Retrato de Jacob Backer

Pinturas de Jacob Backer: As 80 mais famosas, sob o olhar de uma galeria

Atualizado em Novembro 2026 · classificado pela nossa pontuação de popularidade (pesquisas, visitas e pedidos de cada obra) · 81 obras de Jacob Backer em nosso catálogo

Em resumo

Aos olhos da galeria, a pintura mais famosa de Jacob Backer é Johannes Uyttenbogaert (1557-1644). Remonstrant minister in The Hague (1638), cuja obra original está exposta no Rijksmuseum, em Amsterdã. Head of a Bald Old Man in Profile (1635) e Shepherd with flute (1637) completam o trio que todos reconhecem. Dos 81 trabalhos de Jacob Backer em nosso catálogo, a galeria apresenta abaixo as 80 obras mais famosas, cada uma original, com seu ano, seu museu e o que a torna única.

1608 – 1651, Harlingen Baroque Mais obras: Museu Hermitage

As 10 principais pinturas de Jacob Backer na galeria

1
Johannes Uyttenbogaert (1557-1644). Remonstrant minister in The Hague (1638) de Jacob Backer

Johannes Uyttenbogaert (1557-1644). Remonstrant minister in The Hague

1638 · Oil On Canvas · Rijksmuseum, Amsterdã

The light enters from the upper left, a sharp beam that carves the subject out of a heavy, dark void. Johannes Uyttenbogaert sits in a three-quarter pose, his gaze fixed directly upon the viewer with a quiet, intellectual weight. He is an elderly man, his head balding and his face framed by a grey beard that catches the light. A large, crisp white ruff collar provides the brightest point in…

2
Head of a Bald Old Man in Profile (1635) de Jacob Backer

Head of a Bald Old Man in Profile

1635 · Oil On Canvas · Museu Hermitage, São Petersburgo

The light catches the ridge of a brow, carving deep valleys into the skin of an elderly man. He sits in profile, a silhouette of lived experience emerging from a darkness that swallows the background entirely. Every wrinkle around his eye and the sagging contour of his jaw tells a story of decades passed. The warmth of his flesh, rendered in shades of ochre and sienna, feels tangible, as if…

3
Shepherd with flute (1637) de Jacob Backer

Shepherd with flute

1637 · Oil On Panel · Mauritshuis, Haia

In this intimate encounter, we meet the subject of Shepherd with flute (Self-Portrait?), a work painted by Jacob Adriaensz Backer about 1637. The figure pauses in a moment of quiet reflection, looking back toward the viewer with a gaze that invites curiosity. He is a man wrapped in the heavy, textured warmth of sheepskin, his presence defined by a sense of rustic simplicity. A wreath of ivy leaves rests upon…

4
Portrait of a Man (1636) de Jacob Backer

Portrait of a Man

1636 · Oil · Mauritshuis, Haia

This seventeenth-century oil portrait, dating to 1636, presents a formal and dignified three-quarter length depiction of a man. Positioned centrally against a dark, neutral background, the subject is rendered with a somber color palette dominated by deep blacks, dark browns, and muted earth tones. The composition utilizes masterful chiaroscuro, with directional lighting originating from the upper left to cast soft shadows across the right side of the man's face, creating…

5
Portrait of a Woman (1647) de Jacob Backer

Portrait of a Woman

1647 · Oil On Canvas · J. Paul Getty Museum, Los Angeles

The room falls away into a deep, velvet darkness, leaving only the luminous presence of a young woman. She sits in a three-quarter pose, her body angled slightly away, yet her gaze holds a quiet, steady strength. Light sweeps across her features like a sudden candle flame, catching the pale, porcelain smoothness of her skin and the soft waves of her auburn hair. There is a palpable weight to the…

6
Portrait of Rebecca Schellingwou (1610-1667) (1644) de Jacob Backer

Portrait of Rebecca Schellingwou (1610-1667)

1644 · Oil · Amsterdam Museum, Amsterdão

A formal 17th-century oil portrait, this half-length composition captures a woman positioned slightly off-center. The subject is rendered with a calm, poised expression, projecting an air of quiet dignity. Dramatic chiaroscuro defines the work, with light directed from the upper left to illuminate the contours of her face, neck, and hands. This lighting strategy casts the background into deep shadow, creating a profound sense of three-dimensional depth against the dark,…

