Atualizado em Outubro 2026 · classificado pela nossa pontuação de popularidade (pesquisas, visitas e pedidos de cada obra) · 7 obras de Charles Walch em nosso catálogo
Em resumo
De todas as obras originais deixadas por Charles Walch, a mais famosa é Bad-Mouthing (1933), da coleção do Centre Pompidou, em Paris. Logo atrás vêm Winter (1934) e The Shepherdess (1934). Nosso catálogo contém 7 obras de Charles Walch; a galeria preservou as 7 que o mundo mais admira, cada uma exibida com sua data, seu museu e sua história.
In 1933, Charles Walch captured a moment of quiet friction in Bad-Mouthing. The scene unfolds within an outdoor or semi-outdoor setting, where a crowd of figures gathers under a dark blue sky. The air feels heavy with the weight of unspoken words. In the foreground, a man and a woman lean toward one another, their bodies angled in a close, secretive interaction. They appear to be whispering, their proximity suggesting…
Os 3 museus que detêm a maioria das pinturas desta página.
| Museus | Cidade | Obras de Charles Walch | Pinturas desta lista |
|---|---|---|---|
 Musée Des Beaux Arts |
Mulhouse | 3 | Birthday, Bâtisseurs et architectes, L'armoire à l'ange |
 Centre Pompidou |
Paris | 2 | Bad-Mouthing, Winter |
 Musée d'Art Moderne et Contemporain de Strasbourg |
Estrasburgo | 2 | The Shepherdess, The Triumphant Bouquet |
Em pouco mais de uma década, de 1933 a 1942, o mundo recebeu cada obra original de Charles Walch nesta seleção: aqui está, ano a ano.
Escolha um ano para ver as obras originais.
In 1933, Charles Walch captured a moment of quiet friction in Bad-Mouthing. The scene unfolds within an outdoor or semi-outdoor setting, where a crowd of figures gathers under a dark blue sky. The air feels heavy with the weight of unspoken words. In the foreground, a man and a woman lean toward one another, their bodies angled in a close, secretive interaction. They appear to be whispering, their proximity suggesting…
Bad-Mouthing (1933), Centre Pompidou, Paris. Winter (1934) e The Shepherdess (1934) vêm a seguir.
37 anos: Bad-Mouthing data de 1933, e Charles Walch nasceu em 1896.
Nosso catálogo contém 7 obras de Charles Walch, datadas de 1933 a 1942.
Principalmente em Musée Des Beaux Arts (Mulhouse), Centre Pompidou (Paris) e Musée d'Art Moderne et Contemporain de Strasbourg (Estrasburgo). A tabela de museus acima lista todos eles.
Em 1942: 3 das 7 obras nesta página foram feitas então, sendo The Triumphant Bouquet delas.
Nesta página, a mais antiga é Bad-Mouthing (1933) e a mais recente é The Triumphant Bouquet (1942).
Birthday, Bâtisseurs et architectes e L'armoire à l'ange: o Musée Des Beaux Arts, Mulhouse detém 3 das obras desta página.
Born in Thann, France, Charles Walch was a versatile visual artist who mastered the disciplines of painting, sculpture, and printmaking. His journey was marked by a profound personal challenge; born with a physical malformation that left his right arm atrophied and his right leg shorter than the left, he learned to navigate the world and his craft using his left hand. This necessity fostered a remarkable dexterity that would define his career. After studying at the Société Industrielle de Mulhouse, he initially worked as a fabric designer. His artistic potential was recognized by Paul Bonnet, who encouraged him to pursue formal training. This support allowed him to move to Paris to study at the Arts décoratifs, eventually establishing a lifelong studio on rue Borromée in the 15th arrondissement.
Walch's career saw significant recognition, including receiving a gold medal at the Exposition universelle de Paris in 1937 and being named a Chevalier de la Légion d'honneur. His work spanned various media, from vibrant paintings and stone sculptures such as Tendresse and Femme au chat to intricate prints like aquatints and etchings. He was part of the 1941 exhibition of the "Vingt jeunes peintres de tradition française" and contributed a flamboyant rooster as a poster for the 1944 Salon d’Automne. His artistic output included:
He passed away suddenly in his Paris studio in 1948 while actively engaged in his painting.
