Em resumo
Queen Elizabeth I at Tilbury, 1588 (1938) é a pintura de Alfred Lawrence que mais atrai olhares. Depois disso, o olhar recai sobre David Emlyn Evans, Royal Flying Corps Officer (1916) e Sir Herbert Baker (1862–1946), Architect. Entre as 25 obras de Alfred Lawrence em nosso catálogo, estas 25 são as mais famosas, cada uma uma original única apresentada com o seu ano, o seu museu e a razão pela qual perdura.
As 10 principais pinturas de Alfred Lawrence, sob o olhar da galeria
Pinturas famosas de Alfred Lawrence, números 11 a 25
Os temas que cativaram o olhar de Alfred Lawrence
Os quatro temas que mais se repetem nestas obras originais, cada um com o seu melhor exemplo.
Portraiture 2 obras
Elderly man 2 obras
Nude figure 2 obras
Female form 2 obras
Os museus que guardam os originais de Alfred Lawrence
Os 6 museus que detêm a maioria das pinturas desta página.
| Museus | Cidade | Obras de Alfred Lawrence | Pinturas desta lista |
|---|---|---|---|
| Newcastle upon Tyne | 2 | The Building of Hadrian's Bridge (Pons Aelii) over the Tyne, c.122 AD, The Building of Hadrian's Bridge (Pons Aelii) over the Tyne, c.122 AD (study for a lunette decoration) | |
| Cambridge | 1 | T. M. Temperley | |
| Greenwich | 1 | Cherry Trees at Owletts | |
| Londres | 1 | Robert Robinson (1886–1975) | |
| Londres | 1 | Evelyn M. Lowe (1870–1956) | |
| Oxford | 1 | Kingsley Fairbridge (Rhodes Scholar, 1908) |
Alfred Lawrence ao longo das décadas: uma obra original única para cada uma
Obras por década
Escolha uma década para ver a obra original que a define.
Pinturas de Alfred Lawrence: perguntas para a galeria
Qual é a obra mais famosa de Alfred Lawrence?Revelar a resposta
Queen Elizabeth I at Tilbury, 1588 (1938). David Emlyn Evans, Royal Flying Corps Officer (1916) e Sir Herbert Baker (1862–1946), Architect vêm a seguir.
Com que idade Alfred Lawrence criou Queen Elizabeth I at Tilbury, 1588?Revelar a resposta
45 anos: Queen Elizabeth I at Tilbury, 1588 data de 1938, e Alfred Lawrence nasceu em 1893.
Quais são as dez pinturas mais famosas de Alfred Lawrence?Revelar a resposta
Queen Elizabeth I at Tilbury, 1588, David Emlyn Evans, Royal Flying Corps Officer, Sir Herbert Baker (1862–1946), Architect, The Right Honourable Brien Ibrican (1864–1932), Baron Cullen of Ashbourne, KBE, Governor of the Bank of England (1918–1920), Female Nude, Male Nude, The Building of Hadrian's Bridge (Pons Aelii) over the Tyne, c.122 AD, Head of an Italian Girl, The Building of Hadrian's Bridge (Pons Aelii) over the Tyne, c.122 AD (study for a lunette decoration) e Elizabeth I Commissions Raleigh to Sale for America, 1584. O ranking acima apresenta o ano e o museu de cada uma.
Quantas obras de Alfred Lawrence são conhecidas?Revelar a resposta
Nosso catálogo contém 25 obras de Alfred Lawrence, datadas de 1916 a 1950.
Onde se pode ver os originais mais famosos de Alfred Lawrence?Revelar a resposta
Principalmente em Laing Art Gallery (Newcastle upon Tyne), Queens' College (Cambridge) e National Trust (Greenwich). A tabela de museus acima lista todos eles.
Em que período Alfred Lawrence criou as suas pinturas mais conhecidas?Revelar a resposta
Em 1920s: 7 das 25 obras nesta página foram feitas então, sendo Female Nude delas.
Qual pintura famosa de Alfred Lawrence é a mais antiga e qual é a mais recente?Revelar a resposta
Nesta página, a mais antiga é David Emlyn Evans, Royal Flying Corps Officer (1916) e a mais recente é Robert Robinson (1886–1975) (1950).
