Atualizado em Novembro 2026 · classificado pela nossa pontuação de popularidade (pesquisas, visitas e pedidos de cada obra) · 10 obras de Anthon van Rappard em nosso catálogo
Em resumo
Aos olhos da galeria, a pintura mais famosa de Anthon van Rappard é Weaver (1884), cuja obra original está exposta no Van Gogh Museum, em Amsterdã. Portrait of a Girl (1884) e Woman at the Spinning Wheel (1891) completam o trio que todos reconhecem. Dos 10 trabalhos de Anthon van Rappard em nosso catálogo, a galeria apresenta abaixo as 10 obras mais famosas, cada uma original, com seu ano, seu museu e o que a torna única.
In 1884, Anthon van Rappard turned his gaze toward the quiet, heavy shadows of Drenthe. The painting, Weaver, captures a man caught in the rhythmic, solitary labor of his craft. He sits within a small, dark house, dwarfed by the imposing wooden structure of a loom. The space is cramped and dim, a setting where the air feels thick with the dust of industry and the weight of poverty. It…
Anthon van Rappard, born in Zeist, Netherlands, captured the quietude of a life lived in observation. In his work Old Drenthe Woman, the artist turns his gaze toward the weathered reality of the human form. This oil portrait focuses on an elderly subject, presenting a face marked by the passage of time. The subject sits in a moment of stillness, her presence anchored by the weight of her years and…
Os 3 museus que detêm a maioria das pinturas desta página.
| Museus | Cidade | Obras de Anthon van Rappard | Pinturas desta lista |
|---|---|---|---|
 Museum Boijmans Van Beuningen |
Roterdã | 5 | Portrait of a Girl, Woman at the Spinning Wheel, Landing-stage with boats |
 Centraal Museum |
Utrecht | 3 | Two Female Workers, Tile Painters, Washing strands of Cotton |
 Van Gogh Museum |
Amsterdã | 2 | Weaver, Old Drenthe Woman |
Cerca de dez anos, de 1882 a 1891, foram suficientes para Anthon van Rappard: a galeria percorre-os ano a ano, um original famoso após o outro.
Escolha um ano para ver as obras originais.
In 1884, Anthon van Rappard turned his gaze toward the quiet, heavy shadows of Drenthe. The painting, Weaver, captures a man caught in the rhythmic, solitary labor of his craft. He sits within a small, dark house, dwarfed by the imposing wooden structure of a loom. The space is cramped and dim, a setting where the air feels thick with the dust of industry and the weight of poverty. It…
Mais de 1884
Weaver (1884), Van Gogh Museum, Amsterdã. Portrait of a Girl (1884) e Woman at the Spinning Wheel (1891) vêm a seguir.
26 anos: Weaver data de 1884, e Anthon van Rappard nasceu em 1858.
Weaver, Portrait of a Girl, Woman at the Spinning Wheel, Old Drenthe Woman, Two Female Workers, Tile Painters, Landing-stage with boats, Laborer in a brickworks, Cotton Weaver near his Machine e Washing strands of Cotton. O ranking acima apresenta o ano e o museu de cada uma.
Nosso catálogo contém 10 obras de Anthon van Rappard, datadas de 1882 a 1891.
Principalmente em Museum Boijmans Van Beuningen (Roterdã), Centraal Museum (Utrecht) e Van Gogh Museum (Amsterdã). A tabela de museus acima lista todos eles.
Em 1884: 3 das 10 obras nesta página foram feitas então, sendo Weaver delas.
Nesta página, a mais antiga é Tile Painters (1882) e a mais recente é Woman at the Spinning Wheel (1891).
Portrait of a Girl, Woman at the Spinning Wheel e Landing-stage with boats: o Museum Boijmans Van Beuningen, Roterdã detém 5 das obras desta página.
Anthon van Rappard lived through a period of quiet observation in the Netherlands. His life was closely tied to the city of Utrecht, where he found moments of deep connection with his surroundings. During the first half of the 1880s, he maintained a friendship and an exchange of letters with Vincent van Gogh. This connection placed him within a circle of individuals who were deeply engaged with the realities of their time.
His work often turned toward the lived experiences of those in his community. He spent time sketching at the Institute for the Blind in Utrecht, a place dedicated to teaching people how to earn a living through manual labor. In the autumn of 1882 and again around 1890, he returned to this setting to capture the steady rhythm of daily tasks.
Van Rappard had a way of looking at the small, focused movements of people at work. In his 1891 pastel, he documented three men engaged in the delicate process of making brushes. He watched as they fitted plant fibers into wooden handles with precise care. The scene included the simple tools of their trade, such as hammers and rolls of metal wire, laid out on a table.
There was a specific stillness in how he approached his subjects. In the same work, he depicted a bookkeeper at a tall desk, turned away from the craftsmen. This figure, wearing a faded black frock coat and spectacles, provided a quiet contrast to the physical labor occurring nearby. Through these sketches, Van Rappard recorded the atmosphere of an institution where people worked to find their place in society.
