Em resumo
De todas as obras originais deixadas por Edward Smith, a mais famosa é Market House, Dursley, Gloucestershire (1879), da coleção do Gloucester Life Museum, em Gloucester. Logo atrás vêm An Angling Party (The Willyams Family at Carnanton ) (1773) e Edward Rushton (1795–1851) (1840). Nosso catálogo contém 13 obras de Edward Smith; a galeria preservou as 13 que o mundo mais admira, cada uma exibida com sua data, seu museu e sua história.
As 10 principais pinturas de Edward Smith: a escolha da galeria
A seleção de Edward Smith continua, de 11 a 13
Os museus que guardam os originais de Edward Smith
Os 4 museus que detêm a maioria das pinturas desta página.
| Museus | Cidade | Obras de Edward Smith | Pinturas desta lista |
|---|---|---|---|
| Gloucester | 8 | Spa Grounds, Gloucester, River Scene with Anglers, the Leadon, Gloucestershire, The Quay and Docks, Gloucester, 1878 | |
| Gloucester | 2 | Market House, Dursley, Gloucestershire, The Quay and Docks, Gloucester, 1890 | |
| 1 | An Angling Party (The Willyams Family at Carnanton ) | ||
| Liverpool | 1 | Edward Rushton (1795–1851) |
Edward Smith década a década: a obra original que define cada uma
Obras por década
Escolha uma década para ver a obra original que a define.
Perguntas de colecionadores sobre as pinturas de Edward Smith
Por qual obra Edward Smith é mais conhecido(a)?Revelar a resposta
Market House, Dursley, Gloucestershire (1879), Gloucester Life Museum, Gloucester. An Angling Party (The Willyams Family at Carnanton ) (1773) e Edward Rushton (1795–1851) (1840) vêm a seguir.
Quais são as dez pinturas mais famosas de Edward Smith?Revelar a resposta
Market House, Dursley, Gloucestershire, An Angling Party (The Willyams Family at Carnanton ), Edward Rushton (1795–1851), Spa Grounds, Gloucester, River Scene with Anglers, the Leadon, Gloucestershire, The Quay and Docks, Gloucester, 1878, The Quay and Docks, Gloucester, 1890, Llanthony Bridge, Gloucester, Southgate Street, Gloucester e Captain James Pendergrass (1767–1851), RN. O ranking acima apresenta o ano e o museu de cada uma.
Quantas pinturas Edward Smith deixou?Revelar a resposta
Nosso catálogo contém 13 obras de Edward Smith, datadas de 1773 a 1880.
Em quais museus estão expostas as obras-primas de Edward Smith?Revelar a resposta
Principalmente em Museum of Gloucester (Gloucester), Gloucester Life Museum (Gloucester) e Wimpole Hall. A tabela de museus acima lista todos eles.
Em que anos Edward Smith pintou as suas obras mais famosas?Revelar a resposta
Em 1870s: 4 das 13 obras nesta página foram feitas então, sendo Market House, Dursley, Gloucestershire delas.
Quais são as primeiras e as últimas obras originais famosas de Edward Smith?Revelar a resposta
Nesta página, a mais antiga é An Angling Party (The Willyams Family at Carnanton ) (1773) e a mais recente é River Scene with Anglers, the Leadon, Gloucestershire (1880).
Quais obras de Edward Smith estão expostas no Museum of Gloucester?Revelar a resposta
Spa Grounds, Gloucester, River Scene with Anglers, the Leadon, Gloucestershire e The Quay and Docks, Gloucester, 1878: o Museum of Gloucester, Gloucester detém 8 das obras desta página.
Edward Smith: vida e obra
The Visionary Landscapes of Edward Smith
Edward Smith (1850 – 1912) stands as a singular figure in Victorian British art, recognized primarily for his monumental canvases depicting mythological scenes—particularly the biblical Flood—and expansive landscapes imbued with an almost unsettling grandeur. While overshadowed by contemporaries like Turner and Constable during his lifetime, Smith’s distinctive style has garnered renewed appreciation in recent decades, cementing his place as a pivotal artist of the era and influencing subsequent generations of painters. His work transcends mere representation; it strives to convey profound emotional resonance and philosophical contemplation, reflecting the anxieties and aspirations of a society grappling with scientific advancements alongside spiritual yearning.
Born in Hanley, Staffordshire, Smith’s upbringing amidst a family of potters instilled an appreciation for craftsmanship and detail—traits that would become hallmarks of his artistic practice. His father's involvement in the American Civil War shaped his worldview, fostering a fascination with history and storytelling. Despite facing personal hardships including familial discord and debilitating illness, Smith persevered in pursuing his artistic ambitions. He honed his skills at the British School in Etruria before embarking on a self-directed artistic journey, absorbing inspiration from Romantic painters like Turner and Friedrich, particularly their masterful manipulation of light and atmosphere.
A Mastery of Atmosphere and Narrative
Smith’s artistic evolution was marked by an engagement with Symbolist aesthetics, evident in his use of muted palettes and evocative imagery that demonstrated an intellectual curiosity extending far beyond mere visual technique. His ability to blend naturalist observation with symbolic commentary allowed him to create works that felt both grounded in reality and elevated by myth. This is perhaps most strikingly realized in his depictions of the English countryside, where he captured the serene essence of rural life through scenes such as At Elmore, Gloucester. In these works, a sense of peace pervades the atmosphere, often punctuated by the delicate presence of birds flying overhead, adding to the harmony of the composition.
Beyond the tranquil, however, lies the dramatic power of his larger-scale compositions. His magnum opus, “The Flood,” exemplifies his grand artistic vision. Measuring over 10 feet by 20 feet, this monumental piece showcases his capacity for depicting apocalyptic landscapes with a sense of awe and terror. Whether he was painting the bustling town square of Market House, Dursley or the quiet river scenes of the Leadon, Smith possessed a unique ability to imbue every subject with a sense of historical weight and atmospheric depth.
Legacy and Historical Significance
The legacy of Edward Smith resides not only in the physical canvases he left behind but in the way his work continues to provoke thought regarding our relationship with the natural world. His paintings often serve as a striking blend of naturalist observation and symbolic commentary, reflecting deep-seated anxieties about environmental degradation and the passage of time. Today, his contributions to British art history are preserved in significant collections, including:
- The Museum of Gloucester: Housing cherished works like At Elmore, Gloucester, which offer a window into late 19th-century rural life.
- Louisiana State University Art Collection: Where his evocative depictions of birds and landscapes continue to inspire scholars and art enthusiasts alike.
- Public Exhibitions: Showcasing his distinctive vision and the enduring power of his mythological and landscape narratives.
Through his meticulous attention to detail and his ability to capture the ephemeral qualities of light and shadow, Edward Smith remains a vital voice in the history of Victorian painting, reminding us of the profound connection between the landscapes we inhabit and the myths we carry within us.





