Em resumo
George Dyer, with his dog, Daphne (1819) é a pintura de Henry Hoppner Meyer que mais atrai olhares; a obra original pertence ao Fitzwilliam Museum. Entre as 1 obras de Henry Hoppner Meyer em nosso catálogo, estas 1 são as mais famosas, cada uma uma original única apresentada com o seu ano, o seu museu e a razão pela qual perdura.
As 10 principais pinturas de Henry Hoppner Meyer, sob o olhar da galeria
Os museus que guardam os originais de Henry Hoppner Meyer
O museu que detém a maioria das pinturas desta página.
| Museus | Cidade | Obras de Henry Hoppner Meyer | Pinturas desta lista |
|---|---|---|---|
| 1 | George Dyer, with his dog, Daphne |
Henry Hoppner Meyer ao longo dos anos: os originais únicos de cada um
Todas as obras originais de Henry Hoppner Meyer datadas aqui pertencem a um único ano, 1819: elas aparecem em ordem de fama.
Pinturas de Henry Hoppner Meyer: perguntas para a galeria
Qual é a obra mais famosa de Henry Hoppner Meyer?Revelar a resposta
George Dyer, with his dog, Daphne (1819)
Com que idade Henry Hoppner Meyer criou George Dyer, with his dog, Daphne?Revelar a resposta
39 anos: George Dyer, with his dog, Daphne data de 1819, e Henry Hoppner Meyer nasceu em 1780.
Quantas obras de Henry Hoppner Meyer são conhecidas?Revelar a resposta
Nosso catálogo contém 1 obras de Henry Hoppner Meyer.
Onde se pode ver os originais mais famosos de Henry Hoppner Meyer?Revelar a resposta
Principalmente em Fitzwilliam Museum. A tabela de museus acima lista todos eles.
Henry Hoppner Meyer: um retrato do artista
A Life in Portraiture and Engraving
Henry Hoppner Meyer was a British portrait painter and an engraver specializing in stipple and mezzotint. Born in London, he began his artistic journey at Christ’s Hospital, where he studied drawing under Benjamin Green. His formal training continued through a seven-year apprenticeship to the engraver Benjamin Smith, and he later refined his skills in engraving under Francesco Bartolozzi at the Royal Academy Schools.
His professional career saw him exhibiting small portrait-paintings at the Royal Academy starting in 1802. Beyond his paintings, he gained recognition for producing mezzotint and stipple engravings of prominent figures. His notable engraved portraits include:
In 1824, he became a founding member of the Society of British Artists, eventually serving as its President from 1828 to 1829.
Technique and Legacy
Meyer’s technical versatility allowed him to leave a mark on various mediums. His stipple engraving of Charles Lamb was displayed at the India Office between 1820 and 1850. He also achieved international recognition through his detailed portrait of D. Pedro as Regent of Portugal, a work printed for an edition of Portugal's second Constitution in 1832.
In his later years, Meyer operated a studio in Fitzrovia, London, where he took on private pupils in portraiture and stipple engraving. His students included Jane Waterhouse and Thomas Fairchild. His works are preserved in several significant institutions, including: