Atualizado em Novembro 2026 · classificado pela nossa pontuação de popularidade (pesquisas, visitas e pedidos de cada obra) · 64 obras de Francesco Del Cossa em nosso catálogo
Em resumo
Allegory of May: Triumph of Apollo (detail) (1476) é a pintura de Francesco Del Cossa que mais atrai olhares; a obra original pertence ao Palazzo Schifanoia, Ferrara. Depois disso, o olhar recai sobre Griffoni Polyptych: St Vincent Ferrer (1473) e Griffoni Polyptych: St Peter and St John the Baptist (1473). Entre as 64 obras de Francesco Del Cossa em nosso catálogo, estas 61 são as mais famosas, cada uma uma original única apresentada com o seu ano, o seu museu e a razão pela qual perdura.
To stand before this monumental fresco detail is to step directly into the vibrant, complex heart of the Quattrocento Renaissance. The Allegory of May: Triumph of Apollo, attributed to Francesco del Cossa, is not merely a depiction of an event; it is a profound meditation on cycles—the cycle of life, the triumph over darkness, and the eternal return of divine grace. The sheer scale, measuring an impressive 216 by 320…
To stand before the Griffoni Polyptych: St Vincent Ferrer is to step directly into the luminous heart of the Italian Renaissance. Created by the masterful hand of Francesco del Cossa in 1473, this monumental work transcends mere decoration; it is a profound meditation on faith, knowledge, and divine grace. The composition immediately commands attention, drawing the viewer into an architectural space where earthly grandeur meets celestial mystery. At its core…
Francesco del Cossa’s “Griffoni Polyptych: St Peter and St John the Baptist,” painted in 1473, is more than just a religious depiction; it's a meticulously crafted tableau brimming with symbolism and reflecting the complex political and spiritual landscape of Renaissance Ferrara. This monumental work, measuring 112 x 55 cm, offers a captivating glimpse into the artistic prowess of a master painter whose career tragically ended far too early. The polyptych…
To gaze upon this detail from the Allegory of March: Triumph of Minerva is to step directly into the bustling, energetic heart of an artistic workshop during the Italian Renaissance. It is not merely a depiction of art; it is a profound meditation on the very act of creation itself. The scene unfolds with a palpable sense of industry, capturing painters in various stages of their laborious craft—mixing pigments, scaling…
To gaze upon this detail from the Allegory of March: Triumph of Minerva is to step directly into the luminous, thoughtful atmosphere of the Italian Renaissance. The scene unfolds with a profound sense of contemplation, centered around a magnificent male figure whose very posture speaks of classical ideals and divine purpose. Rendered in rich, muted tones—deep purples, earthy reds, and warm browns—the composition draws the eye along a stately vertical…
In Angel of annunciation kneeling in landscape, Francesco del Cossa presents a religious scene likely representing the Annunciation. The composition centers on a winged figure positioned in the lower center, kneeling within a landscape and facing toward the right. Large, prominent wings extend upward and backward from the angel, anchoring the figure within the spatial arrangement. The angel is draped in voluminous robes characterized by heavy, rhythmic folds that emphasize…
The Annunciation, a work by Francesco del Cossa, unfolds through a complex composition that spans a main panel and a predella. This religious work, dated about 1470, captures a profound moment rooted in Christian Theology and Biblical Narrative. Within the sacred space, the Archangel Gabriel appears to the Virgin Mary, marking the divine encounter that changes everything. The scene is not a solitary event but part of a larger unfolding…
The artwork titled Saint Catherine and Saint Clare is a religious portrait created by the artist Francesco del Cossa. This work dates to about 1470. The composition focuses on the depiction of two female saints, presented within a vertical and narrow format. The subject matter centers on these two figures, which are rendered with a focus on their sanctity and individual presence.
Saint Florian is a painting by the Italian Renaissance artist Francesco del Cossa. This specific work was created around 1473/1474. It originated as the upper left panel of the Griffoni Polyptych, a larger multi-part altarpiece. The commission was requested by Floriano Griffoni for a family chapel located within the Basilica of San Petronio in Bologna.
The fresco fragment known as Allegory of April: Triumph of Venus (detail) captures a specific moment of movement within a larger cycle. Created by the artist Francesco del Cossa, this work emerged in 1476. It resides within the walls of the Palazzo Schifanoia in Ferrara, Italy. The scene focuses on the intimate presence of pairs of lovers.
