Retrato de Francesco Bartolozzi

As 2 Pinturas Mais Famosas de Francesco Bartolozzi, uma Seleção da Galeria

Atualizado em Novembro 2026 · classificado pela nossa pontuação de popularidade (pesquisas, visitas e pedidos de cada obra) · 2 obras de Francesco Bartolozzi em nosso catálogo

Em resumo

De todas as obras originais deixadas por Francesco Bartolozzi, a mais famosa é Thomas Cheesman (1777), da coleção do National Portrait Gallery, em Londres. Nosso catálogo contém 2 obras de Francesco Bartolozzi; a galeria preservou as 2 que o mundo mais admira, cada uma exibida com sua data, seu museu e sua história.

1728 – 1815, Florence Mais obras: National Portrait Gallery

As 10 principais pinturas de Francesco Bartolozzi: a escolha da galeria

1
Thomas Cheesman (1777) de Francesco Bartolozzi

Thomas Cheesman

1777 · Oil On Canvas · National Portrait Gallery, Londres

This oil on canvas portrait depicts Thomas Cheesman, an English engraver and draughtsman. Attributed to the artist Francesco Bartolozzi, the work was created circa 1777. The subject, who lived from 1760 to circa 1834, is presented in a formal manner that identifies his professional standing. The painting is held within the National Portrait Gallery in London.

2
Bacchante (1786) de Francesco Bartolozzi

Bacchante

1786 · Engraving · Museu Hermitage, São Petersburgo

In this 1786 composition, we find ourselves drawn into a quiet, wooded setting where three women are gathered. There is a sense of ease in their posture, a feeling of shared companionship that feels almost private, as if we have stumbled upon a fleeting moment of rest. The figures are positioned with a natural grace; one woman rests on the left, while the other two are situated closer to the…

Os museus que guardam os originais de Francesco Bartolozzi

Os 2 museus que detêm a maioria das pinturas desta página.

Museus Cidade Obras de Francesco Bartolozzi Pinturas desta lista
National Portrait Gallery, LondresNational Portrait Gallery Londres 1 Thomas Cheesman
Museu Hermitage, São PetersburgoMuseu Hermitage São Petersburgo 1 Bacchante

Francesco Bartolozzi ano a ano: as obras originais que definem cada um

Em pouco mais de uma década, de 1777 a 1786, o mundo recebeu cada obra original de Francesco Bartolozzi nesta seleção: aqui está, ano a ano.

Obras por ano

Escolha um ano para ver as obras originais.

Perguntas de colecionadores sobre as pinturas de Francesco Bartolozzi

Por qual obra Francesco Bartolozzi é mais conhecido(a)?Revelar a resposta

Thomas Cheesman (1777)

Qual era a idade de Francesco Bartolozzi quando Thomas Cheesman foi feita?Revelar a resposta

49 anos: Thomas Cheesman data de 1777, e Francesco Bartolozzi nasceu em 1728.

Quantas pinturas Francesco Bartolozzi deixou?Revelar a resposta

Nosso catálogo contém 2 obras de Francesco Bartolozzi, datadas de 1777 a 1786.

Em quais museus estão expostas as obras-primas de Francesco Bartolozzi?Revelar a resposta

Principalmente em National Portrait Gallery (Londres) e Museu Hermitage (São Petersburgo). A tabela de museus acima lista todos eles.

Quais são as primeiras e as últimas obras originais famosas de Francesco Bartolozzi?Revelar a resposta

Nesta página, a mais antiga é Thomas Cheesman (1777) e a mais recente é Bacchante (1786).

Francesco Bartolozzi: vida e obra

Francesco Bartolozzi: Life and Legacy

Early Life and Training

  • Born: Florence, Italy in 1725.
  • Initially destined to follow his father’s profession as a goldsmith and silversmith.
  • Demonstrated exceptional artistic talent early on, leading him to study painting under Florentine artists Ignazio Hugford and Giovanni Domenico Ferretti.
  • Spent three years dedicated to painting before turning his attention to engraving in Venice.
  • Influenced by the work of Joseph Wagner, a prominent engraver, during his time in Venice.

Artistic Development and Style

  • Bartolozzi’s early engravings were initially in the style of artists like Marco Ricci and Zuccarelli.
  • He later developed a distinctive style, becoming renowned for popularizing the “crayon” method of engraving.
  • The ‘crayon’ manner imitated the subtle effects of chalk drawings, creating soft, delicate textures and tones.
  • His work often featured portraits and allegorical scenes, reflecting Neoclassical influences.

Career in London

  • Moved to London in 1764 and remained there for nearly forty years.
  • Quickly established himself as a leading engraver, appointed ‘Engraver to the King’ with an annual salary of £300.
  • Elected a founding member of the Royal Academy in 1768, solidifying his position within the British art establishment.
  • Contributed significantly to Boydell's Shakespeare Gallery, creating engravings based on works by prominent artists.
  • Frequently collaborated with artists such as Cipriani and Angelica Kauffman.

Major Achievements and Works

  • Notable works include engravings of “Clytie” after Annibale Carracci and the “Virgin and Child” after Carlo Dolci.
  • His skill in reproducing paintings with a chalk-like quality made his engravings highly sought after.
  • In 1802, he became the founding president of the short-lived Society of Engravers.
  • Bartolozzi’s influence extended to numerous pupils, including Michele Benedetti and Luigi Schiavonetti.

Later Life and Historical Significance

  • In 1802, Bartolozzi accepted the position of director of the National Academy of Lisbon.
  • He died in Lisbon in 1815.
  • Bartolozzi’s contribution to engraving lies in his mastery and popularization of the crayon manner, which significantly impacted the aesthetic qualities of engravings during his time.
  • His work remains a testament to the skill and artistry of 18th-century engravers and continues to be appreciated for its delicate beauty and technical brilliance.