The mocking of Christ
The light fades into the dark.
Em resumo
The mocking of Christ (1699) é a pintura de Anthoni Schoonjans que mais atrai olhares; a obra original pertence ao Kunsthistorisches Museum, Viena. Depois disso, o olhar recai sobre The Apple of Eris (1690) e Portrait of an unknown lady (1690). Entre as 15 obras de Anthoni Schoonjans em nosso catálogo, estas 15 são as mais famosas, cada uma uma original única apresentada com o seu ano, o seu museu e a razão pela qual perdura.
Os 3 museus que detêm a maioria das pinturas desta página.
| Museus | Cidade | Obras de Anthoni Schoonjans | Pinturas desta lista |
|---|---|---|---|
| Munique | 11 | The Apple of Eris, Portrait of an unknown lady, Jacob blames Laban of his deception with Lea (Genesis 29:25-27) | |
| Viena | 2 | The mocking of Christ, Vestal virgins | |
| Berlim | 1 | Portrait of crown prince Frederick William as David with a sling |
Escolha uma década para ver a obra original que a define.
The mocking of Christ (1699), Kunsthistorisches Museum, Viena. The Apple of Eris (1690) e Portrait of an unknown lady (1690) vêm a seguir.
44 anos: The mocking of Christ data de 1699, e Anthoni Schoonjans nasceu em 1655.
The mocking of Christ, The Apple of Eris, Portrait of an unknown lady, Jacob blames Laban of his deception with Lea (Genesis 29:25-27), Girl with a bird, Self-portrait of Anthon Schoonjans (1655-1726), Narcissus admires his reflection in the water, Joseph and Potiphar's Wife, allegory on the dew e Elector Johann Wilhelm on Horseback. O ranking acima apresenta o ano e o museu de cada uma.
Nosso catálogo contém 15 obras de Anthoni Schoonjans, datadas de 1690 a 1716.
Principalmente em Bavarian State Painting Collections (Munique), Kunsthistorisches Museum (Viena) e Palácio de Charlottenburg (Berlim). A tabela de museus acima lista todos eles.
Em 1690s: 10 das 15 obras nesta página foram feitas então, sendo The mocking of Christ delas.
Nesta página, a mais antiga é The Apple of Eris (1690) e a mais recente é Saint Elizabeth of Hungary Distributing Alms to the Poor (1716).
Oil, para 2 das 15 obras nesta página.
The Apple of Eris, Portrait of an unknown lady e Jacob blames Laban of his deception with Lea (Genesis 29:25-27): o Bavarian State Painting Collections, Munique detém 11 das obras desta página.
Anthoni Schoonjans, also known by the nickname Parrhasius, was a Flemish painter born in Ninove. After receiving his training in Antwerp under Erasmus Quellinus II and Jan-Erasmus Quellinus, his career took him across much of Europe. His journey included stays in France, specifically Reims and Paris, and a significant period in Rome, where he resided with the flower painter Carel de Vogelaer. During his time in Rome, he joined the Bentvueghels, a society for Flemish and Dutch artists.
His international presence saw him serve as a court painter in several locations, including Copenhagen, Berlin, and Düsseldorf. In Vienna, he became a court painter to Emperor Leopold I and married the opera singer Maria Regina Schweizer. His travels also led him to Frankfurt am Main, Kassel, Hamburg, The Hague, Amsterdam, and England, where he painted the stairwell in Montagu House. He eventually returned to Vienna, spending his final years in Perchtoldsdorf before passing away in 1726.
The works of Anthoni Schoonjans encompassed a variety of genres, including:
His religious commissions included an altarpiece of the Martyrdom of St. Sebastian for St. Roch's Church and a Visitation of Mary for St. Stephen's Cathedral in Vienna. In Denmark, he was invited by the court to paint portraits of the royal family. While in Berlin, he was commissioned by Queen Sophie Charlotte to paint the ceiling, rooms, and galleries of Charlottenburg Palace. His portraiture also extended to figures such as the composer Giovanni Bononcini and Attilio Ariosti. In Düsseldorf, he painted the portrait of the Elector Johann Wilhelm and his wife.