Retrato de Auguste de Creuse

As 8 Pinturas Mais Famosas de Auguste de Creuse, uma Seleção da Galeria

Atualizado em Novembro 2026 · classificado pela nossa pontuação de popularidade (pesquisas, visitas e pedidos de cada obra) · 8 obras de Auguste de Creuse em nosso catálogo

Em resumo

De todas as obras originais deixadas por Auguste de Creuse, a mais famosa é Portrait of Susanne de Baudéan (1625-1700) (1837), da coleção do Château de Versailles, em Versalhes. Logo atrás vêm Portrait of Louise Françoise Bouthillier de Chavigny, traditionally identified as Laure Mancini (1839) e Portrait de Louis IX, roi de France. Nosso catálogo contém 8 obras de Auguste de Creuse; a galeria preservou as 8 que o mundo mais admira, cada uma exibida com sua data, seu museu e sua história.

1806 – 1839, Montrond-le-Château Mais obras: Château de Versailles

As 10 principais pinturas de Auguste de Creuse: a escolha da galeria

Os museus que guardam os originais de Auguste de Creuse

O museu que detém a maioria das pinturas desta página.

Museus Cidade Obras de Auguste de Creuse Pinturas desta lista
Château de Versailles, VersalhesChâteau de Versailles Versalhes 4 Portrait of Susanne de Baudéan (1625-1700), Portrait of Louise Françoise Bouthillier de Chavigny, traditionally identified as Laure Mancini, EUGENE ADELAIDE LOUISE D'ORLEANS, MADAME ADELAIDE (1777 1847)

Auguste de Creuse ano a ano: as obras originais que definem cada um

De 1837 a 1839, apenas 3 anos, conheça todas as obras datadas de Auguste de Creuse nesta seleção: aqui está cada ano em sua melhor forma.

Obras por ano

Escolha um ano para ver as obras originais.

Perguntas de colecionadores sobre as pinturas de Auguste de Creuse

Por qual obra Auguste de Creuse é mais conhecido(a)?Revelar a resposta

Portrait of Susanne de Baudéan (1625-1700) (1837), Château de Versailles, Versalhes. Portrait of Louise Françoise Bouthillier de Chavigny, traditionally identified as Laure Mancini (1839) e Portrait de Louis IX, roi de France vêm a seguir.

Qual era a idade de Auguste de Creuse quando Portrait of Susanne de Baudéan (1625-1700) foi feita?Revelar a resposta

31 anos: Portrait of Susanne de Baudéan (1625-1700) data de 1837, e Auguste de Creuse nasceu em 1806.

Quantas pinturas Auguste de Creuse deixou?Revelar a resposta

Nosso catálogo contém 8 obras de Auguste de Creuse, datadas de 1837 a 1839.

Em quais museus estão expostas as obras-primas de Auguste de Creuse?Revelar a resposta

Principalmente em Château de Versailles (Versalhes). A tabela de museus acima lista todos eles.

Quais são as primeiras e as últimas obras originais famosas de Auguste de Creuse?Revelar a resposta

Nesta página, a mais antiga é Portrait of Susanne de Baudéan (1625-1700) (1837) e a mais recente é Portrait of Louise Françoise Bouthillier de Chavigny, traditionally identified as Laure Mancini (1839).

Quais obras de Auguste de Creuse estão expostas no Château de Versailles?Revelar a resposta

Portrait of Susanne de Baudéan (1625-1700), Portrait of Louise Françoise Bouthillier de Chavigny, traditionally identified as Laure Mancini e EUGENE ADELAIDE LOUISE D'ORLEANS, MADAME ADELAIDE (1777 1847): o Château de Versailles, Versalhes detém 4 das obras desta página.

Auguste de Creuse: vida e obra

The Luminous Legacy of Auguste de Creuse

In the grand, sweeping tapestry of nineteenth-century French painting, certain names shine with an enduring brilliance, while others flicker like a candle in a drafty corridor, leaving behind only a hauntingly beautiful afterglow. Auguste de Creuse, born Jean-Pierre Decreuse, belongs to that poignant second category. A master of the portrait, his life was a brief but intense burst of artistic vitality that spanned from his birth in Montrond-le-Château in 1806 to his untimely passing in Paris in 1839. Though his career was tragically truncated at the age of thirty-three, the works he left behind serve as elegant windows into the soul of a bygone era, capturing the quiet dignity of the aristocracy and the storied grandeur of French history.

The trajectory of Creuse’s talent was irrevocably shaped by his time at the École Supérieure des Beaux-Arts in Paris. It was here that he came under the tutelage of the formidable Antoine-Jean Gros, a mentorship that would become the cornerstone of his aesthetic identity. From Gros, Creuse inherited more than just technical proficiency; he absorbed a profound reverence for historical narrative and an almost surgical precision in detail. This lineage is evident in his ability to weave together the monumental scale of history with the intimate nuances of individual character, creating canvases that feel both epic and deeply personal.

A Mastery of Light and Lineage

To observe a portrait by Creuse is to enter a world defined by a restrained yet evocative palette. Eschewing the garish or the overly dramatic, he favored a sophisticated arrangement of muted browns, warm ochres, and soft creams. This deliberate choice of color allowed him to master the art of sfumato and subtle tonal gradations, employing thin, delicate layers of paint to achieve a luminous quality that seems to emanate from within the subjects themselves. His brushwork, remarkably fine and controlled, captured the tactile reality of silk, lace, and velvet, lending his aristocratic sitters an air of timeless grace.

His technical prowess was not merely reserved for contemporary faces; Creuse possessed a unique ability to breathe life into the ghosts of France's past. His repertoire included:

  • Royal Portraits: He achieved significant recognition for his depictions of the House of Orléans, including works featuring the young Louis-Philippe, which found prestigious homes in the Châteaux of Versailles and Trianon.
  • Historical Figures: Creuse demonstrated a remarkable capacity for historical reconstruction, painting legendary figures such as Jean Bart and the Duchesse de Belleval.
  • The Monarchs of Old: His involvement in the series commissioned by Louis Philippe I for the Musée historique de Versailles allowed him to portray medieval and Renaissance icons, including Louis IX (Saint Louis) and Catherine de Médicis.

An Enduring Impression

The historical significance of Auguste de Creuse lies in his role as a bridge between the classical traditions of the early nineteenth century and the burgeoning romanticism of his era. While he operated within the established frameworks of his mentors, his sensitivity to psychological depth pushed his portraiture beyond mere likeness. He sought to reveal the character beneath the velvet, the humanity beneath the crown. Though his death in 1839 silenced his brush, the echoes of his talent remain preserved in the halls of Versailles and the collections of art historians worldwide. He remains a vital figure for anyone seeking to understand the elegance, the precision, and the profound emotional resonance of French portraiture during one of its most transformative centuries.