7
Portrait of a Young Woman (1638) de Jacob Backer

Portrait of a Young Woman

1638 · Oil On Canvas · Museu de Arte do Condado de Los Angeles, Los Angeles

A three-quarter length portrait from 1638, this work captures a young woman in a moment of poised stillness. She faces the viewer directly, her expression calm and steady. The composition relies on a stark contrast between the deep, somber tones of her dark gown and the brilliant white of her lace collar and cuffs. This interplay of light and shadow, or chiaroscuro, pulls the subject forward from a dark, indeterminate…

8
The Tribute Money (1630) de Jacob Backer

The Tribute Money

1630 · Oil On Canvas · Nationalmuseum, Estocolmo

The composition centers on a group of men gathered in a tight, circular arrangement, creating a sense of physical proximity and tension. A central figure, draped in a pinkish-red robe, interacts with others through a specific gesture: pointing toward a small coin being exchanged between hands. The lighting is highly directional, entering from the upper left to strike the faces and hands of the figures, while the background remains in…

9
Rest of Diana and Her Nymphs (1649) de Jacob Backer

Rest of Diana and Her Nymphs

1649 · Oil On Canvas · Museu Hermitage, São Petersburgo

The forest breathes in deep, earthy greens, cradling a moment of stillness. Four female figures form a pyramid of soft light, their bodies arranged in a geometry of rest. Diana and her nymphs occupy this lush, wooded landscape, caught in a pause between the hunt and the shadows. The light falls heavily upon their skin, turning it to porcelain, while the surrounding foliage recedes into a dark, textured depth. It…

10
Portrait of a Man (1640) de Jacob Backer

Portrait of a Man

1640 · Oil On Canvas · Museum Boijmans Van Beuningen, Roterdã

In this 1640 portrait, we are met with the steady, direct gaze of a man who occupies his space with quiet authority. He is positioned slightly off-center, his body turned toward the right while his eyes remain fixed upon us, creating an immediate sense of psychological connection. The lighting is deliberate, employing a chiaroscuro effect that pulls his features from a dark, somber background. One side of his face is…

