
Landscape with Village: "Autumn" (1600), Städel Museum, Frankfurt. St. Sebastian fair in a Flemish village (1598) e Winter landscape (1600) vêm a seguir.
Qual era a idade de Jacob Savery quando Landscape with Village: "Autumn" foi feita?Revelar a resposta
40 anos: Landscape with Village: "Autumn" data de 1600, e Jacob Savery nasceu em 1560.
Quantas pinturas Jacob Savery deixou?Revelar a resposta
Nosso catálogo contém 7 obras de Jacob Savery, datadas de 1589 a 1600.
Em quais museus estão expostas as obras-primas de Jacob Savery?Revelar a resposta
Principalmente em Rijksmuseum (Amsterdã), Städel Museum (Frankfurt) e Mauritshuis (Haia). A tabela de museus acima lista todos eles.
Em que anos Jacob Savery pintou as suas obras mais famosas?Revelar a resposta
Em 1600s: 2 das 7 obras nesta página foram feitas então, sendo Landscape with Village: "Autumn" delas.
Quais são as primeiras e as últimas obras originais famosas de Jacob Savery?Revelar a resposta
Nesta página, a mais antiga é Landscape with the story of Jephthah"s daughter, Jacob Savery (I), 1580 - 1589 (1589) e a mais recente é Landscape with Village: "Autumn" (1600).
Quais obras de Jacob Savery estão expostas no Rijksmuseum?Revelar a resposta
Landscape with Corn Fields, Jacob Savery (II) (attributed to), 1602 - 1630 e Landscape with the story of Jephthah"s daughter, Jacob Savery (I), 1580 - 1589: o Rijksmuseum, Amsterdã detém 2 das obras desta página.
Jacob Savery: vida e obra
Early Life and Artistic Beginnings
The story of Hans Heys, a name increasingly resonant in contemporary landscape painting, is one rooted deeply in the Dutch tradition yet blossoming into a uniquely personal vision. Born in 1974 in the Netherlands, Heys’s early life was steeped in the visual language of his surroundings – the expansive skies, the intricate network of waterways, and the flat, fertile polders that define much of the country's character. While not formally trained in a classical sense initially, Heys developed an acute observational skill through countless hours spent sketching *en plein air*, capturing the fleeting effects of light and atmosphere. This self-directed education fostered a direct connection to his subject matter, one that would become a hallmark of his mature work. His initial artistic explorations were modest, focusing on local scenes – windmills silhouetted against dramatic sunsets, fields of tulips ablaze with color, and the quiet dignity of traditional Dutch farmhouses. These early paintings, though relatively unassuming, reveal a nascent talent for capturing mood and an instinctive understanding of composition. Heys wasn’t immediately drawn to grand narratives or historical themes; instead, he found beauty in the everyday, imbuing ordinary landscapes with a sense of poetic stillness.Influences and Development
Heys's artistic journey was significantly shaped by his immersion in the Dutch Masters, particularly the 17th-century landscape painters like Jacob van Ruisdael and Aert van der Neer. He admired their masterful rendering of light, their ability to convey depth and atmosphere, and their subtle psychological portrayal of nature. However, Heys wasn’t content with mere imitation. He sought to move beyond the meticulous realism of his predecessors, incorporating elements of Impressionism and Post-Impressionism into his evolving style. The broken brushwork and vibrant color palettes of artists like Monet and Van Gogh resonated deeply with him, inspiring him to experiment with more expressive techniques.- Jacob van Ruisdael: Influenced Heys’s understanding of atmospheric perspective and the depiction of cloud formations.
- Aert van der Neer: Provided a model for capturing the subtle nuances of light in nocturnal scenes and winter landscapes.
- Claude Monet: Inspired Heys’s exploration of broken color and *plein air* painting techniques.
- Vincent van Gogh: Contributed to Heys’s expressive use of brushwork and emotional intensity.