Papel

Guia de Obras de Estudantes

Behind Me

Nome Turma Data

Xu Beihong, Behind Me (1933), CAFA Art Museum. Domínio público. Veja esta tela sob uma luz em movimento: o desenho, a cor real sob o verniz, o pigmento puro

Informações principais

Artista
Xu Beihong originaluniqueart.com/pt/artists/xu-beihong_pt/
Datas do artista
1895 – 1953
Pintura
1933
Dimensões originais
230 x 318 cm
Movimento
Contemporary Realism Living artists painting the real world with traditional skill, often from photographs as well as from life.
Realizado em
CAFA Art Museum originaluniqueart.com/pt/museums/cafa-art-museum-beijing_pt/
Artistic style
Realist/Social Realism
Influences
Chinese tradition, Western art
Notable elements
Oppressed people longing
Subject or theme
Suffering and liberation

No contexto

Behind Me — Xu Beihong

Dimensões

As dimensões originais são 230 × 318 cm (altura × largura), representadas aqui ao lado de um adulto de altura média. É demasiado grande para ser representada à escala nesta página.

Ano de criação

  1. 1890
  2. 1900
  3. 1910
  4. 1920
  5. 1930
  6. 1940
  7. 1950

Linha acima: os anos. Linha abaixo: a idade do artista no início e no fim de cada período — 0 ao nascer, 58 ao falecer.

Pintado quando o artista tinha 38. O artista viveu até aos 58. 4 das 19 obras datadas deste artista em nosso catálogo são anteriores.

Sombreado: a trajetória de Xu Beihong (1895–1953) ▲ esta obra, 1933 cada pintura datada, década por década

Primeiras obras: até 1933 Principais anos de atividade: 1933–1943 Obras tardias: a partir de 1943

Essas três faixas dividem as obras que este catálogo data em um primeiro quarto, uma metade central e um último quarto. Elas não representam a produção completa do artista: um período de escassez pode ser uma lacuna no registro, em vez de um intervalo de baixa atividade. Os mesmos anos com a vida do artista traçada neles

Obras comparáveis

Escolha uma obra acima: mencione duas semelhanças entre ela e esta, e uma diferença.

Mais obras para acompanhar esta: originaluniqueart.com/pt/art/similar/xu-beihong-behind-me-D4PKNW-en/

Paleta de cores

Medido a partir da imagem

    Cor principal

    Espresso #3e352e

    Paleta catalogada

    • #3E352E
    • #7C6958
    • #998975
    • #5C4C41

    Estas cores dentro de toda a paleta do artista Encontre outras pinturas por cor

    Paleta
    Earthy A família de cores predominante na imagem.
    Nome da cor principal
    Espresso
    Intensidade
    Monochromatic O quão saturadas e variadas são as cores, desde um único tom suave até muitos tons vibrantes.
    Contraste
    Gentle O grau de variação da luminosidade e saturação das cores ao longo da imagem.
    Harmonia
    Strong Color Unity A forma como as cores interagem entre si, desde o contraste marcante até a total harmonia.
    Brilho
    Balanced O nível de luminosidade ou escuridão da imagem como um todo, desde as sombras profundas até os brilhos intensos.
    Saturação
    Muted Quão puras e intensas são as cores, do quase cinza ao totalmente vívido.

    Onde no mundo esta pintura é apreciada?

    • com menos de 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% ou mais
    Esta pintura sozinha possui poucos visitantes registrados para mapear, portanto, a placa apresenta todas as obras de Xu Beihong nos últimos doze meses — 6 países ao todo. De onde vêm estes números

    Os dez principais países

    1. 1 China 54,5%
    2. 2 Estados Unidos da América 22,7%
    3. 3 Canadá 6,8%
    4. 4 França 6,8%
    5. 5 Hong Kong 6,8%
    6. 6 Brasil 2,3%

    Encontre os três países mais escuros no mapa. O museu que guarda esta pintura está em algum deles? Escreva um motivo pelo qual pessoas de longe poderiam visitá-la.

