Retrato de Charles de Steuben

As 19 Pinturas Mais Famosas de Charles de Steuben, uma Seleção da Galeria

Atualizado em Novembro 2026 · classificado pela nossa pontuação de popularidade (pesquisas, visitas e pedidos de cada obra) · 19 obras de Charles de Steuben em nosso catálogo

Em resumo

De todas as obras originais deixadas por Charles de Steuben, a mais famosa é Portrait of Anna Benardaki (1844), da coleção do Museu Hermitage, em São Petersburgo. Logo atrás vêm Portrait of Baron Alexander Stieglitz (1844) e Portrait of Alexander P. von Benckendorff (1819 – 1851) (1850). Nosso catálogo contém 19 obras de Charles de Steuben; a galeria preservou as 19 que o mundo mais admira, cada uma exibida com sua data, seu museu e sua história.

1788 – 1856, Bauerbach Romanticism Mais obras: Museu Hermitage

As 10 principais pinturas de Charles de Steuben: a escolha da galeria

1
Portrait of Anna Benardaki (1844) de Charles de Steuben

Portrait of Anna Benardaki

1844 · Oil · Museu Hermitage, São Petersburgo

The Portrait of Anna Benardaki is a formal mid-19th-century oil portrait that captures a woman seated upon a luxurious red velvet sofa. The composition is centered on the subject, presenting a medium shot that establishes an intimate yet formal connection with the viewer. Her attire consists of a luminous white and silver gown, detailed with intricate lace sleeves and flowing satin folds. This bright palette stands in sharp contrast to…

2
Portrait of Baron Alexander Stieglitz (1844) de Charles de Steuben

Portrait of Baron Alexander Stieglitz

1844 · Oil On Canvas · Museu Hermitage, São Petersburgo

The Portrait of Baron Alexander Stieglitz is a significant oil painting by the artist Charles Auguste Guillaume Steuben. Created in Russia around 1844, this work captures the likeness of Baron Alexander von Stieglitz, a man known for his influence as a Russian banker and philanthropist. The portrait offers a quiet study of a figure central to the social and economic fabric of the era.

3
Portrait of Alexander P. von Benckendorff (1819 – 1851) (1850) de Charles de Steuben

Portrait of Alexander P. von Benckendorff (1819 – 1851)

1850 · Oil On Canvas · Museu Hermitage, São Petersburgo

The subject, Alexander P. von Benckendorff, is rendered in a three-quarter length pose, his gaze directed toward the viewer's left. He is dressed in a formal military uniform, a garment defined by sharp lines and heavy textures. The dark blues and blacks of his attire recede into a somber, atmospheric background, while the metallic sheen of buttons and braided cords catches the light. A draped cloak adds a sense of…

4
Portrait of a Young Woman (1843) de Charles de Steuben

Portrait of a Young Woman

1843 · Oil On Canvas · Museu Hermitage, São Petersburgo

A young woman leans against a cool stone balustrade, her presence filling the space with a quiet, luminous grace. She is caught in a moment of stillness, her body angled slightly away as she gazes out toward a horizon we cannot quite reach. A bright orange-red shawl drapes over her shoulders, providing a sharp, warm contrast to the crisp white lace of her gown. The light catches the delicate textures…

5
Portrait of D.E. Benardaki (1844) de Charles de Steuben

Portrait of D.E. Benardaki

1844 · Oil On Canvas · Museu Hermitage, São Petersburgo

In this 1844 oil portrait, we find ourselves in the presence of D.E. Benardaki, a man whose seated posture suggests a life of intellect and quiet authority. The composition is a formal, three-quarter length view, placing the subject slightly off-center to create a sense of balanced movement. He is positioned within a scholarly environment, seated beside a desk where writing implements rest, hinting at a mind preoccupied with thought or…

6
Portrait of Countess Yulia Stroganova (1848) de Charles de Steuben

Portrait of Countess Yulia Stroganova

1848 · Oil On Canvas · Museu Hermitage, São Petersburgo

The Portrait of Countess Yulia Stroganova is an oil on canvas painted by Charles de Steuben in 1848. The subject, also identified as Julia Stroganova, is presented in a three-quarter length pose. She sits slightly off-center, her presence defined by the quiet weight of her station. She is a lady and a bride, captured in a moment of poised stillness.

