Em resumo
De todas as obras originais deixadas por Else Wex Cleemann, a mais famosa é Knabenbildnis (1934), da coleção do Bavarian State Painting Collections, em Munique. Nosso catálogo contém 2 obras de Else Wex Cleemann; a galeria preservou as 1 que o mundo mais admira, cada uma exibida com sua data, seu museu e sua história.
As 10 principais pinturas de Else Wex Cleemann: a escolha da galeria
Os museus que guardam os originais de Else Wex Cleemann
O museu que detém a maioria das pinturas desta página.
| Museus | Cidade | Obras de Else Wex Cleemann | Pinturas desta lista |
|---|---|---|---|
| Munique | 1 | Knabenbildnis |
Else Wex Cleemann ano a ano: as obras originais que definem cada um
1934 é o ano de cada obra datada de Else Wex Cleemann nesta seleção: aqui estão elas, classificadas por fama.
Perguntas de colecionadores sobre as pinturas de Else Wex Cleemann
Por qual obra Else Wex Cleemann é mais conhecido(a)?Revelar a resposta
Knabenbildnis (1934)
Qual era a idade de Else Wex Cleemann quando Knabenbildnis foi feita?Revelar a resposta
44 anos: Knabenbildnis data de 1934, e Else Wex Cleemann nasceu em 1890.
Quantas pinturas Else Wex Cleemann deixou?Revelar a resposta
Nosso catálogo contém 2 obras de Else Wex Cleemann.
Em quais museus estão expostas as obras-primas de Else Wex Cleemann?Revelar a resposta
Principalmente em Bavarian State Painting Collections (Munique). A tabela de museus acima lista todos eles.
Else Wex Cleemann: vida e obra
Life and Artistic Journey
Born in Ciudad Bolívar, Venezuela, Else Wex Cleemann was a German painter and etcher. After her family moved to Hamburg, she studied at the Kunstgewerbeschule, eventually qualifying as a drawing teacher. Her formal training continued in Berlin at the art school of Arthur Lewin-Funcke, where she studied under Lovis Corinth, and later in Hamburg, where she studied graphics with Fritz Behnke. Following a period in Paris, she became active in the artistic circles of Hamburg and Lübeck.
Her work during the 1920s was characterized by a style influenced by New Objectivity, noted for its luminous color and the sharpness and clarity of external forms. Her subjects included portraits and landscapes, often inspired by travels to Italy, Munich, Norway, Denmark, Holland, and France. In 1933, she married Jan Cleemann.
Exhibitions and Legacy
The career of Else Wex Cleemann was marked by significant historical complexities. In 1937, her oil painting Old Factory (Factory Courtyard) was confiscated by the Kunsthalle zu Kiel as degenerate art. During the same period, her portrait of Hermann Behme was exhibited in the Great German Art Exhibition. Her 1937 self-portrait, Self-Portrait as Eva, reflects the ambivalence of both rejection and success during the National Socialist era.
In the years following the Second World War, she participated in numerous exhibitions, though she lived a more withdrawn life in her later years due to a lack of acceptance for her work. Recently, her work has undergone a positive re-evaluation, with pieces featured in exhibitions such as Spannungsfeld Weimar. Kunst und Gesellschaft 1919-1933 and Kunst in „Dritten Reich“.