    As 20 obras mais visualizadas de Xu Beihong

    1. 1 The Foolish Old Man Moves a Mountain, 1940 18,2%
    2. 2 Portrait of a Young Woman, 1940 12,7%
    3. 3 BIRDS RESTING ON A WILLOW 5,5%
    4. 4 Male Nude 5,5%
    5. 5 HORSE UNDER A WILLOW TREE 5,5%
    6. 6 Behind Me, 1933 esta pintura 3,6%
    7. 7 Courtyard, 1942 3,6%
    8. 8 The Poet Chen Sanyuan, 1930 3,6%
    9. 9 Portrait of Fu Zengxiang, 1935 3,6%
    10. 10 Portrait of Sun Duoci, 1936 3,6%
    11. 11 Mother and Daughter, 1939 3,6%
    12. 12 PINE TREE AND ROCK 3,6%
    13. 13 Galloping horse 3,6%
    14. 14 Tian Heng e seus Cinco Cento Seguidores, 1930 1,8%
    15. 15 Stroking the Cat, 1924 1,8%
    16. 16 Running Script 1,8%
    17. 17 Standing Horse, 1947 1,8%
    18. 18 BUFFALO AND THE HERD BOY 1,8%
    19. 19 THREE DUCKS 1,8%
    20. 20 Two Horses 1,8%

    Juntas, estas obras representam 88,8% de toda a atenção que as pinturas deste artista receberam nos últimos doze meses. O catálogo contém 37 obras deste artista, das quais 26 foram visualizadas pelo menos uma vez. Esta pintura ocupa a 6 posição entre elas, com 3,6% dessa atenção. Os mesmos números, mês a mês

    As barras medem a atenção, não a qualidade. Escolha a obra no topo e esta aqui: mencione um fator que poderia tornar uma pintura famosa para além da sua técnica de execução.

    Sobre esta obra

    Behind Me — Xu Beihong

    A Chronicle of Suffering and Hope – The Genesis of “Behind Me”

    Xu Beihong's "Behind Me," a monumental oil on canvas measuring 230 x 318 cm, isn’t merely a depiction of a scene; it’s a visceral embodiment of historical turmoil and the enduring spirit of resistance. Painted in 1933 during a period of profound upheaval – the Mukden Incident and the looming shadow of Japanese aggression over China – the artwork transcends its immediate context to resonate with universal themes of oppression, resilience, and the yearning for liberation. The painting’s genesis is deeply intertwined with Xu's own personal experiences; he deliberately chose this subject matter as a response to the injustices faced by his people, drawing inspiration from historical accounts detailing the brutal reign of Emperor Jie of Xia, a figure synonymous with tyranny and suffering.

    The narrative itself, gleaned from ancient Chinese texts, centers on King Tang’s righteous intervention against Jie. Tang's unwavering declaration – “Succor will follow me” – becomes the painting’s central motif, representing not just military strength but a profound commitment to alleviating the plight of the oppressed. Xu Beihong masterfully translates this historical drama into a visual language that speaks volumes about the desperation and hope intertwined within the scene. The composition is deliberately stark; a collection of figures, rendered with a remarkable blend of realism and emotional intensity, stand amidst a desolate landscape – a deliberate choice mirroring the bleakness of their circumstances.

    The Language of Form: Technique and Composition

    Xu Beihong’s technical prowess is immediately evident in “Behind Me.” He skillfully employs a technique that bridges Eastern and Western influences. While rooted in traditional Chinese ink wash painting, he seamlessly integrates oil painting techniques – particularly in the rendering of textures and the use of light and shadow – demonstrating his commitment to innovation. The figures are not idealized; they possess an earthy quality, reflecting their humble origins and the hardships they endure. Notice the deliberate use of muted tones, punctuated by flashes of color that draw attention to key elements within the composition. The arrangement of the figures is carefully considered, creating a dynamic flow that guides the viewer’s eye through the scene, emphasizing the collective weight of their suffering.

    Brushwork: A masterful blend of Chinese and Western styles – loose washes for background elements combined with more controlled strokes for figure details.

    Color Palette: Dominated by earthy browns, grays, and ochres, punctuated by strategic use of red to highlight key figures and symbols.

    Composition: A pyramid-like structure draws the eye towards the central figures, reinforcing their importance within the narrative.

    Symbolism and Emotional Resonance

    Beyond its historical context, “Behind Me” is rich in symbolic meaning. The bowl and spoon held by several individuals represent a desperate plea for sustenance – a poignant reminder of the basic necessities denied to the oppressed. The animal present in the scene—often interpreted as a dog—further amplifies this theme of vulnerability and loyalty. More profoundly, the painting embodies the spirit of resistance against injustice. It’s not simply a depiction of suffering; it's an assertion of hope – a belief that even in the darkest of times, the desire for liberation will ultimately prevail. The phrase “Succor will follow me” isn’t just a historical quote; it becomes a powerful visual mantra within the artwork itself.

    A Legacy of Social Commentary and Artistic Innovation

    “Behind Me” stands as a testament to Xu Beihong's artistic vision and his commitment to using art as a vehicle for social commentary. Created during a turbulent period in Chinese history, it reflects the anxieties and aspirations of a nation grappling with foreign invasion and internal strife. Xu’s decision to embrace both traditional Chinese techniques and Western influences marked a pivotal moment in the development of modern Chinese painting, paving the way for future generations of artists to explore new forms of expression while retaining their cultural heritage. Reproductions of this powerful work continue to resonate today, serving as a potent reminder of the enduring struggle for justice and the unwavering spirit of humanity.

    Artista e museu

    Artista

    Xu Beihong

    Nascido em Yixing, China

    A Pioneer Bridging Worlds: The Life and Art of Xu Beihong

    Xu Beihong, born Xu Shoukang in 1895 in the tranquil town of Yixing, Jiangsu province, stands as a monumental figure in 20th-century Chinese art. His life was a compelling narrative of artistic evolution, dedicated to forging a new path for Chinese painting—one that harmoniously blended the rich traditions of his homeland with the innovations of Western art. From humble beginnings steeped in classical learning and traditional brushwork under the tutelage of his father, Xu Dazhang, a struggling artist himself, young Beihong’s early life was marked by both artistic promise and economic hardship. This formative period instilled within him not only technical skill but also a deep appreciation for Chinese culture and a resilient spirit that would define his career. The family's itinerant existence, painting portraits and landscapes to make ends meet, exposed him to the realities of rural China and fueled an early ambition to elevate the status of art and artists. A pivotal moment arrived when he adopted the name “Beihong,” meaning "sad wild goose," a reflection perhaps of his youthful anxieties and aspirations—a poignant symbol of both longing and determination.

    The European Awakening: Forging a New Artistic Vision

    Driven by a thirst for knowledge and a desire to modernize Chinese art, Xu Beihong embarked on a transformative journey to Europe in 1917. Initially studying in Tokyo, he soon secured a coveted scholarship to the prestigious École Nationale Supérieure des Beaux-Arts in Paris. This period proved crucial in shaping his artistic philosophy and technique. Immersed in the heart of European art, he meticulously studied oil painting and drawing, mastering Western principles of perspective, composition, and realism. While embracing these new techniques, Xu Beihong remained critical of certain modernist trends prevalent at the time, favoring instead the classical traditions he encountered. He adopted the French name "Ju Péon" during his stay, a testament to his immersion in European culture—a deliberate choice that signaled his intention to absorb and synthesize Western artistic knowledge while retaining his Chinese identity. He spent years absorbing the techniques of masters like Ingres and Delacroix, studying anatomy with intense dedication, and experimenting with color palettes. However, he never abandoned his fundamental understanding of Chinese brushwork and composition, recognizing their inherent beauty and expressive power. This period laid the foundation for his unique artistic style, characterized by a powerful synthesis of Eastern aesthetics and Western techniques—a delicate balance between tradition and innovation.

    Iconic Motifs and Artistic Style: A Synthesis of East and West

    Upon returning to China in 1927, Xu Beihong embarked on a prolific career marked by groundbreaking works that captured the spirit of a nation undergoing profound change. He quickly became renowned for his dynamic depictions of horses and birds—motifs that transcended mere representation to become powerful symbols of strength, freedom, and national pride. His horses, in particular, are celebrated for their muscularity, energy, and expressive power, often depicted galloping across vast landscapes with a sense of untamed spirit – a visual embodiment of the Chinese nation’s resilience. Galloping Horse, perhaps his most iconic work, exemplifies this perfectly—a testament to the vitality and determination of the Chinese people. Beyond these signature subjects, Xu Beihong also excelled in portraiture and historical painting, demonstrating his mastery of both oil painting and traditional ink wash techniques. His style was characterized by a unique blend of bold brushstrokes, precise delineation, and a masterful command of light and shadow. He seamlessly integrated Western perspective and composition into the fluidity of Chinese brushwork, creating a visual language that was both innovative and deeply rooted in tradition. Foolish Old Man Who Removed the Mountains, inspired by a traditional Chinese fable, exemplifies his ability to imbue classical themes with modern energy and social commentary—a demonstration of his artistic versatility and intellectual depth.