The Justice of Trajan and the widow1500
12
Annunciamento e Natividade (Retábulo da Observação)1470 · Gemäldegalerie
13
Allegory of March: Triumph of Minerva1476 · Palazzo Schifanoia
14
Allegory of March: Triumph of Minerva1476 · Palazzo Schifanoia
15
Allegory of May: Triumph of Apollo1476 · Palazzo Schifanoia
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Allegory of March: Triumph of Minerva (detail) (13)1476 · Palazzo Schifanoia
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Griffoni Polyptych: The Crucifixion1473 · National Gallery of Art
18
Allegory of May: Triumph of Apollo (detail)1476 · Palazzo Schifanoia
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April. Fresco in Palazzo Schifanoia (detail) - Triumph of Venus1470
20
April. Fresco in Palazzo Schifanoia (detail) - Triumph of Venus1470
21
Allegory of March – Triumph of Minerva and Sign of Aries. Frescos in Palazzo Schifanoia (detail)1470
22
Allegory of March – Triumph of Minerva and Sign of Aries. Frescos in Palazzo Schifanoia (detail)1470
23
Allegory of May: Triumph of Apollo (detail)1476 · Palazzo Schifanoia
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Allegory of March: Triumph of Minerva (detail) (16)1476 · Palazzo Schifanoia
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Allegory of March: Triumph of Minerva (detail) (12)1476 · Palazzo Schifanoia
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Triumph of Minerva (detail of the right side)1476 · Palazzo Schifanoia
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Allegory of April Triumph of Venus (detail)1476 · Palazzo Schifanoia
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Allegory of March: Triumph of Minerva (detail) (10)1476 · Palazzo Schifanoia
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Allegory of April: Triumph of Venus (detail from the Bull)1476 · Palazzo Schifanoia
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Allegory of March: Triumph of Minerva (detail) (15)1476 · Palazzo Schifanoia
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Allegory of April: Triumph of Venus (detail)1476 · Palazzo Schifanoia
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Saint Lucy1474
33
Allegory of April: Triumph of Venus1476 · Palazzo Schifanoia
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Allegory of April: Triumph of Venus1476 · Palazzo Schifanoia
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Portrait of a Man1472 · Museu Thyssen-Bornemisza
36
The Meeting of Solomon and the Queen of Sheba; Cherub Holding Cornucopias of Cherries (recto and verso)Museu de Belas Artes de Boston
37
Profile Portrait of a Boy
38
Schifanoia - View of the Salone dei Mesi
39
Portrait of a ManMuseu Thyssen-Bornemisza
40
Aleluia de Abril (Detalhe)1476 · Palazzo Schifanoia
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Schifanoia - March - Triumph of Minerva
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Schifanoia - April and May - Triumph of Venus (right view)
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Schifanoia - April and May - Allegory of April (detail)2
44
Schifanoia - April and May - Triumph of Venus (detail)
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Schifanoia - April and May - Allegory of April (detail)
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Schifanoia - March - Triumph of Minerva (detail)
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Schifanoia - April and May - Triumph of Venus (detail)2
48
Scenes from the Life of Saint Vincent Ferrer
49
griffoni - St Peter and St John the Baptist (details)
50
Griffoni Polyptych: Saint Florian (detail)National Gallery of Art
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Griffoni Polyptych: The Crucifixion (detail)National Gallery of Art
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Griffoni Polyptych: The Crucifixion (detail)National Gallery of Art
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Madonna with the Child and Saints1474 · Pinacoteca Nazionale
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St Peter1473 · Pinacoteca di Brera
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St Florian (Griffoni Polyptych)National Gallery of Art
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The Annunciation1470 · Gemäldegalerie Alte Meister
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Griffoni Polyptych: St Lucy1473 · National Gallery of Art
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Virgin and Child with An AngelMuseu Nacional d'Art de Catalunya
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griffoni - St John the BaptistPinacoteca di Brera
60
griffoni - St Vincent FerrerNational Gallery
61
Schifanoia - April and May - Triumph of VenusPalazzo Schifanoia
Os quatro temas que mais se repetem nestas obras originais, cada um com o seu melhor exemplo.
Os 8 museus que detêm a maioria das pinturas desta página.
