Retrato de Izaäk Schmidt

Pinturas de Izaäk Schmidt: As 2 mais famosas, sob o olhar de uma galeria

Atualizado em Novembro 2026 · classificado pela nossa pontuação de popularidade (pesquisas, visitas e pedidos de cada obra) · 2 obras de Izaäk Schmidt em nosso catálogo

Em resumo

Aos olhos da galeria, a pintura mais famosa de Izaäk Schmidt é Portrait of mr. Adriaan Jacob van der Does, 1756-1830 (1784), cuja obra original está exposta no Museum Gouda, em Gouda. Dos 2 trabalhos de Izaäk Schmidt em nosso catálogo, a galeria apresenta abaixo as 2 obras mais famosas, cada uma original, com seu ano, seu museu e o que a torna única.

1740 – 1818, Amsterdam Mais obras: Museum Gouda

As 10 principais pinturas de Izaäk Schmidt na galeria

Os museus que guardam os originais de Izaäk Schmidt

O museu que detém a maioria das pinturas desta página.

Museus Cidade Obras de Izaäk Schmidt Pinturas desta lista
Museum Gouda, GoudaMuseum Gouda Gouda 2 Portrait of mr. Adriaan Jacob van der Does, 1756-1830, Portrait of Constantia Catherina Jongbloet

Izaäk Schmidt, as pinturas emblemáticas de cada ano

Cada obra original datada de Izaäk Schmidt nesta página foi feita em 1784: aqui estão elas, começando pelas mais famosas.

Obras por ano

Escolha um ano para ver as obras originais.

Pinturas de Izaäk Schmidt: a galeria responde

Qual pintura de Izaäk Schmidt é a mais famosa de todas?Revelar a resposta

Portrait of mr. Adriaan Jacob van der Does, 1756-1830 (1784)

Qual era a idade de Izaäk Schmidt ao concluir Portrait of mr. Adriaan Jacob van der Does, 1756-1830?Revelar a resposta

44 anos: Portrait of mr. Adriaan Jacob van der Does, 1756-1830 data de 1784, e Izaäk Schmidt nasceu em 1740.

Quantas obras Izaäk Schmidt criou?Revelar a resposta

Nosso catálogo contém 2 obras de Izaäk Schmidt.

Onde estão expostos os originais mais famosos de Izaäk Schmidt?Revelar a resposta

Principalmente em Museum Gouda (Gouda). A tabela de museus acima lista todos eles.

Quando é que Izaäk Schmidt criou as suas pinturas mais famosas?Revelar a resposta

Em 1784: 2 das 2 obras nesta página foram feitas então, sendo Portrait of mr. Adriaan Jacob van der Does, 1756-1830 delas.

Quais obras originais de Izaäk Schmidt o Museum Gouda possui?Revelar a resposta

Portrait of mr. Adriaan Jacob van der Does, 1756-1830 e Portrait of Constantia Catherina Jongbloet: o Museum Gouda, Gouda detém 2 das obras desta página.

Izaäk Schmidt: o artista

A Life in Amsterdam

Izaäk Schmidt lived his life within the familiar streets of Amsterdam. Born on 11 July 1740, he was a man of many talents, moving between the roles of painter, drawer, art teacher, and writer. His presence in the Dutch art scene was marked by a quiet dedication to his craft and the instruction of others. He remained in his home city until his death on 17 May 1818.

His daily existence was rooted in the rhythms of the Netherlands. As an educator, he shared his knowledge of line and color with students, helping to pass down technical skills through generations. His work often captured the simple, quiet moments of Dutch life, focusing on the landscapes and people that populated the countryside.

The Art of the Everyday

Schmidt found his expression primarily through watercolour and drawing. He had a particular eye for the scenery surrounding the canals and villages, often rendering scenes that felt deeply connected to the local landscape. His hands were skilled at capturing the light on a road along a canal or the movement of figures near a stone bridge.

His repertoire included various subjects that reflected his surroundings:

  • Village views featuring figures gathered near inns or stone bridges.
  • Portraits of individuals, such as Balthasarina Wilhelmina Pasques de Chavonnes and Jacob Pieter van Braam.
  • Landscape studies like country folk at a fence and scenes of rural life.
  • Allegorical works including his piece titled Allegory of Painting.

There is a certain stillness in his drawings. He did not seek to complicate the world, but rather to document it with clarity. Whether working on a portrait or a view of an inn, he focused on the tangible details of the people and places he knew.

A Lasting Record

Though much of his work remains in private hands or specific museum collections like the Fitzwilliam Museum, the traces of his skill remain visible. His ability to translate the atmosphere of a Dutch village into watercolour allowed for a lasting record of a period in history that has since changed. He left behind more than just images; he left a window into the way the Dutch landscape and its people appeared at the end of the eighteenth century.