    Legacy and Influence: Shaping Modern Chinese Art Education

    Xu Beihong’s impact extended far beyond his own artistic creations; he was also a pioneering art educator who profoundly shaped the development of modern Chinese art education. After returning to China, he held teaching positions at several prestigious universities, including National Central University and Peking University, where he tirelessly advocated for curriculum reform. He championed the incorporation of Western sketching and oil painting techniques into traditional Chinese art programs, believing that this integration was essential for revitalizing Chinese artistic expression—a visionary approach that challenged conventional thinking and paved the way for a new generation of artists. Following the founding of the People's Republic of China in 1949, he became president of the Central Academy of Fine Arts and chairman of the China Artists Association, further solidifying his influence on the nation’s artistic landscape. He trained generations of artists who went on to become leading figures in Chinese art, carrying forward his vision of a modern yet culturally grounded aesthetic—a legacy that continues to inspire artists today. Xu Beihong's emphasis on artistic conception, the importance of life experiences, and the integration of Eastern and Western traditions left an indelible mark on Chinese art history, cementing his place as one of its most influential figures. His work continues to resonate with audiences worldwide, serving as a powerful reminder of the enduring power of art to bridge cultures and transcend boundaries.

    Major Achievements

    Mastery of Diverse Techniques:* Xu Beihong seamlessly blended traditional Chinese ink wash painting with Western oil painting techniques, creating a unique and recognizable style. Iconic Horse Paintings: His depictions of horses—particularly Galloping Horse—became symbols of national strength and resilience. *Pioneering Art Education:* He revolutionized art education in China by advocating for the integration of Western methods alongside traditional Chinese practices. Influence on Generations of Artists: He trained numerous artists who went on to become prominent figures in the Chinese art world. *Monumental Oil Paintings:* Xu Beihong created several large-scale oil paintings depicting historical and mythological scenes, showcasing his mastery of Western techniques and his ability to convey epic narratives.

    Museu

    CAFA Art Museum

    Em exibição em Pequim, República Popular da China

    Um Farol da Arte Chinesa: Explorando o CAFA Art Museum

    Aninhado no coração vibrante de Pequim, o

    CAFA Art Museum

    ergue-se como um profundo testemunho do rico patrimônio artístico da China e de sua dinâmica evolução contemporânea. Afiliado à prestigiada Academia Central de Belas Artes (CAFA), uma instituição cujas raízes remontam a 1918, este museu é muito mais do que um mero repositório de obras-primas; é um centro vivo e pulsante de exploração acadêmica, preservação cultural e vibrante intercâmbio artístico. Caminhar por seus corredores é atravessar séculos de expressão criativa, testemunhando as mudanças sutis nas sensibilidades estéticas e o poder duradouro da imaginação humana. A própria existência do museu espelha a jornada de uma nação — uma história de resiliência, inovação e um compromisso inabalável com a excelência artística que constrói uma ponte entre a tradição ancestral e a visão moderna.

    A experiência arquitetônica do museu é, por si só, uma obra-prima do diálogo entre a tradição e a modernidade. Concebido pelo renomado arquiteto japonês

    Arata Isozaki

    e concluído em 2008, o edifício serve como um exemplo impressionante de engenhosidade arquitetônica. O design combina perfeitamente a estética contemporânea com sutis referências aos princípios tradicionais chineses, criando um espaço onde linhas limpas e galerias espaçosas são banhadas por abundante luz natural. Esta luminosidade promove uma atmosfera de profunda contemplação, permitindo que o espectador se conecte intimamente com as obras em exibição. Revestido por uma sofisticada pedra de padrões cinzentos, o exterior harmoniza-se belamente com o campus circundante, enquanto a estrutura interna foi cuidadosamente projetada para acomodar desde delicados pergaminhos da dinastia Ming até instalações contemporâneas imersivas de grande escala.

    Um Tesouro de Herança e Inovação

    A verdadeira alma do CAFA Art Museum reside em sua coleção extraordinária, um tesouro que abrange dinastias e movimentos artísticos. Colecionadores e amantes da arte encontrar-se-ão cativados pelo celebrado conjunto do museu, que conta com mais de 2.000 pinturas em pergaminho chineses da Dinastia Ming. Estas obras requintadas oferecem um vislumbre íntimo de uma era renomada por sua pincelada refinada, paisagens poéticas e temas filosóficos profundos. No entanto, o museu não habita apenas o passado; ele também ostenta uma coleção significativa de arte chinesa do século XX, exibindo a evolução dramática da expressão durante períodos de imensa mudança social e política. Dos designs modernos intrincados a esculturas evocativas e modelos arquitetônicos, a diversidade do acervo destaca a natureza multifacetada da criatividade chinesa.