| Museus | Cidade | Obras de Francesco Del Cossa | Pinturas desta lista |
|---|---|---|---|
 Palazzo Schifanoia |
Ferrara | 22 | Allegory of May: Triumph of Apollo (detail), Allegory of March: Triumph of Minerva (detail) (14), Allegory of March: Triumph of Minerva (detail) (11) |
 National Gallery of Art |
Washington | 6 | Griffoni Polyptych: The Crucifixion, Griffoni Polyptych: Saint Florian (detail), Griffoni Polyptych: The Crucifixion (detail) |
 Pinacoteca di Brera |
Milão | 3 | Griffoni Polyptych: St Peter and St John the Baptist, St Peter, griffoni - St John the Baptist |
 National Gallery |
Londres | 2 | Griffoni Polyptych: St Vincent Ferrer, griffoni - St Vincent Ferrer |
 Museu Nacional d'Art de Catalunya |
Barcelona | 2 | Saint Catherine and Saint Clare, Virgin and Child with An Angel |
 Museu Thyssen-Bornemisza |
Madrid | 2 | Portrait of a Man, Portrait of a Man |
 Bonnefanten Museum |
Maastricht | 1 | The Annunciation |
 Gemäldegalerie |
Dresden | 1 | Annunciamento e Natividade (Retábulo da Observação) |
Uma longa carreira de 17 anos, de 1460 a 1476: os originais mais famosos de Francesco Del Cossa, apresentados ano a ano.
Escolha um ano para ver as obras originais.
In Angel of annunciation kneeling in landscape, Francesco del Cossa presents a religious scene likely representing the Annunciation. The composition centers on a winged figure positioned in the lower center, kneeling within a landscape and facing toward the right. Large, prominent wings extend upward and backward from the angel, anchoring the figure within the spatial arrangement. The angel is draped in voluminous robes characterized by heavy, rhythmic folds that emphasize…
The artwork titled Saint Catherine and Saint Clare is a religious portrait created by the artist Francesco del Cossa. This work dates to about 1470. The composition focuses on the depiction of two female saints, presented within a vertical and narrow format. The subject matter centers on these two figures, which are rendered with a focus on their sanctity and individual presence.
Mais de 1470
#12 Annunciamento e Natividade (Retábulo da Observação)
#19 April. Fresco in Palazzo Schifanoia (detail) - Triumph of Venus
#20 April. Fresco in Palazzo Schifanoia (detail) - Triumph of Venus
#21 Allegory of March – Triumph of Minerva and Sign of Aries. Frescos in Palazzo Schifanoia (detail)
#22 Allegory of March – Triumph of Minerva and Sign of Aries. Frescos in Palazzo Schifanoia (detail)
#56 The Annunciation
Within the hallowed halls of the Museo Thyssen-Bornemisza in Madrid resides a painting that transcends mere representation, offering instead a glimpse into the soul of 15th-century Italy – Francesco del Cossa's "Portrait of a Man." Completed around 1472, this oil on panel work is more than just a likeness; it’s a carefully constructed tableau of status, contemplation, and the burgeoning humanist ideals that defined the era. The painting immediately draws…
To stand before the Griffoni Polyptych: St Vincent Ferrer is to step directly into the luminous heart of the Italian Renaissance. Created by the masterful hand of Francesco del Cossa in 1473, this monumental work transcends mere decoration; it is a profound meditation on faith, knowledge, and divine grace. The composition immediately commands attention, drawing the viewer into an architectural space where earthly grandeur meets celestial mystery. At its core…
Mais de 1473
Saint Florian is a painting by the Italian Renaissance artist Francesco del Cossa. This specific work was created around 1473/1474. It originated as the upper left panel of the Griffoni Polyptych, a larger multi-part altarpiece. The commission was requested by Floriano Griffoni for a family chapel located within the Basilica of San Petronio in Bologna.
Mais de 1474
To stand before this monumental fresco detail is to step directly into the vibrant, complex heart of the Quattrocento Renaissance. The Allegory of May: Triumph of Apollo, attributed to Francesco del Cossa, is not merely a depiction of an event; it is a profound meditation on cycles—the cycle of life, the triumph over darkness, and the eternal return of divine grace. The sheer scale, measuring an impressive 216 by 320…
Mais de 1476
#4 Allegory of March: Triumph of Minerva (detail) (14)
#5 Allegory of March: Triumph of Minerva (detail) (11)
#10 Allegory of April: Triumph of Venus (detail)
#13 Allegory of March: Triumph of Minerva
#14 Allegory of March: Triumph of Minerva
#15 Allegory of May: Triumph of Apollo
#16 Allegory of March: Triumph of Minerva (detail) (13)
Allegory of May: Triumph of Apollo (detail) (1476), Palazzo Schifanoia, Ferrara. Griffoni Polyptych: St Vincent Ferrer (1473) e Griffoni Polyptych: St Peter and St John the Baptist (1473) vêm a seguir.
40 anos: Allegory of May: Triumph of Apollo (detail) data de 1476, e Francesco Del Cossa nasceu em 1436.