Pinturas de Jacob Backer, classificadas de 11 a 80

11Portrait of a Young Man in a Fancy Dress (1634) de Jacob BackerPortrait of a Young Man in a Fancy Dress1634 · Museu Hermitage 12Portrait of a Lady (1635) de Jacob BackerPortrait of a Lady1635 · Statens Museum For Kunst 13Portrait of a man (1635) de Jacob BackerPortrait of a man1635 · Brooklyn Museum 14Portrait of a Woman (1635) de Jacob BackerPortrait of a Woman1635 · Royal Museum of Fine Arts Antwerp 15Allegory of Love (1625) de Jacob BackerAllegory of Love1625 16The Regentesse of the Amsterdam Orphanage (1633) de Jacob BackerThe Regentesse of the Amsterdam Orphanage1633 · Amsterdam Museum 17Portrait of a man in armor (self-portrait) (1629) de Jacob BackerPortrait of a man in armor (self-portrait)1629 · Bavarian State Painting Collections 18Portrait of Gaspar de Crayer (?) (1629) de Jacob BackerPortrait of Gaspar de Crayer (?)1629 · Bavarian State Painting Collections 19Selfportrait as shepherd with recorder (1633) de Jacob BackerSelfportrait as shepherd with recorder1633 · Fries Museum 20John the Baptist reproaches Herod Antipas and Herodias (1633) de Jacob BackerJohn the Baptist reproaches Herod Antipas and Herodias1633 · Fries Museum 21Bacchus and Ariadne (1630) de Jacob BackerBacchus and Ariadne1630 · Museu Nacional de Varsóvia 22Portrait of a Woman (1632) de Jacob BackerPortrait of a Woman1632 · Nationalmuseum 23Saint Peter (1630) de Jacob BackerSaint Peter1630 24Old Man with a Mirror Shard (1634) de Jacob BackerOld Man with a Mirror Shard1634 · Gemäldegalerie 25The Drinker (1634) de Jacob BackerThe Drinker1634 · Gemäldegalerie 26David and Bathsheba (1640) de Jacob BackerDavid and Bathsheba1640 27Portrait of a Woman holding a Book (1639) de Jacob BackerPortrait of a Woman holding a Book1639 · Gemäldegalerie 28Half-length portrait of a man (1638) de Jacob BackerHalf-length portrait of a man1638 · Bavarian State Painting Collections 29Half-length portrait of a woman (1638) de Jacob BackerHalf-length portrait of a woman1638 · Bavarian State Painting Collections 30Portrait of Margaretha Bas ( -1679) (1642) de Jacob BackerPortrait of Margaretha Bas ( -1679)1642 31Portrait of an unknown man (1640) de Jacob BackerPortrait of an unknown man1640 32Girls walking music in landscape (1637) de Jacob BackerGirls walking music in landscape1637 33Grandmother with Granddaughter - 1639 (1638) de Jacob BackerGrandmother with Granddaughter - 16391638 34Portrait of a Boy (1637) de Jacob BackerPortrait of a Boy1637 · Royal Museum of Fine Arts Antwerp 35Boy with a beret (1648) de Jacob BackerBoy with a beret1648 · Museum Boijmans Van Beuningen 36Portrait of Bartholomeus Breenbergh (1598-1657) (1644) de Jacob BackerPortrait of Bartholomeus Breenbergh (1598-1657)1644 · Amsterdam Museum 37Granida and Daifilo (1640) de Jacob BackerGranida and Daifilo1640 · Agnes Etherington Art Center 38Granida and Daifilo (1640) de Jacob BackerGranida and Daifilo1640 39Portrait of an unknown woman (1639) de Jacob BackerPortrait of an unknown woman1639 40The Oyster Eater (1650) de Jacob BackerThe Oyster Eater1650 · Francisque Mandet Museum 41Portrait of a Man (1635) de Jacob BackerPortrait of a Man1635 · Mauritshuis 42Portrait of a Woman (1636) de Jacob BackerPortrait of a Woman1636 · Statens Museum For Kunst 43Portrait of a Boy in Gray (1634) de Jacob BackerPortrait of a Boy in Gray1634 · Mauritshuis 44The Virgin Mary with the Infant Christ, St Elizabeth and St John the Baptist (1650) de Jacob BackerThe Virgin Mary with the Infant Christ, St Elizabeth and St John the Baptist1650 · Museu Hermitage 45Courtisane de Jacob BackerCourtisaneMuseu Nacional de Arte Antiga 46Paris Being Admitted to the Bedchamber of Helen de Jacob BackerParis Being Admitted to the Bedchamber of HelenJ. Paul Getty Museum 47The