A seleção de Charles de Steuben continua, de 11 a 19

Os temas que cativaram o olhar de Charles de Steuben

Os quatro temas que mais se repetem nestas obras originais, cada um com o seu melhor exemplo.

Os museus que guardam os originais de Charles de Steuben

Os 8 museus que detêm a maioria das pinturas desta página.

Museus Cidade Obras de Charles de Steuben Pinturas desta lista
Museu Hermitage, São PetersburgoMuseu Hermitage São Petersburgo 7 Portrait of Anna Benardaki, Portrait of Baron Alexander Stieglitz, Portrait of Alexander P. von Benckendorff (1819 – 1851)
Palais des Beaux-Arts de Lille, LillePalais des Beaux-Arts de Lille Lille 2 Joan the Mad Waiting for the Resurrection of Philip the Handsome Her Husband, Marquise de Béthisy as an Orientalist
Musée Carnavalet, ParisMusée Carnavalet Paris 1 Portrait of Edme Champion, known as the "man in the small blue cloak" (1764-1852), philanthropist
Musée Victor Hugo, ParisMusée Victor Hugo Paris 1 Sketch for the painting "La Esmeralda and her goat"
Opera de Versalhes, VersalhesOpera de Versalhes Versalhes 1 Anne d'Autriche, reine de France
Château de Versailles, VersalhesChâteau de Versailles Versalhes 1 Louis IV, King of France
Napoleon museum ArenenbergNapoleon museum Arenenberg 1 The Death of Napoleon
Cleveland Museum of Art, ClevelandCleveland Museum of Art Cleveland 1 Battle of Poitiers, 25 October 732

Charles de Steuben década a década: a obra original que define cada uma

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Perguntas de colecionadores sobre as pinturas de Charles de Steuben

Por qual obra Charles de Steuben é mais conhecido(a)?Revelar a resposta

Portrait of Anna Benardaki (1844), Museu Hermitage, São Petersburgo. Portrait of Baron Alexander Stieglitz (1844) e Portrait of Alexander P. von Benckendorff (1819 – 1851) (1850) vêm a seguir.

Qual era a idade de Charles de Steuben quando Portrait of Anna Benardaki foi feita?Revelar a resposta

56 anos: Portrait of Anna Benardaki data de 1844, e Charles de Steuben nasceu em 1788.

Quais são as dez pinturas mais famosas de Charles de Steuben?Revelar a resposta

Portrait of Anna Benardaki, Portrait of Baron Alexander Stieglitz, Portrait of Alexander P. von Benckendorff (1819 – 1851), Portrait of a Young Woman, Portrait of D.E. Benardaki, Portrait of Countess Yulia Stroganova, Mercury Putting Argus to Sleep, Portrait of Edme Champion, known as the "man in the small blue cloak" (1764-1852), philanthropist, Sketch for the painting "La Esmeralda and her goat" e Joan the Mad Waiting for the Resurrection of Philip the Handsome Her Husband. O ranking acima apresenta o ano e o museu de cada uma.

Quantas pinturas Charles de Steuben deixou?Revelar a resposta

Nosso catálogo contém 19 obras de Charles de Steuben, datadas de 1800 a 1850.

Em quais museus estão expostas as obras-primas de Charles de Steuben?Revelar a resposta

Principalmente em Museu Hermitage (São Petersburgo), Palais des Beaux-Arts de Lille (Lille) e Musée Carnavalet (Paris). A tabela de museus acima lista todos eles.

