Retrato de Copley Fielding

Pinturas de Copley Fielding: As 89 mais famosas, sob o olhar de uma galeria

Atualizado em Novembro 2026 · classificado pela nossa pontuação de popularidade (pesquisas, visitas e pedidos de cada obra) · 105 obras de Copley Fielding em nosso catálogo

Em resumo

Aos olhos da galeria, a pintura mais famosa de Copley Fielding é Richmond hill, (1830). Ambelside, (1829) e Lake Nemi with Pontine Marshes in the Background (1837) completam o trio que todos reconhecem. Dos 105 trabalhos de Copley Fielding em nosso catálogo, a galeria apresenta abaixo as 89 obras mais famosas, cada uma original, com seu ano, seu museu e o que a torna única.

1787 – 1855, Sowerby Bridge Romanticism Mais obras: Birmingham Museum and Art Gallery

As 10 principais pinturas de Copley Fielding na galeria

Pinturas de Copley Fielding, classificadas de 11 a 89

11Rotha Quillinan de Copley FieldingRotha Quillinan 12Figures Conversing In A Highland Landscape de Copley FieldingFigures Conversing In A Highland Landscape 13Thomas Lombe Taylor de Copley FieldingThomas Lombe Taylor 14Coniston Beck, Lake District de Copley FieldingConiston Beck, Lake District 15William Cubitt, Lord Mayor Of London de Copley FieldingWilliam Cubitt, Lord Mayor Of London 16View From Pont Aberglaslyn Looking West Towards Moel Hebog And The Aberglaslyn Woods de Copley FieldingView From Pont Aberglaslyn Looking West Towards Moel Hebog And The Aberglaslyn Woods 17Loch Katrine de Copley FieldingLoch Katrine 18Dunster Castle, sunset de Copley FieldingDunster Castle, sunsetArt Gallery of New South Wales 19Loch Lomond at Dawn de Copley FieldingLoch Lomond at Dawn 20Sea Piece de Copley FieldingSea Piece 21On The Wye de Copley FieldingOn The Wye 22A shipwreck on the yorkshire coast. de Copley FieldingA shipwreck on the yorkshire coast. 23A fishing vessel heading out to sea in a squall de Copley FieldingA fishing vessel heading out to sea in a squall 24Nanette Rocks de Copley FieldingNanette Rocks 25North View Of Tintern Abbey de Copley FieldingNorth View Of Tintern Abbey 26The Vale Of Neath de Copley FieldingThe Vale Of Neath 27Shipping In Rough Seas de Copley FieldingShipping In Rough Seas 28Henry Graves de Copley FieldingHenry Graves 29A Sea Piece de Copley FieldingA Sea Piece 30John Gibson de Copley FieldingJohn Gibson 31Hauling In The Fishing Boat Onto The Shore de Copley FieldingHauling In The Fishing Boat Onto The Shore 32Evening, Cattle Grazing By A Lake de Copley FieldingEvening, Cattle Grazing By A Lake 33Shipping off Portsmouth de Copley FieldingShipping off Portsmouth 34St. john's vale de Copley FieldingSt. john's vale 35View Of Langdale Pikes And Ullswater de Copley FieldingView Of Langdale Pikes And Ullswater 36Near Cadar Idris, North Wales de Copley FieldingNear Cadar Idris, North Wales 37Figures On A Bridge, With Ruins Beyond de Copley FieldingFigures On A Bridge, With Ruins Beyond 38Skiddaw from derwentwater de Copley FieldingSkiddaw from derwentwater 39Near Ullswater de Copley FieldingNear Ullswater 40Crowded Waters At Dusk de Copley FieldingCrowded Waters At Dusk 41Off to the fishing grounds de Copley FieldingOff to the fishing grounds 42Scarborough Castle de Copley FieldingScarborough Castle 43An Extensive Landscape With Cattle And A Drover de Copley FieldingAn Extensive Landscape With Cattle And A Drover 44On the glaslyn, north wales de Copley FieldingOn the glaslyn, north wales 45Droving cattle de Copley FieldingDroving cattle 46Mountainous Landscape With Lake And Stream de Copley FieldingMountainous Landscape With Lake And Stream 47Bolton Abbey From The River Wharfe, South View de Copley FieldingBolton Abbey From The River Wharfe, South View 48Loch Achray Ruskin de Copley FieldingLoch Achray Ruskin 49Distant View Of The Cumberland Hills From Eskdale de Copley FieldingDistant View Of The Cumberland Hills From Eskdale 50Scene Near Capel Curig Looking Towards Snowdon de Copley