    Além de seus tesouros permanentes, o CAFA Art Museum funciona como um centro dinâmico para a inovação artística por meio de suas exposições rotativas. O museu organiza regularmente mostras temporárias que apresentam tanto mestres consagrados quanto talentos emergentes, garantindo que a experiência do visitante esteja em constante evolução. Estas exposições frequentemente exploram temas de vanguarda, expandindo os limites da expressão artística e estimulando o diálogo crítico dentro da comunidade artística global. Ao integrar uma rigorosa pesquisa acadêmica com um alcance público acessível, o museu cultiva uma compreensão mais profunda da arte chinesa para públicos de todas as idades. Ele permanece como um pilar do cenário cultural, um lugar onde os ecos da história informam o presente e inspiram as possibilidades ilimitadas do futuro.

    Saiba mais

    Disponível online

    QR code que direciona para a página de download de Behind Me

    originaluniqueart.com/pt/art/download/xu-beihong-behind-me-D4PKNW-en/

    Como citar esta obra

    MLA
    Beihong, Xu. Behind Me. 1933, CAFA Art Museum. https://originaluniqueart.com/pt/art/xu-beihong-behind-me-D4PKNW-en/
    APA
    Beihong, Xu (1933). Behind Me [Painting]. CAFA Art Museum. https://originaluniqueart.com/pt/art/xu-beihong-behind-me-D4PKNW-en/
    Chicago
    Xu Beihong. Behind Me. 1933. CAFA Art Museum. https://originaluniqueart.com/pt/art/xu-beihong-behind-me-D4PKNW-en/
    Harvard
    Beihong, Xu (1933) Behind Me. CAFA Art Museum. Available at: https://originaluniqueart.com/pt/art/xu-beihong-behind-me-D4PKNW-en/

    Observe de perto

    Behind Me — Xu Beihong

    Olhar de perto

    Responda com suas próprias palavras. Não existem respostas erradas aqui — apenas respostas que você possa explicar.

    1. O que chama a sua atenção primeiro e por quê?
    2. Quais cores ou formas criam a atmosfera — e que atmosfera é essa?
    3. O nosso catálogo classifica esta obra sob: chinese painting, xu beihong, oppression. Concorda? O que acrescentaria ou removeria?
    4. Relembre Tian Heng e seus Cinco Cento Seguidores (1930), apresentado anteriormente neste guia. Identifique dois elementos que esta obra compartilha com a anterior e um que seja diferente.
    5. Contemporary Realism: Living artists painting the real world with traditional skill, often from photographs as well as from life. Onde você pode observar isso nesta obra?

    Sua resposta

    Escreva um pequeno parágrafo sobre esta obra de arte. Utilize as informações das etapas anteriores deste guia e as suas respostas acima.

    Quiz de arte

    Behind Me — Xu Beihong

    O quanto você conhece esta obra de arte?

    Selecione uma resposta para cada uma das 5 perguntas abaixo. Cada uma possui exatamente uma resposta correta.

    1. 1. What historical event is most closely associated with the painting "Behind Me"?

      • A The Boxer Rebellion
      • B The Mukden Incident
      • C The May Fourth Movement
    2. 2. What artistic movement is Xu Beihong most closely linked to?

      • A Impressionism
      • B Realism
      • C Surrealism
    3. 3. According to the description, what is a key theme conveyed by the painting?

      • A The prosperity of China during the 1930s
      • B Oppression and longing for liberation
      • C A celebration of imperial power
    4. 4. What medium was primarily used to create "Behind Me"?

      • A Watercolor
      • B Oil on canvas
      • C Ink and wash
    5. 5. In what year was "Behind Me" created, according to the provided information?

      • A 1923
      • B 1933
      • C 1953

    Minha pontuação: ____ de 5

    Gabarito — para o professor

    Isto inicia uma nova página impressa, de modo que ela pode simplesmente ser omitida das cópias.

    1B · 2B · 3B · 4B · 5B

    Confira qualquer resposta comparando com o registro do catálogo desta pintura

    Perguntas e Respostas

    Qual é a forma e as dimensões de "Behind Me" de Xu Beihong?

    "Behind Me" de Xu Beihong possui as proporções de uma obra em Landscape de 230 x 318 cm.

    Como as cores de "Behind Me" se relacionam entre si?

    A harmonia de cores de "Behind Me" é registrada como Strong Color Unity.

    A que fase da carreira de Xu Beihong corresponde a data de 1933 de "Behind Me"?

    A data de 1933 situa "Behind Me" no Mature Period do desenvolvimento de Xu Beihong.