Quais temas Alfred Lawrence preferia?Revelar a resposta
Portraiture (2), Elderly man (2) e Nude figure (2), entre as 25 obras nesta página.
A qual movimento pertence a obra de Alfred Lawrence?Revelar a resposta
Contemporary realism, a julgar pelos originais nesta página.
Quais originais de Alfred Lawrence posso ver no Laing Art Gallery?Revelar a resposta
The Building of Hadrian's Bridge (Pons Aelii) over the Tyne, c.122 AD e The Building of Hadrian's Bridge (Pons Aelii) over the Tyne, c.122 AD (study for a lunette decoration): o Laing Art Gallery, Newcastle upon Tyne detém 2 das obras desta página.
Alfred Lawrence: um retrato do artista
The Soul of the English Landscape: The Life and Art of Alfred Kingsley Lawrence
Born in the historic town of Lewes, Sussex, on October 4th, 1893, Alfred Kingsley Lawrence emerged as a profound voice in British art, weaving together the quiet dignity of portraiture with the sweeping, atmospheric beauty of the English countryside. His early life was shaped by a resilience born of necessity; following the untimely death of his father, Lawrence was raised by his mother, Fanny Beatrice Lawrence, whose dedication to his education allowed his innate artistic talents to flourish. This foundational period of discipline and devotion set the stage for a career defined by meticulous observation and an unwavering commitment to capturing the essence of his subjects, whether they were the rugged terrains of Northumberland or the nuanced expressions of the British elite.
Lawrence’s formal training was as prestigious as it was transformative. At the King Edward VII School of Art, Armstrong College, he flourished under the mentorship of Professor Richard Hatton, a period that established him as one of Newcastle’s most promising young talents. His pursuit of excellence led him to the Royal College of Art, where he studied under the renowned William Rothenstein. It was here that Lawrence began to absorb the complex influences of Impressionism and Symbolism, learning to balance the structural integrity of realism with a more emotive, fluid approach to light and atmosphere. The pinnacle of his academic journey arrived in 1923 when he was awarded the prestigious Prix de Rome scholarship, an achievement that transported him to the heart of Italy, allowing him to refine his technique amidst the timeless grandeur of Roman classical art.
A Mastery of Realism and Emotional Resonance
The artistry of Alfred Kingsley Lawrence is best understood through his ability to bridge the gap between the physical world and the psychological realm. His landscapes are far more than mere topographical records; they are evocative studies of light, weather, and mood. In his depictions of the Northumbrian landscape, one can sense the dampness of the mist and the heavy, shifting skies that define the region. This mastery of atmosphere was complemented by a remarkable skill in portraiture, where he sought to capture not just a likeness, but the very soul of the sitter. His portraits are celebrated for their psychological depth, utilizing subtle shading and realistic brushwork to convey wisdom, melancholy, or quiet strength.
His diverse repertoire includes several notable achievements that highlight his versatility as a painter:
- The Altruists: A monumental commission for St Stephen's Hall in Westminster, showcasing his ability to handle large-scale, significant historical subject matter.
- Persephone (1938): A dramatic departure into the realm of Romanticism, where he utilized a swirling blue background and a nude figure to create a powerful, mythic resonance.
- T. M. Temperley (1933): An oil painting that exemplifies his ability to use muted tones and realistic textures to evoke a sense of timelessness and dignity.
- Sir Herbert Baker Study: A delicate pastel work that demonstrates his command over different mediums and his ability to capture the architectural spirit through portraiture.
Throughout his life, Lawrence remained a steadfast observer of the world around him. From the sporting scenes and hunting traditions that earned him recognition in the realm of British sporting art to the intimate, historical portraits like Queen Elizabeth I at Tilbury, his work serves as a vital visual record of a changing Britain. His legacy lives on through the collections of institutions such as the Munnings Art Museum, where his ability to blend the precision of a realist with the heart of an impressionist continues to captivate and inspire new generations of art lovers.