Last Judgement (1580) de Jacob BackerThe Last Judgement1580 · Catedral de Nossa Senhora (Onze-Lieve Vrouwekathedraal) 48Portrait of Herman Dirksz. van de Kolck (1636) de Jacob BackerPortrait of Herman Dirksz. van de Kolck1636 · Museus Reais de Belas Artes da Bélgica 49Mary with Child, Infant John and Angels de Jacob BackerMary with Child, Infant John and AngelsKunsthistorisches Museum 50Allegory of Faith de Jacob BackerAllegory of Faith 51Portrait of Johannes Wtenbogaert, minister and church historian de Jacob BackerPortrait of Johannes Wtenbogaert, minister and church historian 52Portrait of A Young Woman de Jacob BackerPortrait of A Young WomanLibrary of Virginia 53The Last Judgement de Jacob BackerThe Last JudgementIndianapolis Museum of Art 54Don Juan and Constance de Jacob BackerDon Juan and ConstanceMuseu de Belas Artes de Boston 55Portrait of a Lady as the Muse Euterpe de Jacob BackerPortrait of a Lady as the Muse Euterpe 56Portrait Of A Young Woman Holding A Fan de Jacob BackerPortrait Of A Young Woman Holding A Fan 57The Liberation of Saint Peter de Jacob BackerThe Liberation of Saint Peter 58The Adoration of the Shepherds de Jacob BackerThe Adoration of the Shepherds 59Apollo flaying Marsyas (Ovid, Metamorphoses, VI, 382–400) de Jacob BackerApollo flaying Marsyas (Ovid, Metamorphoses, VI, 382–400)Museu Nacional de Varsóvia 60Last Judgement (Matthew 25:31-33) de Jacob BackerLast Judgement (Matthew 25:31-33)Museu Nacional de Varsóvia 61Portrait Of Johannes Lutma de Jacob BackerPortrait Of Johannes LutmaRijksmuseum 62Allegory of the Three Ages of Man de Jacob BackerAllegory of the Three Ages of ManMuseu Hermitage 63Portrait of an Elderly Woman de Jacob BackerPortrait of an Elderly WomanWallace Collection 64Portrait of an Unknown Lady de Jacob BackerPortrait of an Unknown Lady 65The Hearing de Jacob BackerThe HearingSzépművészeti Múzeum 66Portrait Of A Lady de Jacob BackerPortrait Of A Lady 67Portrait Of A Woman de Jacob BackerPortrait Of A WomanMetropolitan Museum of Art 68A young Man wearing a Wreath of Vine Leaves de Jacob BackerA young Man wearing a Wreath of Vine Leaves 69Granida And Daifilo de Jacob BackerGranida And DaifiloMuseu Hermitage 70The Nativity de Jacob BackerThe Nativity 71Venus And Adonis de Jacob BackerVenus And Adonis 72Garden of Eden de Jacob BackerGarden of EdenGroeninge Museum 73Lot and his daughters de Jacob BackerLot and his daughters 74Diana und Aktaion de Jacob BackerDiana und Aktaion 75The last judgment de Jacob BackerThe last judgment 76Portrait of Abraham de Visscher (1605-67). Amsterdam merchant and director of the Dutch West India Company, Jacob Adriaensz Backer (attributed to), c. 1651 (1651) de Jacob BackerPortrait of Abraham de Visscher (1605-67). Amsterdam merchant and director of the Dutch West India Company, Jacob Adriaensz Backer (attributed to), c. 16511651 · Rijksmuseum 77Officers and other Civic Guardsmen of the V District in Amsterdam under the command of Captain Cornelis de Graeff and Lieutenant Hendrick Lauwrensz, Jacob Adriaensz Backer, 1642 (1642) de Jacob BackerOfficers and other Civic Guardsmen of the V District in Amsterdam under the command of Captain Cornelis de Graeff and Lieutenant Hendrick Lauwrensz, Jacob Adriaensz Backer, 16421642 · Rijksmuseum 78Portrait of the Regents of the Nieuwezijds Institute for the Outdoor Relief of the Poor, Amsterdam, c. 1650, Jacob Adriaensz Backer, c. 1650 (1650) de Jacob BackerPortrait of the Regents of the Nieuwezijds Institute for the Outdoor Relief of the Poor, Amsterdam, c. 1650, Jacob Adriaensz Backer, c. 16501650 · Rijksmuseum 79Portrait of David Martens (1641) de Jacob BackerPortrait of David Martens1641 · Centraal Museum 80Portrait Of An Old Woman de Jacob BackerPortrait Of An Old WomanMetropolitan Museum of Art

