Atualizado em Novembro 2026 · classificado pela nossa pontuação de popularidade (pesquisas, visitas e pedidos de cada obra) · 29 obras de Herbert Gustave Schmalz em nosso catálogo
Em resumo
Aos olhos da galeria, a pintura mais famosa de Herbert Gustave Schmalz é Daughters of Judah in Babylon (1892). Portrait Of Lillie Langtry e The Temple Of Eros completam o trio que todos reconhecem. Dos 29 trabalhos de Herbert Gustave Schmalz em nosso catálogo, a galeria apresenta abaixo as 29 obras mais famosas, cada uma original, com seu ano, seu museu e o que a torna única.
Daughters of Judah in Babylon, painted by Herbert Gustave Schmalz about 1892, presents a scene of profound displacement. The work focuses on the interaction between exiled Jewish women and the Babylonian royalty. This encounter highlights the tension between the captives and their captors within a grand, structured environment.
In this intimate portrait, we find ourselves in the presence of Lillie Langtry, captured in a moment of quiet elegance. The subject is rendered in a half-length composition, her figure draped in a deep purple gown that anchors the viewer's attention. A delicate arrangement of poppies rests at her corsage, their organic shapes providing a soft contrast to the structured lines of her attire. There is a certain stillness here,…
Sunlight filters through a dense canopy of verdant leaves, casting dappled shadows across a lush, idyllic park. In the heart of this sanctuary, a central figure rises upon a pedestal, embodying the presence of Eros. This deity is the focal point of a quiet, sacred ritual, surrounded by a diverse assembly of souls. Some figures lean forward in contemplation, their faces softened by reverence, while others appear caught in moments…
In this 1888 portrait, we find ourselves drawn into the quiet, intense presence of a solitary young man. He is rendered in a monochromatic palette, a choice that strips away the distraction of color to focus entirely on the weight of his expression and the sharp geometry of his form. He wears classical attire, the heavy folds of his garment caught in a soft, diffused light that seems to emerge…
A woman kneels by the edge of a bed, her black dress a heavy silhouette against the room. Beside her, another figure lies still, resting upon the linens. The air in the chamber feels thick with the weight of unspoken words and the soft rustle of fabric. A single potted plant sits near the bed, its green leaves offering a silent contrast to the somber scene. In the periphery, other…
In this 1897 oil on canvas, we find ourselves drawn into a nocturnal scene of profound spiritual weight. The composition is structured with a deliberate verticality, placing an angel in the upper reaches of the frame, reaching down toward a young woman positioned below. This arrangement creates a quiet hierarchy between the celestial and the earthly. A soft, luminous light emanates from behind the angelic figure, catching the edges of…
A solitary figure stands poised upon a jagged, rocky precipice, looking out over a vast and silent landscape. The scene is stripped of color, rendered in a monochromatic grayscale that emphasizes the heavy weight of the atmosphere. Every detail, from the rough, uneven textures of the stone underfoot to the soft, hazy undulations of the distant hills, speaks to a profound sense of isolation. The figure’s posture—shoulders slumped and head…
In the sweeping grandeur of 1888, Herbert Gustave Schmalz captured a moment of profound stillness amidst the echoes of antiquity with his masterpiece, Zenobia. This evocative portrait transcends mere historical documentation, inviting the viewer into a world where the boundaries between reality and romanticized legend blur. The painting presents a woman of striking elegance, draped in the pristine white of ancient Greek attire, standing upon a high balcony that overlooks…
Return from Calvary1891
12
Resurrection morn1895
13
Return from calvary
14
Home of Bethany1909
15
Nydia Blind Girl of Pompeii1908
16
Shiloh
17
Where Is The Lord, My King
18
Bethany
19
Beth-el
20
Moses Going Up Mount Nebo
21
Captain T. N. C. Nevill
22
Christ At Bethany
23
Nydia
24
Queen Of The May
25
Aithful Unto Death 'christianae Ad Leones!'
26
Sir Galahad (18811)
27
Ninon
28
Rabboni
29
The Sculptor At Work
Os quatro temas que mais se repetem nestas obras originais, cada um com o seu melhor exemplo.
O museu que detém a maioria das pinturas desta página.
| Museus | Cidade | Obras de Herbert Gustave Schmalz | Pinturas desta lista |
|---|---|---|---|
 Art Gallery of South Australia |
Adelaide | 1 | Zenobia |
Escolha uma década para ver a obra original que a define.
In this 1888 portrait, we find ourselves drawn into the quiet, intense presence of a solitary young man. He is rendered in a monochromatic palette, a choice that strips away the distraction of color to focus entirely on the weight of his expression and the sharp geometry of his form. He wears classical attire, the heavy folds of his garment caught in a soft, diffused light that seems to emerge…
Daughters of Judah in Babylon, painted by Herbert Gustave Schmalz about 1892, presents a scene of profound displacement. The work focuses on the interaction between exiled Jewish women and the Babylonian royalty. This encounter highlights the tension between the captives and their captors within a grand, structured environment.
A solitary figure stands poised upon a jagged, rocky precipice, looking out over a vast and silent landscape. The scene is stripped of color, rendered in a monochromatic grayscale that emphasizes the heavy weight of the atmosphere. Every detail, from the rough, uneven textures of the stone underfoot to the soft, hazy undulations of the distant hills, speaks to a profound sense of isolation. The figure’s posture—shoulders slumped and head…
Daughters of Judah in Babylon (1892). Portrait Of Lillie Langtry e The Temple Of Eros vêm a seguir.
36 anos: Daughters of Judah in Babylon data de 1892, e Herbert Gustave Schmalz nasceu em 1856.
Daughters of Judah in Babylon, Portrait Of Lillie Langtry, The Temple Of Eros, Imogen, Saint Monica's Prayer, The Great Awakening, Solitude of Sorrow, Zenobia, Dust To Dust e Where Is My Lord the King. O ranking acima apresenta o ano e o museu de cada uma.
Nosso catálogo contém 29 obras de Herbert Gustave Schmalz, datadas de 1881 a 1909.
Principalmente em Art Gallery of South Australia (Adelaide). A tabela de museus acima lista todos eles.
Em 1880s: 4 das 29 obras nesta página foram feitas então, sendo Imogen delas.
Nesta página, a mais antiga é Dust To Dust (1881) e a mais recente é Home of Bethany (1909).
Figures (2), Foliage (2) e Drapery (2), entre as 29 obras nesta página.
Oil, para 3 das 29 obras nesta página.
Pre-raphaelite, a julgar pelos originais nesta página.