Allegory of May: Triumph of Apollo (detail), Griffoni Polyptych: St Vincent Ferrer, Griffoni Polyptych: St Peter and St John the Baptist, Allegory of March: Triumph of Minerva (detail) (14), Allegory of March: Triumph of Minerva (detail) (11), Angel of annunciation kneeling in landscape, The Annunciation, Saint Catherine and Saint Clare, Saint Florian e Allegory of April: Triumph of Venus (detail). O ranking acima apresenta o ano e o museu de cada uma.
Nosso catálogo contém 64 obras de Francesco Del Cossa, datadas de 1460 a 1476.
Principalmente em Palazzo Schifanoia (Ferrara), National Gallery of Art (Washington) e Pinacoteca di Brera (Milão). A tabela de museus acima lista todos eles.
Em 1476: 21 das 61 obras nesta página foram feitas então, sendo Allegory of May: Triumph of Apollo (detail) delas.
Nesta página, a mais antiga é Angel of annunciation kneeling in landscape (1460) e a mais recente é Allegory of May: Triumph of Apollo (detail) (1476).
Allegory (10), People (9) e Mythology (8), entre as 61 obras nesta página.
Fresco, para 23 das 61 obras nesta página.
Renaissance e Early renaissance, a julgar pelos originais nesta página.
Allegory of May: Triumph of Apollo (detail), Allegory of March: Triumph of Minerva (detail) (14) e Allegory of March: Triumph of Minerva (detail) (11): o Palazzo Schifanoia, Ferrara detém 22 das obras desta página.
Francesco del Cossa (c. 1436 – 1477) foi um pintor fundamental do Renascimento italiano, profundamente ligado à escola de Ferrara. Nascido em Ferrara, na Itália, ele permanece como uma figura intrigante, cuja vida e carreira estão parcialmente envoltas em mistério histórico; no entanto, suas contribuições artísticas, particularmente seus afrescos, erguem-se como testemunhos de sua habilidade e de sua abordagem inovadora dentro do florescente estilo renascentista.
Del Cossa era filho de um mestre pedreiro, Cristofano del Cossa, que também atuava como artista. Pouco se sabe com certeza sobre a formação artística inicial de Francesco, mas acredita-se que ele tenha auxiliado seu pai na pintura de decorações para a capela do Palácio Episcopal em Ferrara, por volta de 1456. Essa exposição precoce à prática artística moldou, sem dúvida, seu desenvolvimento inicial. Ao chegar ao final de seus vinte anos ou início dos trinta, parece ter viajado para fora de Ferrara, adquirindo experiência e, potencialmente, encontrando novas influências artísticas.
Del Cossa é celebrado primordialmente por seus ciclos de afrescos, mais notavelmente aqueles que adornam o Palazzo Schifanoia, um palácio de verão situado logo além das portas da cidade de Ferrara. Em colaboração com Cosimo Tura, ele contribuiu para elaboradas decorações alegóricas que retratam os signos do zodíaco e os meses do ano. Afrescos específicos atribuídos a del Cossa incluem a "Alegoria de Maio – O Triunfo de Apolo", notável por sua representação impactante de uma multidão de crianças nuas dispostas em uma formação visualmente arrebatadora, e a “Alegoria de Abril”, que apresenta uma representação precoce das Três Graças, antecipando a famosa versão de Botticelli. Estes afrescos demonstram seu domínio da perspectiva, do detalhe e da narrativa visual.
Para além do Palazzo Schifanoia, del Cossa produziu outras obras significativas:
O estilo de Del Cossa reflete uma mistura de influências características do Renascimento Ferrarense. Embora enraizado nas tradições góticas anteriores, seu trabalho demonstra um engajamento crescente com as formas clássicas e os ideais humanistas. Sua atenção ao detalhe, particularmente na representação de tecidos e texturas, revela uma aguda habilidade de observação. A influência da pintura flamenga primitiva também pode ser detectada em sua renderização meticulosa dos detalhes. Seu período breve, porém impactante, em Bolonha, sob o patrocínio da família Bentivoglio, refinou ainda mais seu estilo, levando à criação de alguns de seus retratos mais célebres.
O legado de Francesco del Cossa repousa em suas contribuições para a arte renascentista de Ferrara e em sua visão artística singular. Embora sua carreira tenha sido relativamente curta, ele deixou um corpo de obras que exemplifica o dinamismo e a inovação do período. Seus afrescos no Palazzo Schifanoia são documentos inestimáveis da vida cortesã e do mecenato artístico do século XV. Suas representações de temas clássicos, como as Três Graças, demonstram um envolvimento precoce com os ideais humanistas. O reconhecimento recente de Del Cossa no romance de Ali Smith, "How to Be Both", e sua conexão com uma caça ao tesouro no Google Earth trouxeram ainda mais atenção a este mestre renascentista, muitas vezes negligenciado.
