Atualizado em Novembro 2026 · classificado pela nossa pontuação de popularidade (pesquisas, visitas e pedidos de cada obra) · 7 obras de Ferdinand Oldewelt em nosso catálogo
Em resumo
A Gypsy Girl in a Church (1917) é a pintura de Ferdinand Oldewelt que mais atrai olhares; a obra original pertence ao Museum Boijmans Van Beuningen, Roterdã. Depois disso, o olhar recai sobre Woman with spinning wheel (1886) e Gypsy girl (1905). Entre as 7 obras de Ferdinand Oldewelt em nosso catálogo, estas 7 são as mais famosas, cada uma uma original única apresentada com o seu ano, o seu museu e a razão pela qual perdura.
A young girl occupies the center of this 1917 oil painting, positioned slightly to the left of the vertical axis. She is depicted in a full-length portrait, standing within a muted interior that suggests a church setting. Her figure is defined by a heavy, saturated red coat that provides the primary color weight in the composition. A teal-green scarf is wrapped around her neck, offering a cool contrast to the…
Os 4 museus que detêm a maioria das pinturas desta página.
| Museus | Cidade | Obras de Ferdinand Oldewelt | Pinturas desta lista |
|---|---|---|---|
 Amsterdam Museum |
Amsterdão | 4 | Woman with spinning wheel, Mr. Willem Frederik Hendrik Oldewelt (1895-?), Portrait of an angora cat |
 Museum Boijmans Van Beuningen |
Roterdã | 1 | A Gypsy Girl in a Church |
 Dordrechts Museum |
Dordrecht | 1 | Gypsy girl |
 Groninger Museum |
Groningen | 1 | Varkensmarkt on the Grote Markt, Groningen, |
Escolha uma década para ver a obra original que a define.
A young girl occupies the center of this 1917 oil painting, positioned slightly to the left of the vertical axis. She is depicted in a full-length portrait, standing within a muted interior that suggests a church setting. Her figure is defined by a heavy, saturated red coat that provides the primary color weight in the composition. A teal-green scarf is wrapped around her neck, offering a cool contrast to the…
A Gypsy Girl in a Church (1917), Museum Boijmans Van Beuningen, Roterdã. Woman with spinning wheel (1886) e Gypsy girl (1905) vêm a seguir.
60 anos: A Gypsy Girl in a Church data de 1917, e Ferdinand Oldewelt nasceu em 1857.
Nosso catálogo contém 7 obras de Ferdinand Oldewelt, datadas de 1886 a 1925.
Principalmente em Amsterdam Museum (Amsterdão), Museum Boijmans Van Beuningen (Roterdã) e Dordrechts Museum (Dordrecht). A tabela de museus acima lista todos eles.
Em 1880s: 3 das 7 obras nesta página foram feitas então, sendo Woman with spinning wheel delas.
Nesta página, a mais antiga é Woman with spinning wheel (1886) e a mais recente é Mr. Willem Frederik Hendrik Oldewelt (1895-?) (1925).
Woman with spinning wheel, Mr. Willem Frederik Hendrik Oldewelt (1895-?) e Portrait of an angora cat: o Amsterdam Museum, Amsterdão detém 4 das obras desta página.
Ferdinand Oldewelt lived a life shaped by the steady rhythm of the studio and the classroom. Born in Amsterdam, he spent his early years absorbing the technical rigor required of a professional artist. His training took him from the Rijksakademie van beeldende kunsten, where he studied under August Allebé and Barend Wijnveld, to the Koninklijke Academie voor Schone Kunsten in Antwerp. It was here, under the guidance of Charles Verlat, that his hand found its specific way of seeing. He was not merely a painter but a man of many tools, working as a printmaker, watercolorist, and etcher. His hands were as comfortable with the sharp bite of an etching needle as they were with the soft spread of a watercolor wash.
His career was defined by a commitment to the instruction of others. He moved through various roles of leadership and teaching, shaping the hands of many students. His influence stretched across several institutions, leaving a mark on the way art was taught in the Netherlands during his lifetime.
By 1890, Oldewelt was among the first to settle near the village of Laren, a place that would become a gathering point for many painters. While he did not officially make Laren his permanent home until 1922, his presence in the area was felt long before. He became part of the Larense School, a group of artists drawn to the rural landscape and the quietude of interior scenes. His work often focused on these intimate subjects, such as a woman with a spinning wheel, capturing the stillness of a moment. He was a man of his community, holding memberships in groups like Arti et Amicitiae and Pulchri Studio.
His technical skill was evident in the way he handled light and form, whether in a formal drawing or a finished painting. He taught many notable figures, including Pieter den Besten and Gesina Boevé, passing down the discipline he had acquired in his own youth. He remained active in his craft and his teaching until his death in Laren in 1935.