Em que anos Charles de Steuben pintou as suas obras mais famosas?Revelar a resposta

Em 1830s: 9 das 19 obras nesta página foram feitas então, sendo Portrait of Edme Champion, known as the "man in the small blue cloak" (1764-1852), philanthropist delas.

Quais são as primeiras e as últimas obras originais famosas de Charles de Steuben?Revelar a resposta

Nesta página, a mais antiga é The Death of Napoleon (1800) e a mais recente é Portrait of Alexander P. von Benckendorff (1819 – 1851) (1850).

Quais temas Charles de Steuben escolheu com mais frequência?Revelar a resposta

Woman (3), Man (3) e Lace (2), entre as 19 obras nesta página.

Qual técnica Charles de Steuben mais utilizou?Revelar a resposta

Oil On Canvas, para 5 das 19 obras nesta página.

A qual movimento artístico pertence Charles de Steuben?Revelar a resposta

Romanticism, a julgar pelos originais nesta página.

Quais obras de Charles de Steuben estão expostas no Museu Hermitage?Revelar a resposta

Portrait of Anna Benardaki, Portrait of Baron Alexander Stieglitz e Portrait of Alexander P. von Benckendorff (1819 – 1851): o Museu Hermitage, São Petersburgo detém 7 das obras desta página.

Charles de Steuben: vida e obra

A Life Forged in the Shadows of Empires

Born into the nobility of the German Duchy of Württemberg, the life of Charles Auguste Guillaume Steuben was never destined for a quiet existence. His early years were defined by movement and the grandeur of shifting borders, moving from his birthplace to the imperial splendor of Saint Petersburg at the tender age of twelve. It was within the hallowed halls of the Imperial Academy of Arts that the young student first began to grasp the language of light and shadow, studying drawing under the watchful eyes of Russian masters. This formative period in Russia, shaped by the social connections of his father—a captain in Russian service—provided a unique cosmopolitan foundation. As he transitioned from the Russian court to the artistic epicenter of Paris, Steuben carried with him a perspective that was both deeply European and profoundly observant, preparing him for a career that would bridge the gap between the Napoleonic era and the Second Empire.

The Echo of Schiller and the Romantic Flame

Steuben’s artistic identity was not merely a product of formal training at the École des Beaux-Arts under luminaries like Jacques-Louis David and Pierre-Paul Prud'hon; it was ignited by the literary fire of Friedrich Schiller. The poet's ideals of individual liberty and free self-determination became the heartbeat of Steuben’s Romantic sensibility, instilling in him a belief that art should reflect the internal struggle for freedom. His style emerged as a dramatic interplay of expressive brushstrokes and a vivid, emotive palette, designed to capture the turbulent spirit of an age defined by revolution and restoration. He mastered the ability to blend meticulous observation with an imaginative, almost theatrical interpretation of history.

  • Philosophical Roots: The profound influence of Friedrich Schiller’s political ideals on his Romantic vision.
  • Academic Pedigree: Refined training under the masters of French Neoclassicism and lithography.
  • Thematic Depth: A focus on historical narratives that emphasized psychological insight and emotional fervor.

Chronicles in Color and Chiaroscuro

The true mastery of Steuben lay in his ability to weave meticulous historical detail with a cinematic sense of drama. He was a storyteller who utilized the technique of chiaroscuro to pull figures from the darkness, lending them a monumental presence that commanded the viewer's attention. In his celebrated work, The Death of Napoleon, one finds a hauntingly intimate glimpse into the twilight of a legend, where the grandeur of empire meets the stark reality of mortality on Saint Helena. Similarly, his Battle of Poitiers serves as a powerful testament to historical resilience, utilizing vibrant color and dynamic composition to depict the decisive clash between Charles Martel and Abd al-Rahman III. Through both painting and lithography, Steuben left behind a legacy that remains a vital window into the soul of nineteenth-century Europe, capturing the very essence of the Romantic era.