Pinturas famosas de Jacob Backer, período por período

Os temas que cativaram o olhar de Jacob Backer

Os quatro temas que mais se repetem nestas obras originais, cada um com o seu melhor exemplo.

Os museus que guardam os originais de Jacob Backer

Os 8 museus que detêm a maioria das pinturas desta página.

Museus Cidade Obras de Jacob Backer Pinturas desta lista
Museu Hermitage, São PetersburgoMuseu Hermitage São Petersburgo 6 Head of a Bald Old Man in Profile, Rest of Diana and Her Nymphs, Portrait of a Young Man in a Fancy Dress
Rijksmuseum, AmsterdãRijksmuseum Amsterdã 5 Johannes Uyttenbogaert (1557-1644). Remonstrant minister in The Hague, Portrait Of Johannes Lutma, Portrait of Abraham de Visscher (1605-67). Amsterdam merchant and director of the Dutch West India Company, Jacob Adriaensz Backer (attributed to), c. 1651
Mauritshuis, HaiaMauritshuis Haia 4 Shepherd with flute, Portrait of a Man, Portrait of a Man
Bavarian State Painting Collections, MuniqueBavarian State Painting Collections Munique 4 Portrait of a man in armor (self-portrait), Portrait of Gaspar de Crayer (?), Half-length portrait of a man
Amsterdam Museum, AmsterdãoAmsterdam Museum Amsterdão 3 Portrait of Rebecca Schellingwou (1610-1667), The Regentesse of the Amsterdam Orphanage, Portrait of Bartholomeus Breenbergh (1598-1657)
Museu Nacional de Varsóvia, VarsóviaMuseu Nacional de Varsóvia Varsóvia 3 Bacchus and Ariadne, Apollo flaying Marsyas (Ovid, Metamorphoses, VI, 382–400), Last Judgement (Matthew 25:31-33)
Gemäldegalerie, BerlimGemäldegalerie Berlim 3 Old Man with a Mirror Shard, The Drinker, Portrait of a Woman holding a Book
J. Paul Getty Museum, Los AngelesJ. Paul Getty Museum Los Angeles 2 Portrait of a Woman, Paris Being Admitted to the Bedchamber of Helen

Jacob Backer, uma pintura emblemática por década

Obras por década

Escolha uma década para ver a obra original que a define.

Pinturas de Jacob Backer: a galeria responde

Qual pintura de Jacob Backer é a mais famosa de todas?Revelar a resposta

Johannes Uyttenbogaert (1557-1644). Remonstrant minister in The Hague (1638), Rijksmuseum, Amsterdã. Head of a Bald Old Man in Profile (1635) e Shepherd with flute (1637) vêm a seguir.

Qual era a idade de Jacob Backer ao concluir Johannes Uyttenbogaert (1557-1644). Remonstrant minister in The Hague?Revelar a resposta

30 anos: Johannes Uyttenbogaert (1557-1644). Remonstrant minister in The Hague data de 1638, e Jacob Backer nasceu em 1608.

Quais são as 10 principais pinturas de Jacob Backer?Revelar a resposta

Johannes Uyttenbogaert (1557-1644). Remonstrant minister in The Hague, Head of a Bald Old Man in Profile, Shepherd with flute, Portrait of a Man, Portrait of a Woman, Portrait of Rebecca Schellingwou (1610-1667), Portrait of a Young Woman, The Tribute Money, Rest of Diana and Her Nymphs e Portrait of a Man. O ranking acima apresenta o ano e o museu de cada uma.

Quantas obras Jacob Backer criou?Revelar a resposta

Nosso catálogo contém 81 obras de Jacob Backer, datadas de 1625 a 1651.

Onde estão expostos os originais mais famosos de Jacob Backer?Revelar a resposta

Principalmente em Museu Hermitage (São Petersburgo), Rijksmuseum (Amsterdã) e Mauritshuis (Haia). A tabela de museus acima lista todos eles.

Quando é que Jacob Backer criou as suas pinturas mais famosas?Revelar a resposta

Em 1630s: 29 das 80 obras nesta página foram feitas então, sendo Johannes Uyttenbogaert (1557-1644). Remonstrant minister in The Hague delas.

Quais são as obras mais famosas de Jacob Backer no início e no fim de sua carreira?Revelar a resposta

Nesta página, a mais antiga é Allegory of Love (1625) e a mais recente é Portrait of Abraham de Visscher (1605-67). Amsterdam merchant and director of the Dutch West India Company, Jacob Adriaensz Backer (attributed to), c. 1651 (1651).

Quais temas Jacob Backer mais explorou?Revelar a resposta

Man (26), Woman (22) e Dark background (11), entre as 80 obras nesta página.

Em qual técnica Jacob Backer mais trabalhou?Revelar a resposta

Oil On Canvas, para 34 das 80 obras nesta página.

Com qual movimento Jacob Backer está associado(a)?Revelar a resposta

Baroque, a julgar pelos originais nesta página.