FieldingScene Near Capel Curig Looking Towards Snowdon 51Off Fingle's Cave, Staffa, Argyllshire de Copley FieldingOff Fingle's Cave, Staffa, Argyllshire 52Fishing Smacks And Other Vessels Off The Coast In A Squall de Copley FieldingFishing Smacks And Other Vessels Off The Coast In A Squall 53Mrs John Forster de Copley FieldingMrs John Forster 54Cattle Watering In The Lake District de Copley FieldingCattle Watering In The Lake District 55River view de Copley FieldingRiver view 56Dolbadern castle de Copley FieldingDolbadern castle 57Windsor Castle From The Park de Copley FieldingWindsor Castle From The Park 58View Of Loch Katrine, Perthshire, With Ben Venue Beyond de Copley FieldingView Of Loch Katrine, Perthshire, With Ben Venue Beyond 59Harlech Castle de Copley FieldingHarlech Castle 60An Extensive Landscape With A Hay-cart And Figures In The Foreground de Copley FieldingAn Extensive Landscape With A Hay-cart And Figures In The Foreground 61A View On The Brathay Near Ambleside de Copley FieldingA View On The Brathay Near Ambleside 62Cayton Cliff Mill, near Scarborough de Copley FieldingCayton Cliff Mill, near Scarborough 63Traeth Mawr, Port Maddock, North Wales de Copley FieldingTraeth Mawr, Port Maddock, North Wales 64Arundel Castle de Copley FieldingArundel Castle 65An Extensive Landscape With Cattle And Figures In The Foreground de Copley FieldingAn Extensive Landscape With Cattle And Figures In The Foreground 66View of langdale pikes and bow fell, over windermere, westmoreland de Copley FieldingView of langdale pikes and bow fell, over windermere, westmoreland 67Scarborough, with a boat being vitalled in the harbour de Copley FieldingScarborough, with a boat being vitalled in the harbour 68Fishing vessels before st michael's mount de Copley FieldingFishing vessels before st michael's mount 69Figures Conversing In A Mountainous Lake Landscape de Copley FieldingFigures Conversing In A Mountainous Lake Landscape 70Off ramsgate at sunset de Copley FieldingOff ramsgate at sunset 71Fishing boats in a stiff breeze, off shore de Copley FieldingFishing boats in a stiff breeze, off shore 72A Storm Passing Off on the Coast of Merionethshire de Copley FieldingA Storm Passing Off on the Coast of Merionethshire 73Distant View Of Rievaulx Abbey, Near Helmsley, Yorkshire de Copley FieldingDistant View Of Rievaulx Abbey, Near Helmsley, Yorkshire 74A Herder With Cattle At The Edge Of A Lake In A Mountainous Landscape de Copley FieldingA Herder With Cattle At The Edge Of A Lake In A Mountainous Landscape 75A View Of Penrhyn Castle, Wales, With Figures In The Foreground de Copley FieldingA View Of Penrhyn Castle, Wales, With Figures In The Foreground 76Figures by a lake at dusk de Copley FieldingFigures by a lake at dusk 77Lazing on the downs, watching over the flock de Copley FieldingLazing on the downs, watching over the flock 78Cows In A River Landscape de Copley FieldingCows In A River Landscape 79Adam Sedgwick, Fellow, Geologist And Woodwardian Professor de Copley FieldingAdam Sedgwick, Fellow, Geologist And Woodwardian Professor 80Byland Abbey, Yorkshire de Copley FieldingByland Abbey, Yorkshire 81The ferry boat, possibly dartmouth cove de Copley FieldingThe ferry boat, possibly dartmouth cove 82A figure standing on a beach with shipping beyond de Copley FieldingA figure standing on a beach with shipping beyond 83A Scene On The Coast, Merionethshire de Copley FieldingA Scene On The Coast, MerionethshireYale Center for British Art 84Richard Lynch Cotton de Copley FieldingRichard Lynch Cotton 85A rest by the wayside, sunset de Copley FieldingA rest by the wayside, sunset 86William Gibbs de Copley FieldingWilliam GibbsTyntesfield 87Ennerdale, from high point farm de Copley FieldingEnnerdale, from high point farm 88John Frederick Lewis de Copley FieldingJohn Frederick Lewis 89Mrs Susannah Milner-gibson, Nee Cullum de Copley FieldingMrs Susannah Milner-gibson, Nee Cullum

