Retrato de Chris Gollon

Pinturas de Chris Gollon: As 9 mais famosas, sob o olhar de uma galeria

Atualizado em Novembro 2026 · classificado pela nossa pontuação de popularidade (pesquisas, visitas e pedidos de cada obra) · 9 obras de Chris Gollon em nosso catálogo

Em resumo

Aos olhos da galeria, a pintura mais famosa de Chris Gollon é ‘Big fish eat little fish’ (right section) (2001), cuja obra original está exposta no River - Rowing Museum, em Thames. ‘Big fish eat little fish’ (left section) (2001) e ‘Big fish eat little fish’ (centre section) (2001) completam o trio que todos reconhecem. Dos 9 trabalhos de Chris Gollon em nosso catálogo, a galeria apresenta abaixo as 9 obras mais famosas, cada uma original, com seu ano, seu museu e o que a torna única.

1953 – 2017 Mais obras: River - Rowing Museum

As 10 principais pinturas de Chris Gollon na galeria

Os museus que guardam os originais de Chris Gollon

Os 2 museus que detêm a maioria das pinturas desta página.

Museus Cidade Obras de Chris Gollon Pinturas desta lista
River - Rowing Museum, ThamesRiver - Rowing Museum Thames 4 ‘Big fish eat little fish’ (right section), ‘Big fish eat little fish’ (left section), ‘Big fish eat little fish’ (centre section)
Durham University, DurhamDurham University Durham 4 The Gregorian Singer, In the Beginning, Human

Chris Gollon, as pinturas emblemáticas de cada ano

Cerca de dez anos, de 2001 a 2011, foram suficientes para Chris Gollon: a galeria percorre-os ano a ano, um original famoso após o outro.

Obras por ano

Escolha um ano para ver as obras originais.

Pinturas de Chris Gollon: a galeria responde

Qual pintura de Chris Gollon é a mais famosa de todas?Revelar a resposta

‘Big fish eat little fish’ (right section) (2001), River - Rowing Museum, Thames. ‘Big fish eat little fish’ (left section) (2001) e ‘Big fish eat little fish’ (centre section) (2001) vêm a seguir.

Qual era a idade de Chris Gollon ao concluir ‘Big fish eat little fish’ (right section)?Revelar a resposta

48 anos: ‘Big fish eat little fish’ (right section) data de 2001, e Chris Gollon nasceu em 1953.

Quantas obras Chris Gollon criou?Revelar a resposta

Nosso catálogo contém 9 obras de Chris Gollon, datadas de 2001 a 2011.

Onde estão expostos os originais mais famosos de Chris Gollon?Revelar a resposta

Principalmente em River - Rowing Museum (Thames) e Durham University (Durham). A tabela de museus acima lista todos eles.

Quando é que Chris Gollon criou as suas pinturas mais famosas?Revelar a resposta

Em 2001: 3 das 9 obras nesta página foram feitas então, sendo ‘Big fish eat little fish’ (right section) delas.

Quais são as obras mais famosas de Chris Gollon no início e no fim de sua carreira?Revelar a resposta

Nesta página, a mais antiga é ‘Big fish eat little fish’ (right section) (2001) e a mais recente é Still Life (I), St Mary's Series (2011).

Quais obras originais de Chris Gollon o River - Rowing Museum possui?Revelar a resposta

‘Big fish eat little fish’ (right section), ‘Big fish eat little fish’ (left section) e ‘Big fish eat little fish’ (centre section): o River - Rowing Museum, Thames detém 4 das obras desta página.

Chris Gollon: o artista

A Life Interwoven with Music, Faith, and the Old Masters

Chris Gollon (1953–2017) was a British artist whose work resonated with a unique blend of technical mastery, spiritual inquiry, and an unconventional approach to artistic boundaries. Born in London, his journey wasn’t one of strict adherence to tradition but rather a dynamic exploration where the techniques of Old Masters seamlessly intertwined with the immediacy of printmaking and the evocative power of music. Gollon didn't simply paint; he constructed visual narratives that invited contemplation on themes of faith, knowledge, and the human condition. His life, though ending in 2017, left behind a legacy of paintings that continue to captivate and challenge viewers with their depth and complexity.

Early Influences and Artistic Development

Gollon’s early artistic development was marked by a fascination with both historical painting techniques and the possibilities of contemporary media. He wasn't content to replicate the past; instead, he sought to integrate its lessons into his own visual language. This led him to master acrylic painting while simultaneously embracing printmaking methods – an unusual combination that allowed for a remarkable degree of detail and layering in his work. The 1980s saw Gollon honing his skills and beginning to exhibit, culminating in his selection as a finalist in the prestigious Spectator Prize in 1989. This early recognition signaled the emergence of a distinctive voice within the British art scene. However, it was the late 1990s that truly ignited his most compelling artistic trajectory—a nineteen-year period dedicated to exploring the intersection of music and visual art. He wasn’t merely inspired by music; he actively collaborated with musicians and songwriters, allowing their creative energy to inform and shape his paintings.

The Crossover: Art and Music in Dialogue

This exploration reached a pivotal moment in 1998 with his participation in ‘ROOT’, an exhibition curated by Thurston Moore of Sonic Youth at the Chisenhale Gallery in London. Moore challenged Gollon, along with other artists like David Bowie and Yoko Ono, to respond to a 52-second tape through either music or art. Gollon’s response, a painting entitled ‘House of Sleep’, became emblematic of his artistic boundary crossing—a testament to how one art form could illuminate another. As Thurston Moore himself noted in the retrospective catalogue for Huddersfield Art Gallery in 2019, Gollon's work moved “beyond painting as singular expression,” creating an environment where "music and its essence of spiritual sentience comes into accord.” This period wasn’t simply about aesthetic fusion; it was a profound investigation into how different creative disciplines could enrich each other, opening new avenues for thought and feeling.

Major Commissions and Spiritual Themes

Gollon's willingness to engage with challenging subject matter led to significant commissions that further defined his artistic identity. In 2000, he received an unusual request from the Church of England: to create fourteen Stations of the Cross paintings for St John on Bethnal Green, a Grade I listed church designed by Sir John Soane. The commission was controversial given Gollon’s lack of formal religious practice, but it also presented a unique opportunity. He collaborated with Fr Alan Green, the Rector of the church, to navigate theological complexities and produce a series of paintings that were both deeply personal and profoundly moving. These works weren't traditional depictions of biblical scenes; they were reinterpretations infused with Gollon’s distinctive style and his exploration of human suffering and redemption. Later projects included an exhibition at the River & Rowing Museum in Henley-on-Thames, inspired by his connection to the river Thames, and a series of paintings focusing on Albert Einstein, prompted by the centenary of the General Theory of Relativity.

Legacy and Historical Significance

Chris Gollon’s work occupies a unique space within contemporary British art. He wasn't easily categorized—his paintings defied simple labels, blending figurative realism with symbolic depth and technical innovation. His willingness to collaborate across disciplines, his engagement with spiritual themes, and his masterful use of acrylic and printmaking techniques set him apart. The inclusion of his works in museum collections, including the British Museum, is a testament to their enduring quality and historical significance. Gollon’s legacy lies not only in the beauty and complexity of his paintings but also in his demonstration that art can be a powerful vehicle for dialogue—a bridge between tradition and innovation, faith and reason, music and visual expression. He left behind a body of work that continues to inspire contemplation and challenge conventional notions of artistic boundaries.