Quais obras originais de Jacob Backer o Museu Hermitage possui?Revelar a resposta

Head of a Bald Old Man in Profile, Rest of Diana and Her Nymphs e Portrait of a Young Man in a Fancy Dress: o Museu Hermitage, São Petersburgo detém 6 das obras desta página.

Jacob Backer: o artista

Jacob Adriaensz Backer: O Mestre Ágil de Amsterdã

Jacob Adriaensz Backer (1608-1651) destaca-se como uma figura singular na Era de Ouro Holandesa, celebrado primordialmente por sua velocidade e precisão surpreendentes na retratística — um feito que consolidou sua reputação como um dos artistas mais prolíficos de sua época. Nascido em Harlingen, na Holanda, ele viveu uma infância formativa marcada pela mudança de seu pai para Amsterdã após a morte prematura de sua esposa, o que o imergiu no vibrante ambiente artístico da cidade. Essa exposição precoce, sem dúvida, nutriu seu talento e o impulsionou em direção a uma carreira distinta que deixaria uma marca indelével na história da arte holandesa. A jornada artística de Backer teve início sob a tutela de Lambert Jacobsz, um mestre menonita que lhe instilou uma compreensão fundamental das técnicas de pintura religiosa. Notavelmente, ele estudou ao lado de Govert Flinck, outro pupilo e colaborador menonita, fortalecendo laços dentro de uma comunidade intelectual vibrante que valorizava tanto o artesanato quanto a integridade moral. Essas influências formativas moldariam sua sensibilidade estilística, algo particularmente evidente em suas representações de narrativas bíblicas. Ao mudar-se para Amsterdã por volta de 1633, Backer encontrou o patrocínio de Hendrick Uylenburgh, um rico mercador que reconheceu suas habilidades excepcionais e encomendou inúmeros retratos. Essa associação proporcionou oportunidades inestimáveis para seu desenvolvimento artístico e solidificou sua posição como um dos principais retratistas de seu tempo. A fama de Backer repousa, em grande parte, em sua revolucionária técnica de "molhado sobre molhado" — um método pioneiro em Haarlem que permitia aos artistas capturar expressões fugazes e texturas com uma imediatez notável. Como Joachim von Sandrart famosamente relatou, uma mulher poderia chegar de Haarlem e partir no mesmo dia, deixando para trás um retrato concluído com uma velocidade e detalhamento de tirar o fôlego. Essa técnica, aliada à sua observação meticulosa da anatomia e do drapeado, resultou em retratos imbuídos de um senso de realismo e percepção psicológica sem paralelos.

Um Pintor Virtuoso Além dos Retratos

Embora a retratística de Backer tenha, sem dúvida, cativado o público, ele era igualmente habilidoso ao enfrentar projetos ambiciosos em outros gêneros. Suas telas exploraram temas da história contemporânea — como Granida e Daifilo — demonstrando sua disposição em engajar-se com as preocupações sociais e políticas prementes da era. Além disso, ele produziu pinturas mitológicas deslumbrantes, refletindo um envolvimento artístico mais amplo com os ideais e narrativas clássicas. O manejo magistral da cor e da composição por parte de Backer demonstrou sua versatilidade como artista e consolidou seu legado como um verdadeiro inovador dentro da tradição Barroca Holandesa. Sua devoção à arte religiosa é palpável em suas numerosas representações de cenas bíblicas, caracterizadas por composições serenas e cores luminosas. Paralelamente, suas explorações de temas mitológicos — particularmente a coroação de Mirtillo — revelam uma fascinação pela mitologia clássica e sua influência duradoura na expressão artística.

Legado e Reconhecimento

A contribuição de Jacob Adriaensz Backer para a arte holandesa é inegável, tendo produzido aproximadamente 140 pinturas em apenas vinte anos — uma produção extraordinária para o seu tempo. Sua atenção meticulosa aos detalhes e sua velocidade incomparável na retratística renderam-lhe considerável aclamação durante sua vida, como evidenciado pela astuta observação de Joachim von Sandrart sobre a jornada entre Haarlem e Amsterdã. A obra de Backer continua a inspirar admiração por seu brilho técnico e profundidade emocional, assegurando seu lugar entre os artistas mais celebrados da Era de Ouro Holandesa — um testemunho de sua visão artística perene.