Os temas que cativaram o olhar de Copley Fielding

Os quatro temas que mais se repetem nestas obras originais, cada um com o seu melhor exemplo.

Os museus que guardam os originais de Copley Fielding

Os 4 museus que detêm a maioria das pinturas desta página.

Museus Cidade Obras de Copley Fielding Pinturas desta lista
Birmingham Museum and Art Gallery, BirminghamBirmingham Museum and Art Gallery Birmingham 2 Lake Nemi with Pontine Marshes in the Background, Scottish Loch With Mountains
Art Gallery of New South Wales, SydneyArt Gallery of New South Wales Sydney 1 Dunster Castle, sunset
Yale Center for British Art, New HavenYale Center for British Art New Haven 1 A Scene On The Coast, Merionethshire
TyntesfieldTyntesfield 1 William Gibbs

Copley Fielding, uma pintura emblemática por década

Obras por década

Escolha uma década para ver a obra original que a define.

Pinturas de Copley Fielding: a galeria responde

Qual pintura de Copley Fielding é a mais famosa de todas?Revelar a resposta

Richmond hill, (1830). Ambelside, (1829) e Lake Nemi with Pontine Marshes in the Background (1837) vêm a seguir.

Qual era a idade de Copley Fielding ao concluir Richmond hill,?Revelar a resposta

43 anos: Richmond hill, data de 1830, e Copley Fielding nasceu em 1787.

Quais são as 10 principais pinturas de Copley Fielding?Revelar a resposta

Richmond hill,, Ambelside,, Lake Nemi with Pontine Marshes in the Background, Scottish Loch With Mountains, Ubaldo and Carlo in the Enchanted Boat,, Byland Abbey,, A Herdsman With Cattle Above Rydal Water In The Lake District, Sunset, Sussex, Beached Fishing Vessels At Low Tide e Unloading the catch, whitby. O ranking acima apresenta o ano e o museu de cada uma.

Quantas obras Copley Fielding criou?Revelar a resposta

Nosso catálogo contém 105 obras de Copley Fielding, datadas de 1829 a 1851.

Onde estão expostos os originais mais famosos de Copley Fielding?Revelar a resposta

Principalmente em Birmingham Museum and Art Gallery (Birmingham), Art Gallery of New South Wales (Sydney) e Yale Center for British Art (New Haven). A tabela de museus acima lista todos eles.

Quando é que Copley Fielding criou as suas pinturas mais famosas?Revelar a resposta

Em 1830s: 4 das 89 obras nesta página foram feitas então, sendo Richmond hill, delas.

Quais são as obras mais famosas de Copley Fielding no início e no fim de sua carreira?Revelar a resposta

Nesta página, a mais antiga é Ambelside, (1829) e a mais recente é Byland Abbey, (1851).

Quais temas Copley Fielding mais explorou?Revelar a resposta

Beach (11), Landscape (9) e Animals (8), entre as 89 obras nesta página.

Com qual movimento Copley Fielding está associado(a)?Revelar a resposta

Romanticism, a julgar pelos originais nesta página.

Quais obras originais de Copley Fielding o Birmingham Museum and Art Gallery possui?Revelar a resposta

Lake Nemi with Pontine Marshes in the Background e Scottish Loch With Mountains: o Birmingham Museum and Art Gallery, Birmingham detém 2 das obras desta página.

Copley Fielding: o artista

The Visionary Brush of Anthony Vandyke Copley Fielding

In the golden age of British watercolor, few names resonate with as much elegance and technical prowess as Anthony Vandyke Copley Fielding. Born in 1787 in the industrious landscape of Sowerby, near Halifax, Fielding emerged from the rugged textures of Yorkshire to become a defining voice of the Victorian era. His life was a masterful composition of scientific precision and romantic sensibility, a duality that allowed him to capture not just the surface of the natural world, but its very soul. As a pupil of the esteemed John Varley, Fielding inherited a profound respect for the nuances of light and atmosphere, a foundation upon which he built a career that would eventually lead him to the presidency of the Royal Society of Watercolours.

Fielding’s artistic development was deeply intertwined with his intellectual pursuits. His time as a Fellow of Trinity College, Cambridge, provided him with a unique vantage point; here, the rigors of scientific inquiry met the fluidity of artistic expression. This intersection is perhaps most visible in his meticulous approach to anatomy and nature. Having engaged in the study of dissections, he brought an unparalleled understanding of structure to his work, whether rendering the powerful musculature of a subject in portraiture or the intricate skeletal details of flora and fauna. This scientific eye did not stifle his creativity but rather anchored it, allowing him to depict the elements—the crashing waves of a coastal storm or the gentle light of a sunset—with a realism that felt both grounded and transcendent.

A Mastery of Landscape and Marine Subjects

The breadth of Fielding’s oeuvre is nothing short of extraordinary, spanning from the tranquil valleys of the English Lake District to the dramatic, wind-swept coasts of Wales. He was a painter who understood the language of the weather. His landscapes often eschewed mere rustic charm in favor of an idealized, classical beauty inspired by the great Richard Wilson. In his hands, the British countryside became a stage for the sublime. One might find himself lost in the turbulent energy of A Scene on the Coast, Merionethshire - Storm Passing Off, where the tension between sea and sky is palpable, or find peace in the soft, luminous washes of his more pastoral views.

His fascination with marine subjects further solidified his reputation as a premier watercolorist. Fielding possessed a rare ability to capture the weight and movement of water, utilizing a sophisticated palette of inks, graphite, and watercolors to create depth and motion. His works often evoke a sense of profound openness, inviting the viewer to breathe in the salt spray or feel the sudden chill of an approaching gale. This mastery was not limited to the canvas; his influence extended into the realm of printmaking and teaching, where he shared his sophisticated techniques with a new generation of artists, ensuring that his legacy of atmospheric precision would endure.

Legacy and Historical Significance

The accolades bestowed upon Fielding during his lifetime serve as a testament to his standing among the giants of 19th-century art. His triumph at the Paris Salon of 1824, where he stood alongside luminaries such as John Constable and Richard Parkes Bonington, marked his arrival on the international stage. Furthermore, the high regard in which he was held by the influential critic John Ruskin underscores the lasting impact of his aesthetic vision. Fielding was more than a mere chronicler of scenery; he was an architect of atmosphere.

Today, the works of Anthony Vandyke Copley Fielding reside in some of the world's most prestigious institutions, including the Victoria & Albert Museum and the Yale Center for British Art. His contribution to the canon of British art remains significant because he bridged the gap between the meticulous observation of the Enlightenment and the emotive power of Romanticism. To look upon a Fielding painting is to witness a moment caught in the delicate balance between the tangible world and the infinite imagination, a legacy that continues to inspire collectors and art historians alike.